[{"_1":2,"_3":4},"root",{"_5":1147},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/theophilia-gwatkin-aic-251126",15,"https://www.ochreeditions.com/art/wivenhoe-park-essex-nga-1147",14,"https://www.ochreeditions.com/art/isabella-wolff-aic-4773",13,"https://www.ochreeditions.com/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",12,"https://www.ochreeditions.com/art/turtur-risorius-nga-53854",11,"https://www.ochreeditions.com/art/bray-church-yard-cma-119729",10,"https://www.ochreeditions.com/art/heaton-park-races-nga-52254",9,"https://www.ochreeditions.com/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",8,"https://www.ochreeditions.com/art/stoke-by-neyland-nga-119641",7,"https://www.ochreeditions.com/art/phasianus-versicolor-nga-53855",6,"https://www.ochreeditions.com/art/july-from-twelve-months-of-flowers-aic-127986",5,"https://www.ochreeditions.com/art/stoke-by-nayland-aic-4758",4,"https://www.ochreeditions.com/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",3,"https://www.ochreeditions.com/art/saint-john-the-evangelist-nga-54043",2,"https://www.ochreeditions.com/art/captain-george-k-h-coussmaker-1759-1801-met-437447",1,"https://www.ochreeditions.com/art/wooded-landscape-with-village-scene-aic-186081","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",1469,"/galleries/style/georgian-britain","total",63,"page","works",[206,207,208,209,210,211,212,213,214,215,216,217,218,219,220,221],"walls",[173,174,175,176,177,178],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTQ2OSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=1469&cursor=eyJvIjoxNiwiaCI6MTQ2OSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/1552/480.jpg","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/1336/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":95},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=1469&via=continue",42,"More by Joshua Reynolds","artist/joshua-reynolds","/galleries/artist/joshua-reynolds?hang=1469&via=continue",{"_42":201,"_180":202},{"_42":197,"_180":198},{"_42":192,"_180":193},{"_42":187,"_180":188},{"_42":184,"_180":185},{"_42":179,"_180":181},"Section 3, south wall","work_ids",[182,183],1327,389,"Section 3, north wall",[186,89],558,"Section 2, north wall",[189,190,191],1545,542,1564,"Section 2, south wall",[194,195,196],1565,1649,798,"Section 1, south wall",[199,91,200],557,309,"Section 1, north wall",[203,204,205],345,1146,1571,{"_222":203,"_223":1090,"_20":1091,"_226":1092,"_228":-5,"_229":1093,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":1094,"_238":1095,"_240":1096,"_242":1097,"_244":1098,"_246":1099,"_248":1100,"_250":1101,"_252":1102,"_254":255,"_256":1103,"_258":259,"_260":1104,"_154":-5,"_262":1105,"_111":1106,"_264":1107,"_266":1108,"_268":1109,"_270":1110,"_272":1111,"_144":1112,"_275":1113},{"_222":204,"_223":1039,"_20":1040,"_226":1041,"_228":-5,"_229":1042,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":1043,"_240":241,"_242":1044,"_244":1045,"_246":1046,"_248":1047,"_250":1048,"_252":1049,"_254":1050,"_256":1051,"_258":259,"_260":1052,"_154":-5,"_262":1053,"_111":1054,"_264":1055,"_266":1056,"_268":1057,"_270":1058,"_272":1059,"_144":1060,"_275":1061},{"_222":205,"_223":988,"_20":989,"_226":990,"_228":-5,"_229":991,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":527,"_238":528,"_240":992,"_242":993,"_244":994,"_246":995,"_248":996,"_250":997,"_252":998,"_254":352,"_256":999,"_258":259,"_260":1000,"_154":-5,"_262":-5,"_111":1001,"_264":1002,"_266":1003,"_268":1004,"_270":1005,"_272":1006,"_144":1007,"_275":1008},{"_222":199,"_223":942,"_20":943,"_226":944,"_228":-5,"_229":945,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":345,"_242":946,"_244":947,"_246":948,"_248":949,"_250":950,"_252":951,"_254":474,"_256":952,"_258":259,"_260":953,"_154":954,"_262":-5,"_111":955,"_264":956,"_266":957,"_268":958,"_270":959,"_272":960,"_144":961,