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The color palette consists of earthy tones with touches of brighter colors on the figures' clothing.",{"_289":432,"_291":433,"_293":434},"https://img.ochreeditions.com/m/1656.jpg?dl=1","/art/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866","/galleries/style/georgian-britain/heroic-landscape-with-fisherman-cows-and-horsemen-nga-131866",{"_285":286,"_287":288},{"_220":424,"_125":425,"_280":426},{"_271":421,"_273":422,"_275":406,"_276":423},82.5,66.1468505859375,42.1468505859375,{"_282":220,"_123":430,"_154":431,"_140":89},{"_282":125,"_123":427,"_154":428,"_140":429},{"_282":280,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1656/480.jpg","https://img.ochreeditions.com/a/1656/960.jpg","https://img.ochreeditions.com/a/1656/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_305":452,"_307":453},{"_305":450,"_307":451},{"_305":448,"_307":449},{"_305":446,"_307":447},{"_305":444,"_307":445},"#878e7d",0.1386,"#4e4232",0.1457,"#b3a284",0.1756,"#8b7c60",0.2035,"#6a5f48",0.3366,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780","British",1701,1780,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":511,"_217":512,"_319":513,"_321":457,"_323":514,"_325":515,"_327":516,"_328":517,"_329":518,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[496,497,498,499,500],{"_216":435,"_217":436,"_42":437,"_298":438},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_289":493,"_291":494,"_293":495},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_285":286,"_287":288},{"_220":485,"_125":486,"_280":487},{"_271":482,"_273":483,"_275":466,"_276":484},49.2,41.94638671875,17.94638671875,{"_282":220,"_123":491,"_154":492,"_140":97},{"_282":125,"_123":488,"_154":489,"_140":490},{"_282":280,"_123":362,"_154":363,"_140":364},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_305":509,"_307":510},{"_305":507,"_307":508},{"_305":505,"_307":506},{"_305":503,"_307":504},{"_305":501,"_307":502},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","London","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":566,"_217":567,"_319":568,"_321":322,"_323":569,"_325":570,"_327":-5,"_328":-5,"_329":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[551,552,553,554,555],{"_216":295,"_217":296,"_42":297,"_298":299},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_289":548,"_291":549,"_293":550},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_285":286,"_287":288},{"_220":543,"_125":544,"_280":545},{"_271":540,"_273":541,"_275":542,"_276":526},69.57777777777778,89,45.57777777777778,{"_282":220,"_123":546,"_154":547,"_140":89},{"_282":125,"_123":427,"_154":428,"_140":429},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_305":564,"_307":565},{"_305":562,"_307":563},{"_305":560,"_307":561},{"_305":558,"_307":559},{"_305":556,"_307":557},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":625,"_217":626,"_319":627,"_321":457,"_323":628,"_325":629,"_327":630,"_328":517,"_329":631,"_140":91},"1801","oil on canvas","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[610,611,612,613,614],{"_216":606,"_217":607,"_42":608,"_298":609},"Courtesy of the Cleveland Museum of Art","1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":604,"_376":605},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_289":601,"_291":602,"_293":603},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_285":370,"_287":371},{"_220":596,"_125":597,"_280":598},{"_271":593,"_273":594,"_275":595,"_276":429},117.63088235294117,144,102.63088235294117,{"_282":220,"_123":599,"_154":600,"_140":91},{"_282":125,"_123":365,"_154":366,"_140":367},{"_282":280,"_123":362,"_154":363,"_140":364},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_305":623,"_307":624},{"_305":621,"_307":622},{"_305":619,"_307":620},{"_305":617,"_307":618},{"_305":615,"_307":616},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","mr-quick-as-vellum-in-addison-s-drummer-aic-256186","Mr. Quick as Vellum in Addison's Drummer",{"_42":681,"_217":682,"_319":683,"_321":322,"_323":684,"_325":685,"_327":-5,"_328":-5,"_329":-5,"_140":103},"1792","36.8 × 27.9 cm (14 1/2 × 11 in.); Framed: 46.4 × 38.1 × 6 cm (18 1/4 × 15 × 2 3/8 in.)",27,36,0.7591623036649214,[666,667,668,669,670],{"_216":295,"_217":296,"_42":297,"_298":299},"2020.59","Samuel De Wilde painted this in 1792, aged 44. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_289":663,"_291":664,"_293":665},"https://img.ochreeditions.com/m/391.jpg?dl=1","/art/mr-quick-as-vellum-in-addison-s-drummer-aic-256186","/galleries/style/georgian-britain/mr-quick-as-vellum-in-addison-s-drummer-aic-256186",{"_285":370,"_287":371},{"_220":655,"_125":656,"_280":657},{"_271":652,"_273":653,"_275":654,"_276":638},42.32984293193717,51,27.329842931937172,{"_282":220,"_123":661,"_154":662,"_140":89},{"_282":125,"_123":658,"_154":659,"_140":660},{"_282":280,"_123":166,"_154":165,"_140":168},"style/painting-18","More paintings of the 18th century",168,"artist/contemporaries-of-samuel-de-wilde","Samuel De Wilde's contemporaries","https://img.ochreeditions.com/a/391/480.jpg","https://img.ochreeditions.com/a/391/960.jpg","https://img.ochreeditions.com/a/391/1920.jpg",{"_305":679,"_307":680},{"_305":677,"_307":678},{"_305":675,"_307":676},{"_305":673,"_307":674},{"_305":671,"_307":672},"#89694e",0.141,"#26261b",0.1523,"#351e16",0.1745,"#553e2e",0.1862,"#4a4b3c",0.346,"Samuel De Wilde","samuel-de-wilde","English, 1748–1832",1748,1832,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":733,"_217":734,"_319":735,"_321":322,"_323":736,"_325":737,"_327":738,"_328":517,"_329":739,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[718,719,720,721,722],{"_216":435,"_217":436,"_42":437,"_298":438},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_289":715,"_291":716,"_293":717},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_285":370,"_287":371},{"_220":710,"_125":711,"_280":712},{"_271":707,"_273":708,"_275":709,"_276":692},85.3828125,99,70.3828125,{"_282":220,"_123":713,"_154":714,"_140":97},{"_282":125,"_123":658,"_154":659,"_140":660},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_305":731,"_307":732},{"_305":729,"_307":730},{"_305":727,"_307":728},{"_305":725,"_307":726},{"_305":723,"_307":724},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","portrait-of-mrs-george-collier-cma-101852","Portrait of Mrs. George Collier",{"_42":794,"_217":795,"_319":796,"_321":457,"_323":797,"_325":798,"_327":799,"_328":517,"_329":800,"_140":95},"18th century",17,"Framed: 112 x 101 x 12 cm (44 1/8 x 39 3/4 x 4 3/4 in.); Unframed: 80 x 67.3 cm (31 1/2 x 26 1/2 in.)",67.3,80,0.8194117647058824,[779,780,781,782,783],{"_216":606,"_217":607,"_42":608,"_298":609},"1920.514","Joshua Reynolds painted this in 18th century. It is now at the Cleveland Museum of Art.",{"_118":778,"_376":605},"Portrait of Mrs. George Collier, by Joshua Reynolds, 18th century",{"_289":775,"_291":776,"_293":777},"https://img.ochreeditions.com/m/498.jpg?dl=1","/art/portrait-of-mrs-george-collier-cma-101852","/galleries/style/georgian-britain/portrait-of-mrs-george-collier-cma-101852",{"_285":370,"_287":371},{"_220":765,"_125":766,"_280":767},{"_271":762,"_273":763,"_275":764,"_276":747},80.5529411764706,95,65.5529411764706,{"_282":220,"_123":773,"_154":774,"_140":95},{"_282":125,"_123":771,"_154":772,"_140":660},{"_282":280,"_123":768,"_154":769,"_140":770},"era/17","The 17th century",266,"style/painting-17","More paintings of the 17th century","artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/498/480.jpg","https://img.ochreeditions.com/a/498/960.jpg","https://img.ochreeditions.com/a/498/1920.jpg","Given to the Cleveland Museum in 1920 by the collector Jeptha H. Wade, this painting was thought to be an authentic work by Joshua Reynolds. However, after considerable study, the museum attributed it to a follower of Reynolds working in a similar style around the same time.",{"_305":792,"_307":793},{"_305":790,"_307":791},{"_305":788,"_307":789},{"_305":786,"_307":787},{"_305":784,"_307":785},"#dbae62",0.0772,"#543416",0.0793,"#a17433",0.0962,"#784818",0.1532,"#312311",0.5941,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":858,"_217":859,"_319":860,"_321":457,"_323":861,"_325":514,"_327":517,"_328":517,"_329":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[843,844,845,846,847],{"_216":839,"_217":840,"_42":841,"_298":842},"Courtesy of The Metropolitan Museum of Art","06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_289":836,"_291":837,"_293":838},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_285":286,"_287":288},{"_220":828,"_125":829,"_280":830},{"_271":825,"_273":826,"_275":809,"_276":827},76,62.26731078904992,38.26731078904992,{"_282":220,"_123":834,"_154":835,"_140":89},{"_282":125,"_123":831,"_154":832,"_140":833},{"_282":280,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_305":856,"_307":857},{"_305":854,"_307":855},{"_305":852,"_307":853},{"_305":850,"_307":851},{"_305":848,"_307":849},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":733,"_217":734,"_319":735,"_321":322,"_323":736,"_325":737,"_327":738,"_328":517,"_329":739,"_140":97},"1787","Paintings","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[893,894,895,896,897],{"_216":839,"_217":840,"_42":841,"_298":842},"50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_289":890,"_291":891,"_293":892},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_285":370,"_287":371},{"_220":887,"_125":888,"_280":889},{"_271":884,"_273":885,"_275":886,"_276":869},135.62100077780656,162.6,120.62100077780657,{"_282":220,"_123":713,"_154":714,"_140":97},{"_282":125,"_123":658,"_154":659,"_140":660},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg",{"_305":906,"_307":907},{"_305":904,"_307":905},{"_305":902,"_307":903},{"_305":900,"_307":901},{"_305":898,"_307":899},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