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of Cardinal Guillaume Dubois","artist",{"_42":326,"_221":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":-5,"_337":-5,"_338":-5,"_140":103},"unrecorded","date","1723","century",18,"place","france","movement","french-eighteenth-century","painting","classification","Painting","medium","oil on canvas","dimensions","Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)","width_cm",113.7,"height_cm",146.7,"aspect",0.7764705882352941,"palette",[309,310,311,312,313],"museum",{"_220":304,"_221":305,"_42":306,"_307":308},"credit","Courtesy of the Cleveland Museum of Art","accession","1967.17","licence","CC0","story","Hyacinthe Rigaud painted this in 1723, aged 64. It is now at the Cleveland Museum of Art.",{"_118":301,"_302":303},"note","Portrait of Cardinal Guillaume Dubois, by Hyacinthe Rigaud, 1723","images",{"_295":296,"_297":298,"_299":300},"download_url","https://img.ochreeditions.com/m/665.jpg?dl=1","page_url","/art/portrait-of-cardinal-guillaume-dubois-cma-143206","walk_url","/galleries/style/french-eighteenth-century/portrait-of-cardinal-guillaume-dubois-cma-143206","frame",{"_291":292,"_293":294},{"_224":283,"_125":284,"_285":286},"size",{"_276":277,"_278":279,"_280":281,"_282":245},"w",128.90823529411765,"h",161.7,"image_w",113.90823529411765,"image_h",{"_287":224,"_123":171,"_154":170,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},"era",{"_287":285,"_123":167,"_154":166,"_140":169},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/665/480.jpg","960","https://img.ochreeditions.com/a/665/960.jpg","1920","https://img.ochreeditions.com/a/665/1920.jpg","With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#c3bda7","weight",0.0591,"#8c6d4d",0.0594,"#932e05",0.2044,"#4d2107",0.2966,"#241105",0.3805,"Hyacinthe Rigaud","hyacinthe-rigaud","bio","French, 1659–1743","nationality","French","birth_year",1659,"death_year",1743,"birth_place","death_place","about_excerpt","ange-laurent-de-la-live-de-jully-nga-32686","Ange Laurent de La Live de Jully",{"_42":391,"_221":392,"_328":393,"_330":331,"_332":394,"_334":395,"_336":396,"_337":397,"_338":398,"_140":99},"probably 1759","overall: 117 x 88.5 cm (46 1/16 x 34 13/16 in.) framed: 161.9 x 121.9 cm (63 3/4 x 48 in.)",88.5,117,0.757568359375,[376,377,378,379,380],{"_220":372,"_221":373,"_42":374,"_307":375},"Courtesy National Gallery of Art, Washington","1946.7.8","Jean Baptiste Greuze painted this (probably 1759), aged 34. It is now at the National Gallery of Art in Washington, DC.","The collector Ange Laurent de La Live de Jully sits at his harp in a loose white shirt and rose-pink breeches, turning from the strings to smile at us, in a room furnished with a gilded chair and a table of books, portfolios and a statuette.","A pale-skinned man sits facing our left as he plays a harp while turning his face to smile at us in this vertical portrait painting. He looks out the corners of his light blue eyes under arched, gray brows. He has a rounded nose, pale pink lips, and a round face. Gray hair is brushed back from his high forehead and curls around his ears. His long fingers rest on the strings of the harp, and the ends of strings curl like wind-loosened strands of hair along the top edge. The man wears a pale mauve-purple cravat, and his snow-white, long-sleeved chemise is untucked and loose around his thighs. The cuff we see is open and folded back over a bright white shirt edged with lace. His dusky rose-pink breeches are unbuttoned at the knee over white stockings. The square-seated chair on which he sits is carved with garlands and floral patterns, which are gilded gold. The seat itself is topaz blue, and it has a low back. A similarly ornamented and gilded table along the back of the room holds a portfolio and roll of papers, the tooled and gilded spines of books, and a statuette to the right. The pale pinkish-orange statuette shows a woman holding a tablet and wearing a long, loose robe and head covering. Her body angles to our left and she looks off in that direction. The wall behind the table is mottled with smoky shades of gray and