[{"_1":2,"_3":4},"root",{"_5":1129},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",15,"https://www.ochreeditions.com/art/self-portrait-in-a-fur-cap-aic-76295",14,"https://www.ochreeditions.com/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",13,"https://www.ochreeditions.com/art/wivenhoe-park-essex-nga-1147",12,"https://www.ochreeditions.com/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",11,"https://www.ochreeditions.com/art/small-landscape-si-saam-1956-11-20",10,"https://www.ochreeditions.com/art/self-portrait-aic-11706",9,"https://www.ochreeditions.com/art/portrait-of-colonel-charles-heathcote-cma-302209",8,"https://www.ochreeditions.com/art/noon-nga-119642",7,"https://www.ochreeditions.com/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",6,"https://www.ochreeditions.com/art/lindisfarne-castle-holy-island-northumberland-met-341793",5,"https://www.ochreeditions.com/art/two-studies-of-a-right-hand-aic-249662",4,"https://www.ochreeditions.com/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",3,"https://www.ochreeditions.com/art/mrs-paul-cobb-methuen-nga-1159",2,"https://www.ochreeditions.com/art/portrait-of-mary-anne-jolliffe-cma-122344",1,"https://www.ochreeditions.com/art/lord-rothes-si-saam-1956-11-60","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",2082,"/galleries/style/georgian-britain","total",63,"page","works",[203,204,205,206,207,208,209,210,211,212,213,214,215,216,217,218],"walls",[171,172,173,174,175],"doors",[162,163],"next_cursor","eyJvIjoxNiwiaCI6MjA4MiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=2082&cursor=eyJvIjoxNiwiaCI6MjA4MiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161],"https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/319/480.jpg",{"_154":168,"_123":169,"_44":170,"_140":89},{"_154":164,"_123":165,"_44":166,"_140":167},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=2082&via=continue",42,"Samuel De Wilde's contemporaries","artist/contemporaries-of-samuel-de-wilde","/galleries/artist/contemporaries-of-samuel-de-wilde?hang=2082&via=continue",{"_42":198,"_177":199},{"_42":193,"_177":194},{"_42":187,"_177":188},{"_42":182,"_177":183},{"_42":176,"_177":178},"Section 3, north wall","work_ids",[179,180,181],1113,193,391,"Section 2, north wall",[184,185,186],1910,554,1327,"Section 2, south wall",[189,190,191,192],1202,1650,784,22,"Section 1, south wall",[195,196,197],1655,380,1039,"Section 1, north wall",[200,201,202],1913,552,1336,{"_219":200,"_220":1086,"_20":1087,"_223":-5,"_225":577,"_226":1088,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":1089,"_241":1090,"_243":1091,"_245":1092,"_247":1093,"_249":1094,"_251":585,"_253":1095,"_255":256,"_257":1096,"_154":-5,"_259":-5,"_111":1097,"_261":1098,"_263":1099,"_265":1100,"_267":1101,"_269":1102,"_144":1103,"_272":1104},{"_219":201,"_220":1033,"_20":1034,"_223":1035,"_225":-5,"_226":1036,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":1037,"_241":1038,"_243":1039,"_245":1040,"_247":1041,"_249":1042,"_251":532,"_253":1043,"_255":256,"_257":1044,"_154":1045,"_259":-5,"_111":1046,"_261":1047,"_263":1048,"_265":1049,"_267":1050,"_269":1051,"_144":1052,"_272":1053},{"_219":202,"_220":979,"_20":980,"_223":981,"_225":-5,"_226":982,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":983,"_241":984,"_243":985,"_245":986,"_247":987,"_249":988,"_251":468,"_253":989,"_255":256,"_257":990,"_154":-5,"_259":991,"_111":992,"_261":993,"_263":994,"_265":995,"_267":996,"_269":997,"_144":998,"_272":999},{"_219":195,"_220":929,"_20":930,"_223":931,"_225":-5,"_226":459,"_228":460,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":932,"_241":933,"_243":934,"_245":935,"_247":936,"_249":937,"_251":468,"_253":938,"_255":256,"_257":939,"_154":-5,"_259":-5,"_111":940,"_261":941,"_263":942,"_265":943,"_267":944,"_269":945,"_144":946,"_272":947},{"_219":196,"_220":884,"_20":885,"_223":886,"_225":-5,"_226":887,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":338,"_235":339,"_237":888,"_239":889,"_241":890,"_243":891,"_245":892,"_247":893,"_249":894,"_251":252,"_253":895,"_255":256,"_257":896,"_154":-5,"_259":-5,"_111":897,"_261":898,"_263":899,"_265":900,"_267":901,"_269":902,"_144":903,"_272":904},{"_219":197,"_220":828,"_20":829,"_223":830,"_225":-5,"_226":831,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":832,"_235":833,"_237":834,"_239":835,"_241":836,"_243":837,"_245":838,"_247":839,"_249":840,"_251":405,"_253":841,