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It is now at the National Gallery of Art in Washington, DC.","A woman sitting in an upholstered chair near a vanity table touches the hair of the little girl leaning against her lap to our left, as a man leans onto the back of her chair to our right in this vertical portrait painting. The people all have pale skin, flushed cheeks, and their pale gray hair is pulled back and curled. Their pink lips curve in slight smiles, and light glinting off of much of the fabric suggests they wear satin or silk. The woman’s body is angled to our left, toward the girl, but she turns her head back to look up over her other shoulder with gray eyes. A voluminous, cream-white cloth drapes over her shoulders and lap, over a bodice covered in lilac-purple bows and ribbons. Her gold satin skirt falls around her feet. The little girl leans onto one arm on the woman’s lap as she turns to look at us with pale blue eyes. The girl’s forget-me-not-blue dress has a fitted bodice, elbow-length sleeves over white cuffs, a long, full skirt, and white ruffles along the collar. The woman holds blue flowers in the girl’s hair, and the girl’s forearm wraps around a bundle of pink and red flowers in the woman’s lap. The chair is upholstered in teal blue and has a gold frame and a row of gold nail heads along the padded back and arm. The man leans one forearm against the back of the chair as he looks down at the girl. In that hand, he holds a folded piece of paper with writing. He wears a loose jacket decorated with gold pagodas, pink and yellow flowers, and spruce-green leaves against a brown background. Foamy white lace falls back from his cuffs and hangs down from the high white collar of his undershirt. He wears brick-red, knee-length britches, white stockings, and black shoes with silver buckles. His other hand is planted against his hip, and one ankle is crossed in front of the other. A vanity draped with a white cloth sits on the far side of the woman and girl, along the left edge of the painting. It holds gold and glass vessels and boxes, and a rounded mirror at the back is draped with dark pink cloth. The lower half of a window behind the vanity is covered by a white cloth, and the panes continue beyond the top of the canvas. A teal-blue curtain hangs along the right edge of the window, at the corner of the room. A clock with a gold case of swirling, carved designs hangs high on the peanut-brown wall behind the man. On the floor near the chair, blue and white striped tissue paper, a rose-pink ribbon, and a strand of pearls drape over the edges of an open box. Writing along the front edge of the lid of the box reads, “Fs. Drouais. Ce 1 avril. 1756.” A pink rose lies near the girl’s feet, to our left.",{"_295":433,"_297":434,"_299":435},"https://img.ochreeditions.com/m/1478.jpg?dl=1","/art/family-portrait-nga-32682","/galleries/style/french-eighteenth-century/family-portrait-nga-32682",{"_291":292,"_293":294},{"_224":428,"_125":429,"_285":430},{"_276":424,"_278":425,"_280":426,"_281":427},205.1953125,255,190.1953125,240,{"_287":224,"_123":431,"_154":432,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francois-hubert-drouais","François Hubert Drouais's contemporaries","https://img.ochreeditions.com/a/1478/480.jpg","https://img.ochreeditions.com/a/1478/960.jpg","https://img.ochreeditions.com/a/1478/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},{"_311":447,"_313":448},{"_311":445,"_313":446},"#5c6e6e",0.0846,"#1f342f",0.132,"#a09685",0.1513,"#261a12",0.2653,"#4d3c29",0.3668,"François Hubert Drouais","francois-hubert-drouais","French, 1727–1775",1727,1775,"les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son)",{"_42":510,"_221":511,"_325":512,"_327":328,"_329":398,"_331":513,"_333":-5,"_335":-5,"_337":-5,"_140":103},"published 1759","print","Print","hand-colored etching",0.72607421875,[495,496,497,498,499],{"_220":436,"_221":437,"_42":438,"_304":439},"1975.81.28","Antoine Radigues made this (published 1759), aged 38. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a classical architectural scene with a bird and multiple individuals. It is done in the style of Jean-Baptiste Oudry. The image includes a large building with stone columns and stairs. A parrot is perched on a tree, catching attention with its colorful feathers. In the foreground, a person in classical clothing appears to be in motion. In the background, a group of people are gathered with varied expressions and gestures directed towards the person in the foreground. The architectural elements and foliage add depth and context to the scene.",{"_295":492,"_297":493,"_299":494},"https://img.ochreeditions.com/m/1579.jpg?dl=1","/art/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","/galleries/style/french-eighteenth-century/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537",{"_291":374,"_293":375},{"_224":484,"_125":485,"_285":486},{"_276":480,"_278":481,"_280":482,"_281":483},67.564453125,84,43.564453125,60,{"_287":224,"_123":490,"_154":491,"_140":89},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-antoine-radigues","Antoine Radigues's contemporaries","https://img.ochreeditions.com/a/1579/480.jpg","https://img.ochreeditions.com/a/1579/960.jpg","https://img.ochreeditions.com/a/1579/1920.jpg",{"_311":508,"_313":509},{"_311":506,"_313":507},{"_311":504,"_313":505},{"_311":502,"_313":503},{"_311":500,"_313":501},"#d8caac",0.1532,"#c7a97c",0.1722,"#645a4d",0.2055,"#827861",0.2306,"#a19477",0.2385,"Antoine Radigues","antoine-radigues","French, 1721–1809",1809,"portrait-of-a-woman-as-diana-cma-122347","Portrait of a Woman as Diana",{"_42":569,"_221":570,"_325":571,"_327":328,"_329":572,"_331":573,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752","Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.)",79.5,100.4,0.805,[554,555,556,557,558],{"_220":550,"_221":551,"_42":552,"_304":553},"Courtesy of the Cleveland Museum of Art","1942.643","Jean-Marc Nattier painted this in 1752, aged 67. It is now at the Cleveland Museum of Art.",{"_118":547,"_548":549},"Portrait of a Woman as Diana, by Jean-Marc Nattier, 1752",{"_295":544,"_297":545,"_299":546},"https://img.ochreeditions.com/m/555.jpg?dl=1","/art/portrait-of-a-woman-as-diana-cma-122347","/galleries/style/french-eighteenth-century/portrait-of-a-woman-as-diana-cma-122347",{"_291":292,"_293":294},{"_224":539,"_125":540,"_285":541},{"_276":536,"_278":537,"_280":538,"_281":520},95.822,115.4,80.822,{"_287":224,"_123":542,"_154":543,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/555/480.jpg","https://img.ochreeditions.com/a/555/960.jpg","https://img.ochreeditions.com/a/555/1920.jpg","For many years, this sitter was identified as Madame de Pompadour, but she bears little resemblance to this pivotal figure in French art and politics of the mid 1700s.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},{"_311":561,"_313":562},{"_311":559,"_313":560},"#a79d8d",0.0705,"#776f5f",0.1057,"#514e3f",0.2206,"#262217",0.296,"#3c3c30",0.3072,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","Hercules Raising his Club: Study for “Hercules and Cacus”",{"_42":630,"_221":631,"_325":632,"_327":328,"_329":633,"_331":634,"_333":-5,"_335":-5,"_337":-5,"_140":99},"1717","watercolour","Drawing and Watercolor","Black chalk, with white chalk, on buff laid paper, laid down on laid paper","41 × 24.7 cm (16 3/16 × 9 3/4 in.)",41,0.6067853170189099,[615,616,617,618,619],{"_220":611,"_221":612,"_42":613,"_304":614},"Courtesy of the Art Institute of Chicago","2019.880","François Le Moyne painted this in 1717, aged 29. It is now at the Art Institute