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with Fishermen","artist",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"unrecorded","date","c. 1781/1782","century",18,"place","britain","movement","georgian-britain","painting","classification","Painting","medium","oil on canvas","dimensions","overall: 101.9 x 127.6 cm (40 1/8 x 50 1/4 in.) framed: 124.5 x 149.9 x 7 cm (49 x 59 x 2 3/4 in.)","width_cm",127.6,"height_cm",101.9,"aspect",1.2552865461231995,"palette",[306,307,308,309,310],"museum",{"_220":301,"_221":302,"_42":303,"_304":305},"credit","Courtesy National Gallery of Art, Washington","accession","1970.17.121","licence","CC0","story","Thomas Gainsborough painted this in about 1781/1782, aged about 54. It is now at the National Gallery of Art in Washington, DC.","note","Fishermen push a boat out from a rocky shore while others in the foreground haul a net through the surf, beneath a towering pale cliff and a sky of drifting lavender cloud.","From a rocky shoreline, we look on several light-skinned people working by the sea with a boat and a net in this freely painted, almost square seascape. The scene is framed by a silhouette of low boulders along the lower right corner, and a towering cream-white rock rising two-thirds of the way up the composition to our left. Scrubby, celery-green vegetation grows on the rocky outcropping. Near the center, close to the towering white rocks, three people sit, reaching for something near one end of a boat while a fourth person braces against the rock, presumably to push the boat out to the sea. Closer to us, three people on the shore work with a net. Two stand with the net hooked over their shoulders, and a third person crouches in the water with head down. The people all wear simple shirts and pants in shades of tan, mustard yellow, burnt orange, and pale blue. All but two wear hats. The sea meets the shore with frothy white foam and cresting, low waves. The sea beyond fades from pale sage green to arctic blue along the horizon, which comes about a third of the way up the composition. Two sail boats tilt against the wind in the distance. Pale, smoky lavender-purple clouds drift across the ice-blue sky.","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/1552.jpg?dl=1","page_url","/art/seashore-with-fishermen-nga-52265","walk_url","/galleries/style/georgian-britain/seashore-with-fishermen-nga-52265","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",142.6,"h",116.65009765625,"image_w","image_h",101.65009765625,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1552/480.jpg","960","https://img.ochreeditions.com/a/1552/960.jpg","1920","https://img.ochreeditions.com/a/1552/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_311":321,"_313":322},{"_311":319,"_313":320},{"_311":317,"_313":318},{"_311":315,"_313":316},{"_311":312,"_313":314},"hex","#b1a488","weight",0.0916,"#675840",0.1412,"#92918c",0.208,"#312319",0.2166,"#b7bfbc",0.3426,"Thomas Gainsborough","thomas-gainsborough","bio","English, 1727–1788","nationality","English","birth_year",1727,"death_year",1788,"birth_place","Sudbury","death_place","London","about_excerpt","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":406,"_221":407,"_325":408,"_327":409,"_329":410,"_331":411,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1834",19,"drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[391,392,393,394,395],{"_220":387,"_221":388,"_42":389,"_304":390},"Courtesy of the Cleveland Museum of Art","1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":384,"_385":386},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":381,"_297":382,"_299":383},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":379,"_293":380},{"_224":368,"_125":369,"_285":370},{"_276":365,"_278":366,"_280":348,"_281":367},56.5,47.45735294117647,23.45735294117647,{"_287":224,"_123":377,"_154":378,"_140":89},{"_287":125,"_123":374,"_154":375,"_140":376},{"_287":285,"_123":371,"_154":372,"_140":373},"era/19-britain","19th-century