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It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_296":381,"_298":382,"_300":383},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_292":379,"_294":380},{"_224":368,"_125":369,"_286":370},{"_276":365,"_278":366,"_280":367,"_282":350},42.32984293193717,51,27.329842931937172,{"_288":224,"_123":377,"_154":378,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","natural","ivory","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":401,"_314":402},{"_312":399,"_314":400},{"_312":397,"_314":398},{"_312":395,"_314":396},{"_312":393,"_314":394},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832","English",1748,1832,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":454,"_221":455,"_326":456,"_328":329,"_330":457,"_332":458,"_334":459,"_336":337,"_338":460,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[439,440,441,442,443],{"_220":384,"_221":385,"_42":386,"_305":387},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.",{"_296":436,"_298":437,"_300":438},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_292":379,"_294":380},{"_224":431,"_125":432,"_286":433},{"_276":428,"_278":429,"_280":430,"_282":415},76.14076281287247,88,61.14076281287247,{"_288":224,"_123":434,"_154":435,"_140":95},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":512,"_221":513,"_326":514,"_328":406,"_330":515,"_332":516,"_334":-5,"_336":-5,"_338":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[497,498,499,500,501],{"_220":384,"_221":385,"_42":386,"_305":387},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_292":293,"_294":295},{"_224":487,"_125":488,"_286":489},{"_276":484,"_278":485,"_280":469,"_282":486},70,56.1976386036961,32.1976386036961,{"_288":224,"_123":492,"_154":493,"_140":89},{"_288":125,"_123":490,"_154":491,"_140":169},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":574,"_221":575,"_326":576,"_328":329,"_330":577,"_332":578,"_334":579,"_336":337,"_338":580,"_140":91},"1794","oil on canvas","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[559,560,561,562,563],{"_220":555,"_221":556,"_42":557,"_305":558},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":552,"_553":554},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_296":549,"_298":550,"_300":551},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_292":379,"_294":380},{"_224":544,"_125":545,"_286":546},{"_276":540,"_278":541,"_280":542,"_282":543},163.0235294117647,255,148.0235294117647,240,{"_288":224,"_123":547,"_154":548,"_140":91},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":572,"_314":573},{"_312":570,"_314":571},{"_312":568,"_314":569},{"_312":566,"_314":567},{"_312":564,"_314":565},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":454,"_221":455,"_326":456,"_328":329,"_330":457,"_332":458,"_334":459,"_336":337,"_338":460,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[608,609,610,611,612],{"_220":384,"_221":385,"_42":386,"_305":387},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.",{"_296":605,"_298":606,"_300":607},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_292":379,"_294":380},{"_224":602,"_125":603,"_286":604},{"_276":600,"_278":186,"_280":601,"_282":587},115.51366857914276,100.51366857914276,{"_288":224,"_123":434,"_154":435,"_140":95},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},{"_312":615,"_314":616},{"_312":613,"_314":614},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":672,"_221":673,"_326":674,"_328":406,"_330":675,"_332":676,"_334":-5,"_336":-5,"_338":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[657,658,659,660,661],{"_220":384,"_221":385,"_42":386,"_305":387},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":654,"_298":655,"_300":656},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_292":293,"_294":295},{"_224":646,"_125":647,"_286":648},{"_276":643,"_278":644,"_280":645,"_282":169},55.65199378560331,64,31.651993785603313,{"_288":224,"_123":652,"_154":653,"_140":99},{"_288":125,"_123":649,"_154":650,"_140":651},{"_288":286,"_123":371,"_154":372,"_140":373},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_312":670,"_314":671},{"_312":668,"_314":669},{"_312":666,"_314":667},{"_312":664,"_314":665},{"_312":662,"_314":663},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"william-pitt-nga-52264","William Pitt",{"_42":724,"_221":725,"_326":726,"_328":329,"_330":727,"_332":728,"_334":-5,"_336":-5,"_338":729,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[709,710,711,712,713],{"_220":302,"_221":303,"_42":304,"_305":306},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_296":706,"_298":707,"_300":708},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_292":379,"_294":380},{"_224":701,"_125":702,"_286":703},{"_276":699,"_278":169,"_280":700,"_282":281},34.62890625,19.62890625,{"_288":224,"_123":704,"_154":705,"_140":99},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_312":722,"_314":723},{"_312":720,"_314":721},{"_312":718,"_314":719},{"_312":716,"_314":717},{"_312":714,"_314":715},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":574,"_221":575,"_326":576,"_328":329,"_330":577,"_332":578,"_334":579,"_336":337,"_338":580,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[765,766,767,768,769],{"_220":384,"_221":385,"_42":386,"_305":387},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":763,"_553":764},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_296":760,"_298":761,"_300":762},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_292":379,"_294":380},{"_224":754,"_125":755,"_286":756},{"_276":751,"_278":752,"_280":753,"_282":736},116.09951287404314,143,101.09951287404314,{"_288":224,"_123":547,"_154":548,"_140":91},{"_288":125,"_123":757,"_154":758,"_140":759},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_312":777,"_314":778},{"_312":775,"_314":776},{"_312":773,"_314":774},{"_312":772,"_314":396},{"_312":770,"_314":771},"#d0b89c",0.1026,"#8b6a53","#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":825,"_221":826,"_326":827,"_328":828,"_330":829,"_332":830,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,101.5,1.1770114942528735,[810,811,812,813,814],{"_220":302,"_221":303,"_42":304,"_305":306},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_296