tan.",{"_295":369,"_297":370,"_299":371},"https://img.ochreeditions.com/m/1480.jpg?dl=1","/art/ange-laurent-de-la-live-de-jully-nga-32686","/galleries/style/french-eighteenth-century/ange-laurent-de-la-live-de-jully-nga-32686",{"_291":292,"_293":294},{"_224":364,"_125":365,"_285":366},{"_276":361,"_278":362,"_280":363,"_282":345},103.635498046875,132,88.635498046875,{"_287":224,"_123":367,"_154":368,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jean-baptiste-greuze","More by Jean Baptiste Greuze","https://img.ochreeditions.com/a/1480/480.jpg","https://img.ochreeditions.com/a/1480/960.jpg","https://img.ochreeditions.com/a/1480/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":389,"_316":390},{"_314":387,"_316":388},{"_314":385,"_316":386},{"_314":383,"_316":384},{"_314":381,"_316":382},"#b7b2af",0.1217,"#8e807a",0.126,"#605045",0.1738,"#5a341a",0.182,"#382a20",0.3965,"Jean Baptiste Greuze","jean-baptiste-greuze","French, 1725–1805",1725,1805,"Tournus","Paris","Greuze rose to fame at the Paris Salon in the later 1750s with moralising scenes of family life, sentimental and theatrical, which the critic Denis Diderot championed. Broken Eggs, shown at the Salon of 1757, tells a story of lost innocence through a single domestic incident.","the-old-savoyard-aic-20432","The Old Savoyard",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":462,"_337":463,"_338":464,"_140":97},"c. 1715","watercolour","Drawing and Watercolor","Red and black chalk on cream laid paper","35.9 × 22.1 cm (14 3/16 × 8 3/4 in.)",22,0.6095143706640238,[442,443,444,445,446],{"_220":438,"_221":439,"_42":440,"_307":441},"Courtesy of the Art Institute of Chicago","1964.74","Antoine Watteau painted this in about 1715, aged about 26. It is now at the Art Institute of Chicago.","An elderly, bearded man carries a crate and pack on his back, sketched from life in red and black chalk. He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_291":433,"_293":434},{"_224":426,"_125":427,"_285":428},{"_276":423,"_278":424,"_280":425,"_282":138},45.33300297324084,59,21.333002973240834,{"_287":224,"_123":431,"_154":432,"_140":97},{"_287":125,"_123":429,"_154":430,"_140":53},{"_287":285,"_123":167,"_154":166,"_140":169},"style/watercolour-18","More watercolours of the 18th century","artist/antoine-watteau","More by Antoine Watteau","black","snow","https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},{"_314":449,"_316":450},{"_314":447,"_316":448},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,"Antoine Watteau","antoine-watteau","French, 1684–1721",1684,1721,"Valenciennes","Nogent-sur-Marne","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","la-camargo-dancing-nga-96","La Camargo Dancing",{"_42":511,"_221":512,"_328":513,"_330":331,"_332":514,"_334":335,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1730","overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.)",106.7,76.2,1.4003418803418803,[496,497,498,499,500],{"_220":372,"_221":373,"_42":374,"_307":375},"1937.1.89","Nicolas Lancret painted this in about 1730, aged 40. It is now at the National Gallery of Art in Washington, DC.","Twenty-one men in long waistcoats and women in elegantly trimmed gowns gather and dance within a verdant landscape in this horizontal painting. The men wear jackets and breeches in ginger brown, pale pink, or spruce blue. The women’s gowns have full sleeves, tight-fitting bodices, and full skirts in shades of bronze, teal blue, butterscotch gold, or rich pink edged with ribbons and lace. Some of them wear floral wreaths or ribbons in their upswept hair. Groups gather around a woman and man who dance together to our left in the scene. Some in the group of onlookers to our left hold musical instruments, including a violin and a pipe. Another group is nestled among trees just beyond the dancers, at the center of the painting, and more sit and stand to our right. The dancing woman wears a gleaming, ice-blue gown with rows of flowers in muted pink, blue, and gold down the full skirt and around the bottom hem, which falls short of her thin ankles. More garlands cross her chest and shoulders, and flowers are tucked into her dark gray hair. She faces us with her head turned to our right as she looks off in that direction with dark eyes under curving brows. She has a delicate nose, rosy, round cheeks, and pink lips. She holds her arms spread wide with the thumb touching the index finger of each hand. The man with whom she dances wears a coral-red tunic and