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The composition is open and airy, emphasizing architectural features over precision.",{"_294":438,"_296":439,"_298":440},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_290":291,"_292":293},{"_223":430,"_125":431,"_284":432},{"_274":426,"_276":427,"_278":428,"_280":429},41.266845703125,49,17.266845703125,25,{"_286":223,"_123":436,"_154":437,"_140":89},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":458,"_312":459},{"_310":456,"_312":457},{"_310":454,"_312":455},{"_310":452,"_312":453},{"_310":450,"_312":451},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,1809,"le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)",{"_42":510,"_220":511,"_324":512,"_326":327,"_328":513,"_330":514,"_332":-5,"_333":-5,"_334":-5,"_140":103},"published 1759","hand-colored etching",0.736328125,[495,496,497,498,499],{"_219":441,"_220":442,"_42":443,"_303":444},"1975.81.27","Benoît-Louis Prévost made this (published 1759), aged 24. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a king, a hawk, and a hunter in a classical architectural setting with columns and arches. In the image, a figure in royal clothing is seated beneath draped red fabric, facing a man in hunting attire holding a bird. A hawk perches on the royal figure's head, wings spread, while the hunter reaches toward the hawk. Surrounding them are other figures in armor, holding spears and shields. The style is reminiscent of classic European paintings with themes of mythology or allegory.",{"_294":492,"_296":493,"_298":494},"https://img.ochreeditions.com/m/1578.jpg?dl=1","/art/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","/galleries/style/french-eighteenth-century/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536",{"_290":291,"_292":293},{"_223":487,"_125":488,"_284":489},{"_274":483,"_276":484,"_278":485,"_280":486},68.1796875,84,44.1796875,60,{"_286":223,"_123":490,"_154":491,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benoit-louis-prevost","Benoît-Louis Prévost's contemporaries","https://img.ochreeditions.com/a/1578/480.jpg","https://img.ochreeditions.com/a/1578/960.jpg","https://img.ochreeditions.com/a/1578/1920.jpg",{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},{"_310":500,"_312":501},"#dacaae",0.141,"#7a524a",0.1453,"#685d4e",0.1483,"#93866e",0.2816,"#c3a774",0.2838,"Benoît-Louis Prévost","benoit-louis-prevost","French, c. 1735–1804",1735,1804,"family-portrait-nga-32682","Family Portrait",{"_42":563,"_220":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_333":-5,"_334":-5,"_140":101},"Painting","oil on canvas","overall: 244 x 195 cm (96 1/16 x 76 3/4 in.) framed: 281.9 x 224.8 x 21 cm (111 x 88 1/2 x 8 1/4 in.)",195,244,0.79248046875,[548,549,550,551,552],{"_219":441,"_220":442,"_42":443,"_303":444},"1946.7.4","François Hubert Drouais painted this in 1756, aged 29. It is now at the National Gallery of Art in Washington, DC.","A woman sitting in an upholstered chair near a vanity table touches the hair of the little girl leaning against her lap to our left, as a man leans onto the back of her chair to our right in this vertical portrait painting. The people all have pale skin, flushed cheeks, and their pale gray hair is pulled back and curled. Their pink lips curve in slight smiles, and light glinting off of much of the fabric suggests they wear satin or silk. The woman’s body is angled to our left, toward the girl, but she turns her head back to look up over her other shoulder with gray eyes. A voluminous, cream-white cloth drapes over her shoulders and lap, over a bodice covered in lilac-purple bows and ribbons. Her gold satin skirt falls around her feet. The little girl leans onto one arm on the woman’s lap as she turns to look at us with pale blue eyes. The girl’s forget-me-not-blue dress has a fitted bodice, elbow-length sleeves over white cuffs, a long, full skirt, and white ruffles along the collar. The woman