[{"_1":2,"_3":4},"root",{"_5":1147},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/mrs-paul-cobb-methuen-nga-1159",15,"https://www.ochreeditions.com/art/saint-john-the-evangelist-nga-54044",14,"https://www.ochreeditions.com/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",13,"https://www.ochreeditions.com/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",12,"https://www.ochreeditions.com/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",11,"https://www.ochreeditions.com/art/saint-john-the-evangelist-nga-54043",10,"https://www.ochreeditions.com/art/lindisfarne-castle-holy-island-northumberland-met-341793",9,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",8,"https://www.ochreeditions.com/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",7,"https://www.ochreeditions.com/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",6,"https://www.ochreeditions.com/art/stoke-by-neyland-nga-119641",5,"https://www.ochreeditions.com/art/phasianus-versicolor-nga-53855",4,"https://www.ochreeditions.com/art/recovery-document-land-title-grant-aic-136136",3,"https://www.ochreeditions.com/art/death-on-a-pale-horse-aic-158239",2,"https://www.ochreeditions.com/art/weymouth-bay-met-682931",1,"https://www.ochreeditions.com/art/bray-church-yard-cma-119729","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",320,"/galleries/style/georgian-britain","total",63,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MzIwLCJpIjpudWxsLCJnIjoiMUV4UmpLSzUifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=320&cursor=eyJvIjoxNiwiaCI6MzIwLCJpIjpudWxsLCJnIjoiMUV4UmpLSzUifQ&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/380/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":97},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=320&via=continue",42,"More by Thomas Gainsborough","artist/thomas-gainsborough","/galleries/artist/thomas-gainsborough?hang=320&via=continue",{"_42":199,"_179":200},{"_42":194,"_179":195},{"_42":188,"_179":189},{"_42":184,"_179":185},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182,183],1537,1572,1336,"Section 2, north wall",[186,187],1331,1655,"Section 2, south wall",[190,191,192,193],1202,199,1039,1571,"Section 1, south wall",[196,197,198],1565,1649,1465,"Section 1, north wall",[201,202,203,204],542,1280,339,319,{"_221":201,"_222":1082,"_20":1083,"_225":1084,"_227":-5,"_228":1085,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":606,"_237":1086,"_239":1087,"_241":1088,"_243":1089,"_245":1090,"_247":1091,"_249":1092,"_251":1093,"_253":1094,"_255":1095,"_257":258,"_259":1096,"_154":1097,"_261":-5,"_111":1098,"_264":1099,"_266":1100,"_268":1101,"_270":1102,"_272":1103,"_144":1104,"_275":1105},{"_221":202,"_222":1037,"_20":1038,"_225":1039,"_227":-5,"_228":837,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":1040,"_239":1041,"_241":1042,"_243":1043,"_245":1044,"_247":1045,"_249":1046,"_251":1047,"_253":615,"_255":1048,"_257":258,"_259":1049,"_154":-5,"_261":1050,"_111":1051,"_264":1052,"_266":1053,"_268":1054,"_270":1055,"_272":1056,"_144":1057,"_275":1058},{"_221":203,"_222":985,"_20":986,"_225":987,"_227":-5,"_228":988,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":989,"_241":990,"_243":991,"_245":992,"_247":993,"_249":994,"_251":995,"_253":677,"_255":996,"_257":258,"_259":997,"_154":-5,"_261":-5,"_111":998,"_264":999,"_266":1000,"_268":1001,"_270":1002,"_272":1003,"_144":1004,"_275":1005},{"_221":204,"_222":940,"_20":941,"_225":-5,"_227":942,"_228":943,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":944,"_241":945,"_243":946,"_245":75,"_247":947,"_249":948,"_251":949,"_253":677,"_255":950,"_257":258,"_259":951,"_154":-5,"_261":-5,"_111":952,"_264":953,"_266":954,"_268":955,"_270":956,"_272":957,"_144":958,"_275":959},{"_221":196,"_222":891,"_20":892,"_225":893,"_227":-5,"_228":-5,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":894,"_241":895,"_243":896,"_245":897,"_247":898,"_249":899,"_251":900,"_253":254,"_255":901,"_257":258,"_259":902,"_154":-5,"_261":-5,"_111":903,"_264":904,"_266":905,"_268":906,"_270":907,"_272":908,"_144":909,"_275":910},{"_221":197,"_222":834,"_20":835,"_225":836,"_227":-5,"_228":837,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":838,"_241":839,"_243":840,"_245":841,"_247":842,"_249":843,"_251":844,"_253":254,"_255":845