[{"_1":2,"_3":4},"root",{"_5":1146},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","Georgian Britain, in the galleries · Ochre Editions","description","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/georgian-britain","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/georgian-britain.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","Georgian Britain, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/wooded-landscape-with-village-scene-aic-186081",15,"https://www.ochreeditions.com/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",14,"https://www.ochreeditions.com/art/self-portrait-aic-11706",13,"https://www.ochreeditions.com/art/a-dell-at-helmingham-park-suffolk-nga-119643",12,"https://www.ochreeditions.com/art/william-pitt-nga-52264",11,"https://www.ochreeditions.com/art/portrait-of-mary-anne-jolliffe-cma-122344",10,"https://www.ochreeditions.com/art/captain-george-k-h-coussmaker-1759-1801-met-437447",9,"https://www.ochreeditions.com/art/phasianus-versicolor-nga-53855",8,"https://www.ochreeditions.com/art/portrait-of-catherine-grey-lady-manners-cma-136682",7,"https://www.ochreeditions.com/art/the-white-horse-nga-1146",6,"https://www.ochreeditions.com/art/heaton-park-races-nga-52254",5,"https://www.ochreeditions.com/art/lindisfarne-castle-holy-island-northumberland-met-341793",4,"https://www.ochreeditions.com/art/isabella-wolff-aic-4773",3,"https://www.ochreeditions.com/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",2,"https://www.ochreeditions.com/art/the-wonderful-pig-nga-30978",1,"https://www.ochreeditions.com/art/turtur-risorius-nga-53854","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~georgian-britain.6190e6d7d8.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~georgian-britain.6190e6d7d8.jpg","alt","Georgian Britain, a room in the galleries: three of its 63 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk Georgian Britain: 63 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~georgian-britain.jpg","key","style/georgian-britain","style","Georgian Britain","intro","Portraits, conversation pieces and watercolour landscapes from Hogarth to Constable.","wing","Style galleries","floor","layout","long","hang",1206,"/galleries/style/georgian-britain","total",63,"page","works",[204,205,206,207,208,209,210,211,212,213,214,215,216,217,218,219],"walls",[173,174,175,176,177],"doors",[164,165],"next_cursor","eyJvIjoxNiwiaCI6MTIwNiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/georgian-britain?hang=1206&cursor=eyJvIjoxNiwiaCI6MTIwNiwiaSI6bnVsbCwiZyI6IjFFeFJqS0s1In0&via=continue","label","Georgian Britain, room 2","move","doorway","first_wall_images",[160,161,162,163],"https://img.ochreeditions.com/a/310/480.jpg","https://img.ochreeditions.com/a/308/480.jpg","https://img.ochreeditions.com/a/199/480.jpg","https://img.ochreeditions.com/a/1327/480.jpg",{"_154":170,"_123":171,"_44":172,"_140":97},{"_154":166,"_123":167,"_44":168,"_140":169},"18th-century Britain","era/18-britain","/galleries/era/18-britain?hang=1206&via=continue",42,"More by Thomas Gainsborough","artist/thomas-gainsborough","/galleries/artist/thomas-gainsborough?hang=1206&via=continue",{"_42":199,"_179":200},{"_42":195,"_179":196},{"_42":190,"_179":191},{"_42":184,"_179":185},{"_42":178,"_179":180},"Section 3, north wall","work_ids",[181,182,183],22,433,345,"Section 2, north wall",[186,187,188,189],1146,552,1551,1651,"Section 2, south wall",[192,193,194],1326,640,1565,"Section 1, south wall",[89,197,198],1039,1545,"Section 1, north wall",[201,202,203],1564,1462,557,{"_220":201,"_221":1105,"_20":1106,"_224":1107,"_226":-5,"_227":-5,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":449,"_236":450,"_238":1108,"_240":1109,"_242":1110,"_244":397,"_246":1111,"_248":1112,"_250":1113,"_252":458,"_254":1114,"_256":257,"_258":699,"_154":-5,"_260":-5,"_111":1115,"_263":1116,"_265":1117,"_267":1118,"_269":1119,"_271":1120,"_144":1121,"_274":1122},{"_220":202,"_221":1053,"_20":1054,"_224":1055,"_226":-5,"_227":1056,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":449,"_236":450,"_238":1057,"_240":1058,"_242":1059,"_244":1060,"_246":1061,"_248":1062,"_250":1063,"_252":458,"_254":1064,"_256":257,"_258":1065,"_154":-5,"_260":-5,"_111":1066,"_263":1067,"_265":1068,"_267":1069,"_269":1070,"_271":1071,"_144":1072,"_274":1073},{"_220":203,"_221":1007,"_20":1008,"_224":1009,"_226":-5,"_227":1010,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":578,"_240":1011,"_242":1012,"_244":1013,"_246":1014,"_248":1015,"_250":1016,"_252":585,"_254":1017,"_256":257,"_258":1018,"_154":1019,"_260":-5,"_111":1020,"_263":1021,"_265":1022,"_267":1023,"_269":1024,"_271":1025,"_144":1026,"_274":1027},{"_220":89,"_221":960,"_20":961,"_224":962,"_226":-5,"_227