holds blue flowers in the girl’s hair, and the girl’s forearm wraps around a bundle of pink and red flowers in the woman’s lap. The chair is upholstered in teal blue and has a gold frame and a row of gold nail heads along the padded back and arm. The man leans one forearm against the back of the chair as he looks down at the girl. In that hand, he holds a folded piece of paper with writing. He wears a loose jacket decorated with gold pagodas, pink and yellow flowers, and spruce-green leaves against a brown background. Foamy white lace falls back from his cuffs and hangs down from the high white collar of his undershirt. He wears brick-red, knee-length britches, white stockings, and black shoes with silver buckles. His other hand is planted against his hip, and one ankle is crossed in front of the other. A vanity draped with a white cloth sits on the far side of the woman and girl, along the left edge of the painting. It holds gold and glass vessels and boxes, and a rounded mirror at the back is draped with dark pink cloth. The lower half of a window behind the vanity is covered by a white cloth, and the panes continue beyond the top of the canvas. A teal-blue curtain hangs along the right edge of the window, at the corner of the room. A clock with a gold case of swirling, carved designs hangs high on the peanut-brown wall behind the man. On the floor near the chair, blue and white striped tissue paper, a rose-pink ribbon, and a strand of pearls drape over the edges of an open box. Writing along the front edge of the lid of the box reads, “Fs. Drouais. Ce 1 avril. 1756.” A pink rose lies near the girl’s feet, to our left.",{"_294":545,"_296":546,"_298":547},"https://img.ochreeditions.com/m/1478.jpg?dl=1","/art/family-portrait-nga-32682","/galleries/style/french-eighteenth-century/family-portrait-nga-32682",{"_290":371,"_292":372},{"_223":540,"_125":541,"_284":542},{"_274":536,"_276":537,"_278":538,"_280":539},205.1953125,255,190.1953125,240,{"_286":223,"_123":543,"_154":544,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francois-hubert-drouais","François Hubert Drouais's contemporaries","https://img.ochreeditions.com/a/1478/480.jpg","https://img.ochreeditions.com/a/1478/960.jpg","https://img.ochreeditions.com/a/1478/1920.jpg",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#5c6e6e",0.0846,"#1f342f",0.132,"#a09685",0.1513,"#261a12",0.2653,"#4d3c29",0.3668,"François Hubert Drouais","francois-hubert-drouais","French, 1727–1775",1727,1775,"study-of-a-shepherd-cma-149290","Study of a Shepherd","Unrecorded French maker","1700s",17,"oil on paper, mounted on board","Framed: 64 x 52.5 x 4.5 cm (25 3/16 x 20 11/16 x 1 3/4 in.); Unframed: 54 x 42.5 cm (21 1/4 x 16 3/4 in.)",42.5,54,0.7844117647058824,[615,616,617,618,619],{"_219":611,"_220":612,"_42":613,"_303":614},"Courtesy of the Cleveland Museum of Art","1978.125","An unrecorded France artist painted this in the 1700s. It is now at the Cleveland Museum of Art.",{"_118":608,"_609":610},"Study of a Shepherd, 1700s",{"_294":605,"_296":606,"_298":607},"https://img.ochreeditions.com/m/705.jpg?dl=1","/art/study-of-a-shepherd-cma-149290","/galleries/style/french-eighteenth-century/study-of-a-shepherd-cma-149290",{"_290":371,"_292":372},{"_223":595,"_125":596,"_284":597},{"_274":592,"_276":593,"_278":594,"_280":576},57.35823529411765,69,42.35823529411765,{"_286":223,"_123":603,"_154":604,"_140":87},{"_286":125,"_123":601,"_154":602,"_140":368},{"_286":284,"_123":598,"_154":599,"_140":600},"era/17-france","17th-century France",30,"style/painting-17","More paintings of the 17th century","artist/unrecorded-france","More by unrecorded makers of France","https://img.ochreeditions.com/a/705/480.jpg","https://img.ochreeditions.com/a/705/960.jpg","https://img.ochreeditions.com/a/705/1920.jpg","The attribution of this unsigned painting remains unsettled and may be by a French or Italian artist. Among the names proposed have been Joseph-Marie Vien the Elder and Hugues Taraval.