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(238.1 x 145.4 cm)",145.4,238.1,0.619244697361614,[443,444,445,446,447],{"_219":439,"_220":440,"_42":441,"_307":442},"Courtesy of The Metropolitan Museum of Art","20.155.3","Joshua Reynolds painted this in 1782, aged 59. It is now at The Met in New York.","Captain George Coussmaker leans against a tree with his legs casually crossed, his red coat glowing against the dark woodland, while his horse lowers its head behind him.","Captain George K. H. Coussmaker (1759–1801), by Joshua Reynolds, 1782",{"_295":436,"_297":437,"_299":438},"https://img.ochreeditions.com/m/1146.jpg?dl=1","/art/captain-george-k-h-coussmaker-1759-1801-met-437447","/galleries/style/georgian-britain/captain-george-k-h-coussmaker-1759-1801-met-437447",{"_291":292,"_293":294},{"_223":431,"_125":432,"_285":433},{"_275":428,"_277":429,"_279":430,"_281":412},162.4421624418003,253.1,147.4421624418003,{"_287":223,"_123":434,"_154":435,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joshua-reynolds","More by Joshua Reynolds","https://img.ochreeditions.com/a/1146/480.jpg","https://img.ochreeditions.com/a/1146/960.jpg","https://img.ochreeditions.com/a/1146/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},"#4f2114",0.0473,"#ab9f82",0.0813,"#756850",0.0978,"#463929",0.2103,"#221b14",0.5633,"Joshua Reynolds","joshua-reynolds","English, 1723–1792",1723,1792,"Plympton","Reynolds trained in London under Thomas Hudson, then spent two years in Italy studying the old masters, an experience that shaped his ambition to raise portraiture to the dignity of history painting.","a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","A Hero Born on a Bier, from The Master of Giants Portfolio",{"_42":523,"_220":524,"_328":525,"_330":331,"_332":526,"_334":527,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1779","watercolour","Drawing and Watercolor","Brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper","38 × 56.5 cm (15 × 22 1/4 in.)",56,38,1.4658835950904052,[508,509,510,511,512],{"_219":504,"_220":505,"_42":506,"_307":507},"Courtesy of the Art Institute of Chicago","2023.3179","Prince Hoare painted this in 1779, aged 24. It is now at the Art Institute of Chicago.","A work made of brush and black ink wash, with pen and black ink and opaque white and gray watercolor, on cream laid paper.",{"_295":501,"_297":502,"_299":503},"https://img.ochreeditions.com/m/433.jpg?dl=1","/art/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368","/galleries/style/georgian-britain/a-hero-born-on-a-bier-from-the-master-of-giants-portfolio-aic-270368",{"_291":499,"_293":500},{"_223":492,"_125":493,"_285":494},{"_275":489,"_277":490,"_279":473,"_281":491},80,62.20221481948321,38.20221481948321,{"_287":223,"_123":497,"_154":498,"_140":89},{"_287":125,"_123":495,"_154":496,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/contemporaries-of-prince-hoare","Prince Hoare's contemporaries","white","snow","https://img.ochreeditions.com/a/433/480.jpg","https://img.ochreeditions.com/a/433/960.jpg","https://img.ochreeditions.com/a/433/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":521,"_316":522},{"_314":519,"_316":520},{"_314":517,"_316":518},{"_314":515,"_316":516},{"_314":513,"_316":514},"#585149",0.103,"#796e63",0.1939,"#b5a28f",0.2006,"#dcc5ae",0.2319,"#938576",0.2706,"Prince Hoare","prince-hoare","British, 1755–1834",1755,1834,"theophilia-gwatkin-aic-251126","Theophilia Gwatkin",{"_42":458,"_220":459,"_328":460,"_330":331,"_332":461,"_334":462,"_336":463,"_338":339,"_340":464,"_140":95},"1776–81","73.7 × 61 cm (29 × 24 in.); Framed: 96.6 × 84.7 × 7 cm (38 × 33 3/8 × 2 3/4 in.)",61,73,0.8375446960667461,[557,558,559,560,561],{"_219":504,"_220":505,"_42":506,"_307":507},"2019.1236","Joshua Reynolds painted this in 1776–81, aged about 53. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":554,"_297":555,"_299":556},"https://img.ochreeditions.com/m/389.jpg?dl=1","/art/theophilia-gwatkin-aic-251126","/galleries/style/georgian-britain/theophilia-gwatkin-aic-251126",{"_291":292,"_293":294},{"_223":551,"_125":552,"_285":553},{"_275":548,"_277":549,"_279":550,"_281":534},76.14076281287247,88,61.14076281287247,{"_287":223,"_123":434,"_154":435,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/389/480.jpg","https://img.ochreeditions.com/a/389/960.jpg","https://img.ochreeditions.com/a/389/1920.jpg",{"_314":570,"_316":571},{"_314":568,"_316":569},{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},"#78623f",0.068,"#a08052",0.0868,"#50442f",0.0897,"#221f1a",0.2844,"#322a1a",0.4711,"noon-nga-119642","Noon",{"_42":630,"_220":631,"_328":632,"_330":331,"_332":633,"_334":634,"_336":635,"_338":339,"_340":636,"_140":97},"1830","print","Print","mezzotint on laid paper","plate: 18.5 x 25.5 cm (7 5/16 x 10 1/16 in.) sheet: 19.5 x 30.6 cm (7 11/16 x 12 1/16 in.)",25.5,18.5,1.3927235634138049,[615,616,617,618,619],{"_219":611,"_220":612,"_42":613,"_307":614},"Courtesy National Gallery of Art, Washington","2001.118.23","David Lucas made this in 1830, aged 28. It is now at the National Gallery of Art in Washington, DC.","Sheep graze on a sloping hillside, watched by a shepherd, while a large dark tree anchors the right side and the land falls away to open fields under a broad sky.","The image shows a landscape with a rolling hill in the foreground sloping downward. The horizon is high, providing a view over fields and sky. Sheep graze on the hill, tended by a person. A large, dark tree is on the right. Brushstrokes vary in the sky and land, with broad strokes for clouds and finer ones for grass and foliage. The color palette is mainly black, white, and shades of grey, highlighting light and shadow.",{"_295":608,"_297":609,"_299":610},"https://img.ochreeditions.com/m/1650.jpg?dl=1","/art/noon-nga-119642","/galleries/style/georgian-britain/noon-nga-119642",{"_291":499,"_293":500},{"_223":600,"_125":601,"_285":602},{"_275":597,"_277":598,"_279":580,"_281":599},49.5,42.3094482421875,18.3094482421875,{"_287":223,"_123":606,"_154":607,"_140":97},{"_287":125,"_123":603,"_154":604,"_140":605},{"_287":285,"_123":370,"_154":371,"_140":372},"style/print-19","More prints of the 19th century",159,"artist/david-lucas","More by David Lucas","https://img.ochreeditions.com/a/1650/480.jpg","https://img.ochreeditions.com/a/1650/960.jpg","https://img.ochreeditions.com/a/1650/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":628,"_316":629},{"_314":626,"_316":627},{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},"#6f685f",0.1663,"#403f3c",0.1708,"#999085",0.1917,"#c4b9ae",0.2337,"#ebe2d6",0.2375,"David Lucas","david-lucas","British, 1802–1881",1802,1881,"Geddington Chase, Northamptonshire","Lucas was a mezzotint engraver best known for his long collaboration with John Constable.","the-hall-levens-westmoreland-aic-39249","The Hall, Levens, Westmoreland",{"_42":686,"_220":687,"_328":688,"_330":400,"_332":689,"_334":690,"_336":-5,"_338":-5,"_340":-5,"_140":101},"n.d.","Watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card","32.8 × 46.9 cm (12 15/16 × 18 1/2 