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(14.3 × 18.1 cm) Plate: 6 15/16 × 8 15/16 in. (17.6 × 22.7 cm) Sheet: 11 13/16 × 15 1/8 in. (30 × 38.4 cm)",18.1,14.3,1.2588408644400786,[442,443,444,445,446],{"_218":438,"_219":439,"_42":440,"_301":441},"Courtesy of The Metropolitan Museum of Art","39.68.16","David Lucas made this in 1830, aged 28. It is now at The Met in New York.","Storm clouds pile over a sweeping bay in this mezzotint by David Lucas after a painting by John Constable, made for English Landscape Scenery, the series of prints through which Constable hoped to make his art better known.","Weymouth Bay, by David Lucas, 1830",{"_292":435,"_294":436,"_296":437},"https://img.ochreeditions.com/m/1280.jpg?dl=1","/art/weymouth-bay-met-682931","/galleries/style/georgian-britain/weymouth-bay-met-682931",{"_288":369,"_290":370},{"_222":424,"_125":425,"_282":426},{"_273":420,"_275":421,"_277":422,"_279":423},49,43.859539602028875,25,19.85953960202887,{"_284":222,"_123":433,"_154":434,"_140":97},{"_284":125,"_123":430,"_154":431,"_140":432},{"_284":282,"_123":427,"_154":428,"_140":429},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1280/480.jpg","https://img.ochreeditions.com/a/1280/960.jpg","https://img.ochreeditions.com/a/1280/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_308":455,"_310":456},{"_308":453,"_310":454},{"_308":451,"_310":452},{"_308":449,"_310":450},{"_308":447,"_310":448},"#b1a8a1",0.0714,"#86807b",0.1477,"#605c59",0.2089,"#dfd6ce",0.2721,"#434140",0.2999,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":457,"_219":458,"_322":459,"_324":325,"_326":460,"_328":461,"_330":462,"_332":333,"_334":463,"_140":97},"Print","mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,18.5,1.4041823791566679,[500,501,502,503,504],{"_218":496,"_219":497,"_42":498,"_301":499},"Courtesy National Gallery of Art, Washington","2001.118.27","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_292":493,"_294":494,"_296":495},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_288":369,"_290":370},{"_222":490,"_125":491,"_282":492},{"_273":487,"_275":488,"_277":470,"_279":489},49.2,41.94638671875,17.94638671875,{"_284":222,"_123":433,"_154":434,"_140":97},{"_284":125,"_123":430,"_154":431,"_140":432},{"_284":282,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_308":513,"_310":514},{"_308":511,"_310":512},{"_308":509,"_310":510},{"_308":507,"_310":508},{"_308":505,"_310":506},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"small-landscape-si-saam-1956-11-20","Small Landscape","Unrecorded British maker","ca. 1750-1800","oil on canvas","17 1/4 x 21 3/4 in. (43.8 x 55.2 cm)",55.2,43.8,1.2706480304955527,[551,552,553,554,555],{"_218":548,"_219":549,"_42":550,"_301":499},"Courtesy of the Smithsonian American Art Museum","1956.11.20","An unrecorded British artist painted this in about 1750-1800. It is now at the Smithsonian American Art Museum in Washington, DC.","Small Landscape, ca. 1750-1800",{"_292":545,"_294":546,"_296":547},"https://img.ochreeditions.com/m/1910.jpg?dl=1","/art/small-landscape-si-saam-1956-11-20","/galleries/style/georgian-britain/small-landscape-si-saam-1956-11-20",{"_288":289,"_290":291},{"_222":540,"_125":541,"_282":542},{"_273":537,"_275":538,"_277":521,"_279":539},70.2,58.4424,43.4424,{"_284":222,"_123":543,"_154":544,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/1910/480.jpg","https://img.ochreeditions.com/a/1910/960.jpg","https://img.ochreeditions.com/a/1910/1920.jpg","si","smithsonian","Smithsonian