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A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":397,"_316":398},{"_314":395,"_316":396},{"_314":393,"_316":394},{"_314":391,"_316":392},{"_314":389,"_316":390},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"noon-nga-119642","Noon",{"_42":469,"_224":470,"_328":471,"_330":472,"_332":473,"_334":474,"_336":475,"_338":339,"_340":476,"_140":97},"1830",19,"print","Print","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[454,455,456,457,458],{"_223":450,"_224":451,"_42":452,"_307":453},"Courtesy National Gallery of Art, Washington","2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_298":447,"_300":448,"_302":449},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_294":445,"_296":446},{"_227":434,"_125":435,"_288":436},{"_279":431,"_281":432,"_283":414,"_285":433},49.5,42.3094482421875,18.3094482421875,{"_290":227,"_123":443,"_154":444,"_140":97},{"_290":125,"_123":440,"_154":441,"_140":442},{"_290":288,"_123":437,"_154":438,"_140":439},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","white","snow","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":467,"_316":468},{"_314":465,"_316":466},{"_314":463,"_316":464},{"_314":461,"_316":462},{"_314":459,"_316":460},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881","British",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":526,"_224":527,"_328":528,"_330":472,"_332":529,"_334":530,"_336":531,"_338":339,"_340":532,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[511,512,513,514,515],{"_223":380,"_224":381,"_42":382,"_307":383},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":510,"_378":379},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_298":507,"_300":508,"_302":509},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_294":295,"_296":297},{"_227":502,"_125":503,"_288":504},{"_279":498,"_281":499,"_283":500,"_285":501},163.0235294117647,255,148.0235294117647,240,{"_290":227,"_123":505,"_154":506,"_140":91},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_314":524,"_316":525},{"_314":522,"_316":523},{"_314":520,"_316":521},{"_314":518,"_316":519},{"_314":516,"_316":517},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":587,"_224":588,"_328":589,"_330":331,"_332":590,"_334":591,"_336":-5,"_338":-5,"_340":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[572,573,574,575,576],{"_223":568,"_224":569,"_42":570,"_307":571},"Courtesy of the Art Institute of Chicago","1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_298":565,"_300":566,"_302":567},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_294":445,"_296":446},{"_227":557,"_125":558,"_288":559},{"_279":554,"_281":555,"_283":556,"_285":439},55.65007857517025,64,31.650078575170248,{"_290":227,"_123":563,"_154":564,"_140":99},{"_290":125,"_123":560,"_154":561,"_140":562},{"_290":288,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":585,"_316":586},{"_314":583,"_316":584},{"_314":581,"_316":582},{"_314":579,"_316":580},{"_314":577,"_316":578},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":641,"_224":642,"_328":643,"_330":472,"_332":644,"_334":645,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[626,627,628,629,630],{"_223":450,"_224":451,"_42":452,"_307":453},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_298":623,"_300":624,"_302":625},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_294":295,"_296":297},{"_227":615,"_125":616,"_288":617},{"_279":612,"_281":613,"_283":597,"_285":614},246,166.762939453125,151.762939453125,{"_290":227,"_123":621,"_154":622,"_140":89},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":437,"_154":438,"_140":439},"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_314":639,"_316":640},{"_314":637,"_316":638},{"_314":635,"_316":636},{"_314":633,"_316":634},{"_314":631,"_316":632},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":587,"_224":588,"_328":589,"_330":331,"_332":590,"_334":591,"_336":-5,"_338":-5,"_340":-5,"_140":99},0.7948175568482284,[669,670,671,672,673],{"_223":568,"_224":569,"_42":570,"_307":571},"1946.402","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.",{"_298":666,"_300":667,"_302":668},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_294":445,"_296":446},{"_227":663,"_125":664,"_288":665},{"_279":661,"_281":555,"_283":662,"_285":439},55.79270227392914,31.792702273929137,{"_290":227,"_123":563,"_154":564,"_140":99},{"_290":125,"_123":560,"_154":561,"_140":562},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg",{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":735,"_224":736,"_328":737,"_330":331,"_332":738,"_334":739,"_336":740,"_338":740,"_340":741,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[720,721,722,723,724],{"_223":568,"_224":569,"_42":570,"_307":571},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_298":717,"_300":718,"_302":719},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_294":445,"_296":446},{"_227":710,"_125":711,"_288":712},{"_279":707,"_281":708,"_283":709,"_285":168},53.22455845248108,66,29.224558452481077,{"_290":227,"_123":715,"_154":716,"_140":99},{"_290":125,"_123":713,"_154":714,"_140":53},{"_290":288,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_314":733,"_316":734},{"_314":731,"_316":732},{"_314":729,"_316":730},{"_314":727,"_316":728},{"_314":725,"_316":726},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","the-white-horse-nga-1146","The White