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It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":376,"_296":377,"_298":378},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_290":374,"_292":375},{"_224":363,"_125":364,"_284":365},{"_275":360,"_277":361,"_279":362,"_281":169},55.79270227392914,64,31.792702273929137,{"_286":224,"_123":372,"_154":373,"_140":99},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"era/18-britain","18th-century Britain",42,"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":396,"_312":397},{"_310":394,"_312":395},{"_310":392,"_312":393},{"_310":390,"_312":391},{"_310":388,"_312":389},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750","English",1710,1750,"saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":452,"_221":453,"_324":454,"_326":327,"_328":455,"_330":456,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1771","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[437,438,439,440,441],{"_220":300,"_221":301,"_42":302,"_303":304},"1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_294":434,"_296":435,"_298":436},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_290":374,"_292":375},{"_224":429,"_125":430,"_284":431},{"_275":425,"_277":426,"_279":427,"_281":428},41.572021484375,49,17.572021484375,25,{"_286":224,"_123":432,"_154":433,"_140":89},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg",{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":398,"_221":399,"_324":400,"_326":401,"_328":402,"_330":403,"_332":-5,"_333":-5,"_334":-5,"_140":99},0.7912519643792562,[479,480,481,482,483],{"_220":379,"_221":380,"_42":381,"_303":382},"1946.405",{"_294":476,"_296":477,"_298":478},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":374,"_292":375},{"_224":473,"_125":474,"_284":475},{"_275":471,"_277":361,"_279":472,"_281":169},55.65007857517025,31.650078575170248,{"_286":224,"_123":372,"_154":373,"_140":99},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":492,"_312":493},{"_310":490,"_312":491},{"_310":488,"_312":489},{"_310":486,"_312":487},{"_310":484,"_312":485},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":540,"_221":541,"_324":542,"_326":327,"_328":543,"_330":544,"_332":545,"_333":546,"_334":547,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[526,527,528,529,530],{"_220":300,"_221":301,"_42":302,"_303":304},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_294":523,"_296":524,"_298":525},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_290":291,"_292":293},{"_224":518,"_125":519,"_284":520},{"_275":515,"_277":516,"_279":517,"_281":500},116.6768798828125,143.5,101.6768798828125,{"_286":224,"_123":521,"_154":522,"_140":91},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_310":538,"_312":539},{"_310":536,"_312":537},{"_310":534,"_312":535},{"_310":533,"_312":532},{"_310":531,"_312":532},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":605,"_221":606,"_324":607,"_326":327,"_328":608,"_330":609,"_332":546,"_333":546,"_334":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[590,591,592,593,594],{"_220":586,"_221":587,"_42":588,"_303":589},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":583,"_296":584,"_298":585},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":374,"_292":375},{"_224":575,"_125":576,"_284":577},{"_275":572,"_277":573,"_279":556,"_281":574},76,62.26731078904992,38.26731078904992,{"_286":224,"_123":581,"_154":582,"_140":89},{"_286":125,"_123":578,"_154":579,"_140":580},{"_286":284,"_123":366,"_154":367,"_140":368},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":603,"_312":604},{"_310":601,"_312":602},{"_310":599,"_312":600},{"_310":597,"_312":598},{"_310":595,"_312":596},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":655,"_221":656,"_324":657,"_326":327,"_328":658,"_330":659,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[641,642,643,644,645],{"_220":300,"_221":301,"_42":302,"_303":304},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_294":638,"_296":639,"_298":640},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_290":291,"_292":293},{"_224":633,"_125":634,"_284":635},{"_275":630,"_277":631,"_279":615,"_281":632},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":636,"_154":637,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_310":653,"_312":654},{"_310":651,"_312":652},{"_310":649,"_312":650},{"_310":647,"_312":648},{"_310":646,"_312":489},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":540,"_221":541,"_324":542,"_326":327,"_328":543,"_330":544,"_332":545,"_333":546,"_334":547,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[694,695,696,697,698],{"_220":379,"_221":380,"_42":381,"_303":382},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_294":691,"_296":692,"_298":693},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_290":374,"_292":375},{"_224":686,"_125":687,"_284":688},{"_275":683,"_277":684,"_279":685,"_281":669},48.02081362346263,59,24.02081362346263,{"_286":224,"_123":521,"_154":522,"_140":91},{"_286":125,"_123":689,"_154":690,"_140":53},{"_286":284,"_123":366,"_154":367,"_140":368},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_310":707,"_312":708},{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":761,"_221":762,"_324":763,"_326":401,"_328":608,"_330":764,"_332":546,"_333":546,"_334":765,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",1.3465346534653466,[746,747,748,749,750],{"_220":742,"_221":743,"_42":744,"_303":745},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":739,"_740":741},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_294":736,"_296":737,"_298":738},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_290":291,"_292":293},{"_224":731,"_125":732,"_284":733},{"_275":278,"_277":729,"_279":245,"_281":730},106.49411764705881,91.49411764705881,{"_286":224,"_123":734,"_154":735,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},{"_310":753,"_312":754},{"_310":751,"_312":752},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":813,"_221":814,"_324":815,"_326":327,"_328":816,"_330":817,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[798,799,800,801,802],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":795,"_296":796,"_298":797},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":374,"_292":375},{"_224":790,"_125":791,"_284":792},{"_275":787,"_277":788,"_279":789,"_281":773},59.630419921874996,77.4,35.630419921874996,{"_286":224,"_123":793,"_154":794,"_140":89},{"_286":125,"_123":369,"_154":370,"_140":371},{"_286":284,"_123":366,"_154":367,"_140":368},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},{"_310":803,"_312":804},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"william-pitt-nga-52264","William