"_275":962},{"_222":91,"_223":896,"_20":897,"_226":898,"_228":-5,"_229":899,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":241,"_242":900,"_244":901,"_246":902,"_248":903,"_250":904,"_252":905,"_254":255,"_256":906,"_258":259,"_260":907,"_154":908,"_262":-5,"_111":909,"_264":910,"_266":911,"_268":912,"_270":913,"_272":914,"_144":915,"_275":916},{"_222":200,"_223":845,"_20":846,"_226":847,"_228":-5,"_229":848,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":527,"_238":528,"_240":849,"_242":850,"_244":851,"_246":372,"_248":852,"_250":853,"_252":854,"_254":255,"_256":855,"_258":259,"_260":856,"_154":-5,"_262":857,"_111":858,"_264":859,"_266":860,"_268":861,"_270":862,"_272":863,"_144":864,"_275":865},{"_222":194,"_223":804,"_20":805,"_226":806,"_228":-5,"_229":-5,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":527,"_238":528,"_240":807,"_242":808,"_244":532,"_246":809,"_248":810,"_250":811,"_252":812,"_254":352,"_256":813,"_258":259,"_260":537,"_154":-5,"_262":-5,"_111":814,"_264":815,"_266":816,"_268":817,"_270":818,"_272":819,"_144":820,"_275":821},{"_222":195,"_223":746,"_20":747,"_226":748,"_228":-5,"_229":749,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":527,"_238":528,"_240":750,"_242":751,"_244":752,"_246":753,"_248":754,"_250":755,"_252":756,"_254":352,"_256":757,"_258":259,"_260":758,"_154":-5,"_262":759,"_111":760,"_264":761,"_266":762,"_268":763,"_270":764,"_272":765,"_144":766,"_275":767},{"_222":196,"_223":692,"_20":693,"_226":694,"_228":-5,"_229":695,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":345,"_242":696,"_244":697,"_246":698,"_248":699,"_250":700,"_252":701,"_254":474,"_256":702,"_258":259,"_260":703,"_154":704,"_262":-5,"_111":705,"_264":706,"_266":707,"_268":708,"_270":709,"_272":710,"_144":711,"_275":712},{"_222":189,"_223":642,"_20":643,"_226":644,"_228":-5,"_229":645,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":345,"_242":646,"_244":647,"_246":470,"_248":648,"_250":649,"_252":650,"_254":352,"_256":651,"_258":259,"_260":652,"_154":-5,"_262":-5,"_111":653,"_264":654,"_266":655,"_268":656,"_270":657,"_272":658,"_144":659,"_275":660},{"_222":190,"_223":584,"_20":585,"_226":586,"_228":-5,"_229":587,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":588,"_238":589,"_240":590,"_242":591,"_244":592,"_246":593,"_248":594,"_250":595,"_252":596,"_254":474,"_256":597,"_258":259,"_260":598,"_154":599,"_262":-5,"_111":600,"_264":601,"_266":602,"_268":603,"_270":604,"_272":605,"_144":606,"_275":607},{"_222":191,"_223":524,"_20":525,"_226":526,"_228":-5,"_229":-5,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":527,"_238":528,"_240":529,"_242":530,"_244":531,"_246":532,"_248":533,"_250":534,"_252":535,"_254":352,"_256":536,"_258":259,"_260":537,"_154":-5,"_262":-5,"_111":538,"_264":539,"_266":540,"_268":541,"_270":542,"_272":543,"_144":544,"_275":545},{"_222":186,"_223":464,"_20":465,"_226":466,"_228":-5,"_229":467,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":345,"_242":468,"_244":469,"_246":470,"_248":471,"_250":472,"_252":473,"_254":474,"_256":475,"_258":259,"_260":476,"_154":477,"_262":-5,"_111":478,"_264":479,"_266":480,"_268":481,"_270":482,"_272":483,"_144":484,"_275":485},{"_222":89,"_223":407,"_20":408,"_226":409,"_228":-5,"_229":410,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":241,"_242":411,"_244":412,"_246":413,"_248":414,"_250":415,"_252":416,"_254":255,"_256":417,"_258":259,"_260":418,"_154":419,"_262":-5,"_111":420,"_264":421,"_266":422,"_268":423,"_270":424,"_272":425,"_144":426,"_275":427},{"_222":182,"_223":340,"_20":341,"_226":342,"_228":-5,"_229":343,"_231":344,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":345,"_242":346,"_244":347,"_246":348,"_248":349,"_250":350,"_252":351,"_254":352,"_256":353,"_258":259,"_260":354,"_154":-5,"_262":355,"_111":356,"_264":357,"_266":358,"_268":359,"_270":360,"_272":361,"_144":362,"_275":363},{"_222":183,"_223":224,"_20":225,"_226":227,"_228":-5,"_229":230,"_231":232,"_233":234,"_235":-5,"_125":236,"_28":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_260":261,"_154":-5,"_262":-5,"_111":263,"_264":265,"_266":267,"_268":269,"_270":271,"_272":273,"_144":274,"_275":276},"id","slug","theophilia-gwatkin-aic-251126","Theophilia