breeches with sleeves decorated with pale pink and blue ribbons. The brim of his brown hat is turned up. His body faces us but he turns his head to look at the woman, his lips parted. The man and woman each have one gracefully pointed foot raised. The dancers and groups are enclosed within a park-like setting with tall trees to either side, and a screen of trees across the back of the space. The trees have slender trunks and canopies in shades of pine, sage, and moss green. Near the back middle of the scene, a stone column topped by a human head wearing a wreath of laurel leaves rises above the central group. A fountain with a vertical jet of water is tucked into the shadows within a grove of trees along the right edge of the painting. The water falls into a pool in the lower right corner.",{"_295":493,"_297":494,"_299":495},"https://img.ochreeditions.com/m/1308.jpg?dl=1","/art/la-camargo-dancing-nga-96","/galleries/style/french-eighteenth-century/la-camargo-dancing-nga-96",{"_291":292,"_293":294},{"_224":488,"_125":489,"_285":490},{"_276":485,"_278":486,"_280":470,"_282":487},121.7,91.1956787109375,76.1956787109375,{"_287":224,"_123":491,"_154":492,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-nicolas-lancret","Nicolas Lancret's contemporaries","https://img.ochreeditions.com/a/1308/480.jpg","https://img.ochreeditions.com/a/1308/960.jpg","https://img.ochreeditions.com/a/1308/1920.jpg",{"_314":509,"_316":510},{"_314":507,"_316":508},{"_314":505,"_316":506},{"_314":503,"_316":504},{"_314":501,"_316":502},"#a6a482",0.1135,"#7d775a",0.1375,"#4e3c22",0.1698,"#525035",0.1934,"#2d291a",0.3858,"Nicolas Lancret","nicolas-lancret","French, 1690–1743",1690,"the-young-draftsman-aic-264161","The Young Draftsman",{"_42":568,"_221":569,"_328":570,"_330":331,"_332":571,"_334":572,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1750/70","print","Print","Crayon manner engraving in red and black on cream laid paper","Plate/sheet: 21 × 155.6 cm (8 5/16 × 61 5/16 in.)",155,21,0.7382341984353658,[553,554,555,556,557],{"_220":438,"_221":439,"_42":440,"_307":441},"2022.156","Gilles Demarteau made this in 1750/70, aged about 21. It is now at the Art Institute of Chicago.","A work made of crayon manner engraving in red and black on cream laid paper.",{"_295":550,"_297":551,"_299":552},"https://img.ochreeditions.com/m/419.jpg?dl=1","/art/the-young-draftsman-aic-264161","/galleries/style/french-eighteenth-century/the-young-draftsman-aic-264161",{"_291":433,"_293":434},{"_224":542,"_125":543,"_285":544},{"_276":538,"_278":539,"_280":540,"_282":541},73.01991754284288,90.40158048318145,49.01991754284288,66.40158048318145,{"_287":224,"_123":548,"_154":549,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-gilles-demarteau","Gilles Demarteau's contemporaries","https://img.ochreeditions.com/a/419/480.jpg","https://img.ochreeditions.com/a/419/960.jpg","https://img.ochreeditions.com/a/419/1920.jpg",{"_314":566,"_316":567},{"_314":564,"_316":565},{"_314":562,"_316":563},{"_314":560,"_316":561},{"_314":558,"_316":559},"#9f968e",0.0731,"#776054",0.138,"#947664",0.2566,"#c39b82",0.258,"#ad8771",0.2743,"Gilles Demarteau","gilles-demarteau","French, 1729–1776",1729,1776,"soap-bubbles-met-435888","Soap Bubbles",{"_42":627,"_221":628,"_328":629,"_330":331,"_332":630,"_334":631,"_336":397,"_337":397,"_338":632,"_140":99},"ca. 1733–34","Paintings","Oil on canvas","24 x 24 7/8 in. (61 x 63.2 cm)",63.2,61,1.0344736144258817,[612,613,614,615,616],{"_220":608,"_221":609,"_42":610,"_307":611},"Courtesy of The Metropolitan Museum of Art","49.24","Jean Siméon Chardin painted this in about 1733–34, aged about 34. It is now at The Met in New York.","A young man leans out over a window ledge, carefully blowing a large, glistening bubble through a straw, while a small child peers over the sill to watch; a glass of soapy water stands beside him.","Soap Bubbles, by Jean Siméon Chardin, ca. 