[{"_1":2,"_3":4},"root",{"_5":1128},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/sir-thomas-rumbold-bt-aic-84707",15,"https://www.ochreeditions.com/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",14,"https://www.ochreeditions.com/art/july-from-twelve-months-of-flowers-aic-127986",13,"https://www.ochreeditions.com/art/noon-nga-119642",12,"https://www.ochreeditions.com/art/recovery-document-land-title-grant-aic-136136",11,"https://www.ochreeditions.com/art/athena-and-the-winds-aic-77249",10,"https://www.ochreeditions.com/art/portrait-of-catherine-grey-lady-manners-cma-136682",9,"https://www.ochreeditions.com/art/portrait-of-mrs-george-collier-cma-101852",8,"https://www.ochreeditions.com/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",7,"https://www.ochreeditions.com/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",6,"https://www.ochreeditions.com/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",5,"https://www.ochreeditions.com/art/peamore-devon-nga-137152",4,"https://www.ochreeditions.com/art/august-from-twelve-months-of-flowers-aic-127987",3,"https://www.ochreeditions.com/art/weymouth-bay-met-682931",2,"https://www.ochreeditions.com/art/cottage-children-the-wood-gatherers-met-436440",1,"https://www.ochreeditions.com/art/stoke-by-neyland-nga-119641","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",1866,"/galleries/style/georgian-britain","total",63,"page","works",[205,206,207,208,209,210,211,212,213,214,215,216,217,218,219,220],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTg2NiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=1866&cursor=eyJvIjoxNiwiaCI6MTg2NiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/557/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":95},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=1866&via=continue",42,"More by Joshua Reynolds","artist/joshua-reynolds","/galleries/artist/joshua-reynolds?hang=1866&via=continue",{"_42":199,"_179":200},{"_42":194,"_179":195},{"_42":189,"_179":190},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182],1331,230,"Section 2, north wall",[185,186,187,188],199,319,1650,309,"Section 2, south wall",[191,192,193],798,498,640,"Section 1, south wall",[196,197,198],1666,191,1465,"Section 1, north wall",[201,202,203,204],1649,1090,1280,310,{"_221":201,"_222":1085,"_20":1086,"_225":1087,"_227":-5,"_228":466,"_230":343,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":408,"_239":1088,"_241":1089,"_243":1090,"_245":470,"_247":1091,"_249":1092,"_251":1093,"_253":351,"_255":1094,"_257":258,"_259":475,"_154":-5,"_261":1095,"_111":1096,"_263":1097,"_265":1098,"_267":1099,"_269":1100,"_271":1101,"_144":1102,"_274":1103},{"_221":202,"_222":1030,"_20":1031,"_225":1032,"_227":-5,"_228":1033,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":1034,"_239":240,"_241":1035,"_243":1036,"_245":1037,"_247":1038,"_249":1039,"_251":1040,"_253":991,"_255":1041,"_257":258,"_259":1042,"_154":-5,"_261":1043,"_111":1044,"_263":1045,"_265":1046,"_267":1047,"_269":1048,"_271":1049,"_144":1050,"_274":1051},{"_221":203,"_222":980,"_20":981,"_225":982,"_227":-5,"_228":466,"_230":343,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":983,"_239":984,"_241":985,"_243":986,"_245":987,"_247":988,"_249":989,"_251":990,"_253":991,"_255":992,"_257":258,"_259":993,"_154":-5,"_261":994,"_111":995,"_263":996,"_265":997,"_267":998,"_269":999,"_271":1000,"_144":1001,"_274":1002},{"_221":204,"_222":944,"_20":945,"_225":946,"_227":-5,"_228":406,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":408,"_239":409,"_241":410,"_243":411,"_245":370,"_247":947,"_249":948,"_251":949,"_253":254,"_255":950,"_257":258,"_259":416,"_154":-5,"_261":-5,"_111":418,"_263":951,"_265":952,"_267":953,"_269":954,"_271":955,"_144":956,"_274":957},{"_221":196,"_222":887,"_20":888,"_225":889,"_227":-5,"_228":890,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