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Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":459,"_310":460},{"_308":457,"_310":458},{"_308":455,"_310":456},{"_308":453,"_310":454},{"_308":451,"_310":452},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"London","Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[501,502,503,504,505],{"_219":370,"_220":371,"_42":372,"_301":373},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_292":498,"_294":499,"_296":500},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_288":289,"_290":291},{"_223":493,"_125":494,"_282":495},{"_273":489,"_275":490,"_277":491,"_278":492},49,48.48828746872867,25,24.488287468728675,{"_284":223,"_123":496,"_154":497,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_308":514,"_310":515},{"_308":512,"_310":513},{"_308":510,"_310":511},{"_308":508,"_310":509},{"_308":506,"_310":507},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":562,"_220":563,"_322":564,"_324":464,"_326":565,"_328":566,"_330":-5,"_331":-5,"_332":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912519643792562,[547,548,549,550,551],{"_219":370,"_220":371,"_42":372,"_301":373},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_292":544,"_294":545,"_296":546},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_288":289,"_290":291},{"_223":539,"_125":540,"_282":541},{"_273":536,"_275":537,"_277":538,"_278":428},55.65007857517025,64,31.650078575170248,{"_284":223,"_123":542,"_154":543,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},{"_308":554,"_310":555},{"_308":552,"_310":553},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"william-pitt-nga-52264","William Pitt",{"_42":617,"_220":618,"_322":619,"_324":325,"_326":620,"_328":621,"_330":-5,"_331":-5,"_332":622,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[602,603,604,605,606],{"_219":298,"_220":299,"_42":300,"_301":302},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_292":599,"_294":600,"_296":601},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_288":434,"_290":435},{"_223":591,"_125":592,"_282":593},{"_273":589,"_275":428,"_277":590,"_278":491},34.62890625,19.62890625,{"_284":223,"_123":597,"_154":598,"_140":99},{"_284":125,"_123":594,"_154":595,"_140":596},{"_284":282,"_123":165,"_154":164,"_140":167},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_308":615,"_310":616},{"_308":613,"_310":614},{"_308":611,"_310":612},{"_308":609,"_310":610},{"_308":607,"_310":608},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":680,"_220":681,"_322":682,"_324":325,"_326":683,"_328":684,"_330":467,"_331":467,"_332":-5,"_140":103},"ca. 1803–5","drawing","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[665,666,667,668,669],{"_219":661,"_220":662,"_42":663,"_301":664},"Courtesy of The Metropolitan Museum of Art","14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_292":658,"_294":659,"_296":660},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_288":289,"_290":291},{"_223":650,"_125":651,"_282":652},{"_273":647,"_275":648,"_277":649,"_278":632},50.26670344827586,63.2,26.266703448275862,{"_284":223,"_123":656,"_154":657,"_140":89},{"_284":125,"_123":653,"_154":654,"_140":655},{"_284":282,"_123":165,"_154":164,"_140":167},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":678,"_310":679},{"_308":676,"_310":677},{"_308":674,"_310":675},{"_308":672,"_310":673},{"_308":670,"_310":671},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,1827,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":731,"_220":732,"_322":733,"_324":734,"_326":735,"_328":736,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[716,717,718,719,720],{"_219":298,"_220":299,"_42":300,"_301":302},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_292":713,"_294":714,"_296":715},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_288":434,"_290":435},{"_223":708,"_125":709,"_282":710},{"_273":705,"_275":706,"_277":690,"_278":707},135,116.953125,101.953125,{"_284":223,"_123":711,"_154":712,"_140":89},{"_284":125,"_123":594,"_154":595,"_140":596},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_308":729,"_310":730},{"_308":727,"_310":728},{"_308":725,"_310":726},{"_308":723,"_310":724},{"_308":721,"_310":722},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":787,"_220":788,"_322":789,"_324":325,"_326":790,"_328":791,"_330":792,"_331":467,"_332":793,"_140":97},"1830","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[772,773,774,775,776],{"_219":298,"_220":299,"_42":300,"_301":302},"2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_292":769,"_294":770,"_296":771},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_288":289,"_290":291},{"_223":761,"_125":762,"_282":763},{"_273":489,"_275":759,"_277":491,"_278":760},44.166015625,20.166015625,{"_284":223,"_123":767,"_154":768,"_140":97},{"_284":125,"_123":764,"_154":765,"_140":766},{"_284":282,"_123":426,"_154":427,"_140":428},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg",{"_308":785,"_310":786},{"_308":783,"_310":784},{"_308":781,"_310":782},{"_308":779,"_310":780},{"_308":777,"_310":778},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[826,827,828,829,830],{"_219":823,"_220":824,"_42":825,"_301":302},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_292":820,"_294":821,"_296":822},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_288":434,"_290":435},{"_223":817,"_125":818,"_282":819},{"_273":814,"_275":815,"_277":816,"_278":799},117.51170000000002,143.3,102.51170000000002,{"_284":223,"_123":496,"_154":497,"_140":97},{"_284":125,"_123":594