of Chicago.","Hercules swings his club high, his muscular body modelled in black chalk with white highlights on buff paper.","A work made of black chalk, with white chalk, on buff laid paper, laid down on laid paper.",{"_295":608,"_297":609,"_299":610},"https://img.ochreeditions.com/m/377.jpg?dl=1","/art/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","/galleries/style/french-eighteenth-century/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310",{"_291":374,"_293":375},{"_224":601,"_125":602,"_285":603},{"_276":598,"_278":599,"_280":600,"_281":582},48.8781979977753,65,24.878197997775306,{"_287":224,"_123":606,"_154":607,"_140":99},{"_287":125,"_123":604,"_154":605,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/francois-le-moyne","More by François Le Moyne","https://img.ochreeditions.com/a/377/480.jpg","https://img.ochreeditions.com/a/377/960.jpg","https://img.ochreeditions.com/a/377/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":628,"_313":629},{"_311":626,"_313":627},{"_311":624,"_313":625},{"_311":622,"_313":623},{"_311":620,"_313":621},"#695d52",0.0353,"#817263",0.0817,"#b9a58d",0.0849,"#998673",0.1362,"#ac957e",0.6619,"François Le Moyne","francois-le-moyne","French, 1688–1737",1688,1737,"study-of-a-groom-aic-29903","Study of a Groom",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":99},"c. 1760","Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper","50.7 × 29.4 cm (20 × 11 5/8 in.)",29,50,0.5963445949347969,[665,666,667,668,669],{"_220":611,"_221":612,"_42":613,"_304":614},"1968.461","Jean Baptiste Greuze painted this in about 1760, aged about 30. It is now at the Art Institute of Chicago.","A work made of black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper.",{"_295":662,"_297":663,"_299":664},"https://img.ochreeditions.com/m/123.jpg?dl=1","/art/study-of-a-groom-aic-29903","/galleries/style/french-eighteenth-century/study-of-a-groom-aic-29903",{"_291":374,"_293":375},{"_224":659,"_125":660,"_285":661},{"_276":656,"_278":657,"_280":658,"_281":642},53.81722974673984,74,29.817229746739844,{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":604,"_154":605,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/123/480.jpg","https://img.ochreeditions.com/a/123/960.jpg","https://img.ochreeditions.com/a/123/1920.jpg",{"_311":678,"_313":679},{"_311":676,"_313":677},{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},"#6f5d4c",0.0569,"#927c64",0.111,"#ae967a",0.1675,"#c1aa8d",0.2408,"#d7bf9f",0.4238,"spring-cma-128877","Spring",{"_42":727,"_221":728,"_325":729,"_327":328,"_329":730,"_331":731,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1720–36","Framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); Unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in.)",53.7,0.7485294117647059,[712,713,714,715,716],{"_220":550,"_221":551,"_42":552,"_304":553},"1951.486","Jean-Baptiste Pater painted this in about 1720–36, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":711,"_548":549},"Spring, by Jean-Baptiste Pater, c. 1720–36",{"_295":708,"_297":709,"_299":710},"https://img.ochreeditions.com/m/594.jpg?dl=1","/art/spring-cma-128877","/galleries/style/french-eighteenth-century/spring-cma-128877",{"_291":292,"_293":294},{"_224":703,"_125":704,"_285":705},{"_276":700,"_278":701,"_280":702,"_281":599},63.654411764705884,80,48.654411764705884,{"_287":224,"_123":706,"_154":707,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-baptiste-pater","Jean-Baptiste Pater's contemporaries","https://img.ochreeditions.com/a/594/480.jpg","https://img.ochreeditions.com/a/594/960.jpg","https://img.ochreeditions.com/a/594/1920.jpg","Spring and Summer are two scenes from a four-season series. These landscapes were originally a part of a screen or a decorative panel, indicated by their floral borders and oval shape.",{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},{"_311":719,"_313":720},{"_311":717,"_313":718},"#464026",0.0573,"#9a966d",0.0785,"#7f754d",0.1458,"#605a35",0.2327,"#010100",0.4857,"Jean-Baptiste Pater","jean-baptiste-pater","French, 1695–1736",1695,1736,"le-lion-the-lion-nga-55520","Le lion (The Lion)",{"_42":773,"_221":774,"_325":775,"_327":328,"_329":776,"_331":777,"_333":-5,"_335":-5,"_337":-5,"_140":103},0.7333984375,[758,759,760,761,762],{"_220":436,"_221":437,"_42":438,"_304":439},"1975.81.11","A.