Britain",40,"style/drawing-19","More drawings of the 19th century",92,"artist/contemporaries-of-david-roberts","David Roberts's contemporaries","white","snow","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":404,"_313":405},{"_311":402,"_313":403},{"_311":400,"_313":401},{"_311":398,"_313":399},{"_311":396,"_313":397},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"cottage-children-the-wood-gatherers-met-436440","Cottage Children (The Wood Gatherers)",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":97},"1787","Paintings","Oil on canvas","58 1/8 x 47 3/8 in. (147.6 x 120.3 cm)",120.3,147.6,0.8172154524241638,[449,450,451,452,453],{"_220":445,"_221":446,"_42":447,"_304":448},"Courtesy of The Metropolitan Museum of Art","50.145.17","Thomas Gainsborough painted this in 1787, aged 60. It is now at The Met in New York.","Poor children gather firewood in a forest at dusk, their faces lit warmly against the dark trees. In his last years Gainsborough painted a number of these ‘fancy pictures’, sentimental scenes of country children that appealed to fashionable London collectors.","Cottage Children (The Wood Gatherers), by Thomas Gainsborough, 1787",{"_295":442,"_297":443,"_299":444},"https://img.ochreeditions.com/m/1090.jpg?dl=1","/art/cottage-children-the-wood-gatherers-met-436440","/galleries/style/georgian-britain/cottage-children-the-wood-gatherers-met-436440",{"_291":292,"_293":294},{"_224":439,"_125":440,"_285":441},{"_276":436,"_278":437,"_280":438,"_281":420},135.62100077780656,162.6,120.62100077780657,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1090/480.jpg","https://img.ochreeditions.com/a/1090/960.jpg","https://img.ochreeditions.com/a/1090/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_311":462,"_313":463},{"_311":460,"_313":461},{"_311":458,"_313":459},{"_311":456,"_313":457},{"_311":454,"_313":455},"#7b5a32",0.0358,"#44402c",0.1268,"#372517",0.1331,"#292820",0.3422,"#1c1713",0.3621,"georgiana-duchess-of-devonshire-nga-52263","Georgiana, Duchess of Devonshire",{"_42":511,"_221":512,"_325":513,"_327":514,"_329":515,"_331":516,"_333":-5,"_335":-5,"_337":517,"_140":99},"c. 1787/1796","overall: 59.1 x 39.9 cm (23 1/4 x 15 11/16 in.) framed: 77.2 x 57.2 x 6.4 cm (30 3/8 x 22 1/2 x 2 1/2 in.)",39.9,59.1,0.666748046875,[496,497,498,499,500],{"_220":301,"_221":302,"_42":303,"_304":305},"1970.17.119","Gainsborough Dupont painted this in about 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","Georgiana, Duchess of Devonshire, political hostess and leader of fashion in Georgian society, stands at full length in a light silk dress and a large dark feathered hat, gathering her skirts in her arms beside tall trees.","This painting is a full-length portrait of a woman with her body facing the right and her head turned toward us. She has light skin, curly gray hair, arched eyebrows, and a small mouth in a neutral expression. She wears an elegant light-colored dress with a large bow on the back and a large, dark, feathered hat, and she has a flower tucked in her arms, which also gather up some of her skirts. The background shows tall trees, with the edge of a wall visible in the upper-right corner. The color scheme of the painting is mostly olive-green, and everything has a green tint.",{"_295":493,"_297":494,"_299":495},"https://img.ochreeditions.com/m/1550.jpg?dl=1","/art/georgiana-duchess-of-devonshire-nga-52263","/galleries/style/georgian-britain/georgiana-duchess-of-devonshire-nga-52263",{"_291":292,"_293":294},{"_224":488,"_125":489,"_285":490},{"_276":485,"_278":486,"_280":487,"_281":470},54.4048095703125,74.1,39.4048095703125,{"_287":224,"_123":491,"_154":492,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/gainsborough-dupont","More by Gainsborough