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The branch is minimalist with small buds and thin twigs.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/1564.jpg?dl=1","page_url","/art/turtur-risorius-nga-53854","walk_url","/galleries/style/georgian-britain/turtur-risorius-nga-53854","frame",{"_292":293,"_294":295},{"_226":284,"_125":285,"_286":287},"size",{"_276":277,"_278":279,"_280":281,"_282":283},"w",40.387939453125,"h",49,"image_w",16.387939453125,"image_h",25,{"_288":226,"_123":170,"_154":169,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":166,"_154":165,"_140":168},"facet","style/print-18","More prints of the 18th century",129,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1564/480.jpg","960","https://img.ochreeditions.com/a/1564/960.jpg","1920","https://img.ochreeditions.com/a/1564/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#584c40","weight",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","bio","Scottish, 1788–1859","nationality","Scottish","birth_year",1788,"death_year",1859,"birth_place","death_place","about_excerpt","elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby",{"_42":397,"_223":398,"_326":399,"_328":400,"_330":401,"_332":402,"_334":403,"_335":404,"_336":405,"_140":91},"1790","painting","Paintings","Oil on canvas","94 in. × 57 1/2 in. (238.8 × 146.1 cm)",146.1,238.8,0.6134193548387097,[382,383,384,385,386],{"_222":378,"_223":379,"_42":380,"_305":381},"Courtesy of The Metropolitan Museum of Art","50.135.5","Thomas Lawrence painted this in 1790, aged 21. It is now at The Met in New York.","The celebrated comic actress Elizabeth Farren turns to look at us as she walks through a windswept landscape, wrapped in a white silk cloak lined with fur and carrying a muff.","Elizabeth Farren (born about 1759, died 1829), Later Countess of Derby, by Thomas Lawrence, 1790",{"_296":375,"_298":376,"_300":377},"https://img.ochreeditions.com/m/1113.jpg?dl=1","/art/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851","/galleries/style/georgian-britain/elizabeth-farren-born-about-1759-died-1829-later-countess-of-met-436851",{"_292":373,"_294":374},{"_226":365,"_125":366,"_286":367},{"_276":362,"_278":363,"_280":364,"_282":346},161.4845419354839,253.8,146.4845419354839,{"_288":226,"_123":371,"_154":372,"_140":91},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/thomas-lawrence","More by Thomas Lawrence","natural","ivory","https://img.ochreeditions.com/a/1113/480.jpg","https://img.ochreeditions.com/a/1113/960.jpg","https://img.ochreeditions.com/a/1113/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":395,"_314":396},{"_312":393,"_314":394},{"_312":391,"_314":392},{"_312":389,"_314":390},{"_312":387,"_314":388},"#6e5e40",0.1382,"#afa284",0.1538,"#3c3422",0.2055,"#3b5150",0.2432,"#6f7361",0.2593,"Thomas Lawrence","thomas-lawrence","English, 1769–1830","British",1769,1830,"Bristol","London","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","noon-nga-119642","Noon",{"_42":461,"_223":462,"_326":463,"_328":400,"_330":464,"_332":465,"_334":466,"_335":404,"_336":467,"_140":97},"1830",19,"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[446,447,448,449,450],{"_222":302,"_223":303,"_42":304,"_305":306},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_296":443,"_298":444,"_300":445},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_292":293,"_294":295},{"_226":432,"_125":433,"_286":434},{"_276":429,"_278":430,"_280":413,"_282":431},49.5,42.3094482421875,18.3094482421875,{"_288":226,"_123":441,"_154":442,"_140":97},{"_288":125,"_123":438,"_154":439,"_140":440},{"_288":286,"_123":435,"_154":436,"_140":437},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_312":459,"_314":460},{"_312":457,"_314":458},{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":528,"_223":529,"_326":530,"_328":531,"_330":532,"_332":533,"_334":404,"_335":404,"_336":534,"_140":97},"1835","Painting","oil on canvas","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[513,514,515,516,517],{"_222":509,"_223":510,"_42":511,"_305":512},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":506,"_507":508},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":503,"_298":504,"_300":505},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":373,"_294":374},{"_226":495,"_125":496,"_286":497},{"_276":492,"_278":493,"_280":475,"_282":494},138.2,106.49411764705881,91.49411764705881,{"_288":226,"_123":501,"_154":502,"_140":97},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":435,"_154":436,"_140":437},"style/painting-19","More paintings of the 19th