Institution",{"_308":564,"_310":565},{"_308":562,"_310":563},{"_308":560,"_310":561},{"_308":558,"_310":559},{"_308":556,"_310":557},"#b9b5a6",0.0994,"#dbc18e",0.11,"#81643d",0.1175,"#473627",0.1784,"#211f1d",0.4947,"phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":614,"_219":615,"_322":616,"_324":617,"_326":618,"_328":619,"_330":-5,"_332":-5,"_334":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",17,10.8,1.593774319066148,[599,600,601,602,603],{"_218":496,"_219":497,"_42":498,"_301":499},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_292":596,"_294":597,"_296":598},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_288":369,"_290":370},{"_222":588,"_125":589,"_282":590},{"_273":420,"_275":586,"_277":422,"_279":587},39.68603515625,15.686035156249998,{"_284":222,"_123":594,"_154":595,"_140":89},{"_284":125,"_123":591,"_154":592,"_140":593},{"_284":282,"_123":165,"_154":164,"_140":167},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_308":612,"_310":613},{"_308":610,"_310":611},{"_308":608,"_310":609},{"_308":606,"_310":607},{"_308":604,"_310":605},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1788,1859,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":667,"_219":668,"_322":669,"_324":325,"_326":670,"_328":671,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[652,653,654,655,656],{"_218":496,"_219":497,"_42":498,"_301":499},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_292":649,"_294":650,"_296":651},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_288":369,"_290":370},{"_222":644,"_125":645,"_282":646},{"_273":641,"_275":642,"_277":626,"_279":643},60.9,49.927294921875,25.927294921875,{"_284":222,"_123":647,"_154":648,"_140":89},{"_284":125,"_123":591,"_154":592,"_140":593},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_308":665,"_310":666},{"_308":663,"_310":664},{"_308":661,"_310":662},{"_308":659,"_310":660},{"_308":657,"_310":658},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"anna-maria-dashwood-later-marchioness-of-ely-aic-75374","Anna Maria Dashwood, later Marchioness of Ely",{"_42":717,"_219":718,"_322":719,"_324":325,"_326":720,"_328":721,"_330":722,"_332":333,"_334":723,"_140":91},"c. 1805","78.1 × 65.5 cm (30 3/4 × 25 3/4 in.)",65,78,0.8287557603686636,[702,703,704,705,706],{"_218":298,"_219":299,"_42":300,"_301":302},"1951.199","Thomas Lawrence painted this in about 1805, aged about 31. It is now at the Art Institute of Chicago.",{"_292":699,"_294":700,"_296":701},"https://img.ochreeditions.com/m/191.jpg?dl=1","/art/anna-maria-dashwood-later-marchioness-of-ely-aic-75374","/galleries/style/georgian-britain/anna-maria-dashwood-later-marchioness-of-ely-aic-75374",{"_288":289,"_290":291},{"_222":694,"_125":695,"_282":696},{"_273":691,"_275":692,"_277":693,"_279":678},79.64294930875576,93,64.64294930875576,{"_284":222,"_123":697,"_154":698,"_140":91},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/191/480.jpg","https://img.ochreeditions.com/a/191/960.jpg","https://img.ochreeditions.com/a/191/1920.jpg",{"_308":715,"_310":716},{"_308":713,"_310":714},{"_308":711,"_310":712},{"_308":709,"_310":710},{"_308":707,"_310":708},"#8f7051",0.1285,"#b49a78",0.163,"#5f492a",0.1648,"#352815",0.2238,"#19140d",0.3199,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","william-pitt-nga-52264","William Pitt",{"_42":771,"_219":772,"_322":773,"_324":325,"_326":774,"_328":775,"_330":-5,"_332":-5,"_334":776,"_140":99},"1787/1796","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[756,757,758,759,760],{"_218":496,"_219":497,"_42":498,"_301":499},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_292":753,"_294":754,"_296":755},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_288":289,"_290":291},{"_222":748,"_125":749,"_282":750},{"_273":746,"_275":429,"_277":747,"_279":422},34.62890625,19.62890625,{"_284":222,"_123":751,"_154":752,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_308":769,"_310":770},{"_308":767,"_310":768},{"_308":765,"_310":766},{"_308":763,"_310":764},{"_308":761,"_310":762},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","july-from-twelve-months-of-flowers-aic-127986","July, from Twelve Months of Flowers",{"_42":824,"_219":825,"_322":826,"_324":827,"_326":828,"_328":829,"_330":-5,"_332":-5,"_334":-5,"_140":99},"n.d.","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7912998446400829,[809,810,811,812,813],{"_218":298,"_219":299,"_42":300,"_301":302},"1946.404","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","The flowers of high summer are gathered into one lavish bouquet in July, one of the plates of Twelve Months of Flowers, which the Kensington nurseryman Robert Furber issued in 1730 to show customers what they could grow in each month of the year. Each bloom is numbered so that it can be matched to its name.