1733–34",{"_295":605,"_297":606,"_299":607},"https://img.ochreeditions.com/m/1074.jpg?dl=1","/art/soap-bubbles-met-435888","/galleries/style/french-eighteenth-century/soap-bubbles-met-435888",{"_291":292,"_293":294},{"_224":600,"_125":601,"_285":602},{"_276":597,"_278":598,"_280":580,"_282":599},78.2,76.09387336580365,61.093873365803645,{"_287":224,"_123":603,"_154":604,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/1074/480.jpg","https://img.ochreeditions.com/a/1074/960.jpg","https://img.ochreeditions.com/a/1074/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":625,"_316":626},{"_314":623,"_316":624},{"_314":621,"_316":622},{"_314":619,"_316":620},{"_314":617,"_316":618},"#805837",0.0459,"#503b29",0.1498,"#312416",0.2392,"#1f1a0f",0.2728,"#120e06",0.2923,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.","arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727","Arches of the Larger Baths at Hadrian's Villa",{"_42":685,"_221":686,"_328":687,"_330":331,"_332":688,"_334":689,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1748","drawing","Drawing","black chalk and white chalk with stumping on light brown laid paper, with later framing line in brown ink","overall: 30.5 x 47.5 cm (12 x 18 11/16 in.)",47.5,30.5,1.5450773293096944,[670,671,672,673,674],{"_220":372,"_221":373,"_42":374,"_307":375},"1999.19.2","Charles Michel-Ange Challe drew this in about 1748, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image shows an ancient ruin with arches and crumbling stonework surrounded by overgrown vegetation. The horizon is slightly elevated, emphasizing the towering remnants of the architecture. Expressive brushstrokes and textures are notable, especially in the vines and leaves on the stone. The color palette is subdued, mainly earthy tones and black, creating contrast and suggesting openings into the distance, enhancing the old, abandoned feel of the ruins.",{"_295":667,"_297":668,"_299":669},"https://img.ochreeditions.com/m/1644.jpg?dl=1","/art/arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727","/galleries/style/french-eighteenth-century/arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727",{"_291":433,"_293":434},{"_224":659,"_125":660,"_285":661},{"_276":656,"_278":657,"_280":641,"_282":658},71.5,54.7427978515625,30.7427978515625,{"_287":224,"_123":665,"_154":666,"_140":89},{"_287":125,"_123":662,"_154":663,"_140":664},{"_287":285,"_123":167,"_154":166,"_140":169},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-charles-michel-ange-challe","Charles Michel-Ange Challe's contemporaries","https://img.ochreeditions.com/a/1644/480.jpg","https://img.ochreeditions.com/a/1644/960.jpg","https://img.ochreeditions.com/a/1644/1920.jpg",{"_314":683,"_316":684},{"_314":681,"_316":682},{"_314":679,"_316":680},{"_314":677,"_316":678},{"_314":675,"_316":676},"#9e917e",0.1296,"#c1b29a",0.1513,"#544f48",0.2046,"#6d6558",0.2561,"#837969",0.2584,"Charles Michel-Ange Challe","charles-michel-ange-challe","French, 1718–1778",1718,1778,"portrait-of-a-woman-as-diana-cma-122347","Portrait of a Woman as Diana",{"_42":738,"_221":739,"_328":740,"_330":331,"_332":741,"_334":742,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1752","Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.)",79.5,100.4,0.805,[723,724,725,726,727],{"_220":304,"_221":305,"_42":306,"_307":308},"1942.643","Jean-Marc Nattier painted this in 1752, aged 67. It is now at the Cleveland Museum of Art.",{"_118":722,"_302":303},"Portrait of a Woman as Diana, by Jean-Marc Nattier, 1752",{"_295":719,"_297":720,"_299":721},"https://img.ochreeditions.com/m/555.jpg?dl=1","/art/portrait-of-a-woman-as-diana-cma-122347","/galleries/style/french-eighteenth-century/portrait-of-a-woman-as-diana-cma-122347",{"_291":292,"_293":294},{"_224":714,"_125":715,"_285":716},{"_276":711,"_278":712,"_280":713,"_282":696},95.822,115.4,80.822,{"_287":224,"_123":717,"_154":718,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/555/480.jpg","https://img.ochreeditions.com/a/555/960.jpg","https://img.ochreeditions.com/a/555/1920.jpg","For many years, this sitter was identified as Madame de Pompadour, but she bears little resemblance to this pivotal figure in French art and politics of the mid 1700s.",{"_314":736,"_316":737},{"_314":734,"_316":735},{"_314":732,"_316":733},{"_314":730,"_316":731},{"_314":728,"_316":729},"#a79d8d",0.0705,"#776f5f",0.1057,"#514e3f",0.2206,"#262217",0.296,"#3c3c30",0.3072,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son)",{"_42":788,"_221":789,"_328":790,"_330":331,"_332":461,"_334":791,"_336":-5,"_337":-5,"_338":-5,"_140":103},"published 1759","hand-colored etching",0.72607421875,[773,774,775,776,777],{"_220":372,"_221":373,"_42":374,"_307":375},"1975.81.28","Antoine Radigues made this (published 1759), aged 38. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a classical architectural scene with a bird and multiple individuals. It is done in the style of Jean-Baptiste Oudry. The image includes a large building with stone columns and stairs. A parrot is perched on a tree, catching attention with its colorful feathers. In the foreground, a person in classical clothing appears to be in motion. In the background, a group of people are gathered with varied expressions and gestures directed towards the person in the foreground. The architectural elements and foliage add depth and context to the scene.",{"_295":770,"_297":771,"_299":772},"https://img.ochreeditions.com/m/1579.jpg?dl=1","/art/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","/galleries/style/french-eighteenth-century/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537",{"_291":433,"_293":434},{"_224":765,"_125":766,"_285":767},{"_276":761,"_278":762,"_280":763,"_282":764},67.564453125,84,43.564453125,60,{"_287":224,"_123":768,"_154":769,"_140":89},{"_287":125,"_123":545,"_154":546,"_140":547},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-antoine-radigues","Antoine Radigues's contemporaries","https://img.ochreeditions.com/a/1579/480.jpg","https://img.ochreeditions.com/a/1579/960.jpg","https://img.ochreeditions.com/a/1579/1920.jpg",{"_314":786,"_316":787},{"_314":784,"_316":785},{"_314":782,"_316":783},{"_314":780,"_316":781},{"_314":778,"_316":779},"#d8caac",0.1532,"#c7a97c",0.1722,"#645a4d",0.2055,"#827861",0.2306,"#a19477",0.2385,"Antoine Radigues","antoine-radigues","French, 1721–1809",1809,"the-house-of-cards-nga-97","The House of Cards",{"_42":627,"_221":628,"_328":629,"_330":331,"_332":630,"_334":631,"_336":397,"_337":397,"_338":632,"_140":99},"probably 1737","overall: 82.2 x 66 cm (32 3/8 x 26 in.) framed: 107.3 x 92.1 x 10.2 cm (42 1/4 x 36 1/4 x 4 in.)",66,82.2,0.79931640625,[822,823,824,825,826],{"_220":372,"_221":373,"_42":374,"_307":375},"1937.1.90","Jean Siméon Chardin painted this (probably 1737), aged 38. It is now at the National Gallery of Art in Washington, DC.","A boy in a brown coat leans on a table covered in teal cloth, carefully standing a row of folded playing cards on end, with a few coins nearby and a jack of hearts showing in the open drawer.","Shown from about the lap up, a young person with brown hair and a peachy complexion faces our left in profile as he leans onto a table and sets folded playing cards up in a row in this vertical painting. Shown against a dark background, his long, brown hair curls by his ears and is pulled back with a navy-blue ribbon at the nape of his neck. He has a delicately sloping nose, his pink lips are closed, the cheek facing us is flushed, and he looks down at the tabletop under lowered lids. He wears a chestnut-brown, long-sleeved coat with a dark blue sash across his chest and tied around his waist. The white of his undershirt peeks out at the high neck and wrists, and the brick-red lining of the sleeve of his jacket rolls back at his right wrist. The wooden table is lined with teal-blue fabric on its surface, and three coins lie near his left hand, closer to us. In that hand he holds three nested, vertically folded playing cards. With his right hand he places the last in a line of ten cards, standing vertically but close together like dominoes, in a curving row in front of him. Scarlet-red diamonds and hearts and the edges of some black shapes are visible within the bent cards. A jack of hearts and a piece of paper or the back of another card sit in a drawer that opens toward us along the side of the table. The artist signed the work in dark brown paint in the lower right corner: “J. Chardin.”",{"_295":819,"_297":820,"_299":821},"https://img.ochreeditions.com/m/1309.jpg?dl=1","/art/the-house-of-cards-nga-97","/galleries/style/french-eighteenth-century/the-house-of-cards-nga-97",{"_291":292,"_293":294},{"_224":816,"_125":817,"_285":818},{"_276":813,"_278":814,"_280":815,"_282":798},80.70380859375,97.2,65.70380859375,{"_287":224,"_123":603,"_154":604,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1309/480.jpg","https://img.ochreeditions.com/a/1309/960.jpg","https://img.ochreeditions.com/a/1309/1920.jpg",{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},{"_314":829,"_316":830},{"_314":827,"_316":828},"#2a3f3a",0.0453,"#af8f66",0.057,"#714723",0.0839,"#3b2b1c",0.1982,"#4f4634",0.6156,"spring-cma-128877","Spring",{"_42":885,"_221":886,"_328":887,"_330":331,"_332":888,"_334":889,"_336":-5,"_337":-5,"_338":-5,"_140":103},"c. 