in.)",46,32,1.4286762009534286,[671,672,673,674,675],{"_219":504,"_220":505,"_42":506,"_307":507},"1940.915","Joseph Nash painted this (n.d.), aged about 20. It is now at the Art Institute of Chicago.","A work made of watercolor and gouache, heightened with white gouache, over graphite selectively gum varnished on cream wove card.",{"_295":668,"_297":669,"_299":670},"https://img.ochreeditions.com/m/141.jpg?dl=1","/art/the-hall-levens-westmoreland-aic-39249","/galleries/style/georgian-britain/the-hall-levens-westmoreland-aic-39249",{"_291":499,"_293":500},{"_223":661,"_125":662,"_285":663},{"_275":658,"_277":659,"_279":643,"_281":660},70,56.1976386036961,32.1976386036961,{"_287":223,"_123":666,"_154":667,"_140":89},{"_287":125,"_123":664,"_154":665,"_140":372},{"_287":285,"_123":370,"_154":371,"_140":372},"style/watercolour-19","More watercolours of the 19th century","artist/contemporaries-of-joseph-nash","Joseph Nash's contemporaries","https://img.ochreeditions.com/a/141/480.jpg","https://img.ochreeditions.com/a/141/960.jpg","https://img.ochreeditions.com/a/141/1920.jpg",{"_314":684,"_316":685},{"_314":682,"_316":683},{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},"#a27e51",0.1003,"#453c36",0.134,"#69523d",0.2448,"#b0a083",0.2514,"#887860",0.2695,"Joseph Nash","joseph-nash","English, 1808–1878",1808,1878,"descent-into-the-plain-of-granada-cma-119728","Descent into the Plain of Granada",{"_42":744,"_220":745,"_328":746,"_330":747,"_332":748,"_334":749,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1834","drawing","Drawing","watercolor with gouache, scratch-away, and graphite","Sheet: 23.2 x 32.5 cm (9 1/8 x 12 13/16 in.)",32.5,23.2,1.3854930725346373,[729,730,731,732,733],{"_219":304,"_220":305,"_42":306,"_307":308},"1940.563","David Roberts painted this in 1834, aged 38. It is now at the Cleveland Museum of Art.",{"_118":728,"_302":303},"Descent into the Plain of Granada, by David Roberts, 1834",{"_295":725,"_297":726,"_299":727},"https://img.ochreeditions.com/m/541.jpg?dl=1","/art/descent-into-the-plain-of-granada-cma-119728","/galleries/style/georgian-britain/descent-into-the-plain-of-granada-cma-119728",{"_291":499,"_293":500},{"_223":718,"_125":719,"_285":720},{"_275":715,"_277":716,"_279":699,"_281":717},56.5,47.45735294117647,23.45735294117647,{"_287":223,"_123":723,"_154":724,"_140":89},{"_287":125,"_123":721,"_154":722,"_140":349},{"_287":285,"_123":370,"_154":371,"_140":372},"style/drawing-19","More drawings of the 19th century","artist/contemporaries-of-david-roberts","David Roberts's contemporaries","https://img.ochreeditions.com/a/541/480.jpg","https://img.ochreeditions.com/a/541/960.jpg","https://img.ochreeditions.com/a/541/1920.jpg","Later celebrated for his topographical landscapes of the Middle East, David Roberts’s first extended trip abroad was in 1832 when he traveled through France to Spain over a period of 10 months. This watercolor records a scene from Roberts’s journey from Madrid to Andalusia.",{"_314":742,"_316":743},{"_314":740,"_316":741},{"_314":738,"_316":739},{"_314":736,"_316":737},{"_314":734,"_316":735},"#a38250",0.1379,"#4d4a3a",0.1607,"#c2ac80",0.1695,"#78684b",0.2133,"#c8c8b5",0.3186,"David Roberts","david-roberts","Scottish, 1796–1864","Scottish",1796,1864,"francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","Francis Charles Seymour-Conway, 3rd Marquess of Hertford",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":91},"c. 1822/1823","overall: 128.5 x 102.2 cm (50 9/16 x 40 1/4 in.) framed: 151.8 x 126.4 cm (59 3/4 x 49 3/4 