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This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"william-pitt-nga-52264","William Pitt",{"_42":514,"_221":515,"_387":516,"_389":390,"_391":517,"_393":518,"_395":-5,"_396":-5,"_397":519,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[499,500,501,502,503],{"_220":366,"_221":367,"_42":368,"_303":369},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":496,"_296":497,"_298":498},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":361,"_292":362},{"_224":488,"_125":489,"_284":490},{"_274":486,"_276":355,"_278":487,"_280":279},34.62890625,19.62890625,{"_286":224,"_123":494,"_154":495,"_140":99},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","noon-nga-119642","Noon",{"_42":571,"_221":572,"_387":573,"_389":390,"_391":574,"_393":575,"_395":576,"_396":577,"_397":578,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[556,557,558,559,560],{"_220":366,"_221":367,"_42":368,"_303":369},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_294":553,"_296":554,"_298":555},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_290":291,"_292":293},{"_224":545,"_125":546,"_284":547},{"_274":542,"_276":543,"_278":526,"_280":544},49.5,42.3094482421875,18.3094482421875,{"_286":224,"_123":551,"_154":552,"_140":97},{"_286":125,"_123":548,"_154":549,"_140":550},{"_286":284,"_123":353,"_154":354,"_140":355},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_310":569,"_312":570},{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":629,"_221":630,"_387":631,"_389":632,"_391":633,"_393":634,"_395":-5,"_396":-5,"_397":635,"_140":99},"1836","Oil on canvas","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[614,615,616,617,618],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":612,"_437":613},"Large English country landscape painting, farmers with horses, green trees.",{"_294":609,"_296":610,"_298":611},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_290":361,"_292":362},{"_224":604,"_125":605,"_284":606},{"_274":601,"_276":602,"_278":585,"_280":603},184,139.40655926352127,124.40655926352129,{"_286":224,"_123":607,"_154":608,"_140":99},{"_286":125,"_123":356,"_154":357,"_140":358},{"_286":284,"_123":353,"_154":354,"_140":355},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","Text from the Art Institute of Chicago.",{"_310":627,"_312":628},{"_310":625,"_312":626},{"_310":623,"_312":624},{"_310":621,"_312":622},{"_310":619,"_312":620},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837","English",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":681,"_221":682,"_387":683,"_389":632,"_391":684,"_393":685,"_395":-5,"_396":-5,"_397":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",36,0.7591623036649214,[666,667,668,669,670],{"_220":300,"_221":301,"_42":302,"_303":304},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":663,"_296":664,"_298":665},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_290":361,"_292":362},{"_224":658,"_125":659,"_284":660},{"_274":655,"_276":656,"_278":657,"_280":641},42.32984293193717,51,27.329842931937172,{"_286":224,"_123":661,"_154":662,"_140":89},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_310":679,"_312":680},{"_310":677,"_312":678},{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":732,"_221":733,"_387":734,"_389":390,"_391":735,"_393":736,"_395":-5,"_396":-5,"_397":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[717,718,719,720,721],{"_220":366,"_221":367,"_42":368,"_303":369},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_294":714,"_296":715,"_298":716},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_290":361,"_292":362},{"_224":709,"_125":710,"_284":711},{"_274":706,"_276":707,"_278":708,"_280":692},113.11484375,138.2,98.11484375,{"_286":224,"_123":712,"_154":713,"_140":89},{"_286":125,"_123":356,"_154":357,"_140":358},{"_286":284,"_123":353,"_154":354,"_140":355},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":783,"_221":784,"_387":785,"_389":390,"_391":786,"_393":787,"_395":788,"_396":577,"_397":789,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[769,770,771,772,773],{"_220":366,"_221":367,"_42":368,"_303":369},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":766,"_296":767,"_298":768},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":361,"_292":362},{"_224":761,"_125":762,"_284":763},{"_274":758,"_276":759,"_278":760,"_280":743},116.6768798828125,143.5,101.6768798828125,{"_286":224,"_123":764,"_154":765,"_140":91},{"_286":125,"_123":356,"_154":357,"_140":358},{"_286":284,"_123":353,"_154":354,"_140":355},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":776,"_312":775},{"_310":774,"_312":775},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","seashore-with-fishermen-nga-52265","Seashore with Fishermen",{"_42":837,"_221":838,"_387":839,"_389":632,"_391":840,"_393":841,"_395":842,"_396":577,"_397":843,"_140":97},"c. 