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It is now at the Cleveland Museum of Art.",{"_118":438,"_369":370},"Descent into the Plain of Granada, by David Roberts, 1834",{"_294":435,"_296":436,"_298":437},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_290":433,"_292":434},{"_224":425,"_125":426,"_284":427},{"_275":422,"_277":423,"_279":406,"_281":424},56.5,47.45735294117647,23.45735294117647,{"_286":224,"_123":431,"_154":432,"_140":89},{"_286":125,"_123":428,"_154":429,"_140":430},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","white","snow","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":516,"_221":517,"_324":518,"_326":519,"_328":520,"_330":521,"_332":522,"_333":522,"_334":523,"_140":99},"c. 1771–72",18,"Oil on canvas","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[501,502,503,504,505],{"_220":371,"_221":372,"_42":373,"_303":374},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":500,"_369":370},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_294":497,"_296":498,"_298":499},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_290":291,"_292":293},{"_224":486,"_125":487,"_284":488},{"_275":483,"_277":484,"_279":485,"_281":468},116.48794117647058,142,101.48794117647058,{"_286":224,"_123":495,"_154":496,"_140":99},{"_286":125,"_123":492,"_154":493,"_140":494},{"_286":284,"_123":489,"_154":490,"_140":491},"era/18-britain","18th-century Britain",42,"style/painting-18","More paintings of the 18th century",168,"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_310":514,"_312":515},{"_310":512,"_312":513},{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797","English",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":580,"_221":581,"_324":582,"_326":519,"_328":583,"_330":584,"_332":-5,"_333":-5,"_334":585,"_140":99},"n.d.","watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[565,566,567,568,569],{"_220":561,"_221":562,"_42":563,"_303":564},"Courtesy of the Art Institute of Chicago","1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_294":558,"_296":559,"_298":560},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_290":433,"_292":434},{"_224":551,"_125":552,"_284":553},{"_275":548,"_277":549,"_279":532,"_281":550},53,44.521086780210865,20.52108678021087,{"_286":224,"_123":556,"_154":557,"_140":99},{"_286":125,"_123":554,"_154":555,"_140":53},{"_286":284,"_123":489,"_154":490,"_140":491},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":578,"_312":579},{"_310":576,"_312":577},{"_310":574,"_312":575},{"_310":572,"_312":573},{"_310":570,"_312":571},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":642,"_221":643,"_324":644,"_326":327,"_328":645,"_330":646,"_332":396,"_333":396,"_334":-5,"_140":103},"1796–97","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[627,628,629,630,631],{"_220":623,"_221":624,"_42":625,"_303":626},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":620,"_296":621,"_298":622},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":433,"_292":434},{"_224":612,"_125":613,"_284":614},{"_275":609,"_277":610,"_279":593,"_281":611},76,62.26731078904992,38.26731078904992,{"_286":224,"_123":618,"_154":619,"_140":89},{"_286":125,"_123":615,"_154":616,"_140":617},{"_286":284,"_123":489,"_154":490,"_140":491},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":640,"_312":641},{"_310":638,"_312":639},{"_310":636,"_312":637},{"_310":634,"_312":635},{"_310":632,"_312":633},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,1802,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":698,"_221":699,"_324":700,"_326":327,"_328":701,"_330":702,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1785","print","Print","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[683,684,685,686,687],{"_220":300,"_221":301,"_42":302,"_303":304},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":680,"_296":681,"_298":682},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":433,"_292":434},{"_224":673,"_125":674,"_284":675},{"_275":670,"_277":671,"_279":655,"_281":672},60.9,49.927294921875,25.927294921875,{"_286":224,"_123":678,"_154":679,"_140":89},{"_286":125,"_123":676,"_154":677,"_140":341},{"_286":284,"_123":489,"_154":490,"_140":491},"style/print-18","More prints of the 18th