":807,"_298":808,"_300":809},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_292":379,"_294":380},{"_224":802,"_125":803,"_286":804},{"_276":799,"_278":800,"_280":784,"_282":801},135,116.953125,101.953125,{"_288":224,"_123":805,"_154":806,"_140":89},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_312":823,"_314":824},{"_312":821,"_314":822},{"_312":819,"_314":820},{"_312":817,"_314":818},{"_312":815,"_314":816},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":878,"_221":879,"_326":880,"_328":406,"_330":881,"_332":882,"_334":883,"_336":337,"_338":884,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[863,864,865,866,867],{"_220":302,"_221":303,"_42":304,"_305":306},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_296":860,"_298":861,"_300":862},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_292":379,"_294":380},{"_224":855,"_125":856,"_286":857},{"_276":852,"_278":853,"_280":854,"_282":837},85.3828125,99,70.3828125,{"_288":224,"_123":858,"_154":859,"_140":97},{"_288":125,"_123":374,"_154":375,"_140":376},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_312":876,"_314":877},{"_312":874,"_314":875},{"_312":872,"_314":873},{"_312":870,"_314":871},{"_312":868,"_314":869},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":939,"_221":940,"_326":941,"_328":828,"_330":942,"_332":943,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[924,925,926,927,928],{"_220":555,"_221":556,"_42":557,"_305":558},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":923,"_553":554},"Descent into the Plain of Granada, by David Roberts, 1834",{"_296":920,"_298":921,"_300":922},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_292":293,"_294":295},{"_224":912,"_125":913,"_286":914},{"_276":909,"_278":910,"_280":893,"_282":911},56.5,47.45735294117647,23.45735294117647,{"_288":224,"_123":918,"_154":919,"_140":89},{"_288":125,"_123":915,"_154":916,"_140":917},{"_288":286,"_123":167,"_154":166,"_140":169},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_312":937,"_314":938},{"_312":935,"_314":936},{"_312":933,"_314":934},{"_312":931,"_314":932},{"_312":929,"_314":930},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864",1796,1864,"portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":454,"_221":455,"_326":456,"_328":329,"_330":457,"_332":458,"_334":459,"_336":337,"_338":460,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[981,982,983,984,985],{"_220":555,"_221":556,"_42":557,"_305":558},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":980,"_553":554},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_296":977,"_298":978,"_300":979},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_292":379,"_294":380},{"_224":969,"_125":970,"_286":971},{"_276":966,"_278":967,"_280":968,"_282":951},80.5529411764706,95,65.5529411764706,{"_288":224,"_123":434,"_154":435,"_140":95},{"_288":125,"_123":975,"_154":976,"_140":376},{"_288":286,"_123":972,"_154":973,"_140":974},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_312":994,"_314":995},{"_312":992,"_314":993},{"_312":990,"_314":991},{"_312":988,"_314":989},{"_312":986,"_314":987},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":1043,"_221":1044,"_326":1045,"_328":329,"_330":1046,"_332":1047,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[1028,1029,1030,1031,1032],{"_220":302,"_221":303,"_42":304,"_305":306},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_296":1025,"_298":1026,"_300":1027},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_292":293,"_294":295},{"_224":1020,"_125":1021,"_286":1022},{"_276":1017,"_278":1018,"_280":1019,"_282":1003},59.630419921874996,77.4,35.630419921874996,{"_288":224,"_123":1023,"_154":1024,"_140":89},{"_288":125,"_123":649,"_154":650,"_140":651},{"_288":286,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_312":1041,"_314":1042},{"_312":1039,"_314":1040},{"_312":1037,"_314":1038},{"_312":1035,"_314":1036},{"_312":1033,"_314":1034},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":1095,"_221":1096,"_326":1097,"_328":406,"_330":1098,"_332":1099,"_334":337,"_336":337,"_338":1100,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,1.3465346534653466,[1080,1081,1082,1083,1084],{"_220":555,"_221":556,"_42":557,"_305":558},"1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":1079,"_553":554},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":1076,"_298":1077,"_300":1078},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":379,"_294":380},{"_224":1071,"_125":1072,"_286":1073},{"_276":1068,"_278":1069,"_280":1053,"_282":1070},138.2,106.49411764705881,91.49411764705881,{"_288":224,"_123":1074,"_154":1075,"_140":97},{"_288":125,"_123":757,"_154":758,"_140":759},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.",{"_312":1093,"_314":1094},{"_312":1091,"_314":1092},{"_312":1089,"_314":1090},{"_312":1087,"_314":1088},{"_312":1085,"_314":1086},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1148,"_221":1149,"_326":1150,"_328":406,"_330":1151,"_332":1152,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",127,0.7940150839347985,[1133,1134,1135,1136,1137],{"_220":384,"_221":385,"_42":386,"_305":387},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1132,"_553":764},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_296":1129,"_298":1130,"_300":1131},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_292":379,"_294":380},{"_224":1124,"_125":1125,"_286":1126},{"_276":1121,"_278":1122,"_280":1123,"_282":1106},115.83991565971941,142,100.83991565971941,{"_288":224,"_123":1127,"_154":1128,"_140":89},{"_288":125,"_123":757,"_154":758,"_140":759},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_312":1146,"_314":1147},{"_312":1144,"_314":1145},{"_312":1142,"_314":1143},{"_312":1140,"_314":1141},{"_312":1138,"_314":1139},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,{"_1154":-5,"_1155":1156,"_1157":1158,"_1159":8,"_1160":1161,"_1162":8},"user","csrf","b46da801aa51d0da75038ab5c535b0475bb6d1b1","cartCount",0,"dropLive","legal",[1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174],"uploadsEnabled",{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},{"_221":1185,"_20":1186},{"_221":1183,"_20":1184},{"_221":1181,"_20":1182},{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]