"_255":256,"_257":842,"_154":-5,"_259":-5,"_111":843,"_261":844,"_263":845,"_265":846,"_267":847,"_269":848,"_144":849,"_272":850},{"_219":189,"_220":785,"_20":786,"_223":787,"_225":-5,"_226":788,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":398,"_237":238,"_239":789,"_241":685,"_243":790,"_245":791,"_247":792,"_249":793,"_251":405,"_253":794,"_255":256,"_257":795,"_154":-5,"_259":796,"_111":797,"_261":798,"_263":799,"_265":800,"_267":801,"_269":802,"_144":803,"_272":804},{"_219":190,"_220":725,"_20":726,"_223":727,"_225":-5,"_226":728,"_228":460,"_230":231,"_232":-5,"_125":233,"_28":729,"_235":730,"_237":731,"_239":732,"_241":733,"_243":734,"_245":735,"_247":736,"_249":737,"_251":468,"_253":738,"_255":256,"_257":739,"_154":-5,"_259":740,"_111":741,"_261":742,"_263":743,"_265":744,"_267":745,"_269":746,"_144":747,"_272":748},{"_219":191,"_220":679,"_20":680,"_223":681,"_225":-5,"_226":682,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":683,"_241":684,"_243":685,"_245":686,"_247":687,"_249":688,"_251":532,"_253":689,"_255":256,"_257":690,"_154":691,"_259":-5,"_111":692,"_261":693,"_263":694,"_265":695,"_267":696,"_269":697,"_144":698,"_272":699},{"_219":192,"_220":625,"_20":626,"_223":627,"_225":-5,"_226":628,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":338,"_235":339,"_237":629,"_239":630,"_241":631,"_243":632,"_245":633,"_247":634,"_249":635,"_251":252,"_253":636,"_255":256,"_257":637,"_154":-5,"_259":638,"_111":639,"_261":640,"_263":641,"_265":642,"_267":643,"_269":644,"_144":645,"_272":646},{"_219":184,"_220":575,"_20":576,"_223":-5,"_225":577,"_226":578,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":579,"_241":580,"_243":581,"_245":582,"_247":583,"_249":584,"_251":585,"_253":586,"_255":256,"_257":587,"_154":-5,"_259":-5,"_111":588,"_261":589,"_263":590,"_265":591,"_267":592,"_269":593,"_144":594,"_272":595},{"_219":185,"_220":522,"_20":523,"_223":524,"_225":-5,"_226":525,"_228":460,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":526,"_241":527,"_243":528,"_245":529,"_247":530,"_249":531,"_251":532,"_253":533,"_255":256,"_257":534,"_154":535,"_259":-5,"_111":536,"_261":537,"_263":538,"_265":539,"_267":540,"_269":541,"_144":542,"_272":543},{"_219":186,"_220":456,"_20":457,"_223":458,"_225":-5,"_226":459,"_228":460,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":461,"_239":462,"_241":463,"_243":464,"_245":465,"_247":466,"_249":467,"_251":468,"_253":469,"_255":256,"_257":470,"_154":-5,"_259":471,"_111":472,"_261":473,"_263":474,"_265":475,"_267":476,"_269":477,"_144":478,"_272":479},{"_219":179,"_220":394,"_20":395,"_223":396,"_225":-5,"_226":397,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":398,"_237":238,"_239":399,"_241":400,"_243":401,"_245":402,"_247":403,"_249":404,"_251":405,"_253":406,"_255":256,"_257":407,"_154":-5,"_259":408,"_111":409,"_261":410,"_263":411,"_265":412,"_267":413,"_269":414,"_144":415,"_272":416},{"_219":180,"_220":334,"_20":335,"_223":336,"_225":-5,"_226":337,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":338,"_235":339,"_237":340,"_239":341,"_241":342,"_243":167,"_245":343,"_247":344,"_249":345,"_251":252,"_253":346,"_255":256,"_257":347,"_154":-5,"_259":348,"_111":349,"_261":350,"_263":351,"_265":352,"_267":353,"_269":354,"_144":355,"_272":356},{"_219":181,"_220":221,"_20":222,"_223":224,"_225":-5,"_226":227,"_228":229,"_230":231,"_232":-5,"_125":233,"_28":234,"_235":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_154":-5,"_259":-5,"_111":260,"_261":262,"_263":264,"_265":266,"_267":268,"_269":270,"_144":271,"_272":273},"id","slug","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer","artist",{"_42":321,"_220":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":-5,"_332":-5,"_333":-5,"_140":103},"unrecorded","date","1792","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","Oil on canvas","dimensions","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)","width_cm",27,"height_cm",36,"aspect",0.7591623036649214,"palette",[304,305,306,307,308],"museum",{"_219":299,"_220":300,"_42":301,"_302":303},"credit","Courtesy of the Art Institute of