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He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":457,"_312":458},{"_310":455,"_312":456},{"_310":453,"_312":454},{"_310":451,"_312":452},{"_310":449,"_312":450},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":516,"_220":517,"_324":518,"_326":327,"_328":519,"_330":464,"_332":-5,"_334":-5,"_336":520,"_140":99},"after 1788","oil on canvas","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[501,502,503,504,505],{"_219":440,"_220":441,"_42":442,"_303":443},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":500,"_438":439},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":497,"_296":498,"_298":499},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":291,"_292":293},{"_223":492,"_125":493,"_284":494},{"_275":489,"_277":490,"_279":491,"_281":474},83.17205882352941,90.5,68.17205882352941,{"_286":223,"_123":495,"_154":496,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","weymouth-bay-met-682931","Weymouth Bay",{"_42":576,"_220":577,"_324":578,"_326":327,"_328":579,"_330":580,"_332":581,"_334":335,"_336":582,"_140":97},"1830",19,"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[561,562,563,564,565],{"_219":300,"_220":301,"_42":302,"_303":304},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_294":558,"_296":559,"_298":560},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_290":373,"_292":374},{"_223":547,"_125":548,"_284":549},{"_275":362,"_277":545,"_279":364,"_281":546},43.859539602028875,19.85953960202887,{"_286":223,"_123":556,"_154":557,"_140":97},{"_286":125,"_123":553,"_154":554,"_140":555},{"_286":284,"_123":550,"_154":551,"_140":552},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},{"_310":568,"_312":569},{"_310":566,"_312":567},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":630,"_220":631,"_324":632,"_326":462,"_328":633,"_330":401,"_332":634,"_334":335,"_336":635,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[615,616,617,618,619],{"_219":378,"_220":379,"_42":380,"_303":381},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_294":612,"_296":613,"_298":614},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_290":291,"_292":293},{"_223":607,"_125":608,"_284":609},{"_275":604,"_277":605,"_279":606,"_281":589},85.3828125,99,70.3828125,{"_286":223,"_123":610,"_154":611,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_310":628,"_312":629},{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":688,"_220":689,"_324":690,"_326":462,"_328":691,"_330":692,"_332":-5,"_334":-5,"_336":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[673,674,675,676,677],{"_219":669,"_220":670,"_42":671,"_303":672},"Courtesy of the Art Institute of Chicago","1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":666,"_296":667,"_298":668},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":373,"_292":374},{"_223":661,"_125":662,"_284":663},{"_275":658,"_277":659,"_279":660,"_281":552},55.79270227392914,64,31.792702273929137,{"_286":223,"_123":664,"_154":665,"_140":99},{"_286":125,"_123":368,"_154":369,"_140":370},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":686,"_312":687},{"_310":684,"_312":685},{"_310":682,"_312":683},{"_310":680,"_312":681},{"_310":678,"_312":679},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":739,"_220":740,"_324":741,"_326":327,"_328":742,"_330":743,"_332":744,"_334":335,"_336":745,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[724,725,726,727,728],{"_219":669,"_220":670,"_42":671,"_303":672},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":721,"_296":722,"_298":723},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":291,"_292":293},{"_223":716,"_125":717,"_284":718},{"_275":713,"_277":714,"_279":715,"_281":699},79.64294930875576,93,64.64294930875576,{"_286":223,"_123":719,"_154":720,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":737,"_312":738},{"_310":735,"_312":736},{"_310":733,"_312":734},{"_310":731,"_312":732},{"_310":729,"_312":730},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":739,"_220":740,"_324":741,"_326":327,"_328":742,"_330":743,"_332":744,"_334":335,"_336":745,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[778,779,780,781,782],{"_219":440,"_220":441,"_42":442,"_303":443},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":777,"_438":439},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":774,"_296":775,"_298":776},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":291,"_292":293},{"_223":771,"_125":772,"_284":773},{"_275":767,"_277":768,"_279":769,"_281":770},163.0235294117647,255,148.0235294117647,240,{"_286":223,"_123":719,"_154":720,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_310":791,"_312":792},{"_310":789,"_312":790},{"_310":787,"_312":788},{"_310":785,"_312":786},{"_310":783,"_312":784},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":630,"_220":631,"_324":632,"_326":462,"_328":633,"_330":401,"_332":634,"_334":335,"_336":635,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[828,829,830,831,832],{"_219":669,"_220":670,"_42":671,"_303":672},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":825,"_296":826,"_298":827},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":373,"_292":374},{"_223":820,"_125":821,"_284":822},{"_275":817,"_277":818,"_279":801,"_281":819},79,66.1776611694153,42.177661169415295,{"_286":223,"_123":610,"_154":611,"_140":97},{"_286":125,"_123":823,"_154":824,"_140":53},{"_286":284,"_123":165,"_154":164,"_140":167},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},{"