Dupont","https://img.ochreeditions.com/a/1550/480.jpg","https://img.ochreeditions.com/a/1550/960.jpg","https://img.ochreeditions.com/a/1550/1920.jpg",{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},{"_311":501,"_313":502},"#bba987",0.0696,"#3b2e29",0.1916,"#917f5d",0.2158,"#7a6236",0.2411,"#5b462d",0.2819,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797","British",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","may-from-twelve-months-of-flowers-aic-127984","May, from Twelve Months of Flowers",{"_42":575,"_221":576,"_325":577,"_327":328,"_329":578,"_331":579,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.","print","Print","Engraving in black ink with opaque and translucent watercolor on cream laid paper","Image: 40.5 × 30.5 cm (16 × 12 1/16 in.); Sheet: 60 × 46.5 cm (23 5/8 × 18 5/16 in.)",30,0.7948175568482284,[560,561,562,563,564],{"_220":556,"_221":557,"_42":558,"_304":559},"Courtesy of the Art Institute of Chicago","1946.402","Henry Fletcher painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A lavish bouquet of the flowers that bloom in May fills this hand-coloured engraving, each blossom numbered and keyed to a list of names. It comes from Twelve Months of Flowers, published in 1730 by Robert Furber, a nurseryman in Kensington, who used the series as an illustrated catalogue of the plants he sold.","A work made of engraving in black ink with opaque and translucent watercolor on cream laid paper.",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/308.jpg?dl=1","/art/may-from-twelve-months-of-flowers-aic-127984","/galleries/style/georgian-britain/may-from-twelve-months-of-flowers-aic-127984",{"_291":379,"_293":380},{"_224":545,"_125":546,"_285":547},{"_276":542,"_278":543,"_280":544,"_281":373},55.79270227392914,64,31.792702273929137,{"_287":224,"_123":551,"_154":552,"_140":99},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/henry-fletcher","More by Henry Fletcher","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/308/960.jpg","https://img.ochreeditions.com/a/308/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},"#895543",0.0153,"#625c4c",0.095,"#8b7f66",0.1544,"#b3a895",0.1556,"#d9d0bf",0.5797,"Henry Fletcher","henry-fletcher","English, 1710–1750",1710,1750,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":627,"_221":628,"_325":629,"_327":514,"_329":630,"_331":631,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[612,613,614,615,616],{"_220":301,"_221":302,"_42":303,"_304":305},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":609,"_297":610,"_299":611},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":379,"_293":380},{"_224":604,"_125":605,"_285":606},{"_276":601,"_278":602,"_280":586,"_281":603},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":607,"_154":608,"_140":89},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"recovery-document-land-title-grant-aic-136136","Recovery Document (Land Title Grant)","Unrecorded British maker","1702/14 (Queen Anne period)","Engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal","Folded: 15.2 × 27.5 cm (6 × 10 7/8 in.); Open: 54.5 × 78 cm (21 1/2 × 30 3/4 in.)",27,1.0208962154631995,[664,665,666,667,668],{"_220":556,"_221":557,"_42":558,"_304":559},"1994.823","An unrecorded England artist drew this in 1702/14 (Queen Anne period). It is now at the Art Institute of Chicago.","A work made of engraved letterhead, pen and ink calligraphy, and graphite ruling on parchment, folded with strap and (missing) seal.",{"_295":661,"_297":662,"_299":663},"https://img.ochreeditions.com/m/319.jpg?dl=1","/art/recovery-document-land-title-grant-aic-136136","/galleries/style/georgian-britain/recovery-document-land-title-grant-aic-136136",{"_291":379,"_293":380},{"_224":656,"_125":657,"_285":658},{"_276":652,"_278":653,"_280":654,"_281":655},49,48.48828746872867,25,24.488287468728675,{"_287":224,"_123":659,"_154":660,"_140":97},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/unrecorded-britain","More by unrecorded makers of