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_292":806,"_294":807,"_296":808},"https://img.ochreeditions.com/m/309.jpg?dl=1","/art/july-from-twelve-months-of-flowers-aic-127986","/galleries/style/georgian-britain/july-from-twelve-months-of-flowers-aic-127986",{"_288":369,"_290":370},{"_222":801,"_125":802,"_282":803},{"_273":798,"_275":799,"_277":800,"_279":429},55.65199378560331,64,31.651993785603313,{"_284":222,"_123":804,"_154":805,"_140":99},{"_284":125,"_123":591,"_154":592,"_140":593},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/309/480.jpg","https://img.ochreeditions.com/a/309/960.jpg","https://img.ochreeditions.com/a/309/1920.jpg",{"_308":822,"_310":823},{"_308":820,"_310":821},{"_308":818,"_310":819},{"_308":816,"_310":817},{"_308":814,"_310":815},"#766942",0.061,"#684c41",0.0717,"#94856f",0.1271,"#bcb09d",0.3294,"#d2c8b7",0.4108,"Henry Fletcher","henry-fletcher","English, 1710–1750","English",1710,1750,"stoke-by-nayland-aic-4758","Stoke-by-Nayland",{"_42":882,"_219":883,"_322":884,"_324":827,"_326":885,"_328":886,"_330":-5,"_332":-5,"_334":887,"_140":99},"1836","126 × 169 cm (49 5/8 × 66 1/2 in.); Framed: 170.2 × 212.1 × 16.6 cm (67 × 83 1/2 × 6 1/2 in.)",169,1.358449273096764,[867,868,869,870,871],{"_218":298,"_219":299,"_42":300,"_301":302},"1922.4453","John Constable painted this in 1836, aged 60. It is now at the Art Institute of Chicago.",{"_118":864,"_865":866},"Large English country landscape painting, farmers with horses, green trees.",{"_292":861,"_294":862,"_296":863},"https://img.ochreeditions.com/m/7.jpg?dl=1","/art/stoke-by-nayland-aic-4758","/galleries/style/georgian-britain/stoke-by-nayland-aic-4758",{"_288":289,"_290":291},{"_222":853,"_125":854,"_282":855},{"_273":850,"_275":851,"_277":835,"_279":852},184,139.40655926352127,124.40655926352129,{"_284":222,"_123":859,"_154":860,"_140":99},{"_284":125,"_123":856,"_154":857,"_140":858},{"_284":282,"_123":427,"_154":428,"_140":429},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/7/480.jpg","https://img.ochreeditions.com/a/7/960.jpg","https://img.ochreeditions.com/a/7/1920.jpg","John Constable produced this full-size oil sketch for an unrealized painting near the end of his life. Its subject—the countryside of Constable's youth in Suffolk, England—was one of the artist's favorites.","source","Text from the Art Institute of Chicago.",{"_308":880,"_310":881},{"_308":878,"_310":879},{"_308":876,"_310":877},{"_308":874,"_310":875},{"_308":872,"_310":873},"#a8b3b4",0.111,"#706346",0.1553,"#758186",0.1775,"#2f291e",0.245,"#4e4330",0.3112,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","noon-nga-119642","Noon",{"_42":457,"_219":458,"_322":459,"_324":325,"_326":460,"_328":461,"_330":462,"_332":333,"_334":463,"_140":97},"mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,1.3927235634138049,[916,917,918,919,920],{"_218":496,"_219":497,"_42":498,"_301":499},"2001.118.23","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_292":913,"_294":914,"_296":915},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_288":369,"_290":370},{"_222":910,"_125":911,"_282":912},{"_273":907,"_275":908,"_277":893,"_279":909},49.5,42.3094482421875,18.3094482421875,{"_284":222,"_123":433,"_154":434,"_140":97},{"_284":125,"_123":430,"_154":431,"_140":432},{"_284":282,"_123":427,"_154":428,"_140":429},"https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg",{"_308":929,"_310":930},{"_308":927,"_310":928},{"_308":925,"_310":926},{"_308":923,"_310":924},{"_308":921,"_310":922},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire",{"_42":985,"_219":986,"_322":987,"_324":988,"_326":989,"_328":990,"_330":-5,"_332":-5,"_334":-5,"_140":103},"c. 1772","Unframed: 101.5 x 127 cm (39 15/16 x 50 in.); Framed: 124.5 x 149.9 x 7.6 cm (49 x 59 x 3 in.)",127,101.5,1.2560029553010712,[970,971,972,973,974],{"_218":966,"_219":967,"_42":968,"_301":969},"Courtesy of the Cleveland Museum of Art","2023.122","Johann Zoffany painted this in about 1772, aged