[{"_1":2,"_3":4},"root",{"_5":1144},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",15,"https://www.ochreeditions.com/art/saint-john-the-evangelist-nga-54044",14,"https://www.ochreeditions.com/art/the-sand-pits-hampstead-heath-aic-250453",13,"https://www.ochreeditions.com/art/theophilia-gwatkin-aic-251126",12,"https://www.ochreeditions.com/art/mrs-paul-cobb-methuen-nga-1159",11,"https://www.ochreeditions.com/art/hannah-presenting-samuel-to-eli-aic-270369",10,"https://www.ochreeditions.com/art/portrait-of-mary-anne-jolliffe-cma-122344",9,"https://www.ochreeditions.com/art/the-hall-levens-westmoreland-aic-39249",8,"https://www.ochreeditions.com/art/self-portrait-in-a-fur-cap-aic-76295",7,"https://www.ochreeditions.com/art/turtur-risorius-nga-53854",6,"https://www.ochreeditions.com/art/bray-church-yard-cma-119729",5,"https://www.ochreeditions.com/art/self-portrait-aic-11706",4,"https://www.ochreeditions.com/art/the-death-of-saint-peter-martyr-nga-33080",3,"https://www.ochreeditions.com/art/portrait-of-colonel-charles-heathcote-cma-302209",2,"https://www.ochreeditions.com/art/august-from-twelve-months-of-flowers-aic-127987",1,"https://www.ochreeditions.com/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",1389,"/galleries/style/georgian-britain","total",63,"page","works",[202,203,204,205,206,207,208,209,210,211,212,213,214,215,216,217],"walls",[173,174,175,176],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTM4OSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=1389&cursor=eyJvIjoxNiwiaCI6MTM4OSwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/1465/480.jpg","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/309/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":89},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=1389&via=continue",42,"Prince Hoare's contemporaries","artist/contemporaries-of-prince-hoare","/galleries/artist/contemporaries-of-prince-hoare?hang=1389&via=continue",{"_42":196,"_178":197},{"_42":190,"_178":191},{"_42":184,"_178":185},{"_42":177,"_178":179},"Section 2, north wall","work_ids",[180,181,182,183],389,384,1572,433,"Section 2, south wall",[186,187,188,189],141,552,434,1336,"Section 1, south wall",[192,193,194,195],22,542,1564,193,"Section 1, north wall",[198,199,200,201],554,310,784,1484,{"_218":198,"_219":1090,"_20":1091,"_222":1092,"_224":-5,"_225":1093,"_227":399,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":519,"_238":1094,"_240":1095,"_242":365,"_244":1096,"_246":1097,"_248":1098,"_250":631,"_252":1099,"_254":255,"_256":1100,"_154":1101,"_258":-5,"_111":1102,"_260":1103,"_262":1104,"_264":1105,"_266":1106,"_268":1107,"_144":1108,"_271":1109},{"_218":199,"_219":1041,"_20":1042,"_222":1043,"_224":-5,"_225":685,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":336,"_234":337,"_236":1044,"_238":1045,"_240":904,"_242":426,"_244":1046,"_246":1047,"_248":1048,"_250":251,"_252":1049,"_254":255,"_256":1050,"_154":-5,"_258":-5,"_111":1051,"_260":1052,"_262":1053,"_264":1054,"_266":1055,"_268":1056,"_144":1057,"_271":1058},{"_218":200,"_219":995,"_20":996,"_222":997,"_224":-5,"_225":998,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":462,"_238":999,"_240":1000,"_242":1001,"_244":1002,"_246":1003,"_248":1004,"_250":631,"_252":1005,"_254":255,"_256":1006,"_154":1007,"_258":-5,"_111":1008,"_260":1009,"_262":1010,"_264":1011,"_266":1012,"_268":1013,"_144":1014,"_271":1015},{"_218":201,"_219":943,"_20":944,"_222":945,"_224":-5,"_225":946,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":336,"_234":337,"_236":947,"_238":948,"_240":949,"_242":950,"_244":951,"_246":952,"_248":953,"_250":345,"_252":954,"_254":255,"_256":955,"_154":-5,"_258":-5,"_111":956,"_260":957,"_262":958,"_264":959,"_266":960,"_268":961,"_144":962,"_271":963},{"_218":192,"_219":898,"_20":899,"_222":900,"_224":-5,"_225":901,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":902,"_238":903,"_240":795,"_242":904,"_244":905,"_246":906,"_248":907,"_250":251,"_252":908,"_254":255,"_256":909,"_154":-5,"_258