Britain","https://img.ochreeditions.com/a/319/480.jpg","https://img.ochreeditions.com/a/319/960.jpg","https://img.ochreeditions.com/a/319/1920.jpg",{"_311":677,"_313":678},{"_311":675,"_313":676},{"_311":673,"_313":674},{"_311":671,"_313":672},{"_311":669,"_313":670},"#908679",0.0667,"#d2b996",0.0789,"#d8c6b6",0.1265,"#e8e7e5",0.3309,"#baa897",0.397,"two-studies-of-a-right-hand-aic-249662","Two Studies of a Right Hand",{"_42":730,"_221":731,"_325":732,"_327":514,"_329":733,"_331":734,"_333":735,"_335":336,"_337":736,"_140":91},"July 26, 1800","watercolour","Drawing and Watercolor","Red and black chalk on gray wove paper","35 × 24 cm (13 13/16 × 9 1/2 in.)",24,35,0.6863089606703608,[715,716,717,718,719],{"_220":556,"_221":557,"_42":558,"_304":559},"2019.759","Thomas Lawrence painted this (July 26, 1800), aged 31. It is now at the Art Institute of Chicago.","A work made of red and black chalk on gray wove paper.",{"_295":712,"_297":713,"_299":714},"https://img.ochreeditions.com/m/380.jpg?dl=1","/art/two-studies-of-a-right-hand-aic-249662","/galleries/style/georgian-britain/two-studies-of-a-right-hand-aic-249662",{"_291":379,"_293":380},{"_224":705,"_125":706,"_285":707},{"_276":702,"_278":703,"_280":704,"_281":688},48.02081362346263,59,24.02081362346263,{"_287":224,"_123":710,"_154":711,"_140":91},{"_287":125,"_123":708,"_154":709,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/380/480.jpg","https://img.ochreeditions.com/a/380/960.jpg","https://img.ochreeditions.com/a/380/1920.jpg",{"_311":728,"_313":729},{"_311":726,"_313":727},{"_311":724,"_313":725},{"_311":722,"_313":723},{"_311":720,"_313":721},"#a7907b",0.0792,"#c6aa92",0.1158,"#f8e0c6",0.1662,"#cdbba7",0.2354,"#d9ccba",0.4034,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","athena-and-the-winds-aic-77249","Athena and the Winds",{"_42":783,"_221":784,"_325":785,"_327":328,"_329":786,"_331":787,"_333":-5,"_335":-5,"_337":788,"_140":99},"Pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper","21.1 × 29.5 cm (8 5/16 × 11 5/8 in.)",29,21,1.4131805157593123,[768,769,770,771,772],{"_220":556,"_221":557,"_42":558,"_304":559},"1919.2141","John Flaxman painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of pen and black ink, over traces of graphite, on tan wove paper, laid down on cream wove paper.",{"_295":765,"_297":766,"_299":767},"https://img.ochreeditions.com/m/199.jpg?dl=1","/art/athena-and-the-winds-aic-77249","/galleries/style/georgian-britain/athena-and-the-winds-aic-77249",{"_291":379,"_293":380},{"_224":760,"_125":761,"_285":762},{"_276":757,"_278":758,"_280":742,"_281":759},53,44.521086780210865,20.52108678021087,{"_287":224,"_123":763,"_154":764,"_140":99},{"_287":125,"_123":708,"_154":709,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/199/960.jpg","https://img.ochreeditions.com/a/199/1920.jpg",{"_311":781,"_313":782},{"_311":779,"_313":780},{"_311":777,"_313":778},{"_311":775,"_313":776},{"_311":773,"_313":774},"#dfd4be",0.0899,"#e6dcc7",0.1448,"#f0e9d6",0.1906,"#eadfc6",0.2059,"#ece3ce",0.3688,"John Flaxman","john-flaxman","English, 1755–1826",1755,1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","lord-rothes-si-saam-1956-11-60","Lord Rothes","1768","50 1/2 x 39 1/2 in. (128.3 x 100.3 cm.)",100.3,128.3,0.799,[821,822,823,824,825],{"_220":818,"_221":819,"_42":820,"_304":305},"Courtesy of the Smithsonian American Art Museum","1956.11.60","An unrecorded British artist painted this in 1768. It is now at the Smithsonian American Art Museum in Washington, DC.","Lord Rothes, 1768",{"_295":815,"_297":816,"_299":817},"https://img.ochreeditions.com/m/1913.jpg?dl=1","/art/lord-rothes-si-saam-1956-11-60","/galleries/style/georgian-britain/lord-rothes-si-saam-1956-11-60",{"_291":292,"_293":294},{"_224":812,"_125":813,"_285":814},{"_276":809,"_278":810,"_280":811,"_281":794},117.51170000000002,143.3,102.51170000000002,{"_287":224,"_123":659,"_154":660,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1913/480.jpg","https://img.ochreeditions.com/a/1913/960.jpg","https://img.ochreeditions.com/a/1913/1920.jpg","si","smithsonian","Smithsonian