-J. de Fehrt made this (published 1759), aged 36. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a lion in a forested rocky landscape. The lion is seen standing over a defeated animal. In the background, a forest with dense trees frames the scene. One monkey is visible among the rocks watching the lion. The setting conveys a wild, rugged terrain with rocky formations and scattered vegetation. Light and shadow emphasize textures in the lion's mane and the surrounding rocks. The composition focuses on the lion and its prey.",{"_295":755,"_297":756,"_299":757},"https://img.ochreeditions.com/m/1575.jpg?dl=1","/art/le-lion-the-lion-nga-55520","/galleries/style/french-eighteenth-century/le-lion-the-lion-nga-55520",{"_291":374,"_293":375},{"_224":750,"_125":751,"_285":752},{"_276":748,"_278":481,"_280":749,"_281":483},68.00390625,44.00390625,{"_287":224,"_123":753,"_154":754,"_140":89},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-a-j-de-fehrt","A.-J. de Fehrt's contemporaries","https://img.ochreeditions.com/a/1575/480.jpg","https://img.ochreeditions.com/a/1575/960.jpg","https://img.ochreeditions.com/a/1575/1920.jpg",{"_311":771,"_313":772},{"_311":769,"_313":770},{"_311":767,"_313":768},{"_311":765,"_313":766},{"_311":763,"_313":764},"#e3d2b1",0.1356,"#6a6151",0.1689,"#d6ac6e",0.1809,"#aa9d7a",0.2254,"#857e63",0.2892,"A.-J. de Fehrt","a-j-de-fehrt","French, 1723–1774",1723,1774,"portrait-of-cardinal-guillaume-dubois-cma-143206","Portrait of Cardinal Guillaume Dubois",{"_42":826,"_221":827,"_325":828,"_327":328,"_329":829,"_331":830,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1723","Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)",113.7,146.7,0.7764705882352941,[811,812,813,814,815],{"_220":550,"_221":551,"_42":552,"_304":553},"1967.17","Hyacinthe Rigaud painted this in 1723, aged 64. It is now at the Cleveland Museum of Art.",{"_118":810,"_548":549},"Portrait of Cardinal Guillaume Dubois, by Hyacinthe Rigaud, 1723",{"_295":807,"_297":808,"_299":809},"https://img.ochreeditions.com/m/665.jpg?dl=1","/art/portrait-of-cardinal-guillaume-dubois-cma-143206","/galleries/style/french-eighteenth-century/portrait-of-cardinal-guillaume-dubois-cma-143206",{"_291":292,"_293":294},{"_224":802,"_125":803,"_285":804},{"_276":799,"_278":800,"_280":801,"_281":784},128.90823529411765,161.7,113.90823529411765,{"_287":224,"_123":805,"_154":806,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hyacinthe-rigaud","Hyacinthe Rigaud's contemporaries","https://img.ochreeditions.com/a/665/480.jpg","https://img.ochreeditions.com/a/665/960.jpg","https://img.ochreeditions.com/a/665/1920.jpg","With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence.",{"_311":824,"_313":825},{"_311":822,"_313":823},{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},"#c3bda7",0.0591,"#8c6d4d",0.0594,"#932e05",0.2044,"#4d2107",0.2966,"#241105",0.3805,"Hyacinthe Rigaud","hyacinthe-rigaud","French, 1659–1743",1659,1743,"le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)",{"_42":872,"_221":873,"_325":874,"_327":328,"_329":875,"_331":876,"_333":-5,"_335":-5,"_337":-5,"_140":103},0.736328125,[857,858,859,860,861],{"_220":436,"_221":437,"_42":438,"_304":439},"1975.81.27","Benoît-Louis Prévost made this (published 1759), aged 24. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a king, a hawk, and a hunter in a classical architectural setting with columns and arches. In the image, a figure in royal clothing is seated beneath draped red fabric, facing a man in hunting attire holding a bird. A hawk perches on the royal figure's head, wings spread, while the hunter reaches toward the hawk. Surrounding them are other figures in armor, holding spears and shields. The style is reminiscent of classic European paintings with themes of mythology or allegory.",{"_295":854,"_297":855,"_299":856},"https://img.ochreeditions.com/m/1578.jpg?dl=1","/art/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","/galleries/style/french-eighteenth-century/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536",{"_291":374,"_293":375},{"_224":849,"_125":850,"_285":851},{"_276":847,"_278":481,"_280":848,"_281":483},68.1796875,44.1796875,{"_287":224,"_123":852,"_154":853,"_140":89},{"_287":125,"_123":487,"_154":488,"_140":489},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benoit-louis-prevost","Benoît-Louis Prévost's contemporaries","https://img.ochreeditions.com/a/1578/480.jpg","https://img.ochreeditions.com/a/1578/960.jpg","https://img.ochreeditions.com/a/1578/1920.jpg",{"_311":870,"_313":871},{"_311":868,"_313":869},{"_311":866,"_313":867},{"_311":864,"_313":865},{"_311":862,"_313":863},"#dacaae",0.141,"#7a524a",0.1453,"#685d4e",0.1483,"#93866e",0.2816,"#c3a774",0.2838,"Benoît-Louis Prévost","benoit-louis-prevost","French, c. 1735–1804",1735,1804,"the-italian-comedians-nga-32687","The Italian Comedians",{"_42":394,"_221":395,"_325":396,"_327":328,"_329":397,"_331":398,"_333":399,"_335":400,"_337":401,"_140":97},"probably 1720","overall: 63.8 × 76.2 cm (25 1/8 × 30 in.) framed: 94.62 × 107 × 13.65 cm (37 1/4 × 42 1/8 × 5 3/8 in.)",76.2,63.8,1.2054149499705709,[907,908,909,910,911],{"_220":436,"_221":437,"_42":438,"_304":439},"1946.7.9","Antoine Watteau painted this (probably 1720), aged 36. It is now at the National Gallery of Art in Washington, DC.","Pierrot, the white-clad clown of the Italian comedy, stands at the centre of a shallow stage with his arms hanging at his sides, while the troupe gathers around him as if for a curtain call: a masked Harlequin in diamond-patterned costume, a young man in red with a jester’s bauble, a lute player, a bearded old man in black cloak and skullcap, and a figure in gold who gestures towards Pierrot.","A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask. The man in the center, representing the character Pierrot, stands facing us with his hands by his sides. He has slightly bulging eyes, a bulbous nose, ruddy cheeks, and his full pink lips slightly smile. He wears a straw hat pushed back on his high forehead and a narrow ruffled collar around his neck. His shirt has long, voluminous sleeves and a row of small white buttons down the front. The pants are baggy and end abruptly above his white-stockinged ankles over white slippers. The fabric seems to have a sheen. In the shallow space behind him, a stone wall curves toward us to either side of a doorway that leads to a park-like setting. A crimson-red curtain is pulled to our right. Pierrot stands on the top of two steps, and the people to either side are arranged along the stage or the step that runs close to the bottom edge of the canvas. A spray of white flowers drapes down the front of the steps to our right of center. The group to our left has eight men, women, and children. Closest to us and in the lower left corner, a young man wearing a tomato-red jester’s costume trimmed with bells sits on the steps as he twists and looks back at the scene behind him. He holds a scepter or puppet in the shape of a doll-like jester. Two children gather at his feet. One weaves stems of white flowers together, and the other