century",432,"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":526,"_314":527},{"_312":524,"_314":525},{"_312":522,"_314":523},{"_312":520,"_314":521},{"_312":518,"_314":519},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851","English",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":583,"_223":584,"_326":585,"_328":531,"_330":586,"_332":587,"_334":588,"_335":588,"_336":589,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[568,569,570,571,572],{"_222":509,"_223":510,"_42":511,"_305":512},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":567,"_507":508},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_296":564,"_298":565,"_300":566},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_292":373,"_294":374},{"_226":559,"_125":560,"_286":561},{"_276":556,"_278":557,"_280":558,"_282":541},116.48794117647058,142,101.48794117647058,{"_288":226,"_123":562,"_154":563,"_140":99},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_312":581,"_314":582},{"_312":579,"_314":580},{"_312":577,"_314":578},{"_312":575,"_314":576},{"_312":573,"_314":574},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":643,"_223":644,"_326":645,"_328":400,"_330":646,"_332":647,"_334":648,"_335":404,"_336":649,"_140":95},"18th century","Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[628,629,630,631,632],{"_222":509,"_223":510,"_42":511,"_305":512},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":627,"_507":508},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_296":624,"_298":625,"_300":626},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_292":373,"_294":374},{"_226":614,"_125":615,"_286":616},{"_276":611,"_278":612,"_280":613,"_282":596},80.5529411764706,95,65.5529411764706,{"_288":226,"_123":622,"_154":623,"_140":95},{"_288":125,"_123":620,"_154":621,"_140":370},{"_288":286,"_123":617,"_154":618,"_140":619},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_312":641,"_314":642},{"_312":639,"_314":640},{"_312":637,"_314":638},{"_312":635,"_314":636},{"_312":633,"_314":634},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":696,"_223":697,"_326":698,"_328":400,"_330":699,"_332":700,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[681,682,683,684,685],{"_222":302,"_223":303,"_42":304,"_305":306},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_296":678,"_298":679,"_300":680},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":293,"_294":295},{"_226":673,"_125":674,"_286":675},{"_276":671,"_278":279,"_280":672,"_282":283},42.560791015625,18.560791015625,{"_288":226,"_123":676,"_154":677,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_312":694,"_314":695},{"_312":692,"_314":693},{"_312":690,"_314":691},{"_312":688,"_314":689},{"_312":686,"_314":687},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-white-horse-nga-1146","The White Horse",{"_42":747,"_223":748,"_326":749,"_328":531,"_330":750,"_332":751,"_334":-5,"_335":-5,"_336":752,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[732,733,734,735,736],{"_222":302,"_223":303,"_42":304,"_305":306},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_296":729,"_298":730,"_300":731},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_292":373,"_294":374},{"_226":724,"_125":725,"_286":726},{"_276":721,"_278":722,"_280":706,"_282":723},198,142.912353515625,127.912353515625,{"_288":226,"_123":727,"_154":728,"_140":99},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_312":745,"_314":746},{"_312":743,"_314":744},{"_312":741,"_314":742},{"_312":739,"_314":740},{"_312":737,"_314":738},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":643,"_223":644,"_326":645,"_328":400,"_330":646,"_332":647,"_334":648,"_335":404,"_336":649,"_140":95},"1782","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[783,784,785,786,787],{"_222":378,"_223":379,"_42":380,"_305":381},"20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_296":780,"_298":781,"_300":782},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_292":373,"_294":374},{"_226":777,"_125":778,"_286":779},{"_276":774,"_278":775,"_280":776,"_282":759},162.4421624418003,253.1,147.4421624418003,{"_288":226,"_123":622,"_154":623,"_140":95},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg",{"_312":796,"_314":797},{"_312":794,"_314":795},{"_312":792,"_314":793},{"_312":790,"_314":791},{"_312":788,"_314":789},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[833,834,835,836,837],{"_222":830,"_223":831,"_42":832,"_305":306},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_296":827,"_298":828,"_300":829},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_292":373,"_294":374},{"_226":822,"_125":823,"_286":824},{"_276":819,"_278":820,"_280":803,"_282":821},70.2,58.4424,43.4424,{"_288":226,"_123":825,"_154":826,"_140":97},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":846,"_314":847},{"_312":844,"_314":845},{"_312":842,"_314":843},{"_312":840,"_314":841},{"_312":838,"_314":839},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":904,"_223":905,"_326":906,"_328":531,"_330":907,"_332":908,"_334":-5,"_335":-5,"_336":-5,"_140":101},"n.d.","watercolour","Drawing