":963,"_229":448,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":633,"_240":964,"_242":965,"_244":966,"_246":967,"_248":968,"_250":969,"_252":253,"_254":970,"_256":257,"_258":971,"_154":972,"_260":-5,"_111":973,"_263":974,"_265":975,"_267":976,"_269":977,"_271":978,"_144":979,"_274":980},{"_220":197,"_221":904,"_20":905,"_224":906,"_226":-5,"_227":907,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":908,"_236":909,"_238":910,"_240":911,"_242":912,"_244":913,"_246":914,"_248":915,"_250":916,"_252":640,"_254":917,"_256":257,"_258":918,"_154":-5,"_260":-5,"_111":919,"_263":920,"_265":921,"_267":922,"_269":923,"_271":924,"_144":925,"_274":926},{"_220":198,"_221":853,"_20":854,"_224":855,"_226":-5,"_227":856,"_229":448,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":578,"_240":857,"_242":858,"_244":859,"_246":860,"_248":861,"_250":862,"_252":458,"_254":863,"_256":257,"_258":864,"_154":-5,"_260":-5,"_111":865,"_263":866,"_265":867,"_267":868,"_269":869,"_271":870,"_144":871,"_274":872},{"_220":192,"_221":797,"_20":798,"_224":799,"_226":-5,"_227":800,"_229":448,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":578,"_240":801,"_242":802,"_244":803,"_246":804,"_248":805,"_250":806,"_252":458,"_254":807,"_256":257,"_258":808,"_154":-5,"_260":809,"_111":810,"_263":811,"_265":812,"_267":813,"_269":814,"_271":815,"_144":816,"_274":817},{"_220":193,"_221":741,"_20":742,"_224":743,"_226":-5,"_227":744,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":578,"_240":745,"_242":746,"_244":747,"_246":748,"_248":749,"_250":750,"_252":585,"_254":751,"_256":257,"_258":752,"_154":753,"_260":-5,"_111":754,"_263":755,"_265":756,"_267":757,"_269":758,"_271":759,"_144":760,"_274":761},{"_220":194,"_221":689,"_20":690,"_224":691,"_226":-5,"_227":-5,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":449,"_236":450,"_238":692,"_240":693,"_242":397,"_244":694,"_246":695,"_248":696,"_250":697,"_252":458,"_254":698,"_256":257,"_258":699,"_154":-5,"_260":-5,"_111":700,"_263":701,"_265":702,"_267":703,"_269":704,"_271":705,"_144":706,"_274":707},{"_220":186,"_221":628,"_20":629,"_224":630,"_226":-5,"_227":631,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":632,"_238":633,"_240":634,"_242":635,"_244":636,"_246":637,"_248":638,"_250":639,"_252":640,"_254":641,"_256":257,"_258":642,"_154":-5,"_260":643,"_111":644,"_263":645,"_265":646,"_267":647,"_269":648,"_271":649,"_144":650,"_274":651},{"_220":187,"_221":574,"_20":575,"_224":576,"_226":-5,"_227":577,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":578,"_240":579,"_242":580,"_244":581,"_246":582,"_248":583,"_250":584,"_252":585,"_254":586,"_256":257,"_258":587,"_154":588,"_260":-5,"_111":589,"_263":590,"_265":591,"_267":592,"_269":593,"_271":594,"_144":595,"_274":596},{"_220":188,"_221":514,"_20":515,"_224":516,"_226":-5,"_227":517,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":518,"_236":519,"_238":520,"_240":521,"_242":522,"_244":523,"_246":524,"_248":525,"_250":526,"_252":458,"_254":527,"_256":257,"_258":528,"_154":-5,"_260":529,"_111":530,"_263":531,"_265":532,"_267":533,"_269":534,"_271":535,"_144":536,"_274":537},{"_220":189,"_221":444,"_20":445,"_224":446,"_226":-5,"_227":447,"_229":448,"_231":232,"_233":-5,"_125":234,"_28":449,"_236":450,"_238":451,"_240":452,"_242":453,"_244":454,"_246":455,"_248":456,"_250":457,"_252":458,"_254":459,"_256":257,"_258":460,"_154":-5,"_260":461,"_111":462,"_263":463,"_265":464,"_267":465,"_269":466,"_271":467,"_144":468,"_274":469},{"_220":181,"_221":391,"_20":392,"_224":393,"_226":-5,"_227":394,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":395,"_240":396,"_242":397,"_244":398,"_246":399,"_248":400,"_250":401,"_252":253,"_254":402,"_256":257,"_258":403,"_154":-5,"_260":404,"_111":405,"_263":406,"_265":407,"_267":408,"_269":409,"_271":410,"_144":411,"_274":412},{"_220":182,"_221":338,"_20":339,"_224":340,"_226":-5,"_227":341,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":342,"_240":343,"_242":344,"_244":345,"_246":346,"_248":347,"_250":348,"_252":253,"_254":349,"_256":257,"_258":350,"_154":-5,"_260":-5,"_111":351,"_263":352,"_265":353,"_267":354,"_269":355,"_271":356,"_144":357,"_274":358},{"_220":183,"_221":222,"_20":223,"_224":225,"_226":-5,"_227":228,"_229":230,"_231":232,"_233":-5,"_125":234,"_28":235,"_236":237,"_238":239,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_154":-5,"_260":261,"_111":262,"_263":264,"_265":266,"_267":268,"_269":270,"_271":272,"_144":273,"_274":275},"id","slug","wooded-landscape-with-village-scene-aic-186081","Wooded Landscape with Village Scene","artist",{"_42":322,"_221":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"unrecorded","date","early 1770s (not later than 