,"_257":258,"_259":846,"_154":-5,"_261":847,"_111":848,"_264":849,"_266":850,"_268":851,"_270":852,"_272":853,"_144":854,"_275":855},{"_221":198,"_222":782,"_20":783,"_225":784,"_227":-5,"_228":785,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":786,"_243":787,"_245":788,"_247":789,"_249":790,"_251":791,"_253":254,"_255":792,"_257":258,"_259":793,"_154":-5,"_261":-5,"_111":794,"_264":795,"_266":796,"_268":797,"_270":798,"_272":799,"_144":800,"_275":801},{"_221":190,"_222":726,"_20":727,"_225":728,"_227":-5,"_228":729,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":730,"_239":731,"_241":732,"_243":733,"_245":734,"_247":735,"_249":736,"_251":737,"_253":615,"_255":738,"_257":258,"_259":739,"_154":-5,"_261":740,"_111":741,"_264":742,"_266":743,"_268":744,"_270":745,"_272":746,"_144":747,"_275":748},{"_221":191,"_222":664,"_20":665,"_225":666,"_227":-5,"_228":667,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":668,"_237":669,"_239":670,"_241":671,"_243":672,"_245":673,"_247":674,"_249":675,"_251":676,"_253":677,"_255":678,"_257":258,"_259":679,"_154":-5,"_261":-5,"_111":680,"_264":681,"_266":682,"_268":683,"_270":684,"_272":685,"_144":686,"_275":687},{"_221":192,"_222":602,"_20":603,"_225":604,"_227":-5,"_228":605,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":606,"_237":607,"_239":608,"_241":609,"_243":610,"_245":611,"_247":612,"_249":613,"_251":614,"_253":615,"_255":616,"_257":258,"_259":617,"_154":-5,"_261":-5,"_111":618,"_264":619,"_266":620,"_268":621,"_270":622,"_272":623,"_144":624,"_275":625},{"_221":193,"_222":562,"_20":341,"_225":563,"_227":-5,"_228":343,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":564,"_241":565,"_243":566,"_245":349,"_247":567,"_249":568,"_251":569,"_253":254,"_255":570,"_257":258,"_259":354,"_154":-5,"_261":-5,"_111":571,"_264":572,"_266":573,"_268":574,"_270":575,"_272":576,"_144":577,"_275":578},{"_221":186,"_222":512,"_20":513,"_225":514,"_227":-5,"_228":515,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":516,"_243":280,"_245":517,"_247":518,"_249":519,"_251":520,"_253":254,"_255":521,"_257":258,"_259":522,"_154":-5,"_261":-5,"_111":523,"_264":524,"_266":525,"_268":526,"_270":527,"_272":528,"_144":529,"_275":530},{"_221":187,"_222":461,"_20":462,"_225":463,"_227":-5,"_228":464,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":465,"_243":466,"_245":467,"_247":468,"_249":469,"_251":470,"_253":254,"_255":471,"_257":258,"_259":472,"_154":-5,"_261":-5,"_111":473,"_264":474,"_266":475,"_268":476,"_270":477,"_272":478,"_144":479,"_275":480},{"_221":181,"_222":401,"_20":402,"_225":403,"_227":-5,"_228":404,"_230":405,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":406,"_243":407,"_245":408,"_247":409,"_249":410,"_251":411,"_253":254,"_255":412,"_257":258,"_259":413,"_154":-5,"_261":414,"_111":415,"_264":416,"_266":417,"_268":418,"_270":419,"_272":420,"_144":421,"_275":422},{"_221":182,"_222":340,"_20":341,"_225":342,"_227":-5,"_228":343,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":344,"_237":345,"_239":346,"_241":347,"_243":348,"_245":349,"_247":350,"_249":351,"_251":352,"_253":254,"_255":353,"_257":258,"_259":354,"_154":-5,"_261":-5,"_111":355,"_264":356,"_266":357,"_268":358,"_270":359,"_272":360,"_144":361,"_275":362},{"_221":183,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":-5,"_261":262,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen","artist",{"_42":324,"_222":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":97},"unrecorded","date","c. 1776/1777","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)","width_cm",71,"height_cm",84,"aspect",0.837890625,"palette",[307,308,309,310,311],"museum",{"_221":302,"_222":303,"_42":304,"_305":306},"credit","Courtesy National Gallery of Art, Washington","accession","1942.9.20","licence","CC0","story","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","note","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1336.jpg?dl=1","page_url","/art/mrs-paul-cobb-methuen-nga-1159","walk_url","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159","frame",{"_292":293,"_294":295},{"_225":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":246},"w",85.3828125,"h",99,"image_w",70.3828125,"image_h",{"_288":225,"_123":171,"_154":170,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1336/480.jpg","960","https://img.ochreeditions.com/a/1336/960.jpg","1920","https://img.ochreeditions.com/a/1336/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#6c6248","weight",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","bio","English, 