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His shirt has long, voluminous sleeves and a row of small white buttons down the front. The pants are baggy and end abruptly above his white-stockinged ankles over white slippers. The fabric seems to have a sheen. In the shallow space behind him, a stone wall curves toward us to either side of a doorway that leads to a park-like setting. A crimson-red curtain is pulled to our right. Pierrot stands on the top of two steps, and the people to either side are arranged along the stage or the step that runs close to the bottom edge of the canvas. A spray of white flowers drapes down the front of the steps to our right of center. The group to our left has eight men, women, and children. Closest to us and in the lower left corner, a young man wearing a tomato-red jester’s costume trimmed with bells sits on the steps as he twists and looks back at the scene behind him. He holds a scepter or puppet in the shape of a doll-like jester. Two children gather at his feet. One weaves stems of white flowers together, and the other looks at us, smiling. Just above them another cleanshaven young man sits holding a lute in his lap. He wears a brick-red coat, brown breeches, and slate-blue stockings over crossed legs. He leans back and looks up and to our left, his round cheeks flushed. At the back of this group, two people wear tan-colored costumes covered in muted green and pink diamond shapes, and one might wear a brown mask. That person’s pink lips, black mustache and eyebrows, and black dots for eyes appear painted onto a hard, molded surface. The group of six people to our right stand on the same level as Pierrot. At the front of that group, a heavyset young man wears a gold-colored costume trimmed with black and a waist-length, Wedgewood-blue cape. He faces us but looks to our right as he leans back with one arm extended toward Pierrot. Beyond him are two woman and another person shown only from the neck up. The woman closest to Pierrot wears a pewter-gray gown with a scooped neckline. To the right of the man in gold is an old man with a long beard, wearing a black skullcap and cloak. He leans on a short staff and turns his head to look at the group. The last person on the far right is shown from the neck up and stands before the red curtain hanging from the upper right.","images",{"_294":295,"_296":297,"_298":299},"download_url","https://img.ochreeditions.com/m/1481.jpg?dl=1","page_url","/art/the-italian-comedians-nga-32687","walk_url","/galleries/style/french-eighteenth-century/the-italian-comedians-nga-32687","frame",{"_290":291,"_292":293},{"_223":282,"_125":283,"_284":285},"size",{"_275":276,"_277":278,"_279":242,"_280":281},"w",91.2,"h",78.21474609375001,"image_w","image_h",63.21474609375001,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},"era",{"_286":284,"_123":166,"_154":165,"_140":168},"facet","style/painting-18","More paintings of the 18th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/1481/480.jpg","960","https://img.ochreeditions.com/a/1481/960.jpg","1920","https://img.ochreeditions.com/a/1481/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","city","Washington, DC",{"_310":320,"_312":321},{"_310":318,"_312":319},{"_310":316,"_312":317},{"_310":314,"_312":315},{"_310":311,"_312":313},"hex","#d6bea3","weight",0.0525,"#917355",0.1565,"#7e3f17",0.1934,"#33281b",0.2535,"#594a36",0.3441,"Antoine Watteau","antoine-watteau","bio","French, 1684–1721","nationality","French","birth_year",1684,"death_year",1721,"birth_place","Valenciennes","death_place","Nogent-sur-Marne","about_excerpt","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27","Figures from Sistine Chapel ceiling",{"_42":399,"_220":400,"_324":327,"_326":327,"_328":-5,"_330":401,"_332":-5,"_334":-5,"_336":-5,"_140":103},"ca. 1759–70","drawing","Drawing","Red chalk on paper",0.6816335740072202,[384,385,386,387,388],{"_219":380,"_220":381,"_42":382,"_303":383},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1977-110-1-27","Jean-Robert Ango drew this in about 1759–70. 