":891,"_237":892,"_239":893,"_241":894,"_243":895,"_245":896,"_247":897,"_249":898,"_251":899,"_253":351,"_255":900,"_257":258,"_259":901,"_154":-5,"_261":-5,"_111":902,"_263":903,"_265":904,"_267":905,"_269":906,"_271":907,"_144":908,"_274":909},{"_221":197,"_222":844,"_20":845,"_225":846,"_227":-5,"_228":847,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":848,"_243":849,"_245":850,"_247":851,"_249":852,"_251":853,"_253":254,"_255":854,"_257":258,"_259":855,"_154":-5,"_261":-5,"_111":262,"_263":856,"_265":857,"_267":858,"_269":859,"_271":860,"_144":861,"_274":862},{"_221":198,"_222":793,"_20":794,"_225":795,"_227":-5,"_228":796,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":344,"_241":797,"_243":798,"_245":745,"_247":799,"_249":800,"_251":801,"_253":351,"_255":802,"_257":258,"_259":803,"_154":-5,"_261":-5,"_111":804,"_263":805,"_265":806,"_267":807,"_269":808,"_271":809,"_144":810,"_274":811},{"_221":191,"_222":739,"_20":740,"_225":741,"_227":-5,"_228":742,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":344,"_241":743,"_243":744,"_245":745,"_247":746,"_249":747,"_251":748,"_253":634,"_255":749,"_257":258,"_259":750,"_154":751,"_261":-5,"_111":752,"_263":753,"_265":754,"_267":755,"_269":756,"_271":757,"_144":758,"_274":759},{"_221":192,"_222":687,"_20":688,"_225":689,"_227":-5,"_228":690,"_230":691,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":344,"_241":692,"_243":693,"_245":694,"_247":695,"_249":696,"_251":697,"_253":634,"_255":698,"_257":258,"_259":699,"_154":700,"_261":-5,"_111":701,"_263":702,"_265":703,"_267":704,"_269":705,"_271":706,"_144":707,"_274":708},{"_221":193,"_222":624,"_20":625,"_225":626,"_227":-5,"_228":627,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":344,"_241":628,"_243":629,"_245":630,"_247":631,"_249":632,"_251":633,"_253":634,"_255":635,"_257":258,"_259":636,"_154":637,"_261":-5,"_111":638,"_263":639,"_265":640,"_267":641,"_269":642,"_271":643,"_144":644,"_274":645},{"_221":185,"_222":568,"_20":569,"_225":570,"_227":-5,"_228":406,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":571,"_237":572,"_239":573,"_241":574,"_243":575,"_245":576,"_247":577,"_249":578,"_251":579,"_253":254,"_255":580,"_257":258,"_259":581,"_154":-5,"_261":-5,"_111":582,"_263":583,"_265":584,"_267":585,"_269":586,"_271":587,"_144":588,"_274":589},{"_221":186,"_222":521,"_20":522,"_225":-5,"_227":523,"_228":524,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":408,"_239":525,"_241":526,"_243":527,"_245":75,"_247":528,"_249":529,"_251":530,"_253":254,"_255":531,"_257":258,"_259":532,"_154":-5,"_261":-5,"_111":533,"_263":534,"_265":535,"_267":536,"_269":537,"_271":538,"_144":539,"_274":540},{"_221":187,"_222":463,"_20":464,"_225":465,"_227":-5,"_228":466,"_230":343,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":408,"_239":467,"_241":468,"_243":469,"_245":470,"_247":471,"_249":472,"_251":473,"_253":351,"_255":474,"_257":258,"_259":475,"_154":-5,"_261":476,"_111":477,"_263":478,"_265":479,"_267":480,"_269":481,"_271":482,"_144":483,"_274":484},{"_221":188,"_222":403,"_20":404,"_225":405,"_227":-5,"_228":406,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":407,"_237":408,"_239":409,"_241":410,"_243":411,"_245":370,"_247":412,"_249":413,"_251":414,"_253":254,"_255":415,"_257":258,"_259":416,"_154":-5,"_261":417,"_111":418,"_263":419,"_265":420,"_267":421,"_269":422,"_271":423,"_144":424,"_274":425},{"_221":181,"_222":339,"_20":340,"_225":341,"_227":-5,"_228":342,"_230":343,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":344,"_241":345,"_243":346,"_245":347,"_247":348,"_249":349,"_251":350,"_253":351,"_255":352,"_257":258,"_259":353,"_154":-5,"_261":-5,"_111":354,"_263":355,"_265":356,"_267":357,"_269":358,"_271":359,"_144":360,"_274":361},{"_221":182,"_222":223,"_20":224,"_225":226,"_227":-5,"_228":229,"_230":231,"_232":233,"_234":-5,"_125":235,"_28":236,"_237":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_154":-5,"_261":-5,"_111":262,"_263":264,"_265":266,"_267":268,"_269":270,"_271":272,"_144":273,"_274":275},"id","slug","sir-thomas-rumbold-bt-aic-84707","Sir