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":628,"_312":629},{"_310":626,"_312":627},{"_310":624,"_312":625},{"_310":622,"_312":623},{"_310":620,"_312":621},"#a87249",0.0481,"#734325",0.0594,"#5a4127",0.1994,"#291d12",0.2919,"#422f1e",0.4012,"mezzetin-met-437926","Mezzetin",{"_42":677,"_220":678,"_324":679,"_326":327,"_328":680,"_330":681,"_332":682,"_333":683,"_334":684,"_140":97},"ca. 1718–20","21 3/4 x 17 in. (55.2 x 43.2 cm)",43.2,55.2,0.7867494824016563,[662,663,664,665,666],{"_219":376,"_220":377,"_42":378,"_303":379},"34.138","Antoine Watteau painted this in about 1718–20, aged about 34. It is now at The Met in New York.","Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. Behind him a stone statue of a woman turns her back, an ironic reply to his lovesick serenade.","Mezzetin, by Antoine Watteau, ca. 1718–20",{"_294":659,"_296":660,"_298":661},"https://img.ochreeditions.com/m/1176.jpg?dl=1","/art/mezzetin-met-437926","/galleries/style/french-eighteenth-century/mezzetin-met-437926",{"_290":371,"_292":372},{"_223":654,"_125":655,"_284":656},{"_274":651,"_276":652,"_278":653,"_280":636},58.42857142857143,70.2,43.42857142857143,{"_286":223,"_123":657,"_154":658,"_140":97},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/antoine-watteau","More by Antoine Watteau","https://img.ochreeditions.com/a/1176/480.jpg","https://img.ochreeditions.com/a/1176/960.jpg","https://img.ochreeditions.com/a/1176/1920.jpg",{"_310":675,"_312":676},{"_310":673,"_312":674},{"_310":671,"_312":672},{"_310":669,"_312":670},{"_310":667,"_312":668},"#958565",0.0844,"#765032",0.1184,"#5e5837",0.1853,"#3d3e2a",0.2978,"#342a1d",0.3141,"Antoine Watteau","antoine-watteau","French, 1684–1721",1684,1721,"Valenciennes","Nogent-sur-Marne","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","study-of-a-groom-aic-29903","Study of a Groom",{"_42":395,"_220":396,"_324":397,"_326":327,"_328":398,"_330":399,"_332":400,"_333":401,"_334":402,"_140":99},"c. 1760","watercolour","Drawing and Watercolor","Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper","50.7 × 29.4 cm (20 × 11 5/8 in.)",29,50,0.5963445949347969,[719,720,721,722,723],{"_219":300,"_220":301,"_42":302,"_303":304},"1968.461","Jean Baptiste Greuze painted this in about 1760, aged about 30. It is now at the Art Institute of Chicago.","A work made of black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper.",{"_294":716,"_296":717,"_298":718},"https://img.ochreeditions.com/m/123.jpg?dl=1","/art/study-of-a-groom-aic-29903","/galleries/style/french-eighteenth-century/study-of-a-groom-aic-29903",{"_290":291,"_292":293},{"_223":711,"_125":712,"_284":713},{"_274":708,"_276":709,"_278":710,"_280":694},53.81722974673984,74,29.817229746739844,{"_286":223,"_123":369,"_154":370,"_140":99},{"_286":125,"_123":714,"_154":715,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/123/480.jpg","https://img.ochreeditions.com/a/123/960.jpg","https://img.ochreeditions.com/a/123/1920.jpg",{"_310":732,"_312":733},{"_310":730,"_312":731},{"_310":728,"_312":729},{"_310":726,"_312":727},{"_310":724,"_312":725},"#6f5d4c",0.0569,"#927c64",0.111,"#ae967a",0.1675,"#c1aa8d",0.2408,"#d7bf9f",0.4238,"the-toilette-of-venus-met-435739","The Toilette of Venus",{"_42":781,"_220":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":401,"_333":401,"_334":786,"_140":93},"1751","42 5/8 x 33 1/2 in. (108.3 x 85.1 cm)",85.1,108.3,0.7891566265060241,[766,767,768,769,770],{"_219":376,"_220":377,"_42":378,"_303":379},"20.155.9","François Boucher painted this in 1751, aged 48. It is now at The Met in New York.","Venus reclines on a bank of silk and cushions while cupids attend to her hair and jewels. Boucher, the favourite painter of Madame de Pompadour, made this canvas in 1751, and it is generally thought to have been painted for her château at Bellevue.","The Toilette of Venus, by François Boucher, 