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The lower figure is directly above and to the right of the Jesse spandrel.","source","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution","New York",{"_310":397,"_312":398},{"_310":395,"_312":396},{"_310":393,"_312":394},{"_310":391,"_312":392},{"_310":389,"_312":390},"#efc0a9",0.071,"#c0a886",0.1087,"#ebcfbb",0.1726,"#f2dccb",0.2315,"#f3e7d9",0.4162,"Jean-Robert Ango","jean-robert-ango",1773,"le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":454,"_220":455,"_324":456,"_326":327,"_328":331,"_330":457,"_332":-5,"_334":-5,"_336":-5,"_140":103},"in or after 1756","print","Print","etching on laid paper","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[439,440,441,442,443],{"_219":300,"_220":301,"_42":302,"_303":304},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_294":436,"_296":437,"_298":438},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/french-eighteenth-century/le-duel-the-duel-nga-45777",{"_290":372,"_292":373},{"_223":428,"_125":429,"_284":430},{"_275":425,"_277":426,"_279":427,"_280":411},47.831030273437506,57.1,23.831030273437502,{"_286":223,"_123":434,"_154":435,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_310":452,"_312":453},{"_310":450,"_312":451},{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599",0.1664,"#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1786,"are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","Are They Thinking about the Grape? (Pensent-ils au raisin?)",{"_42":513,"_220":514,"_324":515,"_326":327,"_328":516,"_330":517,"_332":518,"_334":518,"_336":519,"_140":93},"1747","Oil on canvas","Oval: 80.8 × 68.5 cm (31 3/4 × 27 in.); Framed: 96.6 × 84.5 × 11.5 cm (38 × 33 1/4 × 4 1/2 in.)",68,80,0.8520552799433027,[498,499,500,501,502],{"_219":494,"_220":495,"_42":496,"_303":497},"Courtesy of the Art Institute of Chicago","1973.304","François Boucher painted this in 1747, aged 44. It is now at the Art Institute of Chicago.",{"_118":492,"_378":493},"A work made of oil on canvas.",{"_294":489,"_296":490,"_298":491},"https://img.ochreeditions.com/m/149.jpg?dl=1","/art/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","/galleries/style/french-eighteenth-century/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742",{"_290":291,"_292":293},{"_223":484,"_125":485,"_284":486},{"_275":481,"_277":482,"_279":483,"_280":465},83.16442239546421,95,68.16442239546421,{"_286":223,"_123":487,"_154":488,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/149/480.jpg","https://img.ochreeditions.com/a/149/960.jpg","https://img.ochreeditions.com/a/149/1920.jpg","This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste.","Text from the Art Institute of Chicago.","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":511,"_312":512},{"_310":509,"_312":510},{"_310":507,"_312":508},{"_310":505,"_312":506},{"_310":503,"_312":504},"#70513c",0.1432,"#97a8a4",0.1568,"#536851",0.1673,"#fcfcfc",0.2466,"#1d312a",0.2861,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Paris","Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","le-lion-the-lion-nga-55520","Le lion (The Lion)",{"_42":563,"_220":564,"_324":565,"_326":327,"_328":566,"_330":567,"_332":-5,"_334":-5,"_336":-5,"_140":103},"published 1759","hand-colored etching",0.7333984375,[548,549,550,551,552],{"_219":300,"_220":301,"_42":302,"_303":304},"1975.81.11","A.-J. de Fehrt made this (published 1759), aged 36. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a lion in a forested rocky landscape. The lion is seen standing over a defeated animal. In the background, a forest with dense trees frames the scene. One monkey is visible among the rocks watching the lion. The setting conveys a wild, rugged terrain with rocky formations and scattered vegetation. Light and shadow emphasize textures in the lion's mane and the surrounding rocks. The composition focuses on the lion and its prey.",{"_294":545,"_296":546,"_298":547},"https://img.ochreeditions.com/m/1575.jpg?dl=1","/art/le-lion-the-lion-nga-55520","/galleries/style/french-eighteenth-century/le-lion-the-lion-nga-55520",{"_290":372,"_292":373},{"_223":540,"_125":541,"_284":542},{"_275":538,"_277":361,"_279":539,"_280":363},68.00390625,44.00390625,{"_286":223,"_123":543,"_154":544,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-a-j-de-fehrt","A.