1772)","century",18,"place","britain","movement","georgian-britain","watercolour","classification","Drawing and Watercolor","medium","Varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again","dimensions","43.5 × 55.9 cm (17 3/16 × 22 1/16 in.)","width_cm",55,"height_cm",43,"aspect",1.3040078201368523,"palette",[305,306,307,308,309],"museum",{"_220":300,"_221":301,"_42":302,"_303":304},"credit","Courtesy of the Art Institute of Chicago","accession","2012.80","licence","CC0","story","Thomas Gainsborough painted this in the early 1770s (not later than 1772), aged about 43. It is now at the Art Institute of Chicago.","note","A village nestles among dense woodland in this landscape by Thomas Gainsborough, made not in oil but in gouache over black and red chalk, then varnished and mounted on canvas to give it the depth and glow of a painting.","A work made of varnished gouache, over black and red chalks, on cream laid paper, laid down on canvas, stretched on a wooden stretcher and varnished again.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/345.jpg?dl=1","page_url","/art/wooded-landscape-with-village-scene-aic-186081","walk_url","/galleries/style/georgian-britain/wooded-landscape-with-village-scene-aic-186081","frame",{"_290":291,"_292":293},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":243,"_281":282},"w",79,"h",66.1776611694153,"image_w","image_h",42.177661169415295,{"_287":224,"_123":171,"_154":170,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":53},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/watercolour-18","More watercolours of the 18th century","moulding","white","mount","snow","480","https://img.ochreeditions.com/a/345/480.jpg","960","https://img.ochreeditions.com/a/345/960.jpg","1920","https://img.ochreeditions.com/a/345/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#75643b","weight",0.1438,"#483b21",0.1553,"#907e51",0.1811,"#ad9d6c",0.2414,"#5c4e2c",0.2784,"Thomas Gainsborough","thomas-gainsborough","bio","English, 1727–1788","nationality","English","birth_year",1727,"death_year",1788,"birth_place","Sudbury","death_place","London","about_excerpt","Gainsborough trained in London with the French engraver Hubert Gravelot, then built his career as a portraitist first in Suffolk and later in fashionable Bath before moving to London in 1774.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":385,"_221":386,"_324":387,"_326":388,"_328":389,"_330":390,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1779","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[370,371,372,373,374],{"_220":300,"_221":301,"_42":302,"_303":304},"2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_294":367,"_296":368,"_298":369},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_290":291,"_292":293},{"_224":362,"_125":363,"_285":364},{"_276":359,"_278":360,"_280":344,"_281":361},80,62.20221481948321,38.20221481948321,{"_287":224,"_123":365,"_154":366,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg",{"_310":383,"_312":384},{"_310":381,"_312":382},{"_310":379,"_312":380},{"_310":377,"_312":378},{"_310":375,"_312":376},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834","British",1755,1834,"self-portrait-aic-11706","Self-Portrait",{"_42":439,"_221":440,"_324":441,"_326":327,"_328":389,"_330":442,"_332":-5,"_334":-5,"_336":443,"_140":99},"c. 1779","Red chalk on cream laid paper","30.6 × 17.5 cm (12 1/16 × 6 15/16 in.)",17,30,0.5697549441100602,[424,425,426,427,428],{"_220":300,"_221":301,"_42":302,"_303":304},"1924.122","John Flaxman painted this in about 1779, aged about 20. It is now at the Art Institute of Chicago.","John Flaxman drew himself in red chalk around 1779, in his mid-twenties, when he was designing reliefs and portrait medallions for Josiah Wedgwood’s pottery.","A work made of red chalk on cream laid paper.",{"_294":421,"_296":422,"_298":423},"https://img.ochreeditions.com/m/22.jpg?dl=1","/art/self-portrait-aic-11706","/galleries/style/georgian-britain/self-portrait-aic-11706",{"_290":291,"_292":293},{"_224":416,"_125":417,"_285":418},{"_276":413,"_278":414,"_280":415,"_281":398},41.0926483233018,54,17.092648323301805,{"_287":224,"_123":419,"_154":420,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/john-flaxman","More by John Flaxman","https://img.ochreeditions.com/a/22/480.jpg","https://img.ochreeditions.com/a/22/960.jpg","https://img.ochreeditions.com/a/22/1920.jpg",{"_310":437,"_312":438},{"_310":435,"_312":436},{"_310":433,"_312":434},{"_310":431,"_312":432},{"_310":429,"_312":430},"#d9ae94",0.0642,"#bcb3aa",0.0688,"#ca8a70",0.0739,"#e1cbb5",0.182,"#e1d0be",0.6111,"John Flaxman","john-flaxman","English, 1755–1826",1826,"Flaxman trained at the Royal Academy Schools and first made his name modelling designs