_310":835,"_312":836},{"_310":833,"_312":834},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":576,"_220":577,"_324":578,"_326":327,"_328":579,"_330":580,"_332":581,"_334":335,"_336":582,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[873,874,875,876,877],{"_219":378,"_220":379,"_42":380,"_303":381},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_294":870,"_296":871,"_298":872},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_290":373,"_292":374},{"_223":867,"_125":868,"_284":869},{"_275":864,"_277":865,"_279":848,"_281":866},49.2,41.94638671875,17.94638671875,{"_286":223,"_123":556,"_154":557,"_140":97},{"_286":125,"_123":553,"_154":554,"_140":555},{"_286":284,"_123":550,"_154":551,"_140":552},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},{"_310":878,"_312":879},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":940,"_220":941,"_324":942,"_326":327,"_328":943,"_330":579,"_332":335,"_334":335,"_336":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[925,926,927,928,929],{"_219":300,"_220":301,"_42":302,"_303":304},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":922,"_296":923,"_298":924},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":373,"_292":374},{"_223":914,"_125":915,"_284":916},{"_275":911,"_277":912,"_279":896,"_281":913},76,62.26731078904992,38.26731078904992,{"_286":223,"_123":920,"_154":921,"_140":89},{"_286":125,"_123":917,"_154":918,"_140":919},{"_286":284,"_123":165,"_154":164,"_140":167},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_310":938,"_312":939},{"_310":936,"_312":937},{"_310":934,"_312":935},{"_310":932,"_312":933},{"_310":930,"_312":931},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":576,"_220":577,"_324":578,"_326":327,"_328":579,"_330":580,"_332":581,"_334":335,"_336":582,"_140":97},"mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[972,973,974,975,976],{"_219":378,"_220":379,"_42":380,"_303":381},"2001.118.21","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":969,"_296":970,"_298":971},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":373,"_292":374},{"_223":966,"_125":967,"_284":968},{"_275":362,"_277":964,"_279":364,"_281":965},44.166015625,20.166015625,{"_286":223,"_123":556,"_154":557,"_140":97},{"_286":125,"_123":553,"_154":554,"_140":555},{"_286":284,"_123":550,"_154":551,"_140":552},"https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_310":985,"_312":986},{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},{"_310":977,"_312":978},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"william-pitt-nga-52264","William Pitt",{"_42":516,"_220":517,"_324":518,"_326":327,"_328":519,"_330":464,"_332":-5,"_334":-5,"_336":520,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[1017,1018,1019,1020,1021],{"_219":378,"_220":379,"_42":380,"_303":381},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":1014,"_296":1015,"_298":1016},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":291,"_292":293},{"_223":1011,"_125":1012,"_284":1013},{"_275":1009,"_277":552,"_279":1010,"_281":364},34.62890625,19.62890625,{"_286":223,"_123":495,"_154":496,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},{"_310":1022,"_312":1023},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":739,"_220":740,"_324":741,"_326":327,"_328":742,"_330":743,"_332":744,"_334":335,"_336":745,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1065,1066,1067,1068,1069],{"_219":440,"_220":441,"_42":442,"_303":443},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1064,"_438":439},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_294":1061,"_296":1062,"_298":1063},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_290":291,"_292":293},{"_223":1055,"_125":1056,"_284":1057},{"_275":1052,"_277":1053,"_279":1054,"_281":370},117.63088235294117,144,102.63088235294117,{"_286":223,"_123":719,"_154":720,"_140":91},{"_286":125,"_123":1058,"_154":1059,"_140":1060},{"_286":284,"_123":550,"_154":551,"_140":552},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},{"_310":1070,"_312":1071},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1126,"_220":1127,"_324":1128,"_326":462,"_328":1129,"_330":1130,"_332":-5,"_334":-5,"_336":1131,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[1111,1112,1113,1114,1115],{"_219":669,"_220":670,"_42":671,"_303":672},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_294":1108,"_296":1109,"_298":1110},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_290":373,"_292":374},{"_223":1103,"_125":1104,"_284":1105},{"_275":588,"_277":1101,"_279":1086,"_281":1102},60.23588863463005,36.23588863463005,{"_286":223,"_123":1106,"_154":1107,"_140":99},{"_286":125,"_123":823,"_154":824,"_140":53},{"_286":284,"_123":165,"_154":164,"_140":167},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_310":1124,"_312":1125},{"_310":1122,"_312":1123},{"_310":1120,"_312":1121},{"_310":1118,"_312":1119},{"_310":1116,"_312":1117},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.",{"_1133":-5,"_1134":1135,"_1136":1137,"_1138":8,"_1139":1140,"_1141":8},"user","csrf","0ba63b9af7c841e2f1833f0979fed6c36a78fcb0","cartCount",0,"dropLive","legal",[1142,1143,1144,1145,1146,1147,1148,1149,1150,1151,1152,1153],"uploadsEnabled",{"_220":1176,"_20":1177},{"_220":1174,"_20":1175},{"_220":1172,"_20":1173},{"_220":1170,"_20":1171},{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},{"_220":1160,"_20":1161},{"_220":1158,"_20":1159},{"_220":1156,"_20":1157},{"_220":1154,"_20":1155},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]