-J. de Fehrt's contemporaries","https://img.ochreeditions.com/a/1575/480.jpg","https://img.ochreeditions.com/a/1575/960.jpg","https://img.ochreeditions.com/a/1575/1920.jpg",{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},{"_310":553,"_312":554},"#e3d2b1",0.1356,"#6a6151",0.1689,"#d6ac6e",0.1809,"#aa9d7a",0.2254,"#857e63",0.2892,"A.-J. de Fehrt","a-j-de-fehrt","French, 1723–1774",1723,1774,"le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527","Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit)",{"_42":610,"_220":611,"_324":612,"_326":327,"_328":613,"_330":614,"_332":-5,"_334":-5,"_336":-5,"_140":103},"published 1756",0.7255859375,[595,596,597,598,599],{"_219":300,"_220":301,"_42":302,"_303":304},"1975.81.18","Martin Marvie made this (published 1756), aged 43. It is now at the National Gallery of Art in Washington, DC.","This is a painting of animals in front of a ruined structure. The painting features a cat, a weasel, and a small rabbit gathered on a patch of grass. The cat has its paw over the rabbit, with the weasel observing. They are in front of an ancient stone structure surrounded by vegetation. In the background are trees against a sky. The foreground has detailed foliage and flowers.",{"_294":592,"_296":593,"_298":594},"https://img.ochreeditions.com/m/1577.jpg?dl=1","/art/le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527","/galleries/style/french-eighteenth-century/le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527",{"_290":372,"_292":373},{"_223":587,"_125":588,"_284":589},{"_275":585,"_277":361,"_279":586,"_280":363},67.53515625,43.53515625,{"_286":223,"_123":590,"_154":591,"_140":89},{"_286":125,"_123":431,"_154":432,"_140":433},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-martin-marvie","Martin Marvie's contemporaries","https://img.ochreeditions.com/a/1577/480.jpg","https://img.ochreeditions.com/a/1577/960.jpg","https://img.ochreeditions.com/a/1577/1920.jpg",{"_310":608,"_312":609},{"_310":606,"_312":607},{"_310":604,"_312":605},{"_310":602,"_312":603},{"_310":600,"_312":601},"#615a4d",0.1365,"#cdae7b",0.1841,"#837a63",0.2116,"#d5c9ab",0.2245,"#a79b7c",0.2433,"Martin Marvie","martin-marvie","French, 1713–1813",1713,1813,"seated-woman-met-459192","Seated Woman",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"1716–17","Drawings","Black, red and white chalk","9 7/16 x 5 7/16 in. (24 x 13.8 cm)",13.8,24,0.6601138127263321,[651,652,653,654,655],{"_219":648,"_220":649,"_42":650,"_303":383},"Courtesy of The Metropolitan Museum of Art","1975.1.763","Antoine Watteau drew this in 1716–17, aged about 32. It is now at The Met in New York.","Seated Woman, by Antoine Watteau, 1716–17",{"_294":645,"_296":646,"_298":647},"https://img.ochreeditions.com/m/1270.jpg?dl=1","/art/seated-woman-met-459192","/galleries/style/french-eighteenth-century/seated-woman-met-459192",{"_290":372,"_292":373},{"_223":642,"_125":643,"_284":644},{"_275":638,"_277":639,"_279":640,"_280":641},40.5028453181583,49,16.5028453181583,25,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1270/480.jpg","https://img.ochreeditions.com/a/1270/960.jpg","https://img.ochreeditions.com/a/1270/1920.jpg","met","the-met","The Metropolitan Museum of Art",{"_310":664,"_312":665},{"_310":662,"_312":663},{"_310":660,"_312":661},{"_310":658,"_312":659},{"_310":656,"_312":657},"#cfcbbd",0.0551,"#c0a06b",0.1079,"#c4ab91",0.1815,"#9b8e72",0.2582,"#c19a78",0.3973,"portrait-of-the-marquise-d-aguirandes-cma-122341","Portrait of the Marquise d'Aguirandes",{"_42":720,"_220":721,"_324":722,"_326":327,"_328":723,"_330":724,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1759","Framed: 138.6 x 111.9 x 13.7 cm (54 9/16 x 44 1/16 x 5 3/8 in.); Unframed: 101 x 85.6 cm (39 3/4 x 33 11/16 in.)",85.6,101,0.8085294117647058,[705,706,707,708,709],{"_219":701,"_220":702,"_42":703,"_303":704},"Courtesy of the Cleveland Museum of Art","1942.638","François