and Watercolor","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[889,890,891,892,893],{"_222":885,"_223":886,"_42":887,"_305":888},"Courtesy of the Art Institute of Chicago","1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_296":882,"_298":883,"_300":884},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_292":293,"_294":295},{"_226":875,"_125":876,"_286":877},{"_276":872,"_278":873,"_280":856,"_282":874},70,56.1976386036961,32.1976386036961,{"_288":226,"_123":880,"_154":881,"_140":89},{"_288":125,"_123":878,"_154":879,"_140":437},{"_288":286,"_123":435,"_154":436,"_140":437},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":902,"_314":903},{"_312":900,"_314":901},{"_312":898,"_314":899},{"_312":896,"_314":897},{"_312":894,"_314":895},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","Fishing Boats with Hucksters Bargaining for Fish",{"_42":528,"_223":529,"_326":530,"_328":531,"_330":532,"_332":533,"_334":404,"_335":404,"_336":534,"_140":97},"1837–38","174.5 × 224.9 cm (68 3/4 × 88 1/2 in.); Framed: 216.6 × 268 cm (85 1/4 × 105 1/2 in.)",224,174,1.2940322346449833,[939,940,941,942,943],{"_222":885,"_223":886,"_42":887,"_305":888},"1922.4472","Joseph Mallord William Turner painted this in 1837–38, aged about 57. It is now at the Art Institute of Chicago.","Fishing boats pitch on rough water under a sky of piled storm cloud, while hucksters, the dealers who bought the catch at sea, bargain with the fishermen.","Large marine landscape of boats on rough waves, storm clouds.",{"_296":936,"_298":937,"_300":938},"https://img.ochreeditions.com/m/9.jpg?dl=1","/art/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796","/galleries/style/georgian-britain/fishing-boats-with-hucksters-bargaining-for-fish-aic-4796",{"_292":373,"_294":374},{"_226":933,"_125":934,"_286":935},{"_276":930,"_278":931,"_280":914,"_282":932},239,188.10233393177737,173.10233393177737,{"_288":226,"_123":501,"_154":502,"_140":97},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":435,"_154":436,"_140":437},"https://img.ochreeditions.com/a/9/480.jpg","https://img.ochreeditions.com/a/9/960.jpg","https://img.ochreeditions.com/a/9/1920.jpg",{"_312":952,"_314":953},{"_312":950,"_314":951},{"_312":948,"_314":949},{"_312":946,"_314":947},{"_312":944,"_314":945},"#8e979a",0.1084,"#c6ac89",0.1668,"#4c4438",0.2133,"#736551",0.2481,"#9e886b",0.2634,"joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","Joshua Commanding the Sun to Stand Still upon Gibeon",{"_42":1000,"_223":1001,"_326":1002,"_328":400,"_330":1003,"_332":1004,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1816","overall: 150 x 231 cm (59 1/16 x 90 15/16 in.)",231,150,1.522110739502044,[985,986,987,988,989],{"_222":302,"_223":303,"_42":304,"_305":306},"2004.64.1","John Martin painted this in 1816, aged 27. It is now at the National Gallery of Art in Washington, DC.","Armies of men march and battle along a rocky outcropping set among huge rock formations and massive buildings under a stormy sky in this horizontal landscape painting. The people we can see all have pale skin. Sheets of rain fall from flint-gray clouds on our left into a valley, though hints of peach brighten the clouds along the mountainous horizon there. In the right half of the sky, light pours down from a brilliant white sun that breaks through white clouds to reveal topaz-blue patches of sky. The horizon comes about halfway up the composition and is lined with rugged white, pale pink, and olive-green mountains on our left and silvery-white buildings along the right half. These structures include two domed buildings and a colosseum among many others. The buildings are all enclosed within city walls buttressed with towers. The land dips precipitously from the rocky cliffs supporting the buildings, to sweep down toward us. A huge outcropping angles up like a ramp between us and the buildings in the distance. A road runs from the walled town toward us, down along the ridge and in front of the outcropping. Countless warriors march in rows of four or five across on the road past a man wearing a feathered helmet and armored breastplate. This man, Joshua, stands on a rocky precipice facing away from us with his right hand raised. He wears a scarlet-red toga under his