looks at us, smiling. Just above them another cleanshaven young man sits holding a lute in his lap. He wears a brick-red coat, brown breeches, and slate-blue stockings over crossed legs. He leans back and looks up and to our left, his round cheeks flushed. At the back of this group, two people wear tan-colored costumes covered in muted green and pink diamond shapes, and one might wear a brown mask. That person’s pink lips, black mustache and eyebrows, and black dots for eyes appear painted onto a hard, molded surface. The group of six people to our right stand on the same level as Pierrot. At the front of that group, a heavyset young man wears a gold-colored costume trimmed with black and a waist-length, Wedgewood-blue cape. He faces us but looks to our right as he leans back with one arm extended toward Pierrot. Beyond him are two woman and another person shown only from the neck up. The woman closest to Pierrot wears a pewter-gray gown with a scooped neckline. To the right of the man in gold is an old man with a long beard, wearing a black skullcap and cloak. He leans on a short staff and turns his head to look at the group. The last person on the far right is shown from the neck up and stands before the red curtain hanging from the upper right.",{"_295":904,"_297":905,"_299":906},"https://img.ochreeditions.com/m/1481.jpg?dl=1","/art/the-italian-comedians-nga-32687","/galleries/style/french-eighteenth-century/the-italian-comedians-nga-32687",{"_291":292,"_293":294},{"_224":901,"_125":902,"_285":903},{"_276":898,"_278":899,"_280":882,"_281":900},91.2,78.21474609375001,63.21474609375001,{"_287":224,"_123":372,"_154":373,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1481/480.jpg","https://img.ochreeditions.com/a/1481/960.jpg","https://img.ochreeditions.com/a/1481/1920.jpg",{"_311":920,"_313":921},{"_311":918,"_313":919},{"_311":916,"_313":917},{"_311":914,"_313":915},{"_311":912,"_313":913},"#d6bea3",0.0525,"#917355",0.1565,"#7e3f17",0.1934,"#33281b",0.2535,"#594a36",0.3441,"the-toilette-of-venus-met-435739","The Toilette of Venus",{"_42":969,"_221":970,"_325":971,"_327":328,"_329":972,"_331":973,"_333":336,"_335":336,"_337":974,"_140":93},"1751","42 5/8 x 33 1/2 in. (108.3 x 85.1 cm)",85.1,108.3,0.7891566265060241,[954,955,956,957,958],{"_220":301,"_221":302,"_42":303,"_304":305},"20.155.9","François Boucher painted this in 1751, aged 48. It is now at The Met in New York.","Venus reclines on a bank of silk and cushions while cupids attend to her hair and jewels. Boucher, the favourite painter of Madame de Pompadour, made this canvas in 1751, and it is generally thought to have been painted for her château at Bellevue.","The Toilette of Venus, by François Boucher, 1751",{"_295":951,"_297":952,"_299":953},"https://img.ochreeditions.com/m/1064.jpg?dl=1","/art/the-toilette-of-venus-met-435739","/galleries/style/french-eighteenth-century/the-toilette-of-venus-met-435739",{"_291":292,"_293":294},{"_224":946,"_125":947,"_285":948},{"_276":943,"_278":944,"_280":945,"_281":928},100.46566265060241,123.3,85.46566265060241,{"_287":224,"_123":949,"_154":950,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/1064/480.jpg","https://img.ochreeditions.com/a/1064/960.jpg","https://img.ochreeditions.com/a/1064/1920.jpg",{"_311":967,"_313":968},{"_311":965,"_313":966},{"_311":963,"_313":964},{"_311":961,"_313":962},{"_311":959,"_313":960},"#b7aa98",0.1028,"#84725e",0.1488,"#576d66",0.2253,"#55493a",0.2294,"#374640",0.2937,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","Are They Thinking about the Grape? (Pensent-ils au raisin?)",{"_42":969,"_221":970,"_325":971,"_327":328,"_329":972,"_331":973,"_333":336,"_335":336,"_337":974,"_140":93},"1747","Oval: 80.8 × 68.5 cm (31 3/4 × 27 in.); Framed: 96.6 × 84.5 × 11.5 cm (38 × 33 1/4 × 4 1/2 