Gwatkin","artist",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"unrecorded","date","1776–81","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","Oil on canvas","dimensions","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)","width_cm",61,"height_cm",73,"aspect",0.8375446960667461,"palette",[307,308,309,310,311],"museum",{"_222":302,"_223":303,"_42":304,"_305":306},"credit","Courtesy of the Art Institute of Chicago","accession","2019.1236","licence","CC0","story","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","note","A work made of oil on canvas.","images",{"_296":297,"_298":299,"_300":301},"download_url","https://img.ochreeditions.com/m/389.jpg?dl=1","page_url","/art/theophilia-gwatkin-aic-251126","walk_url","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126","frame",{"_292":293,"_294":295},{"_226":284,"_125":285,"_286":287},"size",{"_277":278,"_279":280,"_281":282,"_283":247},"w",76.14076281287247,"h",88,"image_w",61.14076281287247,"image_h",{"_288":226,"_123":171,"_154":170,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},"era",{"_288":286,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/389/480.jpg","960","https://img.ochreeditions.com/a/389/960.jpg","1920","https://img.ochreeditions.com/a/389/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_312":322,"_314":323},{"_312":320,"_314":321},{"_312":318,"_314":319},{"_312":316,"_314":317},{"_312":313,"_314":315},"hex","#78623f","weight",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","bio","English, 1723–1792","nationality","British","birth_year",1723,"death_year",1792,"birth_place","Plympton","death_place","London","about_excerpt","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","wivenhoe-park-essex-nga-1147","Wivenhoe Park, Essex",{"_42":400,"_223":401,"_326":402,"_328":403,"_330":404,"_332":405,"_334":-5,"_336":-5,"_338":406,"_140":99},"1816",19,"oil on canvas","overall: 56.1 x 101.2 cm (22 1/16 x 39 13/16 in.) framed: 77.8 x 122.5 x 8.8 cm (30 5/8 x 48 1/4 x 3 7/16 in.)",101.2,56.1,1.8467087466185752,[385,386,387,388,389],{"_222":381,"_223":382,"_42":383,"_305":384},"Courtesy National Gallery of Art, Washington","1942.9.10","John Constable painted this in 1816, aged 40. It is now at the National Gallery of Art in Washington, DC.","Black and white cows graze beyond a fence, two men haul in a net from a boat near a pair of swans, and a donkey cart crosses a distant bridge, while the brick house of Wivenhoe Park appears through the trees beneath towering summer clouds.","We look out onto a landscape with low, grassy hills to the left, a lake to the right, and a brick building in the center distance below a sky filled with towering white clouds in this horizontal painting. A wooden fence closer to us crosses the landscape from the lower left corner and disappears where the land slopes down to meet the water at the center of the painting. Several black and white cows graze in the field beyond the fence to our left. Two men in a wooden boat pull in nets on the lake to our right near a pair of swans. The lake crosses the composition in the near distance, disappearing into a culvert farther back. A donkey pulls a small carriage with two people near a bridge that crosses the lake in the distance to our left. The brick manor house is visible through a break in the full, deep green trees that line the horizon, which comes halfway up the composition. The clouds cast noticeable shadows in the brightly sunlit