":910,"_111":911,"_260":912,"_262":913,"_264":914,"_266":915,"_268":916,"_144":917,"_271":918},{"_218":193,"_219":839,"_20":840,"_222":841,"_224":-5,"_225":842,"_227":399,"_229":230,"_231":-5,"_125":232,"_28":843,"_234":844,"_236":845,"_238":846,"_240":847,"_242":848,"_244":849,"_246":850,"_248":851,"_250":631,"_252":852,"_254":255,"_256":853,"_154":854,"_258":-5,"_111":855,"_260":856,"_262":857,"_264":858,"_266":859,"_268":860,"_144":861,"_271":862},{"_218":194,"_219":789,"_20":790,"_222":791,"_224":-5,"_225":-5,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":336,"_234":337,"_236":792,"_238":793,"_240":794,"_242":795,"_244":796,"_246":797,"_248":798,"_250":345,"_252":799,"_254":255,"_256":800,"_154":-5,"_258":-5,"_111":801,"_260":802,"_262":803,"_264":804,"_266":805,"_268":806,"_144":807,"_271":808},{"_218":195,"_219":736,"_20":737,"_222":738,"_224":-5,"_225":739,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":740,"_238":741,"_240":742,"_242":169,"_244":743,"_246":744,"_248":745,"_250":251,"_252":746,"_254":255,"_256":747,"_154":-5,"_258":748,"_111":749,"_260":750,"_262":751,"_264":752,"_266":753,"_268":754,"_144":755,"_271":756},{"_218":186,"_219":682,"_20":683,"_222":684,"_224":-5,"_225":685,"_227":399,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":686,"_238":687,"_240":688,"_242":689,"_244":690,"_246":691,"_248":692,"_250":251,"_252":693,"_254":255,"_256":694,"_154":-5,"_258":-5,"_111":695,"_260":696,"_262":697,"_264":698,"_266":699,"_268":700,"_144":701,"_271":702},{"_218":187,"_219":621,"_20":622,"_222":623,"_224":-5,"_225":624,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":519,"_238":625,"_240":626,"_242":627,"_244":628,"_246":629,"_248":630,"_250":631,"_252":632,"_254":255,"_256":633,"_154":634,"_258":-5,"_111":635,"_260":636,"_262":637,"_264":638,"_266":639,"_268":640,"_144":641,"_271":642},{"_218":188,"_219":570,"_20":571,"_222":572,"_224":-5,"_225":573,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":574,"_238":575,"_240":576,"_242":577,"_244":578,"_246":579,"_248":580,"_250":251,"_252":581,"_254":255,"_256":582,"_154":-5,"_258":-5,"_111":583,"_260":584,"_262":585,"_264":586,"_266":587,"_268":588,"_144":589,"_271":590},{"_218":189,"_219":515,"_20":516,"_222":517,"_224":-5,"_225":518,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":519,"_238":520,"_240":521,"_242":522,"_244":523,"_246":524,"_248":525,"_250":345,"_252":526,"_254":255,"_256":527,"_154":-5,"_258":528,"_111":529,"_260":530,"_262":531,"_264":532,"_266":533,"_268":534,"_144":535,"_271":536},{"_218":180,"_219":458,"_20":459,"_222":460,"_224":-5,"_225":461,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":462,"_238":463,"_240":464,"_242":465,"_244":466,"_246":467,"_248":468,"_250":251,"_252":469,"_254":255,"_256":470,"_154":-5,"_258":-5,"_111":471,"_260":472,"_262":473,"_264":474,"_266":475,"_268":476,"_144":477,"_271":478},{"_218":181,"_219":395,"_20":396,"_222":397,"_224":-5,"_225":398,"_227":399,"_229":230,"_231":-5,"_125":232,"_28":400,"_234":401,"_236":402,"_238":403,"_240":243,"_242":404,"_244":405,"_246":406,"_248":407,"_250":251,"_252":408,"_254":255,"_256":409,"_154":-5,"_258":-5,"_111":410,"_260":411,"_262":412,"_264":413,"_266":414,"_268":415,"_144":416,"_271":417},{"_218":182,"_219":332,"_20":333,"_222":334,"_224":-5,"_225":335,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":336,"_234":337,"_236":338,"_238":339,"_240":340,"_242":341,"_244":342,"_246":343,"_248":344,"_250":345,"_252":346,"_254":255,"_256":347,"_154":-5,"_258":-5,"_111":348,"_260":349,"_262":350,"_264":351,"_266":352,"_268":353,"_144":354,"_271":355},{"_218":183,"_219":220,"_20":221,"_222":223,"_224":-5,"_225":226,"_227":228,"_229":230,"_231":-5,"_125":232,"_28":233,"_234":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_154":-5,"_258":-5,"_111":259,"_260":261,"_262":263,"_264":265,"_266":267,"_268":269,"_144":270,"_271":272},"id","slug","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio","artist",{"_42":319,"_219":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":-5,"_330":-5,"_331":-5,"_140":103},"unrecorded","date","1779","century",18,"place","britain","movement","georgian-britain","watercolour","classification","Drawing