century","artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":696,"_312":697},{"_310":694,"_312":695},{"_310":692,"_312":693},{"_310":690,"_312":691},{"_310":688,"_312":689},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":749,"_221":750,"_324":751,"_326":519,"_328":752,"_330":753,"_332":-5,"_333":-5,"_334":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[734,735,736,737,738],{"_220":561,"_221":562,"_42":563,"_303":564},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_294":731,"_296":732,"_298":733},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_290":433,"_292":434},{"_224":726,"_125":727,"_284":728},{"_275":723,"_277":724,"_279":725,"_281":168},55.65199378560331,64,31.651993785603313,{"_286":224,"_123":729,"_154":730,"_140":99},{"_286":125,"_123":676,"_154":677,"_140":341},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_310":747,"_312":748},{"_310":745,"_312":746},{"_310":743,"_312":744},{"_310":741,"_312":742},{"_310":739,"_312":740},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":801,"_221":802,"_324":803,"_326":327,"_328":804,"_330":805,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[786,787,788,789,790],{"_220":300,"_221":301,"_42":302,"_303":304},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_294":783,"_296":784,"_298":785},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_290":433,"_292":434},{"_224":778,"_125":779,"_284":780},{"_275":775,"_277":776,"_279":777,"_281":761},59.630419921874996,77.4,35.630419921874996,{"_286":224,"_123":781,"_154":782,"_140":89},{"_286":125,"_123":676,"_154":677,"_140":341},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_310":799,"_312":800},{"_310":797,"_312":798},{"_310":795,"_312":796},{"_310":793,"_312":794},{"_310":791,"_312":792},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"the-white-horse-nga-1146","The White Horse",{"_42":852,"_221":853,"_324":854,"_326":519,"_328":855,"_330":856,"_332":-5,"_333":-5,"_334":857,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,1.4306671323786238,[837,838,839,840,841],{"_220":300,"_221":301,"_42":302,"_303":304},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":834,"_296":835,"_298":836},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":291,"_292":293},{"_224":829,"_125":830,"_284":831},{"_275":826,"_277":827,"_279":811,"_281":828},198,142.912353515625,127.912353515625,{"_286":224,"_123":832,"_154":833,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":850,"_312":851},{"_310":848,"_312":849},{"_310":846,"_312":847},{"_310":844,"_312":845},{"_310":842,"_312":843},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":906,"_221":907,"_324":908,"_326":519,"_328":909,"_330":910,"_332":911,"_333":396,"_334":912,"_140":97},"early 1770s (not later than 1772)","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[891,892,893,894,895],{"_220":561,"_221":562,"_42":563,"_303":564},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_294":888,"_296":889,"_298":890},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_290":433,"_292":434},{"_224":883,"_125":884,"_284":885},{"_275":880,"_277":881,"_279":864,"_281":882},79,66.1776611694153,42.177661169415295,{"_286":224,"_123":886,"_154":887,"_140":97},{"_286":125,"_123":554,"_154":555,"_140":53},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_310":904,"_312":905},{"_310":902,"_312":903},{"_310":900,"_312":901},{"_310":898,"_312":899},{"_310":896,"_312":897},"#75643b",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.",{"_42":959,"_221":960,"_324":961,"_326":327,"_328":962,"_330":963,"_332":964,"_333":396,"_334":965,"_140":95},"1788","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)",101,126,0.7977275284058949,[944,945,946,947,948],{"_220":561,"_221":562,"_42":563,"_303":564},"1955.1202","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_294":941,"_296":942,"_298":943},"https://img.ochreeditions.com/m/230.jpg?dl=1","/art/sir-thomas-rumbold-bt-aic-84707","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707",{"_290":291,"_292":293},{"_224":936,"_125":937,"_284":938},{"_275":933,"_277":934,"_279":935,"_281":919},115.51366857914276,141,100.51366857914276,{"_286":224,"_123":939,"_154":940,"_140":95},{"_286":125,"_123":492,"_154":493,"_140":494},{"_286":284,"_123":489,"_154":490,"_140":491},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/230/480.jpg","https://img.ochreeditions.com/a/230/960.jpg","https://img.ochreeditions.com/a/230/1920.jpg",{"_310":957,"_312":958},{"_310":955,"_312":956},{"_310":953,"_312":954},{"_310":951,"_312":952},{"_310":949,"_312":950},"#4e3c1b",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","Heroic Landscape with Fisherman, Cows, and Horsemen",{"_42":801,"_221":802,"_324":803,"_326":327,"_328":804,"_330":805,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1744","chiaroscuro woodcut printed in color on laid paper","sheet: 42 x 58.5 cm (16 9/16 x 23 1/16 in.)",58.5,1.3880040664181634,[995,996,997,998,999],{"_220":300,"_221":301,"_42":302,"_303":304},"2012.92.61","John Baptist Jackson made this in 1744, aged 43. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape scene from an elevated viewpoint. There are large columns of a classical ruin and a leafy tree on the left. On the right, there is a spreading tree with intricate leaves. In the background, there is a pastoral landscape with figures and animals. A shepherd and a cow are guiding a flock of sheep, and buildings can be seen in the distance. The horizon divides the image into sky and earth. The brushstrokes are detailed, capturing textures effectively. The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_294":992,"_296":993,"_298":994},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_290":433,"_292":434},{"_224":989,"_125":990,"_284":991},{"_275":986,"_277":987,"_279":972,"_281":988},82.5,66.1468505859375,42.1468505859375,{"_286":224,"_123":781,"_154":782,"_140":89},{"_286":125,"_123":676,"_154":677,"_140":341},{"_286":284,"_123":489,"_154":490,"_140":491},"https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg",{"_310":1008,"_312":1009},{"_310":1006,"_312":1007},{"_310":1004,"_312":1005},{"_310":1002,"_312":1003},{"_310":1000,"_312":1001},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":1054,"_221":1055,"_324":1056,"_326":327,"_328":1057,"_330":1058,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[1040,1041,1042,1043,1044],{"_220":300,"_221":301,"_42":302,"_303":304},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_294":1037,"_296":1038,"_298":1039},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_290":291,"_292":293},{"_224":1032,"_125":1033,"_284":1034},{"_275":1029,"_277":1030,"_279":1015,"_281":1031},167.6,105.38271484375,90.38271484375,{"_286":224,"_123":1035,"_154":1036,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_310":1052,"_312":1053},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},{"_310":1046,"_312":1047},{"_310":1045,"_312":744},"#9f8033","#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"self-portrait-aic-11706","Self-Portrait",{"_42":580,"_221":581,"_324":582,"_326":519,"_328":583,"_330":584,"_332":-5,"_333":-5,"_334":585,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,0.5697549441100602,[1089,1090,1091,1092,1093],{"_220":561,"_221":562,"_42":563,"_303":564},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":1086,"_296":1087,"_298":1088},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":433,"_292":434},{"_224":1083,"_125":1084,"_284":1085},{"_275":1080,"_277":1081,"_279":1082,"_281":708},41.0926483233018,54,17.092648323301805,{"_286":224,"_123":556,"_154":557,"_140":99},{"_286":125,"_123":554,"_154":555,"_140":53},{"_286":284,"_123":489,"_154":490,"_140":491},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":1102,"_312":1103},{"_310":1100,"_312":1101},{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":749,"_221":750,"_324":751,"_326":519,"_328":752,"_330":753,"_332":-5,"_333":-5,"_334":-5,"_140":99},0.7912519643792562,[1126,1127,1128,1129,1130],{"_220":561,"_221":562,"_42":563,"_303":564},"1946.405",{"_294":1123,"_296":1124,"_298":1125},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_290":433,"_292":434},{"_224":1120,"_125":1121,"_284":1122},{"_275":1118,"_277":724,"_279":1119,"_281":168},55.65007857517025,31.650078575170248,{"_286":224,"_123":729,"_154":730,"_140":99},{"_286":125,"_123":676,"_154":677,"_140":341},{"_286":284,"_123":489,"_154":490,"_140":491},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},{"_310":1135,"_312":744},{"_310":1133,"_312":1134},{"_310":1131,"_312":1132},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,{"_1141":-5,"_1142":1143,"_1144":1145,"_1146":8,"_1147":1148,"_1149":8},"user","csrf","50b36929a28009848e33f9b57d3b1ff6b231af9a","cartCount",0,"dropLive","legal",[1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160,1161],"uploadsEnabled",{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]