Hubert Drouais painted this in 1759, aged 32. It is now at the Cleveland Museum of Art.",{"_118":699,"_378":700},"Portrait of the Marquise d'Aguirandes, by François Hubert Drouais, 1759",{"_294":696,"_296":697,"_298":698},"https://img.ochreeditions.com/m/551.jpg?dl=1","/art/portrait-of-the-marquise-d-aguirandes-cma-122341","/galleries/style/french-eighteenth-century/portrait-of-the-marquise-d-aguirandes-cma-122341",{"_290":291,"_292":293},{"_223":691,"_125":692,"_284":693},{"_275":688,"_277":689,"_279":690,"_280":672},96.66147058823529,116,81.66147058823529,{"_286":223,"_123":694,"_154":695,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francois-hubert-drouais","François Hubert Drouais's contemporaries","https://img.ochreeditions.com/a/551/480.jpg","https://img.ochreeditions.com/a/551/960.jpg","https://img.ochreeditions.com/a/551/1920.jpg","Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":718,"_312":719},{"_310":716,"_312":717},{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},"#a69b80",0.0493,"#796e54",0.1145,"#584932",0.1764,"#392f21",0.2921,"#1e1e14",0.3677,"François Hubert Drouais","francois-hubert-drouais","French, 1727–1775",1727,1775,"the-old-savoyard-aic-20432","The Old Savoyard",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"c. 1715","watercolour","Drawing and Watercolor","Red and black chalk on cream laid paper","35.9 × 22.1 cm (14 3/16 × 8 3/4 in.)",22,0.6095143706640238,[759,760,761,762,763],{"_219":494,"_220":495,"_42":496,"_303":497},"1964.74","Antoine Watteau painted this in about 1715, aged about 26. It is now at the Art Institute of Chicago.","An elderly, bearded man carries a crate and pack on his back, sketched from life in red and black chalk. He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_294":756,"_296":757,"_298":758},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_290":372,"_292":373},{"_223":751,"_125":752,"_284":753},{"_275":748,"_277":749,"_279":750,"_280":138},45.33300297324084,59,21.333002973240834,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":754,"_154":755,"_140":53},{"_286":284,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg",{"_310":772,"_312":773},{"_310":770,"_312":771},{"_310":768,"_312":769},{"_310":766,"_312":767},{"_310":764,"_312":765},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,"ange-laurent-de-la-live-de-jully-nga-32686","Ange Laurent de La Live de Jully",{"_42":821,"_220":822,"_324":823,"_326":327,"_328":824,"_330":825,"_332":826,"_334":518,"_336":827,"_140":99},"probably 1759","overall: 117 x 88.5 cm (46 1/16 x 34 13/16 in.) framed: 161.9 x 121.9 cm (63 3/4 x 48 in.)",88.5,117,0.757568359375,[806,807,808,809,810],{"_219":300,"_220":301,"_42":302,"_303":304},"1946.7.8","Jean Baptiste Greuze painted this (probably 1759), aged 34. It is now at the National Gallery of Art in Washington, DC.","The collector Ange Laurent de La Live de Jully sits at his harp in a loose white shirt and rose-pink breeches, turning from the strings to smile at us, in a room furnished with a gilded chair and a table of books, portfolios and a statuette.","A pale-skinned man sits facing our left as he plays a harp while turning his face to smile at us in this vertical portrait painting. He looks out the corners of his light blue eyes under arched, gray brows. He has a rounded nose, pale pink lips, and a round face. Gray hair is brushed back from his high forehead and curls around his ears. His long fingers rest on the strings of the harp, and the ends of strings curl like wind-loosened strands of hair along the top edge. The man wears a pale mauve-purple cravat, and his snow-white, long-sleeved chemise is untucked and loose around his thighs. The cuff we see is open and folded back over a bright white shirt edged with lace. His dusky rose-pink breeches are unbuttoned at the knee over white stockings. The square-seated chair on which he sits is carved with garlands and floral patterns, which are gilded gold. The seat itself is topaz blue, and it has a low back. A similarly ornamented and gilded table along the back of the room holds a portfolio and