Chicago","accession","2020.59","licence","CC0","story","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_293":294,"_295":296,"_297":298},"download_url","https://img.ochreeditions.com/m/391.jpg?dl=1","page_url","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","walk_url","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","frame",{"_289":290,"_291":292},{"_223":281,"_125":282,"_283":284},"size",{"_274":275,"_276":277,"_278":279,"_280":244},"w",42.32984293193717,"h",51,"image_w",27.329842931937172,"image_h",{"_285":223,"_123":169,"_154":168,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},"era",{"_285":283,"_123":165,"_154":164,"_140":167},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/391/480.jpg","960","https://img.ochreeditions.com/a/391/960.jpg","1920","https://img.ochreeditions.com/a/391/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_309":319,"_311":320},{"_309":317,"_311":318},{"_309":315,"_311":316},{"_309":313,"_311":314},{"_309":310,"_311":312},"hex","#89694e","weight",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","bio","English, 1748–1832","nationality","English","birth_year",1748,"death_year",1832,"birth_place","death_place","about_excerpt","self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":387,"_220":388,"_323":389,"_325":326,"_327":390,"_329":391,"_331":392,"_332":392,"_333":393,"_140":99},"1765/68","watercolour","Drawing and Watercolor","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[372,373,374,375,376],{"_219":299,"_220":300,"_42":301,"_302":303},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_293":369,"_295":370,"_297":371},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_289":367,"_291":368},{"_223":360,"_125":361,"_283":362},{"_274":357,"_276":358,"_278":359,"_280":167},53.22455845248108,66,29.224558452481077,{"_285":223,"_123":365,"_154":366,"_140":99},{"_285":125,"_123":363,"_154":364,"_140":53},{"_285":283,"_123":165,"_154":164,"_140":167},"style/watercolour-18","More watercolours of the 18th century","artist/joseph-wright-of-derby","More by Joseph Wright of Derby","white","snow","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_309":385,"_311":386},{"_309":383,"_311":384},{"_309":381,"_311":382},{"_309":379,"_311":380},{"_309":377,"_311":378},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":447,"_220":448,"_323":449,"_325":450,"_327":451,"_329":452,"_331":453,"_332":454,"_333":455,"_140":91},"1790","Paintings","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[432,433,434,435,436],{"_219":428,"_220":429,"_42":430,"_302":431},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_293":425,"_295":426,"_297":427},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_289":290,"_291":292},{"_223":420,"_125":421,"_283":422},{"_274":417,"_276":418,"_278":419,"_280":401},161.4845419354839,253.8,146.4845419354839,{"_285":223,"_123":423,"_154":424,"_140":91},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":445,"_311":446},{"_309":443,"_311":444},{"_309":441,"_311":442},{"_309":439,"_311":440},{"_309":437,"_311":438},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":516,"_220":517,"_323":518,"_325":326,"_327":519,"_329":520,"_331":-5,"_332":-5,"_333":521,"_140":99},"1816",19,"oil on canvas","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[501,502,503,504,505],{"_219":497,"_220":498,"_42":499,"_302":500},"Courtesy National Gallery of Art, Washington","1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_293":494,"_295":495,"_297":496},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_289":290,"_291":292},{"_223":483,"_125":484,"_283":485},{"_274":480,"_276":481,"_278":463,"_280":482},116.2,69.8001953125,54.8001953125,{"_285":223,"_123":492,"_154":493,"_140":99},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":486,"_154":487,"_140":488},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_309":514,"_311":515},{"_309":512,"_311":513},{"_309":510,"_311":511},{"_309":508,"_311":509},{"_309":506,"_311":507},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":447,"_220":448,"_323":449,"_325":450,"_327":451,"_329":452,"_331":453,"_332":454,"_333":455,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,129,0.7955882352941176,[560,561,562,563,564],{"_219":556,"_220":557,"_42":558,"_302":559},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":553,"_554":555},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_293":550,"_295":551,"_297":552},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_289":290,"_291":292},{"_223":547,"_125":548,"_283":549},{"_274":544,"_276":545,"_278":546,"_280":528},117.63088235294117,144,102.63088235294117,{"_285":223,"_123":423,"_154":424,"_140":91},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":486,"_154":487,