1727–1788","nationality","English","birth_year",1727,"death_year",1788,"birth_place","Sudbury","death_place","London","about_excerpt","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":395,"_222":396,"_326":397,"_328":398,"_330":399,"_332":400,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1771","print","Print","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[380,381,382,383,384],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_296":377,"_298":378,"_300":379},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_292":375,"_294":376},{"_225":367,"_125":368,"_286":369},{"_277":363,"_279":364,"_281":365,"_283":366},41.572021484375,49,17.572021484375,25,{"_288":225,"_123":373,"_154":374,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","white","snow","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_312":393,"_314":394},{"_312":391,"_314":392},{"_312":389,"_314":390},{"_312":387,"_314":388},{"_312":385,"_314":386},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812","British",1742,1811,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":454,"_222":455,"_326":456,"_328":398,"_330":457,"_332":458,"_334":459,"_336":337,"_338":460,"_140":91},"c. 1822/1823",19,"overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[440,441,442,443,444],{"_221":302,"_222":303,"_42":304,"_305":306},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_296":437,"_298":438,"_300":439},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_292":293,"_294":295},{"_225":426,"_125":427,"_286":428},{"_277":423,"_279":424,"_281":425,"_283":408},116.6768798828125,143.5,101.6768798828125,{"_288":225,"_123":435,"_154":436,"_140":91},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":429,"_154":430,"_140":431},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":447,"_314":446},{"_312":445,"_314":446},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":507,"_222":508,"_326":509,"_328":398,"_330":510,"_332":511,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[492,493,494,495,496],{"_221":302,"_222":303,"_42":304,"_305":306},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":489,"_298":490,"_300":491},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":293,"_294":295},{"_225":484,"_125":485,"_286":486},{"_277":481,"_279":482,"_281":466,"_283":483},246,166.762939453125,151.762939453125,{"_288":225,"_123":487,"_154":488,"_140":89},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":429,"_154":430,"_140":431},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":505,"_314":506},{"_312":503,"_314":504},{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":557,"_222":558,"_326":559,"_328":398,"_330":560,"_332":561,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",123.2,0.79638671875,[542,543,544,545,546],{"_221":302,"_222":303,"_42":304,"_305":306},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_296":539,"_298":540,"_300":541},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_292":293,"_294":295},{"_225":534,"_125":535,"_286":536},{"_277":531,"_279":532,"_281":533,"_283":517},113.11484375,138.2,98.11484375,{"_288":225,"_123":537,"_154":538,"_140":89},{"_288":125,"_123":432,"_154":433,"_140":434},{"_288":286,"_123":429,"_154":430,"_140":431},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},{"_312":549,"_314":550},{"_312":547,"_314":548},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"saint-john-the-evangelist-nga-54043",{"_42":395,"_222":396,"_326":397,"_328":398,"_330":399,"_332":400,"_334":-5,"_336":-5,"_338":-5,"_140":101},"chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,0.742431640625,[587,588,589,590,591],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.58.2","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_296":584,"_298":585,"_300":586},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":375,"_294":376},{"_225":581,"_125":582,"_286":583},{"_277":579,"_279":364,"_281":580,"_283":366},42.560791015625,18.560791015625,{"_288":225,"_123":373,"_154":374,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_312