Institution",{"_311":834,"_313":835},{"_311":832,"_313":833},{"_311":830,"_313":831},{"_311":828,"_313":829},{"_311":826,"_313":827},"#74391d",0.0821,"#a98157",0.1106,"#5c452e",0.2096,"#121719",0.2846,"#2f2015",0.3131,"the-death-of-saint-peter-martyr-nga-33080","The Death of Saint Peter Martyr",{"_42":883,"_221":884,"_325":885,"_327":514,"_329":886,"_331":887,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1739","chiaroscuro woodcut in black [trial proof]","sheet: 53.4 × 35.5 cm (21 × 14 in.)",35.5,53.4,0.667236328125,[868,869,870,871,872],{"_220":301,"_221":302,"_42":303,"_304":305},"1946.11.72","John Baptist Jackson made this in 1739, aged 38. It is now at the National Gallery of Art in Washington, DC.","This drawing depicts multiple figures in a forest setting. An angelic figure hovers at the top with wings outstretched. The forest below is filled with intricately detailed trees. Figures on the ground are in dynamic poses, one showing surprise or fear, and another reaching upwards. The composition is detailed with flowing garments and textured foliage, evoking tension and animation.",{"_295":865,"_297":866,"_299":867},"https://img.ochreeditions.com/m/1484.jpg?dl=1","/art/the-death-of-saint-peter-martyr-nga-33080","/galleries/style/georgian-britain/the-death-of-saint-peter-martyr-nga-33080",{"_291":379,"_293":380},{"_224":860,"_125":861,"_285":862},{"_276":857,"_278":858,"_280":859,"_281":843},59.630419921874996,77.4,35.630419921874996,{"_287":224,"_123":863,"_154":864,"_140":89},{"_287":125,"_123":548,"_154":549,"_140":550},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-john-baptist-jackson","John Baptist Jackson's contemporaries","https://img.ochreeditions.com/a/1484/480.jpg","https://img.ochreeditions.com/a/1484/960.jpg","https://img.ochreeditions.com/a/1484/1920.jpg",{"_311":881,"_313":882},{"_311":879,"_313":880},{"_311":877,"_313":878},{"_311":875,"_313":876},{"_311":873,"_313":874},"#e7d7bb",0.1183,"#827567",0.1749,"#c7b79d",0.2054,"#afa08a",0.24,"#998b79",0.2614,"John Baptist Jackson","john-baptist-jackson","British, 1701–1780",1701,1780,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":730,"_221":731,"_325":732,"_327":514,"_329":733,"_331":734,"_333":735,"_335":336,"_337":736,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[923,924,925,926,927],{"_220":556,"_221":557,"_42":558,"_304":559},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":921,"_385":922},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_295":918,"_297":919,"_299":920},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_291":292,"_293":294},{"_224":912,"_125":913,"_285":914},{"_276":909,"_278":910,"_280":911,"_281":894},116.09951287404314,143,101.09951287404314,{"_287":224,"_123":710,"_154":711,"_140":91},{"_287":125,"_123":915,"_154":916,"_140":917},{"_287":285,"_123":371,"_154":372,"_140":373},"style/painting-19","More paintings of the 19th century",432,"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_311":936,"_313":937},{"_311":934,"_313":935},{"_311":932,"_313":933},{"_311":930,"_313":931},{"_311":928,"_313":929},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":511,"_221":512,"_325":513,"_327":514,"_329":515,"_331":516,"_333":-5,"_335":-5,"_337":517,"_140":99},"after 1788","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[969,970,971,972,973],{"_220":387,"_221":388,"_42":389,"_304":390},"1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":968,"_385":386},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_295":965,"_297":966,"_299":967},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_291":292,"_293":294},{"_224":962,"_125":963,"_285":964},{"_276":959,"_278":960,"_280":961,"_281":944},83.17205882352941,90.5,68.17205882352941,{"_287":224,"_123":491,"_154":492,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.",{"_311":982,"_313":983},{"_311":980,"_313":981},{"_311":978,"_313