and Watercolor","medium","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","dimensions","38 × 56.5 cm (15 × 22 1/4 in.)","width_cm",56,"height_cm",38,"aspect",1.4658835950904052,"palette",[302,303,304,305,306],"museum",{"_218":297,"_219":298,"_42":299,"_300":301},"credit","Courtesy of the Art Institute of Chicago","accession","2023.3179","licence","CC0","story","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","note","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.","images",{"_291":292,"_293":294,"_295":296},"download_url","https://img.ochreeditions.com/m/433.jpg?dl=1","page_url","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","walk_url","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","frame",{"_287":288,"_289":290},{"_222":280,"_125":281,"_282":283},"size",{"_273":274,"_275":276,"_277":241,"_278":279},"w",80,"h",62.20221481948321,"image_w","image_h",38.20221481948321,{"_284":222,"_123":171,"_154":170,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":53},"era",{"_284":282,"_123":167,"_154":166,"_140":169},"facet","style/watercolour-18","More watercolours of the 18th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/433/480.jpg","960","https://img.ochreeditions.com/a/433/960.jpg","1920","https://img.ochreeditions.com/a/433/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_307":317,"_309":318},{"_307":315,"_309":316},{"_307":313,"_309":314},{"_307":311,"_309":312},{"_307":308,"_309":310},"hex","#585149","weight",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","bio","British, 1755–1834","nationality","British","birth_year",1755,"death_year",1834,"birth_place","death_place","about_excerpt","saint-john-the-evangelist-nga-54044","Saint John the Evangelist",{"_42":390,"_219":391,"_321":392,"_323":324,"_325":393,"_327":394,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1771","print","Print","chiaroscuro woodcut in tan and brown","sheet: 19.7 × 15.4 cm (7 3/4 × 6 1/16 in.) other (text beneath image): 3.2 × 15.7 cm (1 1/4 × 6 3/16 in.) mount: 38.2 × 27.1 cm (15 1/16 × 10 11/16 in.)",15.4,19.7,0.702880859375,[375,376,377,378,379],{"_218":371,"_219":372,"_42":373,"_300":374},"Courtesy National Gallery of Art, Washington","1973.58.3","John Skippe made this in 1771, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a winged figure seated on a bird. The image depicts a figure with flowing robes, wings outstretched, holding an open book in one hand. The figure appears to be looking off to the side, with a serene expression. The lower part of the image includes a bird upon which the figure is seated. The bird's head is turned slightly upwards, following the direction in which the figure is gazing. The image is rendered in a warm, monochromatic palette. In the lower section of the image, there is some text, likely Latin.",{"_291":368,"_293":369,"_295":370},"https://img.ochreeditions.com/m/1572.jpg?dl=1","/art/saint-john-the-evangelist-nga-54044","/galleries/style/georgian-britain/saint-john-the-evangelist-nga-54044",{"_287":288,"_289":290},{"_222":360,"_125":361,"_282":362},{"_273":356,"_275":357,"_277":358,"_278":359},41.572021484375,49,17.572021484375,25,{"_284":222,"_123":366,"_154":367,"_140":89},{"_284":125,"_123":363,"_154":364,"_140":365},{"_284":282,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-john-skippe","John Skippe's contemporaries","https://img.ochreeditions.com/a/1572/480.jpg","https://img.ochreeditions.com/a/1572/960.jpg","https://img.ochreeditions.com/a/1572/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_307":388,"_309":389},{"_307":386,"_309":387},{"_307":384,"_309":385},{"_307":382,"_309":383},{"_307":380,"_309":381},"#a28a5c",0.1319,"#d5b378",0.1774,"#b29562",0.1816,"#c1a26a",0.2372,"#d5c19a",0.2719,"John Skippe","john-skippe","British, 1742–1812",1742,1811,"the-sand-pits-hampstead-heath-aic-250453","The Sand Pits, Hampstead Heath",{"_42":452,"_219":453,"_321":454,"_323":455,"_325":456,"_327":457,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1834",19,"painting","Painting","Oil on panel","24.1 × 38.1 cm (9 1/2 × 15 in.); Framed: 33.7 × 47.7 × 5.1 cm (13 1/4 × 18 3/4 × 2 in.)",24,1.6425614803993183,[437,438,439,440,441],{"_218":297,"_219":298,"_42":299,"_300":301},"2019.193","John Linnell painted this in 1834, aged 42. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_291":434,"_293":435,"_295":436},"https://img.ochreeditions.com/m/384.jpg?dl=1","/art/the-sand-pits-hampstead-heath-aic-250453","/galleries/style/georgian-britain/the-sand-pits-hampstead-heath-aic-250453",{"_287":432,"_289":433},{"_222":421,"_125":422,"_282":423},{"_273":418,"_275":419,"_277":243,"_278":420},53,38.1345982804625,23.134598280462495,{"_284":222,"_123":430,"_154":431,"_140":89},{"_284":125,"_123":427,"_154":428,"_140":429},{"_284":282,"_123":424,"_154":425,"_140":426},"era/19-britain","19th-century Britain",40,"style/painting-19","More paintings of the 19th century",432,"artist/contemporaries-of-john-linnell","John Linnell's contemporaries","natural","ivory","https://img.ochreeditions.com/a/384/480.jpg","https://img.ochreeditions.com/a/384/960.jpg","https://img.ochreeditions.com/a/384/1920.jpg",{"_307":450,"_309":451},{"_307":448,"_309":449},{"_307":446,"_309":447},{"_307":444,"_309":445},{"_307":442,"_309":443},"#815e2f",0.1306,"#878980",0.1534,"#72828a",0.1631,"#391e13",0.276,"#563a1b",0.2769,"John Linnell","john-linnell","English, 1792–1882","English",1792,1882,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":508,"_219":509,"_321":510,"_323":324,"_325":511,"_327":456,"_329":512,"_330":513,"_331":514,"_140":95},"1776–81","Oil on canvas","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[493,494,495,496,497],{"_218":297,"_219":298,"_42":299,"_300":301},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_291":490,"_293":491,"_295":492},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_287":432,"_289":433},{"_222":482,"_125":483,"_282":484},{"_273":479,"_275":480,"_277":481,"_278":465},76.14076281287247,88,61.14076281287247,{"_284":222,"_123":488,"_154":489,"_140":95},{"_284":125,"_123":485,"_154":486,"_140":487},{"_284":282,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_307":506,"_309":507},{"_307":504,"_309":505},{"_307":502,"_309":503},{"_307":500,"_309":501},{"_307":498,"_309":499},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,"Plympton","London","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":563,"_219":564,"_321":565,"_323":455,"_325":566,"_327":567,"_329":568,"_330":513,"_331":569,"_140":97},"c. 1776/1777","oil on canvas","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[548,549,550,551,552],{"_218":371,"_219":372,"_42":373,"_300":374},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_291":545,"_293":546,"_295":547},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_287":432,"_289":433},{"_222":540,"_125":541,"_282":542},{"_273":537,"_275":538,"_277":539,"_278":522},85.3828125,99,70.3828125,{"_284":222,"_123":543,"_154":544,"_140":97},{"_284":125,"_123":485,"_154":486,"_140":487},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_307":561,"_309":562},{"_307":559,"_309":560},{"_307":557,"_309":558},{"_307":555,"_309":556},{"_307":553,"_309":554},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,1788,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","hannah-presenting-samuel-to-eli-aic-270369","Hannah Presenting Samuel to Eli",{"_42":616,"_219":617,"_321":618,"_323":455,"_325":326,"_327":619,"_329":-5,"_330":-5,"_331":620,"_140":99},"c. 1783","Pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper","34 × 47 cm (13 7/16 × 18 9/16 in.)",47,34,1.2970566411080882,[601,602,603,604,605],{"_218":297,"_219":298,"_42":299,"_300":301},"2023.3177","John Flaxman painted this in about 1783, aged 28. It is now at the Art Institute of Chicago.","A work made of pen and