1751",{"_294":763,"_296":764,"_298":765},"https://img.ochreeditions.com/m/1064.jpg?dl=1","/art/the-toilette-of-venus-met-435739","/galleries/style/french-eighteenth-century/the-toilette-of-venus-met-435739",{"_290":371,"_292":372},{"_223":758,"_125":759,"_284":760},{"_274":755,"_276":756,"_278":757,"_280":740},100.46566265060241,123.3,85.46566265060241,{"_286":223,"_123":761,"_154":762,"_140":93},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1064/480.jpg","https://img.ochreeditions.com/a/1064/960.jpg","https://img.ochreeditions.com/a/1064/1920.jpg",{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},{"_310":771,"_312":772},"#b7aa98",0.1028,"#84725e",0.1488,"#576d66",0.2253,"#55493a",0.2294,"#374640",0.2937,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","Are They Thinking about the Grape? (Pensent-ils au raisin?)",{"_42":781,"_220":782,"_324":783,"_326":327,"_328":784,"_330":785,"_332":401,"_333":401,"_334":786,"_140":93},"1747","Oval: 80.8 × 68.5 cm (31 3/4 × 27 in.); Framed: 96.6 × 84.5 × 11.5 cm (38 × 33 1/4 × 4 1/2 in.)",68,80,0.8520552799433027,[819,820,821,822,823],{"_219":300,"_220":301,"_42":302,"_303":304},"1973.304","François Boucher painted this in 1747, aged 44. It is now at the Art Institute of Chicago.",{"_118":817,"_609":818},"A work made of oil on canvas.",{"_294":814,"_296":815,"_298":816},"https://img.ochreeditions.com/m/149.jpg?dl=1","/art/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","/galleries/style/french-eighteenth-century/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742",{"_290":371,"_292":372},{"_223":811,"_125":812,"_284":813},{"_274":808,"_276":809,"_278":810,"_280":793},83.16442239546421,95,68.16442239546421,{"_286":223,"_123":761,"_154":762,"_140":93},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/149/480.jpg","https://img.ochreeditions.com/a/149/960.jpg","https://img.ochreeditions.com/a/149/1920.jpg","This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste.","Text from the Art Institute of Chicago.",{"_310":832,"_312":833},{"_310":830,"_312":831},{"_310":828,"_312":829},{"_310":826,"_312":827},{"_310":824,"_312":825},"#70513c",0.1432,"#97a8a4",0.1568,"#536851",0.1673,"#fcfcfc",0.2466,"#1d312a",0.2861,"portrait-of-the-marquise-d-aguirandes-cma-122341","Portrait of the Marquise d'Aguirandes",{"_42":563,"_220":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1759","Framed: 138.6 x 111.9 x 13.7 cm (54 9/16 x 44 1/16 x 5 3/8 in.); Unframed: 101 x 85.6 cm (39 3/4 x 33 11/16 in.)",85.6,101,0.8085294117647058,[865,866,867,868,869],{"_219":611,"_220":612,"_42":613,"_303":614},"1942.638","François Hubert Drouais painted this in 1759, aged 32. It is now at the Cleveland Museum of Art.",{"_118":864,"_609":610},"Portrait of the Marquise d'Aguirandes, by François Hubert Drouais, 1759",{"_294":861,"_296":862,"_298":863},"https://img.ochreeditions.com/m/551.jpg?dl=1","/art/portrait-of-the-marquise-d-aguirandes-cma-122341","/galleries/style/french-eighteenth-century/portrait-of-the-marquise-d-aguirandes-cma-122341",{"_290":371,"_292":372},{"_223":858,"_125":859,"_284":860},{"_274":855,"_276":856,"_278":857,"_280":840},96.66147058823529,116,81.66147058823529,{"_286":223,"_123":543,"_154":544,"_140":89},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/551/480.jpg","https://img.ochreeditions.com/a/551/960.jpg","https://img.ochreeditions.com/a/551/1920.jpg","Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects.",{"_310":878,"_312":879},{"_310":876,"_312":877},{"_310":874,"_312":875},{"_310":872,"_312":873},{"_310":870,"_312":871},"#a69b80",0.0493,"#796e54",0.1145,"#584932",0.1764,"#392f21",0.2921,"#1e1e14",0.3677,"seated-woman-met-459192","Seated Woman",{"_42":677,"_220":678,"_324":679,"_326":327,"_328":680,"_330":681,"_332":682,"_333":683,"_334":684,"_140":97},"1716–17","Drawings","Black, red and white chalk","9 7/16 x 5 7/16 in. (24 x 13.8 cm)",13.8,24,0.6601138127263321,[910,911,912,913,914],{"_219":376,"_220":377,"_42":378,"_303":379},"1975.1.763","Antoine