":979},{"_311":976,"_313":977},{"_311":974,"_313":975},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":730,"_221":731,"_325":732,"_327":514,"_329":733,"_331":734,"_333":735,"_335":336,"_337":736,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[1016,1017,1018,1019,1020],{"_220":387,"_221":388,"_42":389,"_304":390},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":1015,"_385":386},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_295":1012,"_297":1013,"_299":1014},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_291":292,"_293":294},{"_224":1009,"_125":1010,"_285":1011},{"_276":1005,"_278":1006,"_280":1007,"_281":1008},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":710,"_154":711,"_140":91},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_311":1029,"_313":1030},{"_311":1027,"_313":1028},{"_311":1025,"_313":1026},{"_311":1023,"_313":1024},{"_311":1021,"_313":1022},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":1079,"_221":1080,"_325":1081,"_327":328,"_329":1082,"_331":1083,"_333":-5,"_335":-5,"_337":-5,"_140":101},"Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[1064,1065,1066,1067,1068],{"_220":556,"_221":557,"_42":558,"_304":559},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":1061,"_297":1062,"_299":1063},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":379,"_293":380},{"_224":1054,"_125":1055,"_285":1056},{"_276":1051,"_278":1052,"_280":1036,"_281":1053},70,56.1976386036961,32.1976386036961,{"_287":224,"_123":1059,"_154":1060,"_140":89},{"_287":125,"_123":1057,"_154":1058,"_140":373},{"_287":285,"_123":371,"_154":372,"_140":373},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_311":1077,"_313":1078},{"_311":1075,"_313":1076},{"_311":1073,"_313":1074},{"_311":1071,"_313":1072},{"_311":1069,"_313":1070},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","Portrait of Charlotte and Sarah Carteret-Hardy",{"_42":730,"_221":731,"_325":732,"_327":514,"_329":733,"_331":734,"_333":735,"_335":336,"_337":736,"_140":91},"1801","Framed: 161 x 135 x 11 cm (63 3/8 x 53 1/8 x 4 5/16 in.); Unframed: 129 x 103 cm (50 13/16 x 40 9/16 in.)",103,0.7955882352941176,[1114,1115,1116,1117,1118],{"_220":387,"_221":388,"_42":389,"_304":390},"1942.642","Thomas Lawrence painted this in 1801, aged 32. It is now at the Cleveland Museum of Art.",{"_118":1113,"_385":386},"Portrait of Charlotte and Sarah Carteret-Hardy, by Thomas Lawrence, 1801",{"_295":1110,"_297":1111,"_299":1112},"https://img.ochreeditions.com/m/554.jpg?dl=1","/art/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346","/galleries/style/georgian-britain/portrait-of-charlotte-and-sarah-carteret-hardy-cma-122346",{"_291":292,"_293":294},{"_224":1107,"_125":1108,"_285":1109},{"_276":1104,"_278":1105,"_280":1106,"_281":550},117.63088235294117,144,102.63088235294117,{"_287":224,"_123":710,"_154":711,"_140":91},{"_287":125,"_123":915,"_154":916,"_140":917},{"_287":285,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/554/480.jpg","https://img.ochreeditions.com/a/554/960.jpg","https://img.ochreeditions.com/a/554/1920.jpg","Charlotte (left) and Sarah were 19 and 21, respectively, when this portrait was painted on the occasion of Sarah’s marriage to the topographer Daniel Lysons. The sisters wear fashionable gowns and jewelry, but their affectionate posture conveys a sisterly tenderness that transcends glamour.",{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},"#bc9f72",0.1057,"#9c774d",0.1164,"#644528",0.1599,"#433324",0.2313,"#241b15",0.3867,{"_1130":-5,"_1131":1132,"_1133":1134,"_1135":8,"_1136":1137,"_1138":8},"user","csrf","4b3356a300837a58c1b93f6c9f5a32e3a0ce10ed","cartCount",0,"dropLive","legal",[1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149,1150],"uploadsEnabled",{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},{"_221":1155,"_20":1156},{"_221":1153,"_20":1154},{"_221":1151,"_20":1152},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]