Thomas Rumbold, Bt.","artist",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":95},"unrecorded","date","1788","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","Oil on canvas","dimensions","126.7 × 101.3 cm (49 7/8 × 39 7/8 in.); Framed: 149 × 123.2 × 8.3 cm (58 5/8 × 48 1/2 × 3 1/4 in.)","width_cm",101,"height_cm",126,"aspect",0.7977275284058949,"palette",[306,307,308,309,310],"museum",{"_221":301,"_222":302,"_42":303,"_304":305},"credit","Courtesy of the Art Institute of Chicago","accession","1955.1202","licence","CC0","story","Joshua Reynolds painted this in 1788, aged 65. It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/230.jpg?dl=1","page_url","/art/sir-thomas-rumbold-bt-aic-84707","walk_url","/galleries/style/georgian-britain/sir-thomas-rumbold-bt-aic-84707","frame",{"_291":292,"_293":294},{"_225":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":246},"w",115.51366857914276,"h",141,"image_w",100.51366857914276,"image_h",{"_287":225,"_123":171,"_154":170,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/230/480.jpg","960","https://img.ochreeditions.com/a/230/960.jpg","1920","https://img.ochreeditions.com/a/230/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#4e3c1b","weight",0.0861,"#7b5f30",0.1161,"#652304",0.1777,"#301904",0.2331,"#201605",0.387,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":398,"_222":399,"_325":400,"_327":328,"_329":401,"_331":402,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1830-1880",19,"oil on canvas","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,123.2,0.79638671875,[383,384,385,386,387],{"_221":379,"_222":380,"_42":381,"_304":382},"Courtesy National Gallery of Art, Washington","1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":376,"_297":377,"_299":378},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":292,"_293":294},{"_225":365,"_125":366,"_285":367},{"_276":362,"_278":363,"_280":364,"_282":347},113.11484375,138.2,98.11484375,{"_287":225,"_123":374,"_154":375,"_140":89},{"_287":125,"_123":371,"_154":372,"_140":373},{"_287":285,"_123":368,"_154":369,"_140":370},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":396,"_313":397},{"_311":394,"_313":395},{"_311":392,"_313":393},{"_311":390,"_313":391},{"_311":388,"_313":389},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":457,"_222":458,"_325":459,"_327":460,"_329":461,"_331":462,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[442,443,444,445,446],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":439,"_297":440,"_299":441},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_291":437,"_293":438},{"_225":429,"_125":430,"_285":431},{"_276":426,"_278":427,"_280":428,"_282":370},55.65199378560331,64,31.651993785603313,{"_287":225,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","white","snow","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750","English",1710,1750,"noon-nga-119642","Noon",{"_42":514,"_222":515,"_325":516,"_327":328,"_329":517,"_331":518,"_333":519,"_335":336,"_337":520,"_140":97},"1830","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[499,500,501,502,503],{"_221":379,"_222":380,"_42":381,"_304":382},"2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_295":496,"_297":497,"_299":498},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_291":437,"_293":438},{"_225":488,"_125":489,"_285":490},{"_276":485,"_278":486,"_280":469,"_282":487},49.5,42.3094482421875,18.3094482421875,{"_287":225,"_123":494,"_154":495,"_140":97},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":368,"_154":369,"_140":370},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_311":512,"_313":513