Watteau drew this in 1716–17, aged about 32. It is now at The Met in New York.","Seated Woman, by Antoine Watteau, 1716–17",{"_294":907,"_296":908,"_298":909},"https://img.ochreeditions.com/m/1270.jpg?dl=1","/art/seated-woman-met-459192","/galleries/style/french-eighteenth-century/seated-woman-met-459192",{"_290":291,"_292":293},{"_223":904,"_125":905,"_284":906},{"_274":902,"_276":427,"_278":903,"_280":429},40.5028453181583,16.5028453181583,{"_286":223,"_123":657,"_154":658,"_140":97},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1270/480.jpg","https://img.ochreeditions.com/a/1270/960.jpg","https://img.ochreeditions.com/a/1270/1920.jpg",{"_310":923,"_312":924},{"_310":921,"_312":922},{"_310":919,"_312":920},{"_310":917,"_312":918},{"_310":915,"_312":916},"#cfcbbd",0.0551,"#c0a06b",0.1079,"#c4ab91",0.1815,"#9b8e72",0.2582,"#c19a78",0.3973,"arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727","Arches of the Larger Baths at Hadrian's Villa",{"_42":971,"_220":972,"_324":973,"_326":327,"_328":974,"_330":975,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1748","black chalk and white chalk with stumping on light brown laid paper, with later framing line in brown ink","overall: 30.5 x 47.5 cm (12 x 18 11/16 in.)",47.5,30.5,1.5450773293096944,[957,958,959,960,961],{"_219":441,"_220":442,"_42":443,"_303":444},"1999.19.2","Charles Michel-Ange Challe drew this in about 1748, aged 30. It is now at the National Gallery of Art in Washington, DC.","The image shows an ancient ruin with arches and crumbling stonework surrounded by overgrown vegetation. The horizon is slightly elevated, emphasizing the towering remnants of the architecture. Expressive brushstrokes and textures are notable, especially in the vines and leaves on the stone. The color palette is subdued, mainly earthy tones and black, creating contrast and suggesting openings into the distance, enhancing the old, abandoned feel of the ruins.",{"_294":954,"_296":955,"_298":956},"https://img.ochreeditions.com/m/1644.jpg?dl=1","/art/arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727","/galleries/style/french-eighteenth-century/arches-of-the-larger-baths-at-hadrian-s-villa-nga-109727",{"_290":291,"_292":293},{"_223":949,"_125":950,"_284":951},{"_274":946,"_276":947,"_278":931,"_280":948},71.5,54.7427978515625,30.7427978515625,{"_286":223,"_123":952,"_154":953,"_140":89},{"_286":125,"_123":433,"_154":434,"_140":435},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-michel-ange-challe","Charles Michel-Ange Challe's contemporaries","https://img.ochreeditions.com/a/1644/480.jpg","https://img.ochreeditions.com/a/1644/960.jpg","https://img.ochreeditions.com/a/1644/1920.jpg",{"_310":969,"_312":970},{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":964,"_312":558},{"_310":962,"_312":963},"#9e917e",0.1296,"#c1b29a","#544f48",0.2046,"#6d6558",0.2561,"#837969",0.2584,"Charles Michel-Ange Challe","charles-michel-ange-challe","French, 1718–1778",1718,1778,"hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","Hercules Raising his Club: Study for “Hercules and Cacus”",{"_42":1023,"_220":1024,"_324":1025,"_326":327,"_328":1026,"_330":1027,"_332":-5,"_333":-5,"_334":-5,"_140":99},"1717","Black chalk, with white chalk, on buff laid paper, laid down on laid paper","41 × 24.7 cm (16 3/16 × 9 3/4 in.)",41,0.6067853170189099,[1008,1009,1010,1011,1012],{"_219":300,"_220":301,"_42":302,"_303":304},"2019.880","François Le Moyne painted this in 1717, aged 29. It is now at the Art Institute of Chicago.","Hercules swings his club high, his muscular body modelled in black chalk with white highlights on buff paper.","A work made of black chalk, with white chalk, on buff laid paper, laid down on laid