roll of papers, the tooled and gilded spines of books, and a statuette to the right. The pale pinkish-orange statuette shows a woman holding a tablet and wearing a long, loose robe and head covering. Her body angles to our left and she looks off in that direction. The wall behind the table is mottled with smoky shades of gray and tan.",{"_294":803,"_296":804,"_298":805},"https://img.ochreeditions.com/m/1480.jpg?dl=1","/art/ange-laurent-de-la-live-de-jully-nga-32686","/galleries/style/french-eighteenth-century/ange-laurent-de-la-live-de-jully-nga-32686",{"_290":291,"_292":293},{"_223":798,"_125":799,"_284":800},{"_275":795,"_277":796,"_279":797,"_280":780},103.635498046875,132,88.635498046875,{"_286":223,"_123":801,"_154":802,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-greuze","More by Jean Baptiste Greuze","https://img.ochreeditions.com/a/1480/480.jpg","https://img.ochreeditions.com/a/1480/960.jpg","https://img.ochreeditions.com/a/1480/1920.jpg",{"_310":819,"_312":820},{"_310":817,"_312":818},{"_310":815,"_312":816},{"_310":813,"_312":814},{"_310":811,"_312":812},"#b7b2af",0.1217,"#8e807a",0.126,"#605045",0.1738,"#5a341a",0.182,"#382a20",0.3965,"Jean Baptiste Greuze","jean-baptiste-greuze","French, 1725–1805",1725,1805,"Tournus","Greuze rose to fame at the Paris Salon in the later 1750s with moralising scenes of family life, sentimental and theatrical, which the critic Denis Diderot championed. Broken Eggs, shown at the Salon of 1757, tells a story of lost innocence through a single domestic incident.","cupids-in-conspiracy-cma-125950","Cupids in Conspiracy",{"_42":513,"_220":514,"_324":515,"_326":327,"_328":516,"_330":517,"_332":518,"_334":518,"_336":519,"_140":93},"1740s","Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 68.8 x 123.2 cm (27 1/16 x 48 1/2 in.)",123.2,68.8,1.812366737739872,[859,860,861,862,863],{"_219":701,"_220":702,"_42":703,"_303":704},"1948.181.2","François Boucher painted this in the 1740s, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":858,"_378":700},"Cupids in Conspiracy, by François Boucher, 1740s",{"_294":855,"_296":856,"_298":857},"https://img.ochreeditions.com/m/580.jpg?dl=1","/art/cupids-in-conspiracy-cma-125950","/galleries/style/french-eighteenth-century/cupids-in-conspiracy-cma-125950",{"_290":291,"_292":293},{"_223":852,"_125":853,"_284":854},{"_275":849,"_277":850,"_279":833,"_280":851},138.2,82.97741176470589,67.97741176470589,{"_286":223,"_123":487,"_154":488,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/580/480.jpg","https://img.ochreeditions.com/a/580/960.jpg","https://img.ochreeditions.com/a/580/1920.jpg","Along with Music and Dance (1948.181.1), this work is surely part of a series of over-door paintings that would have been installed in a house. However, where the panels were originally installed or who commissioned them remains unknown.",{"_310":872,"_312":873},{"_310":870,"_312":871},{"_310":868,"_312":869},{"_310":866,"_312":867},{"_310":864,"_312":865},"#9da69e",0.1549,"#9c7e66",0.1665,"#706f5f",0.1839,"#39392e",0.2063,"#594f3f",0.2884,"la-camargo-dancing-nga-96","La Camargo Dancing",{"_42":918,"_220":919,"_324":920,"_326":327,"_328":921,"_330":922,"_332":-5,"_334":-5,"_336":-5,"_140":103},"c. 1730","overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.)",106.7,1.4003418803418803,[904,905,906,907,908],{"_219":300,"_220":301,"_42":302,"_303":304},"1937.1.89","Nicolas Lancret painted this in about 1730, aged 40. It is now at the National Gallery of Art in Washington, DC.","Twenty-one men in long waistcoats and women in elegantly trimmed gowns gather and dance within a verdant landscape in this horizontal painting. The men wear jackets and breeches in ginger brown, pale pink, or spruce blue. The women’s gowns have full sleeves, tight-fitting bodices, and full skirts in shades of bronze, teal blue, butterscotch gold, or rich pink edged with ribbons and lace. Some of them wear floral wreaths or ribbons in their upswept hair. Groups gather around a woman and man who dance together to our left in the scene. Some in the group of onlookers to our left hold musical