for Josiah Wedgwood’s jasperware.","a-dell-at-helmingham-park-suffolk-nga-119643","A Dell at Helmingham Park, Suffolk",{"_42":507,"_221":508,"_324":509,"_326":388,"_328":510,"_330":511,"_332":512,"_334":335,"_336":513,"_140":97},"1830",19,"print","Print","mezzotint on laid paper","plate: 17.8 x 22.2 cm (7 x 8 3/4 in.) sheet: 26 x 31 cm (10 1/4 x 12 3/16 in.)",22.2,17.8,1.2397094430992737,[492,493,494,495,496],{"_220":488,"_221":489,"_42":490,"_303":491},"Courtesy National Gallery of Art, Washington","2001.118.21","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","A rough wooden footbridge crosses a shadowy ravine in the old woodland of Helmingham Park in Suffolk, with light filtering through the canopy and a path leading on into the trees.","The image shows a landscape scene with a frontal view of a dense forest. A wooden bridge spans across a narrow ravine or creek. The painting features vigorous and textural brushstrokes with dark tones creating a shadowy effect. The color palette includes deep blacks, dark browns, and occasional highlights of light filtering through the canopy. In the distance, lighter areas suggest a path leading further into the woods, surrounded by trees and undergrowth.",{"_294":485,"_296":486,"_298":487},"https://img.ochreeditions.com/m/1651.jpg?dl=1","/art/a-dell-at-helmingham-park-suffolk-nga-119643","/galleries/style/georgian-britain/a-dell-at-helmingham-park-suffolk-nga-119643",{"_290":291,"_292":293},{"_224":474,"_125":475,"_285":476},{"_276":470,"_278":471,"_280":472,"_281":473},49,44.166015625,25,20.166015625,{"_287":224,"_123":483,"_154":484,"_140":97},{"_287":125,"_123":480,"_154":481,"_140":482},{"_287":285,"_123":477,"_154":478,"_140":479},"era/19-britain","19th-century Britain",40,"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1651/480.jpg","https://img.ochreeditions.com/a/1651/960.jpg","https://img.ochreeditions.com/a/1651/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":505,"_312":506},{"_310":503,"_312":504},{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},"#cbb99e",0.0447,"#807262",0.0496,"#574d44",0.1716,"#e9d5b8",0.2987,"#403936",0.4354,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","william-pitt-nga-52264","William Pitt",{"_42":568,"_221":569,"_324":570,"_326":388,"_328":571,"_330":572,"_332":-5,"_334":-5,"_336":573,"_140":99},"1787/1796","painting","Painting","oil on board","overall: 15.5 x 12.4 cm (6 1/8 x 4 7/8 in.) framed: 29.8 x 27.6 x 5 cm (11 3/4 x 10 7/8 x 1 15/16 in.)",12.4,15.5,0.78515625,[553,554,555,556,557],{"_220":488,"_221":489,"_42":490,"_303":491},"1970.17.120","Gainsborough Dupont painted this in 1787/1796, aged about 33. It is now at the National Gallery of Art in Washington, DC.","William Pitt the Younger, who became prime minister in 1783 at the age of twenty-four, is shown half-length in a dark coat with red lapels and brass buttons, his face turned towards us.","The image depicts a portrait of an individual with the upper half of their body visible. The person is facing forward with their head slightly turned to the side, looking directly at the viewer. They have a fair complexion, with distinct facial features, including a rounded face and closed lips. The hair is styled in an 18th-century manner, with curls around the ears. They are wearing a dark coat with red lapels and brass buttons, over a white shirt with ruffled details. There are no visible jewelry or objects in their hands. The background is a textured, earth-toned surface.",{"_294":550,"_296":551,"_298":552},"https://img.ochreeditions.com/m/1551.jpg?dl=1","/art/william-pitt-nga-52264","/galleries/style/georgian-britain/william-pitt-nga-52264",{"_290":548,"_292":549},{"_224":540,"_125":541,"_285":542},{"_276":538,"_278":479,"_280":539,"_281":472},34.62890625,19.62890625,{"_287":224,"_123":546,"_154":547,"_140":99},{"_287":125,"_123":543,"_154":544,"_140":545},{"_287":285,"_123":167,"_154":166,"_140":169},"style/painting-18","More paintings of the 18th century",168,"artist/gainsborough-dupont","More by Gainsborough Dupont","natural","ivory","https://img.ochreeditions.com/a/1551/480.jpg","https://img.ochreeditions.com/a/1551/960.jpg","https://img.ochreeditions.com/a/1551/1920.jpg",{"_310":566,"_312":567},{"_310":564,"_312":565},{"_310":562,"_312":563},{"_310":560,"_312":561},{"_310":558,"_312":559},"#85341a",0.0178,"#c4a66d",0.0716,"#584531",0.2222,"#2e302c",0.2272,"#7e663a",0.4612,"Gainsborough Dupont","gainsborough-dupont","British, 1754–1797",1754,1797,"Gainsborough Dupont was the nephew of Thomas Gainsborough and his only known apprentice, trained in his uncle’s studio in Bath and then London, where he absorbed his style closely.","portrait-of-mary-anne-jolliffe-cma-122344","Portrait of Mary