"_140":488},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":573,"_311":574},{"_309":571,"_311":572},{"_309":569,"_311":570},{"_309":567,"_311":568},{"_309":565,"_311":566},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[610,611,612,613,614],{"_219":607,"_220":608,"_42":609,"_302":500},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_293":604,"_295":605,"_297":606},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_289":290,"_291":292},{"_223":599,"_125":600,"_283":601},{"_274":596,"_276":597,"_278":580,"_280":598},70.2,58.4424,43.4424,{"_285":223,"_123":602,"_154":603,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_309":623,"_311":624},{"_309":621,"_311":622},{"_309":619,"_311":620},{"_309":617,"_311":618},{"_309":615,"_311":616},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"self-portrait-aic-11706","Self-Portrait",{"_42":673,"_220":674,"_323":675,"_325":326,"_327":676,"_329":677,"_331":-5,"_332":-5,"_333":678,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[658,659,660,661,662],{"_219":299,"_220":300,"_42":301,"_302":303},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_293":655,"_295":656,"_297":657},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_289":367,"_291":368},{"_223":650,"_125":651,"_283":652},{"_274":647,"_276":648,"_278":649,"_280":632},41.0926483233018,54,17.092648323301805,{"_285":223,"_123":653,"_154":654,"_140":99},{"_285":125,"_123":363,"_154":364,"_140":53},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_309":671,"_311":672},{"_309":669,"_311":670},{"_309":667,"_311":668},{"_309":665,"_311":666},{"_309":663,"_311":664},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":387,"_220":388,"_323":389,"_325":326,"_327":390,"_329":391,"_331":392,"_332":392,"_333":393,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[710,711,712,713,714],{"_219":556,"_220":557,"_42":558,"_302":559},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":709,"_554":555},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_293":706,"_295":707,"_297":708},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_289":290,"_291":292},{"_223":703,"_125":704,"_283":705},{"_274":700,"_276":701,"_278":702,"_280":685},116.48794117647058,142,101.48794117647058,{"_285":223,"_123":365,"_154":366,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_309":723,"_311":724},{"_309":721,"_311":722},{"_309":719,"_311":720},{"_309":717,"_311":718},{"_309":715,"_311":716},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"noon-nga-119642","Noon",{"_42":778,"_220":779,"_323":780,"_325":450,"_327":781,"_329":782,"_331":783,"_332":454,"_333":784,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[763,764,765,766,767],{"_219":497,"_220":498,"_42":499,"_302":500},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_293":760,"_295":761,"_297":762},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_289":367,"_291":368},{"_223":752,"_125":753,"_283":754},{"_274":749,"_276":750,"_278":733,"_280":751},49.5,42.3094482421875,18.3094482421875,{"_285":223,"_123":758,"_154":759,"_140":97},{"_285":125,"_123":755,"_154":756,"_140":757},{"_285":283,"_123":486,"_154":487,"_140":488},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_309":776,"_311":777},{"_309":774,"_311":775},{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":387,"_220":388,"_323":389,"_325":326,"_327":390,"_329":391,"_331":392,"_332":392,"_333":393,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[813,814,815,816,817],{"_219":428,"_220":429,"_42":430,"_302":431},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_293":810,"_295":811,"_297":812},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_289":290,"_291":292},{"_223":807,"_125":808,"_283":809},{"_274":701,"_276":805,"_278":685,"_280":806},117.37854406130268,102.37854406130268,{"_285":223,"_123":365,"_154":366,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_309":826,"_311":827},{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},{"_309":818,"_311":819},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":880,"_220":881,"_323":882,"_325":450,"_327":883,"_329":781,"_331":454,"_332":454,"_333":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[865,866,867,868,869],{"_219":428,"_220":429,"_42":430,"_302":431},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_293":862,"_295":863,"_297":864},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_289":367,"_291":368},{"_223":854,"_125":855,"_283":856},{"_274":851,"_276":852,"_278":836,"_280":853},76,62.26731078904992,38.26731078904992,{"_285":223,"_123":860,"_154":861,"_140":89},{"_285":125,"_123":857,"_154":858,"_140":859},{"_285":283,"_123":165,"_154":164,"_140":167},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_309":878,"_311":879},{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":447,"_220":448,"_323":449,"_325":450,"_327":451,"_329":452,"_331":453,"_332":454,"_333":455,"_140":91},"July 