":955,"_217":956,"_319":957,"_321":457,"_323":958,"_325":959,"_327":-5,"_328":-5,"_329":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[941,942,943,944,945],{"_216":435,"_217":436,"_42":437,"_298":438},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_289":938,"_291":939,"_293":940},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_285":286,"_287":288},{"_220":933,"_125":934,"_280":935},{"_271":929,"_273":930,"_275":931,"_276":932},42.560791015625,49,18.560791015625,25,{"_282":220,"_123":936,"_154":937,"_140":89},{"_282":125,"_123":427,"_154":428,"_140":429},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_305":953,"_307":954},{"_305":951,"_307":952},{"_305":950,"_307":676},{"_305":948,"_307":949},{"_305":946,"_307":947},"#b69e75",0.1243,"#877257",0.1513,"#9a8362","#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":1013,"_217":1014,"_319":1015,"_321":457,"_323":1016,"_325":1017,"_327":-5,"_328":-5,"_329":-5,"_140":103},"1807","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[998,999,1000,1001,1002],{"_216":606,"_217":607,"_42":608,"_298":609},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":997,"_376":605},"Bray Church Yard, by John Varley, 1807",{"_289":994,"_291":995,"_293":996},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_285":286,"_287":288},{"_220":986,"_125":987,"_280":988},{"_271":983,"_273":984,"_275":967,"_276":985},60.9,48.95091176470588,24.950911764705882,{"_282":220,"_123":992,"_154":993,"_140":89},{"_282":125,"_123":989,"_154":990,"_140":991},{"_282":280,"_123":362,"_154":363,"_140":364},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_305":1011,"_307":1012},{"_305":1009,"_307":1010},{"_305":1007,"_307":1008},{"_305":1005,"_307":1006},{"_305":1003,"_307":1004},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":625,"_217":626,"_319":627,"_321":457,"_323":628,"_325":629,"_327":630,"_328":517,"_329":631,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[1049,1050,1051,1052,1053],{"_216":295,"_217":296,"_42":297,"_298":299},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":1048,"_376":377},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_289":1045,"_291":1046,"_293":1047},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_285":370,"_287":371},{"_220":1042,"_125":1043,"_280":1044},{"_271":1039,"_273":1040,"_275":1041,"_276":1024},116.09951287404314,143,101.09951287404314,{"_282":220,"_123":599,"_154":600,"_140":91},{"_282":125,"_123":365,"_154":366,"_140":367},{"_282":280,"_123":362,"_154":363,"_140":364},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.",{"_305":1061,"_307":1062},{"_305":1059,"_307":1060},{"_305":1057,"_307":1058},{"_305":1056,"_307":674},{"_305":1054,"_307":1055},"#d0b89c",0.1026,"#8b6a53","#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",1.0208962154631995,[1092,1093,1094,1095,1096],{"_216":295,"_217":296,"_42":297,"_298":299},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_289":1089,"_291":1090,"_293":1091},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_285":286,"_287":288},{"_220":1084,"_125":1085,"_280":1086},{"_271":930,"_273":1082,"_275":932,"_276":1083},48.48828746872867,24.488287468728675,{"_282":220,"_123":1087,"_154":1088,"_140":97},{"_282":125,"_123":427,"_154":428,"_140":429},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_305":1105,"_307":1106},{"_305":1103,"_307":1104},{"_305":1101,"_307":1102},{"_305":1099,"_307":1100},{"_305":1097,"_307":1098},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":317,"_217":318,"_319":320,"_321":322,"_323":324,"_325":326,"_327":-5,"_328":-5,"_329":330,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",34,1.2970566411080882,[1135,1136,1137,1138,1139],{"_216":295,"_217":296,"_42":297,"_298":299},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_289":1132,"_291":1133,"_293":1134},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_285":286,"_287":288},{"_220":1129,"_125":1130,"_280":1131},{"_271":691,"_273":1127,"_275":525,"_276":1128},60.23588863463005,36.23588863463005,{"_282":220,"_123":170,"_154":169,"_140":99},{"_282":125,"_123":283,"_154":284,"_140":53},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_305":1148,"_307":1149},{"_305":1146,"_307":1147},{"_305":1144,"_307":1145},{"_305":1142,"_307":1143},{"_305":1140,"_307":1141},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,{"_1151":-5,"_1152":1153,"_1154":1155,"_1156":8,"_1157":1158,"_1159":8},"user","csrf","08a34b937191590c5afdcdc0d220e00a1f12a172","cartCount",0,"dropLive","legal",[1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170,1171],"uploadsEnabled",{"_217":1194,"_20":1195},{"_217":1192,"_20":1193},{"_217":1190,"_20":1191},{"_217":1188,"_20":1189},{"_217":1186,"_20":1187},{"_217":1184,"_20":1185},{"_217":1182,"_20":1183},{"_217":1180,"_20":1181},{"_217":1178,"_20":1179},{"_217":1176,"_20":1177},{"_217":1174,"_20":1175},{"_217":1172,"_20":1173},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]