Anne Jolliffe",{"_42":568,"_221":569,"_324":570,"_326":388,"_328":571,"_330":572,"_332":-5,"_334":-5,"_336":573,"_140":99},"after 1788","oil on canvas","Unframed: 75.5 x 63.5 cm (29 3/4 x 25 in.)",63.5,75.5,0.9029411764705882,[613,614,615,616,617],{"_220":609,"_221":610,"_42":611,"_303":612},"Courtesy of the Cleveland Museum of Art","1942.640","Gainsborough Dupont painted this (after 1788), aged about 34. It is now at the Cleveland Museum of Art.",{"_118":606,"_607":608},"Portrait of Mary Anne Jolliffe, by Gainsborough Dupont, after 1788",{"_294":603,"_296":604,"_298":605},"https://img.ochreeditions.com/m/552.jpg?dl=1","/art/portrait-of-mary-anne-jolliffe-cma-122344","/galleries/style/georgian-britain/portrait-of-mary-anne-jolliffe-cma-122344",{"_290":548,"_292":549},{"_224":600,"_125":601,"_285":602},{"_276":597,"_278":598,"_280":599,"_281":581},83.17205882352941,90.5,68.17205882352941,{"_287":224,"_123":546,"_154":547,"_140":99},{"_287":125,"_123":543,"_154":544,"_140":545},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/552/480.jpg","https://img.ochreeditions.com/a/552/960.jpg","https://img.ochreeditions.com/a/552/1920.jpg","The only assistant his famous uncle ever had, Gainsborough Dupont apprenticed with Thomas Gainsborough before setting up his own studio. It is often difficult to distinguish the late works of both artists. This painting is among Dupont’s best portraits.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},{"_310":618,"_312":619},"#5d5650",0.0938,"#adaaa8",0.1818,"#261e17",0.1942,"#573f22",0.2252,"#9a7847",0.305,"captain-george-k-h-coussmaker-1759-1801-met-437447","Captain George K. H. Coussmaker (1759–1801)",{"_42":682,"_221":683,"_324":684,"_326":388,"_328":685,"_330":686,"_332":687,"_334":335,"_336":688,"_140":95},"1782","Paintings","Oil on canvas","93 3/4 x 57 1/4 in. (238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[667,668,669,670,671],{"_220":663,"_221":664,"_42":665,"_303":666},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_294":660,"_296":661,"_298":662},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_290":548,"_292":549},{"_224":655,"_125":656,"_285":657},{"_276":652,"_278":653,"_280":654,"_281":636},162.4421624418003,253.1,147.4421624418003,{"_287":224,"_123":658,"_154":659,"_140":95},{"_287":125,"_123":543,"_154":544,"_140":545},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":680,"_312":681},{"_310":678,"_312":679},{"_310":676,"_312":677},{"_310":674,"_312":675},{"_310":672,"_312":673},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","phasianus-versicolor-nga-53855","Phasianus Versicolor",{"_42":736,"_221":737,"_324":738,"_326":739,"_328":331,"_330":740,"_332":-5,"_334":-5,"_336":-5,"_140":101},"hand-colored etching","sheet: 10.8 × 17 cm (4 1/4 × 6 11/16 in.)",10.8,1.593774319066148,[721,722,723,724,725],{"_220":488,"_221":489,"_42":490,"_303":491},"1973.26.28","William Home Lizars made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a pheasant with vivid green and blue plumage and intricate golden patterns on its wings. The bird has long, patterned tail feathers extended to the right. The background includes palm trees, rocky outcrops, and distant hills.",{"_294":718,"_296":719,"_298":720},"https://img.ochreeditions.com/m/1565.jpg?dl=1","/art/phasianus-versicolor-nga-53855","/galleries/style/georgian-britain/phasianus-versicolor-nga-53855",{"_290":291,"_292":293},{"_224":710,"_125":711,"_285":712},{"_276":470,"_278":708,"_280":472,"_281":709},39.68603515625,15.686035156249998,{"_287":224,"_123":716,"_154":717,"_140":89},{"_287":125,"_123":713,"_154":714,"_140":715},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-william-home-lizars","William Home Lizars's contemporaries","https://img.ochreeditions.com/a/1565/480.jpg","https://img.ochreeditions.com/a/1565/960.jpg","https://img.ochreeditions.com/a/1565/1920.jpg",{"_310":734,"_312":735},{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},"#294d6a",0.0227,"#666947",0.0414,"#94826b",0.0805,"#c2b295",0.216,"#e5d4b6",0.6394,"William Home Lizars","william-home-lizars","Scottish, 1788–1859","Scottish",1859,"portrait-of-catherine-grey-lady-manners-cma-136682","Portrait of Catherine Grey, Lady Manners",{"_42":790,"_221":791,"_324":792,"_326":388,"_328":793,"_330":794,"_332":795,"_334":335,"_336":796,"_140":91},"1794","Framed: 280.5 x 185 x 9 cm (110 7/16 x 72 13/16 x 3 9/16 in.); Unframed: 255.3 x 158 cm (100 1/2 x 62 3/16 in.)",158,255.3,0.616764705882353,[775,776,777,778,779],{"_220":609,"_221":610,"_42":611,"_303":612},"1961.220","Thomas Lawrence painted this in 1794, aged 25. It is now at the Cleveland Museum of Art.",{"_118":774,"_607":608},"Portrait of Catherine Grey, Lady Manners, by Thomas Lawrence, 