black ink and brush and black ink wash, with touches of pen and brown ink, on ivory laid paper.",{"_291":598,"_293":599,"_295":600},"https://img.ochreeditions.com/m/434.jpg?dl=1","/art/hannah-presenting-samuel-to-eli-aic-270369","/galleries/style/georgian-britain/hannah-presenting-samuel-to-eli-aic-270369",{"_287":288,"_289":290},{"_222":593,"_125":594,"_282":595},{"_273":521,"_275":591,"_277":576,"_278":592},60.23588863463005,36.23588863463005,{"_284":222,"_123":596,"_154":597,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/434/480.jpg","https://img.ochreeditions.com/a/434/960.jpg","https://img.ochreeditions.com/a/434/1920.jpg",{"_307":614,"_309":615},{"_307":612,"_309":613},{"_307":610,"_309":611},{"_307":608,"_309":609},{"_307":606,"_309":607},"#a49483",0.0883,"#c2b09c",0.1626,"#8d7e6f",0.1783,"#ddc8b1",0.2793,"#d1b79b",0.2915,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":676,"_219":677,"_321":678,"_323":324,"_325":679,"_327":680,"_329":-5,"_330":-5,"_331":681,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[661,662,663,664,665],{"_218":657,"_219":658,"_42":659,"_300":660},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":654,"_655":656},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_291":651,"_293":652,"_295":653},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_287":432,"_289":433},{"_222":646,"_125":647,"_282":648},{"_273":643,"_275":644,"_277":645,"_278":627},83.17205882352941,90.5,68.17205882352941,{"_284":222,"_123":649,"_154":650,"_140":99},{"_284":125,"_123":485,"_154":486,"_140":487},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":674,"_309":675},{"_307":672,"_309":673},{"_307":670,"_309":671},{"_307":668,"_309":669},{"_307":666,"_309":667},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":731,"_219":732,"_321":733,"_323":455,"_325":734,"_327":735,"_329":-5,"_330":-5,"_331":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[716,717,718,719,720],{"_218":297,"_219":298,"_42":299,"_300":301},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_291":713,"_293":714,"_295":715},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_287":288,"_289":290},{"_222":706,"_125":707,"_282":708},{"_273":703,"_275":704,"_277":688,"_278":705},70,56.1976386036961,32.1976386036961,{"_284":222,"_123":711,"_154":712,"_140":89},{"_284":125,"_123":709,"_154":710,"_140":426},{"_284":282,"_123":424,"_154":425,"_140":426},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_307":729,"_309":730},{"_307":727,"_309":728},{"_307":725,"_309":726},{"_307":723,"_309":724},{"_307":721,"_309":722},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":783,"_219":784,"_321":785,"_323":455,"_325":786,"_327":680,"_329":787,"_330":787,"_331":788,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[768,769,770,771,772],{"_218":297,"_219":298,"_42":299,"_300":301},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_291":765,"_293":766,"_295":767},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_287":288,"_289":290},{"_222":760,"_125":761,"_282":762},{"_273":757,"_275":758,"_277":759,"_278":169},53.22455845248108,66,29.224558452481077,{"_284":222,"_123":763,"_154":764,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_307":781,"_309":782},{"_307":779,"_309":780},{"_307":777,"_309":778},{"_307":775,"_309":776},{"_307":773,"_309":774},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.","turtur-risorius-nga-53854","Turtur Risorius",{"_42":834,"_219":835,"_321":836,"_323":837,"_325":567,"_327":838,"_329":-5,"_330":-5,"_331":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,17,0.655517578125,[819,820,821,822,823],{"_218":371,"_219":372,"_42":373,"_300":374},"1973.26.27","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_291":816,"_293":817,"_295":818},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_287":288,"_289":290},{"_222":811,"_125":812,"_282":813},{"_273":809,"_275":357,"_277":810,"_278":359},40.387939453125,16.387939453125,{"_284":222,"_123":814,"_154":815,"_140":89},{"_284":125,"_123":363,"_154":364,"_140":365},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_307":832,"_309":833},{"_307":830,"_309":831},{"_307":828,"_309":829},{"_307":826,"_309":827},{"_307":824,"_309":825},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"bray-church-yard-cma-119729","Bray