scene.",{"_296":378,"_298":379,"_300":380},"https://img.ochreeditions.com/m/1327.jpg?dl=1","/art/wivenhoe-park-essex-nga-1147","/galleries/style/georgian-britain/wivenhoe-park-essex-nga-1147",{"_292":293,"_294":295},{"_226":367,"_125":368,"_286":369},{"_277":364,"_279":365,"_281":347,"_283":366},116.2,69.8001953125,54.8001953125,{"_288":226,"_123":376,"_154":377,"_140":99},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1327/480.jpg","https://img.ochreeditions.com/a/1327/960.jpg","https://img.ochreeditions.com/a/1327/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_312":398,"_314":399},{"_312":396,"_314":397},{"_312":394,"_314":395},{"_312":392,"_314":393},{"_312":390,"_314":391},"#796b3d",0.0911,"#7c8b94",0.0987,"#4d442a",0.2058,"#322d1a",0.2536,"#837f77",0.3508,"John Constable","john-constable","English, 1776–1837","English",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","isabella-wolff-aic-4773","Isabella Wolff",{"_42":457,"_223":458,"_326":459,"_328":329,"_330":460,"_332":461,"_334":462,"_336":337,"_338":463,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[442,443,444,445,446],{"_222":302,"_223":303,"_42":304,"_305":306},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":439,"_440":441},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_296":436,"_298":437,"_300":438},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_292":293,"_294":295},{"_226":431,"_125":432,"_286":433},{"_277":428,"_279":429,"_281":430,"_283":413},116.09951287404314,143,101.09951287404314,{"_288":226,"_123":434,"_154":435,"_140":91},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","source","Text from the Art Institute of Chicago.",{"_312":455,"_314":456},{"_312":453,"_314":454},{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","The Burning of the Houses of Lords and Commons, 16 October 1834",{"_42":518,"_223":519,"_326":520,"_328":403,"_330":521,"_332":522,"_334":337,"_336":337,"_338":523,"_140":97},"1835","Framed: 123.5 x 153.5 x 12 cm (48 5/8 x 60 7/16 x 4 3/4 in.); Unframed: 92 x 123.2 cm (36 1/4 x 48 1/2 in.)",123.2,92,1.3465346534653466,[503,504,505,506,507],{"_222":499,"_223":500,"_42":501,"_305":502},"Courtesy of the Cleveland Museum of Art","1942.647","Joseph Mallord William Turner painted this in 1835, aged 60. It is now at the Cleveland Museum of Art.",{"_118":497,"_440":498},"The Burning of the Houses of Lords and Commons, 16 October 1834, by Joseph Mallord William Turner, 1835",{"_296":494,"_298":495,"_300":496},"https://img.ochreeditions.com/m/558.jpg?dl=1","/art/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351","/galleries/style/georgian-britain/the-burning-of-the-houses-of-lords-and-commons-16-october-18-cma-122351",{"_292":293,"_294":295},{"_226":489,"_125":490,"_286":491},{"_277":486,"_279":487,"_281":469,"_283":488},138.2,106.49411764705881,91.49411764705881,{"_288":226,"_123":492,"_154":493,"_140":97},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"artist/joseph-mallord-william-turner","More by Joseph Mallord William Turner","https://img.ochreeditions.com/a/558/480.jpg","https://img.ochreeditions.com/a/558/960.jpg","https://img.ochreeditions.com/a/558/1920.jpg","Fire consumed London’s famous Houses of Parliament on the night of October 16, 1834, and people gathered along the banks of the river Thames to gaze in awe at the horrifying spectacle. Initially, a low tide made it difficult to pump water to land and hampered steamers towing firefighting equipment along the river.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":516,"_314":517},{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},"#bd914f",0.1004,"#41341e",0.1124,"#8f5f31",0.13,"#978664",0.2766,"#6d6853",0.3806,"Joseph Mallord William Turner","joseph-mallord-william-turner","English, 1775–1851",1775,1851,"Turner, a London barber’s son, entered the Royal Academy Schools at fourteen and was elected a full Academician at twenty-six. Travelling constantly in Britain and on the Continent, he filled hundreds of sketchbooks and made thousands of watercolours.