Horse",{"_42":788,"_224":789,"_328":790,"_330":331,"_332":791,"_334":792,"_336":-5,"_338":-5,"_340":793,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[773,774,775,776,777],{"_223":450,"_224":451,"_42":452,"_307":453},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_298":770,"_300":771,"_302":772},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_294":295,"_296":297},{"_227":765,"_125":766,"_288":767},{"_279":762,"_281":763,"_283":747,"_285":764},198,142.912353515625,127.912353515625,{"_290":227,"_123":768,"_154":769,"_140":99},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":437,"_154":438,"_140":439},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[829,830,831,832,833],{"_223":826,"_224":827,"_42":828,"_307":453},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_298":823,"_300":824,"_302":825},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_294":295,"_296":297},{"_227":818,"_125":819,"_288":820},{"_279":815,"_281":816,"_283":799,"_285":817},70.2,58.4424,43.4424,{"_290":227,"_123":821,"_154":822,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_314":842,"_316":843},{"_314":840,"_316":841},{"_314":838,"_316":839},{"_314":836,"_316":837},{"_314":834,"_316":835},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":890,"_224":891,"_328":892,"_330":331,"_332":893,"_334":894,"_336":-5,"_338":-5,"_340":895,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[876,877,878,879,880],{"_223":568,"_224":569,"_42":570,"_307":571},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_298":873,"_300":874,"_302":875},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_294":445,"_296":446},{"_227":868,"_125":869,"_288":870},{"_279":865,"_281":866,"_283":850,"_285":867},71,60.23588863463005,36.23588863463005,{"_290":227,"_123":871,"_154":872,"_140":99},{"_290":125,"_123":713,"_154":714,"_140":53},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_314":888,"_316":889},{"_314":886,"_316":887},{"_314":885,"_316":390},{"_314":883,"_316":884},{"_314":881,"_316":882},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f","#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":941,"_224":942,"_328":943,"_330":472,"_332":944,"_334":945,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[927,928,929,930,931],{"_223":450,"_224":451,"_42":452,"_307":453},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_298":924,"_300":925,"_302":926},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_294":295,"_296":297},{"_227":919,"_125":920,"_288":921},{"_279":916,"_281":917,"_283":901,"_285":918},167.6,105.38271484375,90.38271484375,{"_290":227,"_123":922,"_154":923,"_140":89},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":932,"_316":582},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":992,"_224":993,"_328":994,"_330":472,"_332":995,"_334":996,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[977,978,979,980,981],{"_223":450,"_224":451,"_42":452,"_307":453},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_298":974,"_300":975,"_302":976},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_294":445,"_296":446},{"_227":969,"_125":970,"_288":971},{"_279":966,"_281":967,"_283":952,"_285":968},82.5,66.1468505859375,42.1468505859375,{"_290":227,"_123":972,"_154":973,"_140":89},{"_290":125,"_123":560,"_154":561,"_140":562},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_314":990,"_316":991},{"_314":988,"_316":989},{"_314":986,"_316":987},{"_314":984,"_316":985},{"_314":982,"_316":983},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":326,"_224":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",84,0.837890625,[1026,1027,1028,1029,1030],{"_223":450,"_224":451,"_42":452,"_307":453},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_298":1023,"_300":1024,"_302":1025},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_294":295,"_296":297},{"_227":1020,"_125":1021,"_288":1022},{"_279":1017,"_281":1018,"_283":1019,"_285":1002},85.3828125,99,70.3828125,{"_290":227,"_123":170,"_154":169,"_140":97},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_314":1039,"_316":1040},{"_314":1037,"_316":1038},{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":1087,"_224":1088,"_328":1089,"_330":331,"_332":1090,"_334":1091,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[1072,1073,1074,1075,1076],{"_223":568,"_224":569,"_42":570,"_307":571},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_298":1069,"_300":1070,"_302":1071},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_294":295,"_296":297},{"_227":1064,"_125":1065,"_288":1066},{"_279":1061,"_281":1062,"_283":1063,"_285":1047},42.32984293193717,51,27.329842931937172,{"_290":227,"_123":1067,"_154":1068,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_314":1085,"_316":1086},{"_314":1083,"_316":1084},{"_314":1081,"_316":1082},{"_314":1079,"_316":1080},{"_314":1077,"_316":1078},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1139,"_224":1140,"_328":1141,"_330":331,"_332":944,"_334":1142,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",101,0.7940150839347985,[1124,1125,1126,1127,1128],{"_223":568,"_224":569,"_42":570,"_307":571},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1122,"_378":1123},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_298":1119,"_300":1120,"_302":1121},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_294":295,"_296":297},{"_227":1114,"_125":1115,"_288":1116},{"_279":1112,"_281":366,"_283":1113,"_285":349},115.83991565971941,100.83991565971941,{"_290":227,"_123":1117,"_154":1118,"_140":89},{"_290":125,"_123":618,"_154":619,"_140":620},{"_290":288,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.","Text from the Art Institute of Chicago.",{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},{"_314":1131,"_316":1132},{"_314":1129,"_316":1130},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1847,{"_1144":-5,"_1145":1146,"_1147":1148,"_1149":8,"_1150":1151,"_1152":8},"user","csrf","3f99ccb2f5894b1f1b7658f306a0343e266132a4","cartCount",0,"dropLive","legal",[1153,1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164],"uploadsEnabled",{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},{"_224":1177,"_20":1178},{"_224":1175,"_20":1176},{"_224":1173,"_20":1174},{"_224":1171,"_20":1172},{"_224":1169,"_20":1170},{"_224":1167,"_20":1168},{"_224":1165,"_20":1166},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]