,"_154":595,"_140":596},{"_284":282,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_308":839,"_310":559},{"_308":837,"_310":838},{"_308":835,"_310":836},{"_308":833,"_310":834},{"_308":831,"_310":832},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015","theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":887,"_220":888,"_322":889,"_324":325,"_326":890,"_328":891,"_330":892,"_331":467,"_332":893,"_140":95},"1776–81","Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[872,873,874,875,876],{"_219":370,"_220":371,"_42":372,"_301":373},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_292":869,"_294":870,"_296":871},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_288":434,"_290":435},{"_223":864,"_125":865,"_282":866},{"_273":861,"_275":862,"_277":863,"_278":847},76.14076281287247,88,61.14076281287247,{"_284":223,"_123":867,"_154":868,"_140":95},{"_284":125,"_123":594,"_154":595,"_140":596},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_308":885,"_310":886},{"_308":883,"_310":884},{"_308":881,"_310":882},{"_308":879,"_310":880},{"_308":877,"_310":878},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":942,"_220":943,"_322":944,"_324":464,"_326":945,"_328":946,"_330":947,"_331":467,"_332":948,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[927,928,929,930,931],{"_219":661,"_220":662,"_42":663,"_301":664},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_292":924,"_294":925,"_296":926},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_288":434,"_290":435},{"_223":919,"_125":920,"_282":921},{"_273":916,"_275":917,"_277":918,"_278":901},135.62100077780656,162.6,120.62100077780657,{"_284":223,"_123":922,"_154":923,"_140":97},{"_284":125,"_123":594,"_154":595,"_140":596},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_308":940,"_310":941},{"_308":938,"_310":939},{"_308":936,"_310":937},{"_308":934,"_310":935},{"_308":932,"_310":933},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":995,"_220":996,"_322":997,"_324":464,"_326":891,"_328":998,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1834","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[980,981,982,983,984],{"_219":370,"_220":371,"_42":372,"_301":373},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_292":977,"_294":978,"_296":979},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_288":434,"_290":435},{"_223":972,"_125":973,"_282":974},{"_273":969,"_275":970,"_277":342,"_278":971},53,38.1345982804625,23.134598280462495,{"_284":223,"_123":975,"_154":976,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":426,"_154":427,"_140":428},"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_308":993,"_310":994},{"_308":991,"_310":992},{"_308":989,"_310":990},{"_308":987,"_310":988},{"_308":985,"_310":986},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882",1882,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":1043,"_220":1044,"_322":1045,"_324":325,"_326":1046,"_328":1047,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[1028,1029,1030,1031,1032],{"_219":298,"_220":299,"_42":300,"_301":302},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_292":1025,"_294":1026,"_296":1027},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_288":434,"_290":435},{"_223":1020,"_125":1021,"_282":1022},{"_273":1018,"_275":420,"_277":1019,"_278":403},113.11484375,98.11484375,{"_284":223,"_123":1023,"_154":1024,"_140":89},{"_284":125,"_123":429,"_154":430,"_140":431},{"_284":282,"_123":426,"_154":427,"_140":428},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_308":1041,"_310":1042},{"_308":1039,"_310":1040},{"_308":1037,"_310":1038},{"_308":1035,"_310":1036},{"_308":1033,"_310":1034},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":1095,"_220":1096,"_322":1097,"_324":464,"_326":392,"_328":1098,"_330":-5,"_331":-5,"_332":1099,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[1080,1081,1082,1083,1084],{"_219":370,"_220":371,"_42":372,"_301":373},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_292":1077,"_294":1078,"_296":1079},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_288":289,"_290":291},{"_223":1072,"_125":1073,"_282":1074},{"_273":1069,"_275":1070,"_277":1054,"_278":1071},71,60.23588863463005,36.23588863463005,{"_284":223,"_123":1075,"_154":1076,"_140":99},{"_284":125,"_123":363,"_154":364,"_140":53},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_308":1093,"_310":1094},{"_308":1091,"_310":1092},{"_308":1089,"_310":1090},{"_308":1087,"_310":1088},{"_308":1085,"_310":1086},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","self-portrait-aic-11706","Self-Portrait",{"_42":1095,"_220":1096,"_322":1097,"_324":464,"_326":392,"_328":1098,"_330":-5,"_331":-5,"_332":1099,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[1130,1131,1132,1133,1134],{"_219":370,"_220":371,"_42":372,"_301":373},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_292":1127,"_294":1128,"_296":1129},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_288":289,"_290":291},{"_223":1124,"_125":1125,"_282":1126},{"_273":1121,"_275":1122,"_277":1123,"_278":522},41.0926483233018,54,17.092648323301805,{"_284":223,"_123":1075,"_154":1076,"_140":99},{"_284":125,"_123":363,"_154":364,"_140":53},{"_284":282,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_308":1143,"_310":1144},{"_308":1141,"_310":1142},{"_308":1139,"_310":1140},{"_308":1137,"_310":1138},{"_308":1135,"_310":1136},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","f055398b5ab1f5da1bebf9d3a9a72603329a7e87","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]