},{"_311":510,"_313":511},{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[553,554,555,556,557],{"_221":301,"_222":302,"_42":303,"_304":305},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":437,"_293":438},{"_225":545,"_125":546,"_285":547},{"_276":541,"_278":542,"_280":543,"_282":544},49,48.48828746872867,25,24.488287468728675,{"_287":225,"_123":548,"_154":549,"_140":97},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":566,"_313":567},{"_311":564,"_313":565},{"_311":562,"_313":563},{"_311":560,"_313":561},{"_311":558,"_313":559},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":618,"_222":619,"_325":620,"_327":460,"_329":621,"_331":622,"_333":-5,"_335":-5,"_337":623,"_140":99},"watercolour","Drawing and Watercolor","Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[603,604,605,606,607],{"_221":301,"_222":302,"_42":303,"_304":305},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":600,"_297":601,"_299":602},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":437,"_293":438},{"_225":593,"_125":594,"_285":595},{"_276":590,"_278":591,"_280":575,"_282":592},53,44.521086780210865,20.52108678021087,{"_287":225,"_123":598,"_154":599,"_140":99},{"_287":125,"_123":596,"_154":597,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":616,"_313":617},{"_311":614,"_313":615},{"_311":612,"_313":613},{"_311":610,"_313":611},{"_311":608,"_313":609},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":680,"_222":681,"_325":682,"_327":328,"_329":683,"_331":684,"_333":685,"_335":336,"_337":686,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[665,666,667,668,669],{"_221":661,"_222":662,"_42":663,"_304":664},"Courtesy of the Cleveland Museum of Art","1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":658,"_659":660},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":655,"_297":656,"_299":657},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_225":650,"_125":651,"_285":652},{"_276":646,"_278":647,"_280":648,"_282":649},163.0235294117647,255,148.0235294117647,240,{"_287":225,"_123":653,"_154":654,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":323,"_222":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[724,725,726,727,728],{"_221":661,"_222":662,"_42":663,"_304":664},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":723,"_659":660},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_295":720,"_297":721,"_299":722},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_291":292,"_293":294},{"_225":712,"_125":713,"_285":714},{"_276":709,"_278":710,"_280":711,"_282":694},80.5529411764706,95,65.5529411764706,{"_287":225,"_123":171,"_154":170,"_140":95},{"_287":125,"_123":718,"_154":719,"_140":290},{"_287":285,"_123":715,"_154":716,"_140":717},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_311":737,"_313":738},{"_311":735,"_313":736},{"_311":733,"_313":734},{"_311":731,"_313":732},{"_311":729,"_313":730},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":787,"_222":788,"_325":789,"_327":790,"_329":791,"_331":792,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[772,773,774,775,776],{"_221":661,"_222":662,"_42":663,"_304":664},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":771,"_659":660},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_295":768,"_297":769,"_299":770},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_291":292,"_293":294},{"_225":763,"_125":764,"_285":765},{"_276":760,"_278":761,"_280":744,"_282":762},142,116.11441176470589,101.11441176470589,{"_287":225,"_123":766,"_154":767,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_311":785,"_313":786},{"_311":783,"_313":784},{"_311":781,"_313":782},{"_311":779,"_313":780},{"_311":777,"_313":778},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","John Johnstone, Betty Johnstone, and Miss Wedderburn",{"_42":838,"_222":839,"_325":840,"_327":841,"_329":842,"_331":843,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1790/1795","overall: 