in.)",102.2,128.5,0.791259765625,[780,781,782,783,784],{"_219":611,"_220":612,"_42":613,"_307":614},"1968.6.2","Thomas Lawrence painted this in about 1822/1823, aged about 53. It is now at the National Gallery of Art in Washington, DC.","Francis Charles Seymour-Conway, third Marquess of Hertford, is shown half-length in a dark double-breasted coat, a decoration on his chest, gazing calmly into the distance against a plain brown background.","The image displays a man in a portrait from the waist up, in a three-quarter view. He is facing slightly to the right and looking into the distance with a calm expression. The man has fair skin, light reddish-brown hair, sideburns, a defined nose, and a slightly upturned chin. He is wearing a black double-breasted coat with a high collar, a dark waistcoat, a white shirt, and a medal on his chest with an insignia and ribbon. The background is plain and deep brown.",{"_295":777,"_297":778,"_299":779},"https://img.ochreeditions.com/m/1537.jpg?dl=1","/art/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851","/galleries/style/georgian-britain/francis-charles-seymour-conway-3rd-marquess-of-hertford-nga-50851",{"_291":292,"_293":294},{"_223":774,"_125":775,"_285":776},{"_275":771,"_277":772,"_279":773,"_281":756},116.6768798828125,143.5,101.6768798828125,{"_287":223,"_123":170,"_154":169,"_140":91},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1537/480.jpg","https://img.ochreeditions.com/a/1537/960.jpg","https://img.ochreeditions.com/a/1537/1920.jpg",{"_314":792,"_316":793},{"_314":790,"_316":791},{"_314":788,"_316":789},{"_314":787,"_316":786},{"_314":785,"_316":786},"#765636",0.0175,"#ce9972","#33250c",0.2405,"#291d08",0.2684,"#100c07",0.4561,"death-on-a-pale-horse-aic-158239","Death on a Pale Horse",{"_42":844,"_220":845,"_328":846,"_330":400,"_332":847,"_334":848,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1784, after the drawing of 1775","Etching on ivory laid paper","Image: 65.6 × 47.6 cm (25 7/8 × 18 3/4 in.); Sheet: 68.6 × 47.7 cm (27 1/16 × 18 13/16 in.)",47,65,0.7011965811965812,[829,830,831,832,833],{"_219":504,"_220":505,"_42":506,"_307":507},"2002.107","Joseph Haynes made this in 1784, after the drawing of 1775, aged 24. It is now at the Art Institute of Chicago.","A work made of etching on ivory laid paper.",{"_295":826,"_297":827,"_299":828},"https://img.ochreeditions.com/m/339.jpg?dl=1","/art/death-on-a-pale-horse-aic-158239","/galleries/style/georgian-britain/death-on-a-pale-horse-aic-158239",{"_291":499,"_293":500},{"_223":818,"_125":819,"_285":820},{"_275":815,"_277":816,"_279":817,"_281":801},69.57777777777778,89,45.57777777777778,{"_287":223,"_123":824,"_154":825,"_140":89},{"_287":125,"_123":821,"_154":822,"_140":823},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-joseph-haynes","Joseph Haynes's contemporaries","https://img.ochreeditions.com/a/339/480.jpg","https://img.ochreeditions.com/a/339/960.jpg","https://img.ochreeditions.com/a/339/1920.jpg",{"_314":842,"_316":843},{"_314":840,"_316":841},{"_314":838,"_316":839},{"_314":836,"_316":837},{"_314":834,"_316":835},"#595648",0.1309,"#ddd6ca",0.1417,"#bab3a3",0.2215,"#969181",0.2326,"#767263",0.2733,"Joseph Haynes","joseph-haynes","English, 1760–1829",1760,1829,"landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","Landscape with Picnickers and Donkeys by a Gate",{"_42":893,"_220":894,"_328":895,"_330":331,"_332":896,"_334":897,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1830-1880","overall: 123.2 x 99 cm (48 1/2 x 39 in.)",99,0.79638671875,[878,879,880,881,882],{"_219":611,"_220":612,"_42":613,"_307":614},"1942.9.14","Joseph