1720–36","Framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); Unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in.)",53.7,65,0.7485294117647059,[870,871,872,873,874],{"_220":304,"_221":305,"_42":306,"_307":308},"1951.486","Jean-Baptiste Pater painted this in about 1720–36, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":869,"_302":303},"Spring, by Jean-Baptiste Pater, c. 1720–36",{"_295":866,"_297":867,"_299":868},"https://img.ochreeditions.com/m/594.jpg?dl=1","/art/spring-cma-128877","/galleries/style/french-eighteenth-century/spring-cma-128877",{"_291":292,"_293":294},{"_224":861,"_125":862,"_285":863},{"_276":858,"_278":859,"_280":860,"_282":843},63.654411764705884,80,48.654411764705884,{"_287":224,"_123":864,"_154":865,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-baptiste-pater","Jean-Baptiste Pater's contemporaries","https://img.ochreeditions.com/a/594/480.jpg","https://img.ochreeditions.com/a/594/960.jpg","https://img.ochreeditions.com/a/594/1920.jpg","Spring and Summer are two scenes from a four-season series. These landscapes were originally a part of a screen or a decorative panel, indicated by their floral borders and oval shape.",{"_314":883,"_316":884},{"_314":881,"_316":882},{"_314":879,"_316":880},{"_314":877,"_316":878},{"_314":875,"_316":876},"#464026",0.0573,"#9a966d",0.0785,"#7f754d",0.1458,"#605a35",0.2327,"#010100",0.4857,"Jean-Baptiste Pater","jean-baptiste-pater","French, 1695–1736",1695,1736,"study-of-a-shepherd-cma-149290","Study of a Shepherd","Unrecorded French maker","1700s",17,"oil on paper, mounted on board","Framed: 64 x 52.5 x 4.5 cm (25 3/16 x 20 11/16 x 1 3/4 in.); Unframed: 54 x 42.5 cm (21 1/4 x 16 3/4 in.)",42.5,54,0.7844117647058824,[930,931,932,933,934],{"_220":304,"_221":305,"_42":306,"_307":308},"1978.125","An unrecorded France artist painted this in the 1700s. It is now at the Cleveland Museum of Art.",{"_118":929,"_302":303},"Study of a Shepherd, 1700s",{"_295":926,"_297":927,"_299":928},"https://img.ochreeditions.com/m/705.jpg?dl=1","/art/study-of-a-shepherd-cma-149290","/galleries/style/french-eighteenth-century/study-of-a-shepherd-cma-149290",{"_291":292,"_293":294},{"_224":916,"_125":917,"_285":918},{"_276":913,"_278":914,"_280":915,"_282":898},57.35823529411765,69,42.35823529411765,{"_287":224,"_123":924,"_154":925,"_140":87},{"_287":125,"_123":922,"_154":923,"_140":290},{"_287":285,"_123":919,"_154":920,"_140":921},"era/17-france","17th-century France",30,"style/painting-17","More paintings of the 17th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/705/480.jpg","https://img.ochreeditions.com/a/705/960.jpg","https://img.ochreeditions.com/a/705/1920.jpg","The attribution of this unsigned painting remains unsettled and may be by a French or Italian artist. Among the names proposed have been Joseph-Marie Vien the Elder and Hugues Taraval.",{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":937,"_316":319},{"_314":935,"_316":936},"#a87249",0.0481,"#734325","#5a4127",0.1994,"#291d12",0.2919,"#422f1e",0.4012,"the-italian-comedians-nga-32687","The Italian Comedians",{"_42":457,"_221":458,"_328":459,"_330":331,"_332":460,"_334":461,"_336":462,"_337":463,"_338":464,"_140":97},"probably 1720","overall: 63.8 × 76.2 cm (25 1/8 × 30 in.) framed: 94.62 × 107 × 13.65 cm (37 1/4 × 42 1/8 × 5 3/8 in.)",63.8,1.2054149499705709,[973,974,975,976,977],{"_220":372,"_221":373,"_42":374,"_307":375},"1946.7.9","Antoine Watteau painted this (probably 1720), aged 36. It is now at the National Gallery of Art in Washington, DC.","Pierrot, the white-clad clown of the Italian comedy, stands at the centre of a shallow stage with his arms hanging at his sides, while the troupe gathers around him as if for a curtain call: a masked Harlequin in diamond-patterned costume, a young man in red with a jester’s bauble, a lute player, a bearded old man in black cloak and skullcap, and a figure in gold who gestures towards Pierrot.","A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask. The