":600,"_314":601},{"_312":598,"_314":599},{"_312":596,"_314":597},{"_312":594,"_314":595},{"_312":592,"_314":593},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":659,"_222":660,"_326":661,"_328":398,"_330":662,"_332":663,"_334":337,"_336":337,"_338":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[644,645,646,647,648],{"_221":640,"_222":641,"_42":642,"_305":643},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_296":637,"_298":638,"_300":639},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_292":375,"_294":376},{"_225":629,"_125":630,"_286":631},{"_277":626,"_279":627,"_281":610,"_283":628},76,62.26731078904992,38.26731078904992,{"_288":225,"_123":635,"_154":636,"_140":89},{"_288":125,"_123":632,"_154":633,"_140":634},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":657,"_314":658},{"_312":655,"_314":656},{"_312":653,"_314":654},{"_312":651,"_314":652},{"_312":649,"_314":650},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":720,"_222":721,"_326":722,"_328":329,"_330":723,"_332":724,"_334":-5,"_336":-5,"_338":725,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[705,706,707,708,709],{"_221":701,"_222":702,"_42":703,"_305":704},"Courtesy of the Art Institute of Chicago","1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_296":698,"_298":699,"_300":700},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_292":375,"_294":376},{"_225":691,"_125":692,"_286":693},{"_277":688,"_279":689,"_281":672,"_283":690},53,44.521086780210865,20.52108678021087,{"_288":225,"_123":696,"_154":697,"_140":99},{"_288":125,"_123":694,"_154":695,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":718,"_314":719},{"_312":716,"_314":717},{"_312":714,"_314":715},{"_312":712,"_314":713},{"_312":710,"_314":711},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":775,"_222":776,"_326":777,"_328":329,"_330":778,"_332":779,"_334":780,"_336":780,"_338":781,"_140":99},"1779","Paintings","Oil on canvas","40 x 50 in. (101.6 x 127 cm)",127,101.6,1.2404942965779469,[760,761,762,763,764],{"_221":640,"_222":641,"_42":642,"_305":643},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":757,"_298":758,"_300":759},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":293,"_294":295},{"_225":752,"_125":753,"_286":754},{"_277":749,"_279":750,"_281":733,"_283":751},142,117.37854406130268,102.37854406130268,{"_288":225,"_123":755,"_154":756,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_312":773,"_314":774},{"_312":771,"_314":772},{"_312":769,"_314":770},{"_312":767,"_314":768},{"_312":765,"_314":766},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":828,"_222":829,"_326":830,"_328":831,"_330":832,"_332":833,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[813,814,815,816,817],{"_221":302,"_222":303,"_42":304,"_305":306},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_296":810,"_298":811,"_300":812},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_292":293,"_294":295},{"_225":805,"_125":806,"_286":807},{"_277":802,"_279":803,"_281":787,"_283":804},135,116.953125,101.953125,{"_288":225,"_123":808,"_154":809,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_312":826,"_314":827},{"_312":824,"_314":825},{"_312":822,"_314":823},{"_312":820,"_314":821},{"_312":818,"_314":819},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":885,"_222":886,"_326":887,"_328":398,"_330":663,"_332":888,"_334":889,"_336":337,"_338":890,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[870,871,872,873,874],{"_221":302,"_222":303,"_42":304,"_305":306},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_296":867,"_298":868,"_300":869},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_292":375,"_294":376},{"_225":859,"_125":860,"_286":861},{"_277":856,"_279":857,"_281":840,"_283":858},49.2,41.94638671875,17.94638671875,{"_288":225,"_123":865,"_154":866,"_140":97},{"_288":125,"_123":862,"_154":863,"_140":864},{"_288":286,"_123":429,"_154":430,"_140":431},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_312":883,"_314":884},{"_312":881,"_314":882},{"_312":879,"_314":880},{"_312":877,"_314":878},{"_312":875,"_314":876},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":936,"_222":937,"_326":938,"_328":831,"_330":333,"_332":939,"_334":-5,"_336":-5,"_338":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[