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":578,"_223":579,"_326":580,"_328":581,"_330":582,"_332":583,"_334":-5,"_336":-5,"_338":-5,"_140":101},"print","Print","hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[563,564,565,566,567],{"_222":381,"_223":382,"_42":383,"_305":384},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_296":560,"_298":561,"_300":562},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_292":558,"_294":559},{"_226":550,"_125":551,"_286":552},{"_277":546,"_279":547,"_281":548,"_283":549},40.387939453125,49,16.387939453125,25,{"_288":226,"_123":556,"_154":557,"_140":89},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","white","snow","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_312":576,"_314":577},{"_312":574,"_314":575},{"_312":572,"_314":573},{"_312":570,"_314":571},{"_312":568,"_314":569},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":637,"_223":638,"_326":639,"_328":329,"_330":640,"_332":641,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[622,623,624,625,626],{"_222":499,"_223":500,"_42":501,"_305":502},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":621,"_440":498},"Bray Church Yard, by John Varley, 1807",{"_296":618,"_298":619,"_300":620},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_292":558,"_294":559},{"_226":611,"_125":612,"_286":613},{"_277":608,"_279":609,"_281":592,"_283":610},60.9,48.95091176470588,24.950911764705882,{"_288":226,"_123":616,"_154":617,"_140":89},{"_288":125,"_123":614,"_154":615,"_140":470},{"_288":286,"_123":370,"_154":371,"_140":372},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_312":635,"_314":636},{"_312":633,"_314":634},{"_312":631,"_314":632},{"_312":629,"_314":630},{"_312":627,"_314":628},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"heaton-park-races-nga-52254","Heaton Park Races",{"_42":687,"_223":688,"_326":689,"_328":329,"_330":690,"_332":691,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,1.688375927452597,[672,673,674,675,676],{"_222":381,"_223":382,"_42":383,"_305":384},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_296":669,"_298":670,"_300":671},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_292":293,"_294":295},{"_226":664,"_125":665,"_286":666},{"_277":661,"_279":662,"_281":647,"_283":663},167.6,105.38271484375,90.38271484375,{"_288":226,"_123":667,"_154":668,"_140":89},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_312":685,"_314":686},{"_312":683,"_314":684},{"_312":681,"_314":682},{"_312":679,"_314":680},{"_312":677,"_314":678},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":740,"_223":741,"_326":742,"_328":743,"_330":744,"_332":745,"_334":-5,"_336":-5,"_338":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[725,726,727,728,729],{"_222":499,"_223":500,"_42":501,"_305":502},"2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":724,"_440":498},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_296":721,"_298":722,"_300":723},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_292":293,"_294":295},{"_226":716,"_125":717,"_286":718},{"_277":713,"_279":714,"_281":697,"_283":715},142,116.11441176470589,101.11441176470589,{"_288":226,"_123":719,"_154":720,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.",{"_312":738,"_314":739},{"_312":736,"_314":737},{"_312":734,"_314":735},{"_312":732,"_314":733},{"_312":730,"_314":731},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":797,"_223":798,"_326":799,"_328":329,"_330":800,"_332":801,"_334":802,"_336":337,"_338":803,"_140":97},"1830","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[782,783,784,785,786],{"_222":381,"_223":382,"_42":383,"_305":384},"2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_296":779,"_298":780,"_300":781},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