instruments, including a violin and a pipe. Another group is nestled among trees just beyond the dancers, at the center of the painting, and more sit and stand to our right. The dancing woman wears a gleaming, ice-blue gown with rows of flowers in muted pink, blue, and gold down the full skirt and around the bottom hem, which falls short of her thin ankles. More garlands cross her chest and shoulders, and flowers are tucked into her dark gray hair. She faces us with her head turned to our right as she looks off in that direction with dark eyes under curving brows. She has a delicate nose, rosy, round cheeks, and pink lips. She holds her arms spread wide with the thumb touching the index finger of each hand. The man with whom she dances wears a coral-red tunic and breeches with sleeves decorated with pale pink and blue ribbons. The brim of his brown hat is turned up. His body faces us but he turns his head to look at the woman, his lips parted. The man and woman each have one gracefully pointed foot raised. The dancers and groups are enclosed within a park-like setting with tall trees to either side, and a screen of trees across the back of the space. The trees have slender trunks and canopies in shades of pine, sage, and moss green. Near the back middle of the scene, a stone column topped by a human head wearing a wreath of laurel leaves rises above the central group. A fountain with a vertical jet of water is tucked into the shadows within a grove of trees along the right edge of the painting. The water falls into a pool in the lower right corner.",{"_294":901,"_296":902,"_298":903},"https://img.ochreeditions.com/m/1308.jpg?dl=1","/art/la-camargo-dancing-nga-96","/galleries/style/french-eighteenth-century/la-camargo-dancing-nga-96",{"_290":291,"_292":293},{"_223":896,"_125":897,"_284":898},{"_275":893,"_277":894,"_279":879,"_280":895},121.7,91.1956787109375,76.1956787109375,{"_286":223,"_123":899,"_154":900,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-nicolas-lancret","Nicolas Lancret's contemporaries","https://img.ochreeditions.com/a/1308/480.jpg","https://img.ochreeditions.com/a/1308/960.jpg","https://img.ochreeditions.com/a/1308/1920.jpg",{"_310":916,"_312":917},{"_310":915,"_312":317},{"_310":913,"_312":914},{"_310":911,"_312":912},{"_310":909,"_312":910},"#a6a482",0.1135,"#7d775a",0.1375,"#4e3c22",0.1698,"#525035","#2d291a",0.3858,"Nicolas Lancret","nicolas-lancret","French, 1690–1743",1690,1743,"mezzetin-met-437926","Mezzetin",{"_42":322,"_220":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_140":97},"ca. 1718–20","Paintings","21 3/4 x 17 in. (55.2 x 43.2 cm)",43.2,55.2,0.7867494824016563,[954,955,956,957,958],{"_219":648,"_220":649,"_42":650,"_303":383},"34.138","Antoine Watteau painted this in about 1718–20, aged about 34. It is now at The Met in New York.","Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. Behind him a stone statue of a woman turns her back, an ironic reply to his lovesick serenade.","Mezzetin, by Antoine Watteau, ca. 1718–20",{"_294":951,"_296":952,"_298":953},"https://img.ochreeditions.com/m/1176.jpg?dl=1","/art/mezzetin-met-437926","/galleries/style/french-eighteenth-century/mezzetin-met-437926",{"_290":291,"_292":293},{"_223":948,"_125":949,"_284":950},{"_275":945,"_277":946,"_279":947,"_280":930},58.42857142857143,70.2,43.42857142857143,{"_286":223,"_123":170,"_154":169,"_140":97},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1176/480.jpg","https://img.ochreeditions.com/a/1176/960.jpg","https://img.ochreeditions.com/a/1176/1920.jpg",{"_310":967,"_312":968},{"_310":965,"_312":966},{"_310":963,"_312":964},{"_310":961,"_312":962},{"_310":959,"_312":960},"#958565",0.0844,"#765032",0.1184,"#5e5837",0.1853,"#3d3e2a",0.2978,"#342a1d",0.3141,"soap-bubbles-met-435888","Soap Bubbles",{"_42":1016,"_220":1017,"_324":1018,"_326":327,"_328":1019,"_330":1020,"_332":518,"_334":518,"_336":1021,"_140":99},"ca. 1733–34","24 x 24 7/8 in. (61 x 63.2 cm)",63.2,61,1.0344736144258817,[1001,1002,1003,1004,1005],{"_219":648,"_220":649,"_42":650,"_303":383},"49.24","Jean Siméon Chardin painted this in