paper.",{"_294":1005,"_296":1006,"_298":1007},"https://img.ochreeditions.com/m/377.jpg?dl=1","/art/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","/galleries/style/french-eighteenth-century/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310",{"_290":291,"_292":293},{"_223":1000,"_125":1001,"_284":1002},{"_274":997,"_276":998,"_278":999,"_280":982},48.8781979977753,65,24.878197997775306,{"_286":223,"_123":1003,"_154":1004,"_140":99},{"_286":125,"_123":714,"_154":715,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/francois-le-moyne","More by François Le Moyne","https://img.ochreeditions.com/a/377/480.jpg","https://img.ochreeditions.com/a/377/960.jpg","https://img.ochreeditions.com/a/377/1920.jpg",{"_310":1021,"_312":1022},{"_310":1019,"_312":1020},{"_310":1017,"_312":1018},{"_310":1015,"_312":1016},{"_310":1013,"_312":1014},"#695d52",0.0353,"#817263",0.0817,"#b9a58d",0.0849,"#998673",0.1362,"#ac957e",0.6619,"François Le Moyne","francois-le-moyne","French, 1688–1737",1688,1737,"the-old-savoyard-aic-20432","The Old Savoyard",{"_42":677,"_220":678,"_324":679,"_326":327,"_328":680,"_330":681,"_332":682,"_333":683,"_334":684,"_140":97},"c. 1715","Red and black chalk on cream laid paper","35.9 × 22.1 cm (14 3/16 × 8 3/4 in.)",22,0.6095143706640238,[1058,1059,1060,1061,1062],{"_219":300,"_220":301,"_42":302,"_303":304},"1964.74","Antoine Watteau painted this in about 1715, aged about 26. It is now at the Art Institute of Chicago.","An elderly, bearded man carries a crate and pack on his back, sketched from life in red and black chalk. He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_294":1055,"_296":1056,"_298":1057},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_290":291,"_292":293},{"_223":1052,"_125":1053,"_284":1054},{"_274":1049,"_276":1050,"_278":1051,"_280":138},45.33300297324084,59,21.333002973240834,{"_286":223,"_123":657,"_154":658,"_140":97},{"_286":125,"_123":714,"_154":715,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg",{"_310":1071,"_312":1072},{"_310":1069,"_312":1070},{"_310":1067,"_312":1068},{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,"the-white-tablecloth-aic-51577","The White Tablecloth",{"_42":1118,"_220":1119,"_324":1120,"_326":327,"_328":1121,"_330":1122,"_332":401,"_333":401,"_334":1123,"_140":99},"c. 1731–32","96.8 × 123.5 cm (38 1/8 × 48 5/16 in.); Framed: 126.7 × 154.4 × 14 cm (49 7/8 × 60 3/4 × 5 1/2 in.)",96,1.2933452700686363,[1103,1104,1105,1106,1107],{"_219":300,"_220":301,"_42":302,"_303":304},"1944.699","Jean Siméon Chardin painted this in about 1731–32, aged about 32. It is now at the Art Institute of Chicago.","A white cloth is thrown over a small table set with simple things, among them bread and a glass of wine, as if a meal has just been left.",{"_294":1100,"_296":1101,"_298":1102},"https://img.ochreeditions.com/m/163.jpg?dl=1","/art/the-white-tablecloth-aic-51577","/galleries/style/french-eighteenth-century/the-white-tablecloth-aic-51577",{"_290":371,"_292":372},{"_223":1095,"_125":1096,"_284":1097},{"_274":1092,"_276":1093,"_278":190,"_280":1094},138,110.10221504383941,95.10221504383941,{"_286":223,"_123":1098,"_154":1099,"_140":99},{"_286":125,"_123":366,"_154":367,"_140":368},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/163/480.jpg","https://img.ochreeditions.com/a/163/960.jpg","https://img.ochreeditions.com/a/163/1920.jpg",{"_310":1116,"_312":1117},{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},"#736955",0.0695,"#9d9a89",0.0989,"#bebfb5",0.1502,"#4e3d2c",0.3227,"#2e2820",0.3587,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.",{"_1125":-5,"_1126":1127,"_1128":1129,"_1130":8,"_1131":1132,"_1133":8},"user","csrf","eb563118aa292688f4fcc73e093ec5b567d9ff72","cartCount",0,"dropLive","legal",[1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145],"uploadsEnabled",{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},{"_220":1160,"_20":1161},{"_220":1158,"_20":1159},{"_220":1156,"_20":1157},{"_220":1154,"_20":1155},{"_220":1152,"_20":1153},{"_220":1150,"_20":1151},{"_220":1148,"_20":1149},{"_220":1146,"_20":1147},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]