_292":558,"_294":559},{"_226":771,"_125":772,"_286":773},{"_277":768,"_279":769,"_281":752,"_283":770},49.2,41.94638671875,17.94638671875,{"_288":226,"_123":777,"_154":778,"_140":97},{"_288":125,"_123":774,"_154":775,"_140":776},{"_288":286,"_123":370,"_154":371,"_140":372},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_312":795,"_314":796},{"_312":793,"_314":794},{"_312":791,"_314":792},{"_312":789,"_314":790},{"_312":787,"_314":788},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":578,"_223":579,"_326":580,"_328":581,"_330":582,"_332":583,"_334":-5,"_336":-5,"_338":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[830,831,832,833,834],{"_222":381,"_223":382,"_42":383,"_305":384},"1973.26.28","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_296":827,"_298":828,"_300":829},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_292":558,"_294":559},{"_226":824,"_125":825,"_286":826},{"_277":547,"_279":822,"_281":549,"_283":823},39.68603515625,15.686035156249998,{"_288":226,"_123":556,"_154":557,"_140":89},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_312":843,"_314":844},{"_312":841,"_314":842},{"_312":839,"_314":840},{"_312":837,"_314":838},{"_312":835,"_314":836},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":891,"_223":892,"_326":893,"_328":403,"_330":894,"_332":895,"_334":-5,"_336":-5,"_338":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[877,878,879,880,881],{"_222":302,"_223":303,"_42":304,"_305":306},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_296":874,"_298":875,"_300":876},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_292":558,"_294":559},{"_226":869,"_125":870,"_286":871},{"_277":866,"_279":867,"_281":868,"_283":372},55.65199378560331,64,31.651993785603313,{"_288":226,"_123":872,"_154":873,"_140":99},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_312":889,"_314":890},{"_312":887,"_314":888},{"_312":886,"_314":678},{"_312":884,"_314":885},{"_312":882,"_314":883},"#766942",0.061,"#684c41",0.0717,"#94856f","#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":400,"_223":401,"_326":402,"_328":403,"_330":404,"_332":405,"_334":-5,"_336":-5,"_338":406,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,126,1.358449273096764,[927,928,929,930,931],{"_222":302,"_223":303,"_42":304,"_305":306},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":926,"_440":441},"Large English country landscape painting, farmers with horses, green trees.",{"_296":923,"_298":924,"_300":925},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_292":293,"_294":295},{"_226":920,"_125":921,"_286":922},{"_277":917,"_279":918,"_281":901,"_283":919},184,139.40655926352127,124.40655926352129,{"_288":226,"_123":376,"_154":377,"_140":99},{"_288":125,"_123":373,"_154":374,"_140":375},{"_288":286,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.",{"_312":940,"_314":941},{"_312":938,"_314":939},{"_312":936,"_314":937},{"_312":934,"_314":935},{"_312":932,"_314":933},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[973,974,975,976,977],{"_222":499,"_223":500,"_42":501,"_305":502},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":972,"_440":498},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_296":969,"_298":970,"_300":971},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_292":293,"_294":295},{"_226":966,"_125":967,"_286":968},{"_277":963,"_279":964,"_281":965,"_283":948},185.63529411764705,211,170.63529411764705,{"_288":226,"_123":171,"_154":170,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_312":986,"_314":987},{"_312":984,"_314":985},{"_312":982,"_314":983},{"_312":980,"_314":981},{"_312":978,"_314":979},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"saint-john-the-evangelist-nga-54043","Saint John the Evangelist",{"_42":1034,"_223":1035,"_326":1036,"_328":329,"_330":1037,"_332":1038,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1771","chiaroscuro