1794",{"_294":771,"_296":772,"_298":773},"https://img.ochreeditions.com/m/640.jpg?dl=1","/art/portrait-of-catherine-grey-lady-manners-cma-136682","/galleries/style/georgian-britain/portrait-of-catherine-grey-lady-manners-cma-136682",{"_290":548,"_292":549},{"_224":766,"_125":767,"_285":768},{"_276":762,"_278":763,"_280":764,"_281":765},163.0235294117647,255,148.0235294117647,240,{"_287":224,"_123":769,"_154":770,"_140":91},{"_287":125,"_123":543,"_154":544,"_140":545},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/thomas-lawrence","More by Thomas Lawrence","https://img.ochreeditions.com/a/640/480.jpg","https://img.ochreeditions.com/a/640/960.jpg","https://img.ochreeditions.com/a/640/1920.jpg","The Irish poet Lady Manners rejected as “unflattering” this portrait representing her as the goddess Juno, symbolized here by the peacock. Thomas Lawrence exhibited the painting at the Royal Academy in 1794 with the label “to be disposed of [sold],” but it was still in the artist’s collection when he died.",{"_310":788,"_312":789},{"_310":786,"_312":787},{"_310":784,"_312":785},{"_310":782,"_312":783},{"_310":780,"_312":781},"#a39e86",0.1526,"#363127",0.1787,"#c8c1ac",0.1879,"#7a7865",0.2019,"#585849",0.2789,"Thomas Lawrence","thomas-lawrence","English, 1769–1830",1769,1830,"Bristol","Lawrence was a child prodigy in pastel portraiture and largely self-taught. He moved to London as a teenager, exhibited a full-length of Queen Charlotte at the Royal Academy at twenty-one, and succeeded Joshua Reynolds as Painter in Ordinary to George III.","the-white-horse-nga-1146","The White Horse",{"_42":847,"_221":848,"_324":849,"_326":327,"_328":850,"_330":851,"_332":-5,"_334":-5,"_336":852,"_140":99},"1818-1819","overall: 127 x 183 cm (50 x 72 1/16 in.) framed: 164.5 x 219.7 x 17.2 cm (64 3/4 x 86 1/2 x 6 3/4 in.)",183,127,1.4306671323786238,[832,833,834,835,836],{"_220":488,"_221":489,"_42":490,"_303":491},"1942.9.9","John Constable painted this in 1818-1819, aged about 42. It is now at the National Gallery of Art in Washington, DC.","A white horse stands on a barge being poled along the River Stour by two men in red caps, while cows gather at the water’s edge and a cottage nestles among trees under a sky of rolling cloud.","From a grassy riverbank, we look across the placid surface of a river lined along the far bank with trees and farm animals in this horizontal landscape painting. The scene is painted loosely with brushstrokes visible throughout, so some details are difficult to make out. For the surface of the river, russet-brown and steel-gray paint skims lightly across the canvas and leaves some unpainted areas visible, creating the effect of light shimmering on the still water. On our left, a shallow wooden barge is propelled along the stream by two men in red caps with long poles. The boat carries a white horse wearing blinders and a harness. The riverbank beyond is lined with pale, sage-green grass tinged with gold, growing in front of a tangle of darker green trees and bushes. Across the water from us near the middle of the picture, a small rowboat sits in the shallows at the foot of a steep riverbank. Above, a white cottage with a reddish roof and chimney is tucked behind the trees, with a wooden rack full of hay next to it. Nearby, a plow and wheeled cart, highlighted with strokes of white, sit near more mounds of hay. Rocky fields reach into the distance. The vista is blocked to our right by another clump of trees and a rocky outcropping, rising from the stream, to our right of center. The steep, dark roof of a farmhouse is barely visible among the trees. Along the riverside to our right, a small group of cinnamon-brown and cream-white cows stand at water's edge. A rolling pasture stretches behind them to meet blue hills in the distance. Above, in the upper third of the painting, mottled white, pale rose, and gray clouds rolling across a steel-gray sky are reflected in the water below.",{"_294":829,"_296":830,"_298":831},"https://img.ochreeditions.com/m/1326.jpg?dl=1","/art/the-white-horse-nga-1146","/galleries/style/georgian-britain/the-white-horse-nga-1146",{"_290":548,"_292":549},{"_224":821,"_125":822,"_285":823},{"_276":818,"_278":819,"_280":802,"_281":820},198,142.912353515625,127.912353515625,{"_287":224,"_123":827,"_154":828,"_140":99},{"_287":125,"_123":824,"_154":825,"_140":826},{"_287":285,"_123":477,"_154":478,"_140":479},"style/painting-19","More paintings of the 19th century",432,"artist/john-constable","More by John Constable","https://img.ochreeditions.com/a/1326/480.jpg","https://img.ochreeditions.com/a/1326/960.jpg","https://img.ochreeditions.com/a/1326/1920.jpg",{"_310":845,"_312":846},{"_310":843,"_312":844},{"_310":841,"_312":842},{"_310":839,"_312":840},{"_310":837,"_312":838},"#786340",0.1344,"#938977",0.174,"#413323",0.2014,"#b7a693",0.2438,"#5a4930",0.2464,"John