921,922,923,924,925],{"_221":302,"_222":303,"_42":304,"_305":306},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_296":918,"_298":919,"_300":920},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_292":375,"_294":376},{"_225":913,"_125":914,"_286":915},{"_277":364,"_279":911,"_281":366,"_283":912},39.68603515625,15.686035156249998,{"_288":225,"_123":916,"_154":917,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_312":934,"_314":935},{"_312":932,"_314":933},{"_312":930,"_314":931},{"_312":928,"_314":929},{"_312":926,"_314":927},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859",1859,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[970,971,972,973,974],{"_221":701,"_222":702,"_42":703,"_305":704},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_296":967,"_298":968,"_300":969},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_292":375,"_294":376},{"_225":962,"_125":963,"_286":964},{"_277":364,"_279":960,"_281":366,"_283":961},48.48828746872867,24.488287468728675,{"_288":225,"_123":965,"_154":966,"_140":97},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_312":983,"_314":984},{"_312":981,"_314":982},{"_312":979,"_314":980},{"_312":977,"_314":978},{"_312":975,"_314":976},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":1032,"_222":1033,"_326":1034,"_328":329,"_330":1035,"_332":1036,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[1017,1018,1019,1020,1021],{"_221":701,"_222":702,"_42":703,"_305":704},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_296":1014,"_298":1015,"_300":1016},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_292":375,"_294":376},{"_225":1009,"_125":1010,"_286":1011},{"_277":1006,"_279":1007,"_281":1008,"_283":992},69.57777777777778,89,45.57777777777778,{"_288":225,"_123":1012,"_154":1013,"_140":89},{"_288":125,"_123":370,"_154":371,"_140":372},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_312":1030,"_314":1031},{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"weymouth-bay-met-682931","Weymouth Bay",{"_42":885,"_222":886,"_326":887,"_328":398,"_330":663,"_332":888,"_334":889,"_336":337,"_338":890,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1067,1068,1069,1070,1071],{"_221":640,"_222":641,"_42":642,"_305":643},"39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_296":1064,"_298":1065,"_300":1066},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_292":375,"_294":376},{"_225":1061,"_125":1062,"_286":1063},{"_277":364,"_279":1059,"_281":366,"_283":1060},43.859539602028875,19.85953960202887,{"_288":225,"_123":865,"_154":866,"_140":97},{"_288":125,"_123":862,"_154":863,"_140":864},{"_288":286,"_123":429,"_154":430,"_140":431},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg",{"_312":1080,"_314":1081},{"_312":1078,"_314":1079},{"_312":1076,"_314":1077},{"_312":1074,"_314":1075},{"_312":1072,"_314":1073},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1142,"_222":1143,"_326":1144,"_328":398,"_330":1145,"_332":1146,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1127,1128,1129,1130,1131],{"_221":1123,"_222":1124,"_42":1125,"_305":1126},"Courtesy of the Cleveland Museum of Art","1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1120,"_1121":1122},"Bray Church Yard, by John Varley, 1807",{"_296":1117,"_298":1118,"_300":1119},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_292":375,"_294":376},{"_225":1109,"_125":1110,"_286":1111},{"_277":1106,"_279":1107,"_281":1089,"_283":1108},60.9,48.95091176470588,24.950911764705882,{"_288":225,"_123":1115,"_154":1116,"_140":89},{"_288":125,"_123":1112,"_154":1113,"_140":1114},{"_288":286,"_123":429,"_154":430,"_140":431},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":1140,"_314":1141},{"_312":1138,"_314":1139},{"_312":1136,"_314":1137},{"_312":1134,"_314":1135},{"_312":1132,"_314":1133},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","8c24a6b93be2223cfc653a350579ce5024120b8c","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_222":1191,"_20":1192},{"_222":1189,"_20":1190},{"_222":1187,"_20":1188},{"_222":1185,"_20":1186},{"_222":1183,"_20":1184},{"_222":1181,"_20":1182},{"_222":1179,"_20":1180},{"_222":1177,"_20":1178},{"_222":1175,"_20":1176},{"_222":1173,"_20":1174},{"_222":1171,"_20":1172},{"_222":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]