26, 1800","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[914,915,916,917,918],{"_219":299,"_220":300,"_42":301,"_302":303},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_293":911,"_295":912,"_297":913},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_289":367,"_291":368},{"_223":908,"_125":909,"_283":910},{"_274":905,"_276":906,"_278":907,"_280":891},48.02081362346263,59,24.02081362346263,{"_285":223,"_123":423,"_154":424,"_140":91},{"_285":125,"_123":363,"_154":364,"_140":53},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":974,"_220":975,"_323":976,"_325":450,"_327":977,"_329":978,"_331":-5,"_332":-5,"_333":-5,"_140":103},"overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[959,960,961,962,963],{"_219":497,"_220":498,"_42":499,"_302":500},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_293":956,"_295":957,"_297":958},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_289":290,"_291":292},{"_223":951,"_125":952,"_283":953},{"_274":948,"_276":949,"_278":933,"_280":950},246,166.762939453125,151.762939453125,{"_285":223,"_123":954,"_154":955,"_140":89},{"_285":125,"_123":489,"_154":490,"_140":491},{"_285":283,"_123":486,"_154":487,"_140":488},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},{"_309":966,"_311":967},{"_309":964,"_311":965},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":1026,"_220":1027,"_323":1028,"_325":326,"_327":1029,"_329":1030,"_331":1031,"_332":454,"_333":1032,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1011,1012,1013,1014,1015],{"_219":497,"_220":498,"_42":499,"_302":500},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_293":1008,"_295":1009,"_297":1010},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_289":290,"_291":292},{"_223":1003,"_125":1004,"_283":1005},{"_274":1000,"_276":1001,"_278":1002,"_280":985},85.3828125,99,70.3828125,{"_285":223,"_123":1006,"_154":1007,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_309":1024,"_311":1025},{"_309":1022,"_311":1023},{"_309":1020,"_311":1021},{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":1081,"_220":1082,"_323":1083,"_325":450,"_327":1084,"_329":391,"_331":-5,"_332":-5,"_333":1085,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[1066,1067,1068,1069,1070],{"_219":556,"_220":557,"_42":558,"_302":559},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":1065,"_554":555},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_293":1062,"_295":1063,"_297":1064},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_289":290,"_291":292},{"_223":1057,"_125":1058,"_283":1059},{"_274":1054,"_276":1055,"_278":1056,"_280":1039},83.17205882352941,90.5,68.17205882352941,{"_285":223,"_123":1060,"_154":1061,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_309":1079,"_311":1080},{"_309":1077,"_311":1078},{"_309":1075,"_311":1076},{"_309":1073,"_311":1074},{"_309":1071,"_311":1072},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[1114,1115,1116,1117,1118],{"_219":607,"_220":608,"_42":609,"_302":500},"1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_293":1111,"_295":1112,"_297":1113},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_289":290,"_291":292},{"_223":1108,"_125":1109,"_283":1110},{"_274":1105,"_276":1106,"_278":1107,"_280":1091},117.51170000000002,143.3,102.51170000000002,{"_285":223,"_123":602,"_154":603,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg",{"_309":1127,"_311":1128},{"_309":1125,"_311":1126},{"_309":1123,"_311":1124},{"_309":1121,"_311":1122},{"_309":1119,"_311":1120},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","964072dbed6dc5f940719dbe4a092110475f11dc","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},{"_220":1169,"_20":1170},{"_220":1167,"_20":1168},{"_220":1165,"_20":1166},{"_220":1163,"_20":1164},{"_220":1161,"_20":1162},{"_220":1159,"_20":1160},{"_220":1157,"_20":1158},{"_220":1155,"_20":1156},{"_220":1153,"_20":1154},{"_220":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]