Pitt",{"_42":868,"_221":869,"_324":870,"_326":327,"_328":871,"_330":872,"_332":-5,"_333":-5,"_334":873,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[853,854,855,856,857],{"_220":300,"_221":301,"_42":302,"_303":304},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":850,"_296":851,"_298":852},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":291,"_292":293},{"_224":842,"_125":843,"_284":844},{"_275":840,"_277":169,"_279":841,"_281":428},34.62890625,19.62890625,{"_286":224,"_123":848,"_154":849,"_140":99},{"_286":125,"_123":845,"_154":846,"_140":847},{"_286":284,"_123":366,"_154":367,"_140":368},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":866,"_312":867},{"_310":864,"_312":865},{"_310":862,"_312":863},{"_310":860,"_312":861},{"_310":858,"_312":859},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":928,"_221":929,"_324":930,"_326":327,"_328":931,"_330":932,"_332":933,"_333":546,"_334":934,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[913,914,915,916,917],{"_220":742,"_221":743,"_42":744,"_303":745},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":912,"_740":741},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_294":909,"_296":910,"_298":911},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_290":291,"_292":293},{"_224":899,"_125":900,"_284":901},{"_275":896,"_277":897,"_279":898,"_281":881},80.5529411764706,95,65.5529411764706,{"_286":224,"_123":907,"_154":908,"_140":95},{"_286":125,"_123":905,"_154":906,"_140":847},{"_286":284,"_123":902,"_154":903,"_140":904},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_310":926,"_312":927},{"_310":924,"_312":925},{"_310":922,"_312":923},{"_310":920,"_312":921},{"_310":918,"_312":919},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-white-horse-nga-1146","The White Horse",{"_42":982,"_221":983,"_324":984,"_326":401,"_328":985,"_330":986,"_332":-5,"_333":-5,"_334":987,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[967,968,969,970,971],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":964,"_296":965,"_298":966},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":291,"_292":293},{"_224":959,"_125":960,"_284":961},{"_275":956,"_277":957,"_279":940,"_281":958},198,142.912353515625,127.912353515625,{"_286":224,"_123":962,"_154":963,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":980,"_312":981},{"_310":978,"_312":979},{"_310":976,"_312":977},{"_310":974,"_312":975},{"_310":972,"_312":973},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":761,"_221":762,"_324":763,"_326":401,"_328":608,"_330":764,"_332":546,"_333":546,"_334":765,"_140":97},"1837–38","Oil on canvas","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[1019,1020,1021,1022,1023],{"_220":379,"_221":380,"_42":381,"_303":382},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_294":1016,"_296":1017,"_298":1018},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_290":291,"_292":293},{"_224":1013,"_125":1014,"_284":1015},{"_275":1010,"_277":1011,"_279":994,"_281":1012},239,188.10233393177737,173.10233393177737,{"_286":224,"_123":734,"_154":735,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":1081,"_221":1082,"_324":1083,"_326":401,"_328":1084,"_330":872,"_332":1085,"_333":1085,"_334":1086,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,0.7991176470588235,[1066,1067,1068,1069,1070],{"_220":742,"_221":743,"_42":744,"_303":745},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1065,"_740":741},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_294":1062,"_296":1063,"_298":1064},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_290":291,"_292":293},{"_224":1057,"_125":1058,"_284":1059},{"_275":1054,"_277":1055,"_279":1056,"_281":941},116.48794117647058,142,101.48794117647058,{"_286":224,"_123":1060,"_154":1061,"_140":99},{"_286":125,"_123":845,"_154":846,"_140":847},{"_286":284,"_123":366,"_154":367,"_140":368},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_310":1079,"_312":1080},{"_310":1077,"_312":1078},{"_310":1075,"_312":1076},{"_310":1073,"_312":1074},{"_310":1071,"_312":1072},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":1138,"_221":1139,"_324":1140,"_326":1141,"_328":1142,"_330":1143,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1834","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[1124,1125,1126,1127,1128],{"_220":742,"_221":743,"_42":744,"_303":745},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":1123,"_740":741},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":1120,"_296":1121,"_298":1122},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":374,"_292":375},{"_224":1113,"_125":1114,"_284":1115},{"_275":1110,"_277":1111,"_279":1094,"_281":1112},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":1118,"_154":1119,"_140":89},{"_286":125,"_123":1116,"_154":1117,"_140":616},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":1136,"_312":1137},{"_310":1135,"_312":1029},{"_310":1133,"_312":1134},{"_310":1131,"_312":1132},{"_310":1129,"_312":1130},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b","#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","c4011f1d0d88df2cc7613a35fa18de750033415d","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]