101.5 x 120 cm (39 15/16 x 47 1/4 in.) framed: 119.4 x 138.4 x 6.4 cm (47 x 54 1/2 x 2 1/2 in.)",120,1.1770114942528735,[823,824,825,826,827],{"_221":379,"_222":380,"_42":381,"_304":382},"1945.10.3","Sir Henry Raeburn painted this in about 1790/1795, aged about 34. It is now at the National Gallery of Art in Washington, DC.","John Johnstone, Betty Johnstone, and Miss Wedderburn, by Sir Henry Raeburn, c. 1790/1795",{"_295":820,"_297":821,"_299":822},"https://img.ochreeditions.com/m/1465.jpg?dl=1","/art/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580","/galleries/style/georgian-britain/john-johnstone-betty-johnstone-and-miss-wedderburn-nga-32580",{"_291":292,"_293":294},{"_225":815,"_125":816,"_285":817},{"_276":812,"_278":813,"_280":798,"_282":814},135,116.953125,101.953125,{"_287":225,"_123":818,"_154":819,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sir-henry-raeburn","Sir Henry Raeburn's contemporaries","https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/1465/960.jpg","https://img.ochreeditions.com/a/1465/1920.jpg",{"_311":836,"_313":837},{"_311":834,"_313":835},{"_311":832,"_313":833},{"_311":830,"_313":831},{"_311":828,"_313":829},"#7d6b5b",0.1424,"#281e17",0.1719,"#b8a08b",0.1936,"#dad3c9",0.2023,"#512f24",0.2898,"Sir Henry Raeburn","sir-henry-raeburn","Scottish, 1756–1823","Scottish",1756,1823,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":680,"_222":681,"_325":682,"_327":328,"_329":683,"_331":684,"_333":685,"_335":336,"_337":686,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[872,873,874,875,876],{"_221":301,"_222":302,"_42":303,"_304":305},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_295":869,"_297":870,"_299":871},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_291":292,"_293":294},{"_225":866,"_125":867,"_285":868},{"_276":863,"_278":864,"_280":865,"_282":850},79.64294930875576,93,64.64294930875576,{"_287":225,"_123":653,"_154":654,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_311":885,"_313":886},{"_311":883,"_313":884},{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"peamore-devon-nga-137152","Peamore, Devon",{"_42":939,"_222":940,"_325":941,"_327":328,"_329":942,"_331":943,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1799","drawing","Drawing","wash and watercolor with pen and black ink over graphite on eight joined sheets of laid paper, on the artist's original mount","image: 45.2 x 57.3 cm (17 13/16 x 22 9/16 in.)",57.3,45.2,1.2337349397590363,[924,925,926,927,928],{"_221":379,"_222":380,"_42":381,"_304":382},"2007.16.1","John White Abbott painted this in 1799, aged 36. It is now at the National Gallery of Art in Washington, DC.","The image shows a forest by a serene, tree-lined body of water. The horizon is high with tall trees extending close to it, creating a sense of depth. The brushstrokes and watercolor application are delicate, capturing textures of leaves and water gently. The color palette includes muted greens, soft browns, and hints of blue and cream. Closest to us is a dense cluster of trees on the right, curving over the water. Across the water, other tree clusters and shrubs recede into the misty background towards the left.",{"_295":921,"_297":922,"_299":923},"https://img.ochreeditions.com/m/1666.jpg?dl=1","/art/peamore-devon-nga-137152","/galleries/style/georgian-britain/peamore-devon-nga-137152",{"_291":437,"_293":438},{"_225":913,"_125":914,"_285":915},{"_276":910,"_278":911,"_280":895,"_282":912},81.3,70.4443359375,46.44433593749999,{"_287":225,"_123":919,"_154":920,"_140":89},{"_287":125,"_123":916,"_154":917,"_140":918},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-john-white-abbott","John White Abbott's