Paul painted this in about 1830-1880, aged about 26. It is now at the National Gallery of Art in Washington, DC.","This painting shows a serene pastoral scene with trees, a wooden gate, and foliage extending towards the horizon. Closest to us, there is a low riverbank with some tree branches in the water. Up a grassy dirt hill, two donkeys are visible off to the right, partially hidden by vegetation. On the left, a dirt path leads to the wooden gate. To the left of the gate, two people sit on the grass with a wicker basket between them. The tall trees that rise in the background have leaves in shades of green, yellow, and dark orange. The sky above the scene is yellow with some hints of light blue, and golden light shines down on the landscape.",{"_295":875,"_297":876,"_299":877},"https://img.ochreeditions.com/m/1331.jpg?dl=1","/art/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151","/galleries/style/georgian-britain/landscape-with-picnickers-and-donkeys-by-a-gate-nga-1151",{"_291":292,"_293":294},{"_223":870,"_125":871,"_285":872},{"_275":868,"_277":364,"_279":869,"_281":348},113.11484375,98.11484375,{"_287":223,"_123":873,"_154":874,"_140":89},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-joseph-paul","Joseph Paul's contemporaries","https://img.ochreeditions.com/a/1331/480.jpg","https://img.ochreeditions.com/a/1331/960.jpg","https://img.ochreeditions.com/a/1331/1920.jpg",{"_314":891,"_316":892},{"_314":889,"_316":890},{"_314":887,"_316":888},{"_314":885,"_316":886},{"_314":883,"_316":884},"#b4864a",0.1225,"#7f6040",0.1471,"#574a3e",0.2102,"#dcbe7c",0.2589,"#31363a",0.2613,"Joseph Paul","joseph-paul","British, 1804–1887",1804,1887,"the-wonderful-pig-nga-30978","The Wonderful Pig",{"_42":945,"_220":946,"_328":947,"_330":331,"_332":948,"_334":949,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1785","etching","sheet: 26.5 × 36.9 cm (10 7/16 × 14 1/2 in.)",36.9,26.5,1.4232105628908964,[930,931,932,933,934],{"_219":611,"_220":612,"_42":613,"_307":614},"1945.5.201","Thomas Rowlandson made this in 1785, aged 29. It is now at the National Gallery of Art in Washington, DC.","This is a drawing showing a pig performing a trick for an audience. It depicts a group of people watching the pig interacting with cards on the floor. The detailed image shows the varied facial expressions of the audience members. There is text at the top of the image suggesting the pig has a unique ability, possibly related to languages. The drawing captures a moment of entertainment in a satirical style, with lines and cross-hatching used to emphasize the humor.",{"_295":927,"_297":928,"_299":929},"https://img.ochreeditions.com/m/1462.jpg?dl=1","/art/the-wonderful-pig-nga-30978","/galleries/style/georgian-britain/the-wonderful-pig-nga-30978",{"_291":499,"_293":500},{"_223":922,"_125":923,"_285":924},{"_275":919,"_277":920,"_279":904,"_281":921},60.9,49.927294921875,25.927294921875,{"_287":223,"_123":925,"_154":926,"_140":89},{"_287":125,"_123":821,"_154":822,"_140":823},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-thomas-rowlandson","Thomas Rowlandson's contemporaries","https://img.ochreeditions.com/a/1462/480.jpg","https://img.ochreeditions.com/a/1462/960.jpg","https://img.ochreeditions.com/a/1462/1920.jpg",{"_314":943,"_316":944},{"_314":941,"_316":942},{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},"#70604d",0.0674,"#8c7a60",0.1188,"#a89373",0.1667,"#c5af89",0.1813,"#e3cca3",0.4658,"Thomas Rowlandson","thomas-rowlandson","British, 1756–1827",1756,1827,"isabella-wolff-aic-4773","Isabella