Church Yard",{"_42":893,"_219":894,"_321":895,"_323":324,"_325":896,"_327":897,"_329":-5,"_330":-5,"_331":-5,"_140":103},"1807","drawing","Drawing","watercolor and graphite","Sheet: 24.9 x 36.9 cm (9 13/16 x 14 1/2 in.)",36.9,24.9,1.4789038712483689,[878,879,880,881,882],{"_218":657,"_219":658,"_42":659,"_300":660},"1940.564","John Varley painted this in 1807, aged 29. It is now at the Cleveland Museum of Art.",{"_118":877,"_655":656},"Bray Church Yard, by John Varley, 1807",{"_291":874,"_293":875,"_295":876},"https://img.ochreeditions.com/m/542.jpg?dl=1","/art/bray-church-yard-cma-119729","/galleries/style/georgian-britain/bray-church-yard-cma-119729",{"_287":288,"_289":290},{"_222":866,"_125":867,"_282":868},{"_273":863,"_275":864,"_277":847,"_278":865},60.9,48.95091176470588,24.950911764705882,{"_284":222,"_123":872,"_154":873,"_140":89},{"_284":125,"_123":869,"_154":870,"_140":871},{"_284":282,"_123":424,"_154":425,"_140":426},"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-john-varley","John Varley's contemporaries","https://img.ochreeditions.com/a/542/480.jpg","https://img.ochreeditions.com/a/542/960.jpg","https://img.ochreeditions.com/a/542/1920.jpg","The inscription on the reverse of this drawing, \"Bray Church Yard-1807,\" likely refers to St. Michael’s, the parish church in the village of Bray on the banks of the Thames in the county of Berkshire. The banks of the lower Thames Valley provided the subject matter for many of John Varley’s early watercolors.",{"_307":891,"_309":892},{"_307":889,"_309":890},{"_307":887,"_309":888},{"_307":885,"_309":886},{"_307":883,"_309":884},"#a69885",0.0422,"#9b8066",0.0836,"#ba9d7e",0.1977,"#ccb293",0.2307,"#ddc6a5",0.4458,"John Varley","john-varley","British, 1778–1842",1778,1842,"self-portrait-aic-11706","Self-Portrait",{"_42":616,"_219":617,"_321":618,"_323":455,"_325":326,"_327":619,"_329":-5,"_330":-5,"_331":620,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",30,0.5697549441100602,[928,929,930,931,932],{"_218":297,"_219":298,"_42":299,"_300":301},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_291":925,"_293":926,"_295":927},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_287":288,"_289":290},{"_222":922,"_125":923,"_282":924},{"_273":919,"_275":920,"_277":921,"_278":904},41.0926483233018,54,17.092648323301805,{"_284":222,"_123":596,"_154":597,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":53},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_307":941,"_309":942},{"_307":939,"_309":940},{"_307":937,"_309":938},{"_307":935,"_309":936},{"_307":933,"_309":934},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":990,"_219":991,"_321":992,"_323":324,"_325":993,"_327":994,"_329":-5,"_330":-5,"_331":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[975,976,977,978,979],{"_218":371,"_219":372,"_42":373,"_300":374},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_291":972,"_293":973,"_295":974},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_287":288,"_289":290},{"_222":967,"_125":968,"_282":969},{"_273":964,"_275":965,"_277":966,"_278":950},59.630419921874996,77.4,35.630419921874996,{"_284":222,"_123":970,"_154":971,"_140":89},{"_284":125,"_123":363,"_154":364,"_140":365},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_307":988,"_309":989},{"_307":986,"_309":987},{"_307":984,"_309":985},{"_307":982,"_309":983},{"_307":980,"_309":981},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"portrait-of-colonel-charles-heathcote-cma-302209","Portrait of Colonel Charles Heathcote",{"_42":783,"_219":784,"_321":785,"_323":455,"_325":786,"_327":680,"_329":787,"_330":787,"_331":788,"_140":99},"c. 1771–72","127 x 100 cm (50 x 39 3/8 