about 1733–34, aged about 34. It is now at The Met in New York.","A young man leans out over a window ledge, carefully blowing a large, glistening bubble through a straw, while a small child peers over the sill to watch; a glass of soapy water stands beside him.","Soap Bubbles, by Jean Siméon Chardin, ca. 1733–34",{"_294":998,"_296":999,"_298":1000},"https://img.ochreeditions.com/m/1074.jpg?dl=1","/art/soap-bubbles-met-435888","/galleries/style/french-eighteenth-century/soap-bubbles-met-435888",{"_290":291,"_292":293},{"_223":993,"_125":994,"_284":995},{"_275":990,"_277":991,"_279":974,"_280":992},78.2,76.09387336580365,61.093873365803645,{"_286":223,"_123":996,"_154":997,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/1074/480.jpg","https://img.ochreeditions.com/a/1074/960.jpg","https://img.ochreeditions.com/a/1074/1920.jpg",{"_310":1014,"_312":1015},{"_310":1012,"_312":1013},{"_310":1010,"_312":1011},{"_310":1008,"_312":1009},{"_310":1006,"_312":1007},"#805837",0.0459,"#503b29",0.1498,"#312416",0.2392,"#1f1a0f",0.2728,"#120e06",0.2923,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.","ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":1067,"_220":1068,"_324":1069,"_326":327,"_328":1070,"_330":1071,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1752/1756","pen and brown ink over black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.690673828125,[1052,1053,1054,1055,1056],{"_219":300,"_220":301,"_42":302,"_303":304},"1999.75.5.b","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_294":1049,"_296":1050,"_298":1051},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_290":372,"_292":373},{"_223":1044,"_125":1045,"_284":1046},{"_275":1042,"_277":639,"_279":1043,"_280":641},41.266845703125,17.266845703125,{"_286":223,"_123":1047,"_154":1048,"_140":89},{"_286":125,"_123":367,"_154":368,"_140":369},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_310":1065,"_312":1066},{"_310":1063,"_312":1064},{"_310":1061,"_312":1062},{"_310":1059,"_312":1060},{"_310":1057,"_312":1058},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,1809,"the-white-tablecloth-aic-51577","The White Tablecloth",{"_42":1016,"_220":1017,"_324":1018,"_326":327,"_328":1019,"_330":1020,"_332":518,"_334":518,"_336":1021,"_140":99},"c. 1731–32","96.8 × 123.5 cm (38 1/8 × 48 5/16 in.); Framed: 126.7 × 154.4 × 14 cm (49 7/8 × 60 3/4 × 5 1/2 in.)",123,96,1.2933452700686363,[1101,1102,1103,1104,1105],{"_219":494,"_220":495,"_42":496,"_303":497},"1944.699","Jean Siméon Chardin painted this in about 1731–32, aged about 32. It is now at the Art Institute of Chicago.","A white cloth is thrown over a small table set with simple things, among them bread and a glass of wine, as if a meal has just been left.",{"_294":1098,"_296":1099,"_298":1100},"https://img.ochreeditions.com/m/163.jpg?dl=1","/art/the-white-tablecloth-aic-51577","/galleries/style/french-eighteenth-century/the-white-tablecloth-aic-51577",{"_290":291,"_292":293},{"_223":1095,"_125":1096,"_284":1097},{"_275":1092,"_277":1093,"_279":1077,"_280":1094},138,110.10221504383941,95.10221504383941,{"_286":223,"_123":996,"_154":997,"_140":99},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/163/480.jpg","https://img.ochreeditions.com/a/163/960.jpg","https://img.ochreeditions.com/a/163/1920.jpg",{"_310":1114,"_312":1115},{"_310":1112,"_312":1113},{"_310":1110,"_312":1111},{"_310":1108,"_312":1109},{"_310":1106,"_312":1107},"#736955",0.0695,"#9d9a89",0.0989,"#bebfb5",0.1502,"#4e3d2c",0.3227,"#2e2820",0.3587,{"_1117":-5,"_1118":1119,"_1120":1121,"_1122":8,"_1123":1124,"_1125":8},"user","csrf","d9782eab1960ac3008eac2e3429c57708351615d","cartCount",0,"dropLive","legal",[1126,1127,1128,1129,1130,1131,1132,1133,1134,1135,1136,1137],"uploadsEnabled",{"_220":1160,"_20":1161},{"_220":1158,"_20":1159},{"_220":1156,"_20":1157},{"_220":1154,"_20":1155},{"_220":1152,"_20":1153},{"_220":1150,"_20":1151},{"_220":1148,"_20":1149},{"_220":1146,"_20":1147},{"_220":1144,"_20":1145},{"_220":1142,"_20":1143},{"_220":1140,"_20":1141},{"_220":1138,"_20":1139},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]