Wolff",{"_42":326,"_220":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":91},"1803–15","128.2 × 102.4 cm (50 1/2 × 40 5/16 in.); Framed: 156.2 × 130.5 cm (61 1/2 × 51 3/8 in.)",102,128,0.789839944328462,[982,983,984,985,986],{"_219":504,"_220":505,"_42":506,"_307":507},"1922.4461","Thomas Lawrence painted this in 1803–15, aged about 34. It is now at the Art Institute of Chicago.",{"_118":980,"_302":981},"A light-skinned woman in a long, shiny white dress sits at a desk reading a book. The book is propped on a large red pillow. Her head is propped in her hand.",{"_295":977,"_297":978,"_299":979},"https://img.ochreeditions.com/m/8.jpg?dl=1","/art/isabella-wolff-aic-4773","/galleries/style/georgian-britain/isabella-wolff-aic-4773",{"_291":292,"_293":294},{"_223":974,"_125":975,"_285":976},{"_275":971,"_277":972,"_279":973,"_281":956},116.09951287404314,143,101.09951287404314,{"_287":223,"_123":170,"_154":169,"_140":91},{"_287":125,"_123":373,"_154":374,"_140":375},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/8/480.jpg","https://img.ochreeditions.com/a/8/960.jpg","https://img.ochreeditions.com/a/8/1920.jpg","This portrait depicts Isabella Wolff, one of Sir Thomas Lawrence’s closest friends. Shown contemplating a printed image of the Delphic Sibyl from Michelangelo's Sistine Chapel ceiling, Wolff assumes a pose that cleverly echoes another Sibyl from that same work.","Text from the Art Institute of Chicago.",{"_314":995,"_316":996},{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},{"_314":987,"_316":988},"#d0b89c",0.1026,"#8b6a53",0.1523,"#ac8e76",0.1688,"#623d26",0.2292,"#40211a",0.3471,"angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","Angel of the Revelation (Book of Revelation, chapter 10)",{"_42":1048,"_220":1049,"_328":1050,"_330":331,"_332":1051,"_334":949,"_336":339,"_338":339,"_340":-5,"_140":103},"ca. 1803–5","Drawings","Watercolor, pen and black ink, brush and wash, over traces of graphite","Sheet: 15 7/16 × 10 1/4 in. (39.2 × 26 cm)",26,39.2,0.6700689655172414,[1033,1034,1035,1036,1037],{"_219":439,"_220":440,"_42":441,"_307":442},"14.81.1","William Blake painted this in about 1803–5, aged about 41. It is now at The Met in New York.","Angel of the Revelation (Book of Revelation, chapter 10), by William Blake, ca. 1803–5",{"_295":1030,"_297":1031,"_299":1032},"https://img.ochreeditions.com/m/1037.jpg?dl=1","/art/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852","/galleries/style/georgian-britain/angel-of-the-revelation-book-of-revelation-chapter-10-met-340852",{"_291":499,"_293":500},{"_223":1022,"_125":1023,"_285":1024},{"_275":1019,"_277":1020,"_279":1021,"_281":1005},50.26670344827586,63.2,26.266703448275862,{"_287":223,"_123":1028,"_154":1029,"_140":89},{"_287":125,"_123":1025,"_154":1026,"_140":1027},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-william-blake","William Blake's contemporaries","https://img.ochreeditions.com/a/1037/480.jpg","https://img.ochreeditions.com/a/1037/960.jpg","https://img.ochreeditions.com/a/1037/1920.jpg",{"_314":1046,"_316":1047},{"_314":1044,"_316":1045},{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},"#56534e",0.1228,"#9d937f",0.2009,"#7d7669",0.2195,"#c1b095",0.2267,"#e6c69f",0.2301,"William Blake","william-blake","British, 1757–1827",1757,"stoke-by-neyland-nga-119641","Stoke-by-Neyland",{"_42":630,"_220":631,"_328":632,"_330":331,"_332":633,"_334":634,"_336":635,"_338":339,"_340":636,"_140":97},"mezzotint on laid paper [proof]","plate: 18.5 x 25.2 cm (7 5/16 x 9 15/16 in.) sheet: 