woodcut in light and dark olive green","sheet: 19.7 × 15.3 cm (7 3/4 × 6 in.) other (text beneath image): 3.2 × 15.2 cm (1 1/4 × 6 in.) mount (irreg.): 43.7 × 31.9 cm (17 3/16 × 12 9/16 in.)",15.3,19.7,0.742431640625,[1019,1020,1021,1022,1023],{"_222":381,"_223":382,"_42":383,"_305":384},"1973.58.2","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a seated figure on a large bird. The image depicts a classically draped figure seated on a stylized bird. The figure holds an open book and gazes into the distance. The bird has sharp features and spread wings. The background contains swirling clouds. The scene is framed with a border, and there is text at the bottom. The lines are bold and the shades are muted.",{"_296":1016,"_298":1017,"_300":1018},"https://img.ochreeditions.com/m/1571.jpg?dl=1","/art/saint-john-the-evangelist-nga-54043","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54043",{"_292":558,"_294":559},{"_226":1011,"_125":1012,"_286":1013},{"_277":1009,"_279":547,"_281":1010,"_283":549},42.560791015625,18.560791015625,{"_288":226,"_123":1014,"_154":1015,"_140":89},{"_288":125,"_123":553,"_154":554,"_140":555},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1571/480.jpg","https://img.ochreeditions.com/a/1571/960.jpg","https://img.ochreeditions.com/a/1571/1920.jpg",{"_312":1032,"_314":1033},{"_312":1030,"_314":1031},{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},"#b69e75",0.1243,"#877257",0.1513,"#9a8362",0.1745,"#cab68c",0.2161,"#d5c39a",0.3338,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":324,"_223":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_140":95},"1782","Paintings","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[1075,1076,1077,1078,1079],{"_222":1071,"_223":1072,"_42":1073,"_305":1074},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_296":1068,"_298":1069,"_300":1070},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_292":293,"_294":295},{"_226":1065,"_125":1066,"_286":1067},{"_277":1062,"_279":1063,"_281":1064,"_283":1046},162.4421624418003,253.1,147.4421624418003,{"_288":226,"_123":171,"_154":170,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":1088,"_314":1089},{"_312":1086,"_314":1087},{"_312":1084,"_314":1085},{"_312":1082,"_314":1083},{"_312":1080,"_314":1081},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene",{"_42":1141,"_223":1142,"_326":1143,"_328":403,"_330":1144,"_332":582,"_334":1145,"_336":337,"_338":1146,"_140":97},"early 1770s (not later than 1772)","watercolour","Drawing and Watercolor","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)",55,43,1.3040078201368523,[1127,1128,1129,1130,1131],{"_222":302,"_223":303,"_42":304,"_305":306},"2012.80","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.",{"_296":1124,"_298":1125,"_300":1126},"https://img.ochreeditions.com/m/345.jpg?dl=1","/art/wooded-landscape-with-village-scene-aic-186081","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081",{"_292":558,"_294":559},{"_226":1117,"_125":1118,"_286":1119},{"_277":1114,"_279":1115,"_281":1098,"_283":1116},79,66.1776611694153,42.177661169415295,{"_288":226,"_123":1122,"_154":1123,"_140":97},{"_288":125,"_123":1120,"_154":1121,"_140":53},{"_288":286,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/345/480.jpg","https://img.ochreeditions.com/a/345/960.jpg","https://img.ochreeditions.com/a/345/1920.jpg",{"_312":1139,"_314":1140},{"_312":1137,"_314":1138},{"_312":1135,"_314":1136},{"_312":1134,"_314":935},{"_312":1132,"_314":1133},"#75643b",0.1438,"#483b21","#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.",{"_1148":-5,"_1149":1150,"_1151":1152,"_1153":8,"_1154":1155,"_1156":8},"user","csrf","f050a9304c85675b173fdcd8da7bf67d342bfc96","cartCount",0,"dropLive","legal",[1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168],"uploadsEnabled",{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]