in.)",100,127,0.7991176470588235,[1026,1027,1028,1029,1030],{"_218":657,"_219":658,"_42":659,"_300":660},"2017.100","Joseph Wright of Derby painted this in about 1771–72, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1025,"_655":656},"Portrait of Colonel Charles Heathcote, by Joseph Wright of Derby, c. 1771–72",{"_291":1022,"_293":1023,"_295":1024},"https://img.ochreeditions.com/m/784.jpg?dl=1","/art/portrait-of-colonel-charles-heathcote-cma-302209","/galleries/style/georgian-britain/portrait-of-colonel-charles-heathcote-cma-302209",{"_287":432,"_289":433},{"_222":1019,"_125":1020,"_282":1021},{"_273":1016,"_275":1017,"_277":1018,"_278":1001},116.48794117647058,142,101.48794117647058,{"_284":222,"_123":763,"_154":764,"_140":99},{"_284":125,"_123":485,"_154":486,"_140":487},{"_284":282,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/784/480.jpg","https://img.ochreeditions.com/a/784/960.jpg","https://img.ochreeditions.com/a/784/1920.jpg","Assuming a relaxed but commanding pose, Colonel Charles Heathcote (1734–1797) stands beside a large oak tree in the foreground of an expansive landscape. He wears military dress, the single epaulette on his right shoulder designating his rank as colonel.",{"_307":1039,"_309":1040},{"_307":1037,"_309":1038},{"_307":1035,"_309":1036},{"_307":1033,"_309":1034},{"_307":1031,"_309":1032},"#762820",0.0221,"#977d5d",0.0414,"#5f4f37",0.1927,"#2e231d",0.329,"#433524",0.4148,"august-from-twelve-months-of-flowers-aic-127987","August, from Twelve Months of Flowers",{"_42":1085,"_219":1086,"_321":1087,"_323":455,"_325":1088,"_327":1089,"_329":-5,"_330":-5,"_331":-5,"_140":99},"Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",0.7912519643792562,[1070,1071,1072,1073,1074],{"_218":297,"_219":298,"_42":299,"_300":301},"1946.405","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_291":1067,"_293":1068,"_295":1069},"https://img.ochreeditions.com/m/310.jpg?dl=1","/art/august-from-twelve-months-of-flowers-aic-127987","/galleries/style/georgian-britain/august-from-twelve-months-of-flowers-aic-127987",{"_287":288,"_289":290},{"_222":1062,"_125":1063,"_282":1064},{"_273":1059,"_275":1060,"_277":1061,"_278":426},55.65007857517025,64,31.650078575170248,{"_284":222,"_123":1065,"_154":1066,"_140":99},{"_284":125,"_123":363,"_154":364,"_140":365},{"_284":282,"_123":167,"_154":166,"_140":169},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/310/960.jpg","https://img.ochreeditions.com/a/310/1920.jpg",{"_307":1083,"_309":1084},{"_307":1081,"_309":1082},{"_307":1079,"_309":1080},{"_307":1077,"_309":1078},{"_307":1075,"_309":1076},"#796237",0.064,"#5c493a",0.0907,"#8a7b65",0.1271,"#baae9b",0.3131,"#d1c7b6",0.4051,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":1137,"_219":1138,"_321":1139,"_323":324,"_325":1140,"_327":1141,"_329":1142,"_330":513,"_331":1143,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1122,1123,1124,1125,1126],{"_218":657,"_219":658,"_42":659,"_300":660},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1121,"_655":656},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_291":1118,"_293":1119,"_295":1120},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_287":432,"_289":433},{"_222":1113,"_125":1114,"_282":1115},{"_273":1110,"_275":1111,"_277":1112,"_278":365},117.63088235294117,144,102.63088235294117,{"_284":222,"_123":1116,"_154":1117,"_140":91},{"_284":125,"_123":427,"_154":428,"_140":429},{"_284":282,"_123":424,"_154":425,"_140":426},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_307":1135,"_309":1136},{"_307":1133,"_309":1134},{"_307":1131,"_309":1132},{"_307":1129,"_309":1130},{"_307":1127,"_309":1128},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.",{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","be096e4f23edef3e05ffd661756fd1e426bbf158","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_219":1188,"_20":1189},{"_219":1186,"_20":1187},{"_219":1184,"_20":1185},{"_219":1182,"_20":1183},{"_219":1180,"_20":1181},{"_219":1178,"_20":1179},{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]