man in the center, representing the character Pierrot, stands facing us with his hands by his sides. He has slightly bulging eyes, a bulbous nose, ruddy cheeks, and his full pink lips slightly smile. He wears a straw hat pushed back on his high forehead and a narrow ruffled collar around his neck. His shirt has long, voluminous sleeves and a row of small white buttons down the front. The pants are baggy and end abruptly above his white-stockinged ankles over white slippers. The fabric seems to have a sheen. In the shallow space behind him, a stone wall curves toward us to either side of a doorway that leads to a park-like setting. A crimson-red curtain is pulled to our right. Pierrot stands on the top of two steps, and the people to either side are arranged along the stage or the step that runs close to the bottom edge of the canvas. A spray of white flowers drapes down the front of the steps to our right of center. The group to our left has eight men, women, and children. Closest to us and in the lower left corner, a young man wearing a tomato-red jester’s costume trimmed with bells sits on the steps as he twists and looks back at the scene behind him. He holds a scepter or puppet in the shape of a doll-like jester. Two children gather at his feet. One weaves stems of white flowers together, and the other looks at us, smiling. Just above them another cleanshaven young man sits holding a lute in his lap. He wears a brick-red coat, brown breeches, and slate-blue stockings over crossed legs. He leans back and looks up and to our left, his round cheeks flushed. At the back of this group, two people wear tan-colored costumes covered in muted green and pink diamond shapes, and one might wear a brown mask. That person’s pink lips, black mustache and eyebrows, and black dots for eyes appear painted onto a hard, molded surface. The group of six people to our right stand on the same level as Pierrot. At the front of that group, a heavyset young man wears a gold-colored costume trimmed with black and a waist-length, Wedgewood-blue cape. He faces us but looks to our right as he leans back with one arm extended toward Pierrot. Beyond him are two woman and another person shown only from the neck up. The woman closest to Pierrot wears a pewter-gray gown with a scooped neckline. To the right of the man in gold is an old man with a long beard, wearing a black skullcap and cloak. He leans on a short staff and turns his head to look at the group. The last person on the far right is shown from the neck up and stands before the red curtain hanging from the upper right.",{"_295":970,"_297":971,"_299":972},"https://img.ochreeditions.com/m/1481.jpg?dl=1","/art/the-italian-comedians-nga-32687","/galleries/style/french-eighteenth-century/the-italian-comedians-nga-32687",{"_291":292,"_293":294},{"_224":967,"_125":968,"_285":969},{"_276":964,"_278":965,"_280":471,"_282":966},91.2,78.21474609375001,63.21474609375001,{"_287":224,"_123":431,"_154":432,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1481/480.jpg","https://img.ochreeditions.com/a/1481/960.jpg","https://img.ochreeditions.com/a/1481/1920.jpg",{"_314":985,"_316":986},{"_314":983,"_316":984},{"_314":982,"_316":508},{"_314":980,"_316":981},{"_314":978,"_316":979},"#d6bea3",0.0525,"#917355",0.1565,"#7e3f17","#33281b",0.2535,"#594a36",0.3441,"figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27","Figures from Sistine Chapel ceiling",{"_42":1037,"_221":1038,"_328":331,"_330":331,"_332":-5,"_334":1039,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1759–70","Red chalk on paper",0.6816335740072202,[1022,1023,1024,1025,1026],{"_220":1019,"_221":1020,"_42":1021,"_307":611},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1977-110-1-27","Jean-Robert Ango drew this in about 1759–70. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":1017,"_302":1018},"FIGURES FROM SISTINE CHAPEL CEILING",{"_295":1014,"_297":1015,"_299":1016},"https://img.ochreeditions.com/m/1756.jpg?dl=1","/art/figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27","/galleries/style/french-eighteenth-century/figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27",{"_291":433,"_293":434},{"_224":1009,"_125":1010,"_285":1011},{"_276":1007,"_278":762,"_280":1008,"_282":764},64.89801444043322,40.898014440433215,{"_287":224,"_123":1012,"_154":1013,"_140":89},{"_287":125,"_123":662,"_154":663,"_140":664},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jean-robert-ango","Jean-Robert Ango's contemporaries","https://img.ochreeditions.com/a/1756/480.jpg","https://img.ochreeditions.com/a/1756/960.jpg","https://img.ochreeditions.com/a/1756/1920.jpg","Figures from the ceiling of the Sistine Chapel, painted by Michelangelo. The lower figure is directly above and to the right of the Jesse spandrel.