19.3 x 30.6 cm (7 5/8 x 12 1/16 in.)",25.2,1.4041823791566679,[1080,1081,1082,1083,1084],{"_219":611,"_220":612,"_42":613,"_307":614},"2001.118.27","The tower of the church at Stoke-by-Nayland, a Suffolk village near John Constable’s birthplace, rises among trees beneath a sky of heavy, expressive cloud, while two figures work and walk along a winding road.","The image displays a landscape with a high vantage point. The horizon is low, with a row of trees. A church tower is off-center to the left. The church is surrounded by trees and buildings. A line of trees is on the right side. The sky has large, expressive clouds. A monochromatic palette of gray is used. A path winds through the scene, with two figures: one person working and another walking.",{"_295":1077,"_297":1078,"_299":1079},"https://img.ochreeditions.com/m/1649.jpg?dl=1","/art/stoke-by-neyland-nga-119641","/galleries/style/georgian-britain/stoke-by-neyland-nga-119641",{"_291":499,"_293":500},{"_223":1074,"_125":1075,"_285":1076},{"_275":1071,"_277":1072,"_279":1057,"_281":1073},49.2,41.94638671875,17.94638671875,{"_287":223,"_123":606,"_154":607,"_140":97},{"_287":125,"_123":603,"_154":604,"_140":605},{"_287":285,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/1649/480.jpg","https://img.ochreeditions.com/a/1649/960.jpg","https://img.ochreeditions.com/a/1649/1920.jpg",{"_314":1093,"_316":1094},{"_314":1091,"_316":1092},{"_314":1089,"_316":1090},{"_314":1087,"_316":1088},{"_314":1085,"_316":1086},"#bfac92",0.1024,"#8d7d6c",0.1299,"#62564c",0.1729,"#ddcaaf",0.267,"#3a3431",0.3278,"self-portrait-in-a-fur-cap-aic-76295","Self-Portrait in a Fur Cap",{"_42":1142,"_220":1143,"_328":1144,"_330":400,"_332":1145,"_334":1146,"_336":1147,"_338":1147,"_340":1148,"_140":99},"1765/68","Monochrome pastel (grisaille) on blue-gray laid paper","42.5 × 29.5 cm (16 3/4 × 11 5/8 in.)",29,0.6958228202971685,[1127,1128,1129,1130,1131],{"_219":504,"_220":505,"_42":506,"_307":507},"1990.141","Joseph Wright of Derby painted this in 1765/68, aged about 31. It is now at the Art Institute of Chicago.","Joseph Wright of Derby portrays himself in a fur cap, drawn in monochrome pastel on blue-grey paper, with greys and blacks building the face and the soft texture of the fur.","Black, gray pastel portrait of man in a fur hat.",{"_295":1124,"_297":1125,"_299":1126},"https://img.ochreeditions.com/m/193.jpg?dl=1","/art/self-portrait-in-a-fur-cap-aic-76295","/galleries/style/georgian-britain/self-portrait-in-a-fur-cap-aic-76295",{"_291":499,"_293":500},{"_223":1119,"_125":1120,"_285":1121},{"_275":1116,"_277":1117,"_279":1118,"_281":168},53.22455845248108,66,29.224558452481077,{"_287":223,"_123":1122,"_154":1123,"_140":99},{"_287":125,"_123":495,"_154":496,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/joseph-wright-of-derby","More by Joseph Wright of Derby","https://img.ochreeditions.com/a/193/480.jpg","https://img.ochreeditions.com/a/193/960.jpg","https://img.ochreeditions.com/a/193/1920.jpg",{"_314":1140,"_316":1141},{"_314":1138,"_316":1139},{"_314":1136,"_316":1137},{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},"#85817a",0.0524,"#5b4224",0.0632,"#5e5a55",0.0962,"#403d37",0.2066,"#2f2d29",0.5816,"Joseph Wright of Derby","joseph-wright-of-derby","English, 1734–1797",1734,1797,"Derby","Wright spent most of his career in his native Derby, painting portraits of Midlands gentry and industrialists.",{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","4ff2d1f41a4cd6a6da8d9ea79341c692b6e54ab2","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]