contemporaries","https://img.ochreeditions.com/a/1666/480.jpg","https://img.ochreeditions.com/a/1666/960.jpg","https://img.ochreeditions.com/a/1666/1920.jpg",{"_311":937,"_313":938},{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},"#afad94",0.085,"#ab9571",0.1157,"#6f624e",0.1563,"#8a7c62",0.2097,"#d9c9b1",0.4333,"John White Abbott","john-white-abbott","British, 1763–1851",1763,1851,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":457,"_222":458,"_325":459,"_327":460,"_329":461,"_331":462,"_333":-5,"_335":-5,"_337":-5,"_140":99},0.7912519643792562,[966,967,968,969,970],{"_221":301,"_222":302,"_42":303,"_304":305},"1946.405",{"_295":963,"_297":964,"_299":965},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_291":437,"_293":438},{"_225":960,"_125":961,"_285":962},{"_276":958,"_278":427,"_280":959,"_282":370},55.65007857517025,31.650078575170248,{"_287":225,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":432,"_154":433,"_140":434},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_311":978,"_313":979},{"_311":976,"_313":977},{"_311":975,"_313":452},{"_311":973,"_313":974},{"_311":971,"_313":972},"#796237",0.064,"#5c493a",0.0907,"#8a7b65","#baae9b",0.3131,"#d1c7b6",0.4051,"weymouth-bay-met-682931","Weymouth Bay",{"_42":514,"_222":515,"_325":516,"_327":328,"_329":517,"_331":518,"_333":519,"_335":336,"_337":520,"_140":97},"Prints","Mezzotint on chine collé; progress proof","Image: 5 5/8 × 7 1/8 in. (14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[1015,1016,1017,1018,1019],{"_221":1011,"_222":1012,"_42":1013,"_304":1014},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_295":1008,"_297":1009,"_299":1010},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_291":437,"_293":438},{"_225":1005,"_125":1006,"_285":1007},{"_276":541,"_278":1003,"_280":543,"_282":1004},43.859539602028875,19.85953960202887,{"_287":225,"_123":494,"_154":495,"_140":97},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":1078,"_222":1079,"_325":1080,"_327":460,"_329":1081,"_331":1082,"_333":1083,"_335":336,"_337":1084,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[1063,1064,1065,1066,1067],{"_221":1011,"_222":1012,"_42":1013,"_304":1014},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":1060,"_297":1061,"_299":1062},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":292,"_293":294},{"_225":1055,"_125":1056,"_285":1057},{"_276":1052,"_278":1053,"_280":1054,"_282":1037},135.62100077780656,162.6,120.62100077780657,{"_287":225,"_123":1058,"_154":1059,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_311":1076,"_313":1077},{"_311":1074,"_313":1075},{"_311":1072,"_313":1073},{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":514,"_222":515,"_325":516,"_327":328,"_329":517,"_331":518,"_333":519,"_335":336,"_337":520,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[1113,1114,1115,1116,1117],{"_221":379,"_222":380,"_42":381,"_304":382},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":1110,"_297":1111,"_299":1112},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":437,"_293":438},{"_225":1107,"_125":1108,"_285":1109},{"_276":1104,"_278":1105,"_280":1090,"_282":1106},49.2,41.94638671875,17.94638671875,{"_287":225,"_123":494,"_154":495,"_140":97},{"_287":125,"_123":491,"_154":492,"_140":493},{"_287":285,"_123":368,"_154":369,"_140":370},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_311":1126,"_313":1127},{"_311":1124,"_313":1125},{"_311":1122,"_313":1123},{"_311":1120,"_313":1121},{"_311":1118,"_313":1119},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","f232c6f606f6847e1e0b34ba306923fc3b41e673","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_222":1172,"_20":1173},{"_222":1170,"_20":1171},{"_222":1168,"_20":1169},{"_222":1166,"_20":1167},{"_222":1164,"_20":1165},{"_222":1162,"_20":1163},{"_222":1160,"_20":1161},{"_222":1158,"_20":1159},{"_222":1156,"_20":1157},{"_222":1154,"_20":1155},{"_222":1152,"_20":1153},{"_222":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]