about 38. It is now at the Cleveland Museum of Art.",{"_118":964,"_865":965},"The Dutton Family in the Drawing Room of Sherborne Park, Gloucestershire, by Johann Zoffany, c. 1772",{"_292":961,"_294":962,"_296":963},"https://img.ochreeditions.com/m/798.jpg?dl=1","/art/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981","/galleries/style/georgian-britain/the-dutton-family-in-the-drawing-room-of-sherborne-park-glou-cma-543981",{"_288":289,"_290":291},{"_222":956,"_125":957,"_282":958},{"_273":953,"_275":954,"_277":936,"_279":955},142,116.11441176470589,101.11441176470589,{"_284":222,"_123":959,"_154":960,"_140":89},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-johann-zoffany","Johann Zoffany's contemporaries","https://img.ochreeditions.com/a/798/480.jpg","https://img.ochreeditions.com/a/798/960.jpg","https://img.ochreeditions.com/a/798/1920.jpg","This type of picture, known as a conversation piece, was invented in England in the 1700s and popular for the informal way it represented families. A father and daughter, mother and son, are strategizing over the next hand in a game of cards.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_308":983,"_310":984},{"_308":981,"_310":982},{"_308":979,"_310":980},{"_308":977,"_310":978},{"_308":975,"_310":976},"#3a352c",0.1783,"#425b52",0.1854,"#9b9079",0.1857,"#755737",0.2034,"#5f563f",0.2472,"Johann Zoffany","johann-zoffany","German, 1733–1810","German",1733,1810,"the-captive-slave-ira-aldridge-aic-193664","The Captive Slave (Ira Aldridge)",{"_42":1036,"_219":1037,"_322":1038,"_324":827,"_326":1039,"_328":1040,"_330":-5,"_332":-5,"_334":-5,"_140":103},"1827","127 × 101.5 cm (50 × 40 in.); Framed: 167.1 × 141.7 cm (65 3/4 × 55 3/4 in.)",0.7940150839347985,[1021,1022,1023,1024,1025],{"_218":298,"_219":299,"_42":300,"_301":302},"2008.188","John Philip Simpson painted this in 1827, aged 45. It is now at the Art Institute of Chicago.",{"_118":1020,"_865":866},"Painting of a dark-skinned man seated and wearing a red open-necked tunic. He looks up to the right. His wrists are shackled and a large chain rests at his right, running down the bench he sits upon.",{"_292":1017,"_294":1018,"_296":1019},"https://img.ochreeditions.com/m/347.jpg?dl=1","/art/the-captive-slave-ira-aldridge-aic-193664","/galleries/style/georgian-britain/the-captive-slave-ira-aldridge-aic-193664",{"_288":289,"_290":291},{"_222":1012,"_125":1013,"_282":1014},{"_273":1010,"_275":953,"_277":1011,"_279":936},115.83991565971941,100.83991565971941,{"_284":222,"_123":1015,"_154":1016,"_140":89},{"_284":125,"_123":856,"_154":857,"_140":858},{"_284":282,"_123":427,"_154":428,"_140":429},"artist/contemporaries-of-john-philip-simpson","John Philip Simpson's contemporaries","https://img.ochreeditions.com/a/347/480.jpg","https://img.ochreeditions.com/a/347/960.jpg","https://img.ochreeditions.com/a/347/1920.jpg","This painting by John Philip Simpson is both a powerful abolitionist statement and a striking portrait of the celebrated Shakespearean actor Ira Aldridge. A freeborn American, Aldridge became the first Black man to play Othello on the London stage in 1833.",{"_308":1034,"_310":1035},{"_308":1032,"_310":1033},{"_308":1030,"_310":1031},{"_308":1028,"_310":1029},{"_308":1026,"_310":1027},"#5e4335",0.0677,"#472119",0.0876,"#6e3024",0.1955,"#1b1411",0.2436,"#2f261a",0.4056,"John Philip Simpson","john-philip-simpson","English, 1782–1847",1782,1847,"mrs-paul-cobb-methuen-nga-1159","Mrs. Paul Cobb Methuen",{"_42":1088,"_219":1089,"_322":1090,"_324":827,"_326":1091,"_328":618,"_330":1092,"_332":333,"_334":1093,"_140":97},"c. 1776/1777","overall: 84 x 71 cm (33 1/16 x 27 15/16 in.)",71,84,0.837890625,[1073,1074,1075,1076,1077],{"_218":496,"_219":497,"_42":498,"_301":499},"1942.9.20","Thomas Gainsborough painted this in about 1776/1777, aged about 49. It is now at the National Gallery of Art in Washington, DC.","Mrs. Paul Cobb Methuen, her powdered hair piled high beneath a bank of white feathers and sparkling ornaments, glances sideways out of a dark background, her white dress trimmed with pearls and shimmering from silver to