breastplate, and a royal-blue cape flutters at his left side. He holds a round, copper-colored shield and a spear in his other hand. Two men with gray beards stand near Joshua with their backs to us. Both gesture up to the sky. One holds a slender staff and the other a curling horn. They and another pair of men, who stoop to hold poles used to carry a chest, all wear long, ivory-white robes, cherry-red drapery, and white turbans. The column of soldiers on foot and horseback pass in front of Joshua to a massive battlefield to our left. The fight takes place in a valley that leads back to a river. A bolt of lightning zigzags from the storm clouds and strikes a city in the deep distance. The artist signed the painting in the lower right, “J. Martin.”",{"_296":982,"_298":983,"_300":984},"https://img.ochreeditions.com/m/1655.jpg?dl=1","/art/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865","/galleries/style/georgian-britain/joshua-commanding-the-sun-to-stand-still-upon-gibeon-nga-129865",{"_292":373,"_294":374},{"_226":977,"_125":978,"_286":979},{"_276":974,"_278":975,"_280":959,"_282":976},246,166.762939453125,151.762939453125,{"_288":226,"_123":980,"_154":981,"_140":89},{"_288":125,"_123":498,"_154":499,"_140":500},{"_288":286,"_123":435,"_154":436,"_140":437},"artist/contemporaries-of-john-martin","John Martin's contemporaries","https://img.ochreeditions.com/a/1655/480.jpg","https://img.ochreeditions.com/a/1655/960.jpg","https://img.ochreeditions.com/a/1655/1920.jpg",{"_312":998,"_314":999},{"_312":996,"_314":997},{"_312":994,"_314":995},{"_312":992,"_314":993},{"_312":990,"_314":991},"#adaa9f",0.1053,"#7c756a",0.1295,"#1a1609",0.2377,"#4e4a3c",0.2526,"#342a17",0.2749,"John Martin","john-martin","British, 1789–1854",1789,1854,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[1032,1033,1034,1035,1036],{"_222":885,"_223":886,"_42":887,"_305":888},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_296":1029,"_298":1030,"_300":1031},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_292":293,"_294":295},{"_226":1026,"_125":1027,"_286":1028},{"_276":279,"_278":1024,"_280":283,"_282":1025},48.48828746872867,24.488287468728675,{"_288":226,"_123":825,"_154":826,"_140":97},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_312":1045,"_314":1046},{"_312":1043,"_314":1044},{"_312":1041,"_314":1042},{"_312":1039,"_314":1040},{"_312":1037,"_314":1038},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1100,"_223":1101,"_326":1102,"_328":400,"_330":1103,"_332":1104,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[1085,1086,1087,1088,1089],{"_222":509,"_223":510,"_42":511,"_305":512},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":1084,"_507":508},"Bray Church Yard, by John Varley, 1807",{"_296":1081,"_298":1082,"_300":1083},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_292":293,"_294":295},{"_226":1074,"_125":1075,"_286":1076},{"_276":1071,"_278":1072,"_280":1055,"_282":1073},60.9,48.95091176470588,24.950911764705882,{"_288":226,"_123":1079,"_154":1080,"_140":89},{"_288":125,"_123":1077,"_154":1078,"_140":476},{"_288":286,"_123":435,"_154":436,"_140":437},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_312":1098,"_314":1099},{"_312":1096,"_314":1097},{"_312":1094,"_314":1095},{"_312":1092,"_314":1093},{"_312":1090,"_314":1091},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":583,"_223":584,"_326":585,"_328":531,"_330":586,"_332":587,"_334":588,"_335":588,"_336":589,"_140":99},"1779","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[1133,1134,1135,1136,1137],{"_222":378,"_223":379,"_42":380,"_305":381},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_296":1130,"_298":1131,"_300":1132},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_292":373,"_294":374},{"_226":1127,"_125":1128,"_286":1129},{"_276":557,"_278":1125,"_280":541,"_282":1126},117.37854406130268,102.37854406130268,{"_288":226,"_123":562,"_154":563,"_140":99},{"_288":125,"_123":368,"_154":369,"_140":370},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_312":1146,"_314":1147},{"_312":1144,"_314":1145},{"_312":1142,"_314":1143},{"_312":1140,"_314":1141},{"_312":1138,"_314":1139},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","b26e4f0d39bf67686aee46b5da762b367234505a","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_223":1192,"_20":1193},{"_223":1190,"_20":1191},{"_223":1188,"_20":1189},{"_223":1186,"_20":1187},{"_223":1184,"_20":1185},{"_223":1182,"_20":1183},{"_223":1180,"_20":1181},{"_223":1178,"_20":1179},{"_223":1176,"_20":1177},{"_223":1174,"_20":1175},{"_223":1172,"_20":1173},{"_223":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]