Constable","john-constable","English, 1776–1837",1776,1837,"Constable painted the countryside of his native Suffolk, especially the Stour valley around his father’s mills, with an attention to weather and light new to English art.","heaton-park-races-nga-52254","Heaton Park Races",{"_42":899,"_221":900,"_324":901,"_326":388,"_328":902,"_330":903,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1829","overall: 92 x 152.6 cm (36 1/4 x 60 1/16 in.) framed: 110.5 x 170.8 x 8.2 cm (43 1/2 x 67 1/4 x 3 1/4 in.)",152.6,92,1.688375927452597,[884,885,886,887,888],{"_220":488,"_221":489,"_42":490,"_303":491},"1970.17.110","John Ferneley painted this in 1829, aged 47. It is now at the National Gallery of Art in Washington, DC.","The painting depicts an equestrian scene with people and horses in a green landscape. There are several people on horseback, and others standing by horses. Some people are also sitting in horse-drawn carriages. The horses are in a variety of colors, and the people wear formal clothing like suit jackets, top hats, vests, or colorful dresses. People fill the middle of the scene and the green hills that rise to the left, while a wide path is marked off on the right, bordered by fences. There are some tall trees around the area, with people gathering below them. In the distance, a large white building with columns and blue roofs can be seen. There is also a white tent partially behind a hill on the left. The sky above is blue and filled with white and gray clouds.",{"_294":881,"_296":882,"_298":883},"https://img.ochreeditions.com/m/1545.jpg?dl=1","/art/heaton-park-races-nga-52254","/galleries/style/georgian-britain/heaton-park-races-nga-52254",{"_290":548,"_292":549},{"_224":876,"_125":877,"_285":878},{"_276":873,"_278":874,"_280":858,"_281":875},167.6,105.38271484375,90.38271484375,{"_287":224,"_123":879,"_154":880,"_140":89},{"_287":125,"_123":824,"_154":825,"_140":826},{"_287":285,"_123":477,"_154":478,"_140":479},"artist/contemporaries-of-john-ferneley","John Ferneley's contemporaries","https://img.ochreeditions.com/a/1545/480.jpg","https://img.ochreeditions.com/a/1545/960.jpg","https://img.ochreeditions.com/a/1545/1920.jpg",{"_310":897,"_312":898},{"_310":895,"_312":896},{"_310":893,"_312":894},{"_310":891,"_312":892},{"_310":889,"_312":890},"#9f8033",0.1271,"#8d875e",0.1394,"#c3b585",0.2253,"#6f5627",0.234,"#493b20",0.2742,"John Ferneley","john-ferneley","British, 1782–1860",1782,1860,"lindisfarne-castle-holy-island-northumberland-met-341793","Lindisfarne Castle, Holy Island, Northumberland",{"_42":956,"_221":957,"_324":958,"_326":388,"_328":959,"_330":510,"_332":335,"_334":335,"_336":-5,"_140":103},"1796–97","drawing","Drawings","Watercolor and bodycolor (gouache)","Sheet: 15 in. × 20 1/2 in. (38.1 × 52 cm)",52,38.1,1.3588621444201312,[941,942,943,944,945],{"_220":663,"_221":664,"_42":665,"_303":666},"06.1051.1","Thomas Girtin painted this in 1796–97, aged about 21. It is now at The Met in New York.","Lindisfarne Castle, Holy Island, Northumberland, by Thomas Girtin, 1796–97",{"_294":938,"_296":939,"_298":940},"https://img.ochreeditions.com/m/1039.jpg?dl=1","/art/lindisfarne-castle-holy-island-northumberland-met-341793","/galleries/style/georgian-britain/lindisfarne-castle-holy-island-northumberland-met-341793",{"_290":291,"_292":293},{"_224":930,"_125":931,"_285":932},{"_276":927,"_278":928,"_280":912,"_281":929},76,62.26731078904992,38.26731078904992,{"_287":224,"_123":936,"_154":937,"_140":89},{"_287":125,"_123":933,"_154":934,"_140":935},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-thomas-girtin","Thomas Girtin's contemporaries","https://img.ochreeditions.com/a/1039/480.jpg","https://img.ochreeditions.com/a/1039/960.jpg","https://img.ochreeditions.com/a/1039/1920.jpg",{"_310":954,"_312":955},{"_310":952,"_312":953},{"_310":950,"_312":951},{"_310":948,"_312":949},{"_310":946,"_312":947},"#71817e",0.1423,"#827f6a",0.1494,"#d6d0b8",0.1807,"#54554c",0.21,"#adb2a3",0.3176,"Thomas Girtin","thomas-girtin","British, 1775–1802",1775,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":790,"_221":791,"_324":792,"_326":388,"_328":793,"_330":794,"_332":795,"_334":335,"_336":796,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[992,993,994,995,996],{"_220":300,"_221":301,"_42":302,"_303":304},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":990,"_607":991},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_294":987,"_296":988,"_298":989},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_290":548,"_292":549},{"_224":984,"_125":985,"_285":986},{"_276":981,"_278":982,"_280":983,"_281":966},116.09951287404314,143,101.09951287404314,{"_287":224,"_123":769,"_154":770,"_140":91},{"_287":125,"_123":824,"_154":825,"_140":826},{"_287":285,"_123":477,"_154":478,"_140":479},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_310":1005,"_312":1006},{"_310":1003,"_312":1004},{"_310":1001,"_312":1002},{"_310":999,"_312":1000},{"_310":997,"_312":998},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","Portrait