pale gold.","Shown from the waist up, a young, pale-skinned woman with her gray hair piled high atop her head is lit starkly against a dark background in this vertical portrait painting. The woman’s shoulders are angled to our left. Her face is square to us, but she looks off to our right from the corners of her eyes, which are gray rimmed with golden brown around the pupils. She has a thin face, smooth cheeks, a bow-shaped pink mouth, and a narrow chin. Her hair is mostly swept up high under a bank of pearl-white feathers and some sparkling ornaments. A few ringlets hang down the back of her neck. The bodice of her white dress scoops low across her chest and sits just above her sloping shoulders. The dress is adorned with pearls on the sleeves and around the neckline, and the fabric shimmers from silvery white to pale gold. The background is earth-brown around her face and deepens to almost black in the corners.",{"_292":1070,"_294":1071,"_296":1072},"https://img.ochreeditions.com/m/1336.jpg?dl=1","/art/mrs-paul-cobb-methuen-nga-1159","/galleries/style/georgian-britain/mrs-paul-cobb-methuen-nga-1159",{"_288":289,"_290":291},{"_222":1065,"_125":1066,"_282":1067},{"_273":1062,"_275":1063,"_277":1064,"_279":1047},85.3828125,99,70.3828125,{"_284":222,"_123":1068,"_154":1069,"_140":97},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/thomas-gainsborough","More by Thomas Gainsborough","https://img.ochreeditions.com/a/1336/480.jpg","https://img.ochreeditions.com/a/1336/960.jpg","https://img.ochreeditions.com/a/1336/1920.jpg",{"_308":1086,"_310":1087},{"_308":1084,"_310":1085},{"_308":1082,"_310":1083},{"_308":1080,"_310":1081},{"_308":1078,"_310":1079},"#6c6248",0.0752,"#a18f63",0.094,"#cec5a1",0.0952,"#383831",0.1958,"#1f2728",0.5398,"Thomas Gainsborough","thomas-gainsborough","English, 1727–1788",1727,"Sudbury","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming",{"_42":1139,"_219":1140,"_322":1141,"_324":827,"_326":1142,"_328":775,"_330":1143,"_332":1143,"_334":1144,"_140":99},"Paintings","40 x 50 in. (101.6 x 127 cm)",101.6,1.2404942965779469,[1124,1125,1126,1127,1128],{"_218":438,"_219":439,"_42":440,"_301":441},"2013.155","Joseph Wright of Derby painted this in 1779, aged 45. It is now at The Met in New York.","By moonlight, the Roman poet Silius Italicus declaims verses at the overgrown tomb of Virgil near Naples, which he is said to have bought and tended in honour of the poet he revered.","Virgil's Tomb by Moonlight, with Silius Italicus Declaiming, by Joseph Wright of Derby, 1779",{"_292":1121,"_294":1122,"_296":1123},"https://img.ochreeditions.com/m/1202.jpg?dl=1","/art/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769","/galleries/style/georgian-britain/virgil-s-tomb-by-moonlight-with-silius-italicus-declaiming-met-441769",{"_288":289,"_290":291},{"_222":1116,"_125":1117,"_282":1118},{"_273":953,"_275":1114,"_277":936,"_279":1115},117.37854406130268,102.37854406130268,{"_284":222,"_123":1119,"_154":1120,"_140":99},{"_284":125,"_123":285,"_154":286,"_140":287},{"_284":282,"_123":165,"_154":164,"_140":167},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/1202/480.jpg","https://img.ochreeditions.com/a/1202/960.jpg","https://img.ochreeditions.com/a/1202/1920.jpg",{"_308":1137,"_310":1138},{"_308":1135,"_310":1136},{"_308":1133,"_310":1134},{"_308":1131,"_310":1132},{"_308":1129,"_310":1130},"#ab9279",0.0883,"#614e3e",0.1232,"#87715c",0.1815,"#382518",0.2341,"#17110a",0.3729,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.",{"_1146":-5,"_1147":1148,"_1149":1150,"_1151":8,"_1152":1153,"_1154":8},"user","csrf","d1ab5552607b46afda5379d34cc7331b813c3b39","cartCount",0,"dropLive","legal",[1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166],"uploadsEnabled",{"_219":1189,"_20":1190},{"_219":1187,"_20":1188},{"_219":1185,"_20":1186},{"_219":1183,"_20":1184},{"_219":1181,"_20":1182},{"_219":1179,"_20":1180},{"_219":1177,"_20":1178},{"_219":1175,"_20":1176},{"_219":1173,"_20":1174},{"_219":1171,"_20":1172},{"_219":1169,"_20":1170},{"_219":1167,"_20":1168},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]