1781/1782","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)",127.6,101.9,1.2552865461231995,[822,823,824,825,826],{"_220":366,"_221":367,"_42":368,"_303":369},"1970.17.121","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.",{"_294":819,"_296":820,"_298":821},"https://img.ochreeditions.com/m/1552.jpg?dl=1","/art/seashore-with-fishermen-nga-52265","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265",{"_290":361,"_292":362},{"_224":814,"_125":815,"_284":816},{"_274":811,"_276":812,"_278":795,"_280":813},142.6,116.65009765625,101.65009765625,{"_286":224,"_123":817,"_154":818,"_140":97},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/1552/960.jpg","https://img.ochreeditions.com/a/1552/1920.jpg",{"_310":835,"_312":836},{"_310":833,"_312":834},{"_310":831,"_312":832},{"_310":829,"_312":830},{"_310":827,"_312":828},"#b1a488",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":783,"_221":784,"_387":785,"_389":390,"_391":786,"_393":787,"_395":788,"_396":577,"_397":789,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[872,873,874,875,876],{"_220":300,"_221":301,"_42":302,"_303":304},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_294":869,"_296":870,"_298":871},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_290":361,"_292":362},{"_224":866,"_125":867,"_284":868},{"_274":863,"_276":864,"_278":865,"_280":850},79.64294930875576,93,64.64294930875576,{"_286":224,"_123":764,"_154":765,"_140":91},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_310":885,"_312":886},{"_310":883,"_312":884},{"_310":881,"_312":882},{"_310":879,"_312":880},{"_310":877,"_312":878},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":931,"_221":932,"_387":933,"_389":390,"_391":934,"_393":935,"_395":936,"_396":577,"_397":937,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,0.7977275284058949,[916,917,918,919,920],{"_220":300,"_221":301,"_42":302,"_303":304},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_294":913,"_296":914,"_298":915},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_290":361,"_292":362},{"_224":908,"_125":909,"_284":910},{"_274":905,"_276":906,"_278":907,"_280":586},115.51366857914276,141,100.51366857914276,{"_286":224,"_123":911,"_154":912,"_140":95},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},{"_310":921,"_312":922},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":931,"_221":932,"_387":933,"_389":390,"_391":934,"_393":935,"_395":936,"_396":577,"_397":937,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[969,970,971,972,973],{"_220":439,"_221":440,"_42":441,"_303":442},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":968,"_437":438},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_294":965,"_296":966,"_298":967},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_290":361,"_292":362},{"_224":962,"_125":963,"_284":964},{"_274":959,"_276":960,"_278":961,"_280":944},185.63529411764705,211,170.63529411764705,{"_286":224,"_123":911,"_154":912,"_140":95},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_310":982,"_312":983},{"_310":980,"_312":981},{"_310":978,"_312":979},{"_310":976,"_312":977},{"_310":974,"_312":975},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":1029,"_221":1030,"_387":1031,"_389":461,"_391":841,"_393":1032,"_395":-5,"_396":-5,"_397":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[1014,1015,1016,1017,1018],{"_220":366,"_221":367,"_42":368,"_303":369},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_294":1011,"_296":1012,"_298":1013},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_290":291,"_292":293},{"_224":1006,"_125":1007,"_284":1008},{"_274":275,"_276":1004,"_278":279,"_280":1005},39.68603515625,15.686035156249998,{"_286":224,"_123":1009,"_154":1010,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_310":1027,"_312":1028},{"_310":1025,"_312":1026},{"_310":1023,"_312":1024},{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,"elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":783,"_221":784,"_387":785,"_389":390,"_391":786,"_393":787,"_395":788,"_396":577,"_397":789,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[1069,1070,1071,1072,1073],{"_220":1065,"_221":1066,"_42":1067,"_303":1068},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_294":1062,"_296":1063,"_298":1064},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_290":361,"_292":362},{"_224":1059,"_125":1060,"_284":1061},{"_274":1056,"_276":1057,"_278":1058,"_280":1040},161.4845419354839,253.8,146.4845419354839,{"_286":224,"_123":764,"_154":765,"_140":91},{"_286":125,"_123":491,"_154":492,"_140":493},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":1082,"_312":1083},{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1133,"_221":1134,"_387":1135,"_389":390,"_391":1136,"_393":1137,"_395":-5,"_396":-5,"_397":-5,"_140":103},"1807","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1118,1119,1120,1121,1122],{"_220":439,"_221":440,"_42":441,"_303":442},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1117,"_437":438},"Bray Church Yard, by John Varley, 1807",{"_294":1114,"_296":1115,"_298":1116},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_290":291,"_292":293},{"_224":1109,"_125":1110,"_284":1111},{"_274":1106,"_276":1107,"_278":1090,"_280":1108},60.9,48.95091176470588,24.950911764705882,{"_286":224,"_123":1112,"_154":1113,"_140":89},{"_286":125,"_123":429,"_154":430,"_140":332},{"_286":284,"_123":353,"_154":354,"_140":355},"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_310":1131,"_312":1132},{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","1df38922dabb8639f35114d28b3ad93b5f56a600","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]