of the Ladies Amabel and Mary Jemima Yorke",{"_42":682,"_221":683,"_324":684,"_326":388,"_328":685,"_330":686,"_332":687,"_334":335,"_336":688,"_140":95},"c. 1761","Framed: 224.5 x 201.3 x 11.4 cm (88 3/8 x 79 1/4 x 4 1/2 in.); Unframed: 196 x 170 cm (77 3/16 x 66 15/16 in.); Former: 223.5 x 198 x 9 cm (88 x 77 15/16 x 3 9/16 in.)",170,196,0.8705882352941177,[1038,1039,1040,1041,1042],{"_220":609,"_221":610,"_42":611,"_303":612},"1942.645","Joshua Reynolds painted this in about 1761, aged about 33. It is now at the Cleveland Museum of Art.",{"_118":1037,"_607":608},"Portrait of the Ladies Amabel and Mary Jemima Yorke, by Joshua Reynolds, c. 1761",{"_294":1034,"_296":1035,"_298":1036},"https://img.ochreeditions.com/m/557.jpg?dl=1","/art/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349","/galleries/style/georgian-britain/portrait-of-the-ladies-amabel-and-mary-jemima-yorke-cma-122349",{"_290":548,"_292":549},{"_224":1031,"_125":1032,"_285":1033},{"_276":1028,"_278":1029,"_280":1030,"_281":1013},185.63529411764705,211,170.63529411764705,{"_287":224,"_123":658,"_154":659,"_140":95},{"_287":125,"_123":543,"_154":544,"_140":545},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/557/480.jpg","https://img.ochreeditions.com/a/557/960.jpg","https://img.ochreeditions.com/a/557/1920.jpg","Sisters Amabel (left) and Mary Jemima are shown playing on the grounds of their family’s country estate outside London. They wear loose, flowing garments invented specifically for the portrait rather than their usual outdoor dresses.",{"_310":1051,"_312":1052},{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},{"_310":1045,"_312":1046},{"_310":1043,"_312":1044},"#aa9c7e",0.0806,"#7a6c4b",0.1057,"#58472b",0.1484,"#352917",0.2422,"#1d180f",0.4231,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":1100,"_221":1101,"_324":1102,"_326":388,"_328":1103,"_330":1104,"_332":-5,"_334":-5,"_336":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[1085,1086,1087,1088,1089],{"_220":488,"_221":489,"_42":490,"_303":491},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_294":1082,"_296":1083,"_298":1084},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_290":291,"_292":293},{"_224":1077,"_125":1078,"_285":1079},{"_276":1074,"_278":1075,"_280":1059,"_281":1076},60.9,49.927294921875,25.927294921875,{"_287":224,"_123":1080,"_154":1081,"_140":89},{"_287":125,"_123":713,"_154":714,"_140":715},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_310":1098,"_312":1099},{"_310":1096,"_312":1097},{"_310":1094,"_312":1095},{"_310":1092,"_312":1093},{"_310":1090,"_312":1091},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"turtur-risorius-nga-53854","Turtur Risorius",{"_42":736,"_221":737,"_324":738,"_326":739,"_328":331,"_330":740,"_332":-5,"_334":-5,"_336":-5,"_140":101},"hand-colored lithograph","sheet: 17 × 10.5 cm (6 11/16 × 4 1/8 in.)",10.5,0.655517578125,[1131,1132,1133,1134,1135],{"_220":488,"_221":489,"_42":490,"_303":491},"1973.26.27","This is a drawing of a bird perched on a branch. The bird is detailed and identified as \"Turtur Risorius.\" It rests on a green textured branch against a plain background. The bird has a black ring around its neck, soft brown plumage with intricate feather patterns, and light pink legs. Its eye is prominent and outlined within its head design. The branch is minimalist with small buds and thin twigs.",{"_294":1128,"_296":1129,"_298":1130},"https://img.ochreeditions.com/m/1564.jpg?dl=1","/art/turtur-risorius-nga-53854","/galleries/style/georgian-britain/turtur-risorius-nga-53854",{"_290":291,"_292":293},{"_224":1125,"_125":1126,"_285":1127},{"_276":1123,"_278":470,"_280":1124,"_281":472},40.387939453125,16.387939453125,{"_287":224,"_123":716,"_154":717,"_140":89},{"_287":125,"_123":713,"_154":714,"_140":715},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1564/480.jpg","https://img.ochreeditions.com/a/1564/960.jpg","https://img.ochreeditions.com/a/1564/1920.jpg",{"_310":1144,"_312":1145},{"_310":1142,"_312":1143},{"_310":1140,"_312":1141},{"_310":1138,"_312":1139},{"_310":1136,"_312":1137},"#584c40",0.0182,"#967c5f",0.0339,"#76624d",0.0461,"#ba9770",0.0885,"#e3c59a",0.8133,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","0f6a393eee637caace4658cbf95533eb418cda43","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]