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_314":1035,"_316":1036},{"_314":1033,"_316":1034},{"_314":1031,"_316":1032},{"_314":1029,"_316":1030},{"_314":1027,"_316":1028},"#efc0a9",0.071,"#c0a886",0.1087,"#ebcfbb",0.1726,"#f2dccb",0.2315,"#f3e7d9",0.4162,"Jean-Robert Ango","jean-robert-ango",1773,"cupids-in-conspiracy-cma-125950","Cupids in Conspiracy",{"_42":1088,"_221":1089,"_328":1090,"_330":331,"_332":1091,"_334":1092,"_336":397,"_337":397,"_338":1093,"_140":93},"1740s","Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 68.8 x 123.2 cm (27 1/16 x 48 1/2 in.)",123.2,68.8,1.812366737739872,[1073,1074,1075,1076,1077],{"_220":304,"_221":305,"_42":306,"_307":308},"1948.181.2","François Boucher painted this in the 1740s, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":1072,"_302":303},"Cupids in Conspiracy, by François Boucher, 1740s",{"_295":1069,"_297":1070,"_299":1071},"https://img.ochreeditions.com/m/580.jpg?dl=1","/art/cupids-in-conspiracy-cma-125950","/galleries/style/french-eighteenth-century/cupids-in-conspiracy-cma-125950",{"_291":292,"_293":294},{"_224":1064,"_125":1065,"_285":1066},{"_276":1061,"_278":1062,"_280":1045,"_282":1063},138.2,82.97741176470589,67.97741176470589,{"_287":224,"_123":1067,"_154":1068,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/580/480.jpg","https://img.ochreeditions.com/a/580/960.jpg","https://img.ochreeditions.com/a/580/1920.jpg","Along with Music and Dance (1948.181.1), this work is surely part of a series of over-door paintings that would have been installed in a house. However, where the panels were originally installed or who commissioned them remains unknown.",{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},{"_314":1080,"_316":1081},{"_314":1078,"_316":1079},"#9da69e",0.1549,"#9c7e66",0.1665,"#706f5f",0.1839,"#39392e",0.2063,"#594f3f",0.2884,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","portrait-of-a-woman-cma-125951","Portrait of a Woman",{"_42":738,"_221":739,"_328":740,"_330":331,"_332":741,"_334":742,"_336":-5,"_337":-5,"_338":-5,"_140":101},"Framed: 108 x 92.5 x 11 cm (42 1/2 x 36 7/16 x 4 5/16 in.); Unframed: 82 x 65 cm (32 5/16 x 25 9/16 in.)",82,0.8023529411764706,[1123,1124,1125,1126,1127],{"_220":304,"_221":305,"_42":306,"_307":308},"1948.183","Jean-Marc Nattier painted this in about 1748, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":1122,"_302":303},"Portrait of a Woman, by Jean-Marc Nattier, c. 1748",{"_295":1119,"_297":1120,"_299":1121},"https://img.ochreeditions.com/m/581.jpg?dl=1","/art/portrait-of-a-woman-cma-125951","/galleries/style/french-eighteenth-century/portrait-of-a-woman-cma-125951",{"_291":292,"_293":294},{"_224":1116,"_125":1117,"_285":1118},{"_276":1113,"_278":1114,"_280":1115,"_282":1098},80.79294117647059,97,65.79294117647059,{"_287":224,"_123":717,"_154":718,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/581/480.jpg","https://img.ochreeditions.com/a/581/960.jpg","https://img.ochreeditions.com/a/581/1920.jpg","Jean-Marc Nattier was a favorite portraitist of King Louis XV of France. He held the lucrative position as the court painter for Queen Mary Lesczynski, the daughter of the exiled king of Poland.",{"_314":1136,"_316":1137},{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},{"_314":1130,"_316":1131},{"_314":1128,"_316":1129},"#beac98",0.068,"#6f6355",0.0686,"#1b2b2d",0.1719,"#383529",0.3217,"#1a1813",0.3698,{"_1139":-5,"_1140":1141,"_1142":1143,"_1144":8,"_1145":1146,"_1147":8},"user","csrf","ed4ef3495093d1182cb3d04fa8373b09a6f46c58","cartCount",0,"dropLive","legal",[1148,1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159],"uploadsEnabled",{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},{"_221":1168,"_20":1169},{"_221":1166,"_20":1167},{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]