in.)",68,0.8520552799433027,[1006,1007,1008,1009,1010],{"_220":611,"_221":612,"_42":613,"_304":614},"1973.304","François Boucher painted this in 1747, aged 44. It is now at the Art Institute of Chicago.",{"_118":1004,"_548":1005},"A work made of oil on canvas.",{"_295":1001,"_297":1002,"_299":1003},"https://img.ochreeditions.com/m/149.jpg?dl=1","/art/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","/galleries/style/french-eighteenth-century/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742",{"_291":292,"_293":294},{"_224":998,"_125":999,"_285":1000},{"_276":995,"_278":996,"_280":997,"_281":701},83.16442239546421,95,68.16442239546421,{"_287":224,"_123":949,"_154":950,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/149/480.jpg","https://img.ochreeditions.com/a/149/960.jpg","https://img.ochreeditions.com/a/149/1920.jpg","This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste.","Text from the Art Institute of Chicago.",{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},{"_311":1013,"_313":1014},{"_311":1011,"_313":1012},"#70513c",0.1432,"#97a8a4",0.1568,"#536851",0.1673,"#fcfcfc",0.2466,"#1d312a",0.2861,"seated-male-nude-aic-85961","Seated Male Nude",{"_42":630,"_221":631,"_325":632,"_327":328,"_329":633,"_331":634,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.",17,"Red chalk, with stumping, on tan laid paper","36.9 × 30.4 cm (14 9/16 × 12 in.)",30,36,0.8264226479839862,[1055,1056,1057,1058,1059],{"_220":611,"_221":612,"_42":613,"_304":614},"1922.3201","François Le Moyne painted this (n.d.), aged about 12. It is now at the Art Institute of Chicago.","A work made of red chalk, with stumping, on tan laid paper.",{"_295":1052,"_297":1053,"_299":1054},"https://img.ochreeditions.com/m/233.jpg?dl=1","/art/seated-male-nude-aic-85961","/galleries/style/french-eighteenth-century/seated-male-nude-aic-85961",{"_291":374,"_293":375},{"_224":1045,"_125":1046,"_285":1047},{"_276":1043,"_278":483,"_280":1044,"_281":1029},53.75121532742351,29.751215327423505,{"_287":224,"_123":606,"_154":607,"_140":99},{"_287":125,"_123":1050,"_154":1051,"_140":1025},{"_287":285,"_123":1048,"_154":1049,"_140":1028},"era/17-france","17th-century France","style/watercolour-17","More watercolours of the 17th century","https://img.ochreeditions.com/a/233/480.jpg","https://img.ochreeditions.com/a/233/960.jpg","https://img.ochreeditions.com/a/233/1920.jpg",{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},{"_311":1060,"_313":1061},"#aa7155",0.0622,"#e1dacc",0.0625,"#b79072",0.1551,"#bba188",0.2568,"#c2b19c",0.4634,"ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":1116,"_221":1117,"_325":1118,"_327":328,"_329":1119,"_331":513,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752/1756","Drawing","pen and brown ink over black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.690673828125,[1101,1102,1103,1104,1105],{"_220":436,"_221":437,"_42":438,"_304":439},"1999.75.5.b","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_295":1098,"_297":1099,"_299":1100},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_291":374,"_293":375},{"_224":1093,"_125":1094,"_285":1095},{"_276":1091,"_278":363,"_280":1092,"_281":365},41.266845703125,17.266845703125,{"_287":224,"_123":1096,"_154":1097,"_140":89},{"_287":125,"_123":369,"_154":370,"_140":371},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_311":1114,"_313":1115},{"_311":1112,"_313":1113},{"_311":1110,"_313":1111},{"_311":1108,"_313":1109},{"_311":1106,"_313":1107},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,{"_1121":-5,"_1122":1123,"_1124":1125,"_1126":8,"_1127":1128,"_1129":8},"user","csrf","97dec19dbbbfd2012e236cafd4053e152be674af","cartCount",0,"dropLive","legal",[1130,1131,1132,1133,1134,1135,1136,1137,1138,1139,1140,1141],"uploadsEnabled",{"_221":1164,"_20":1165},{"_221":1162,"_20":1163},{"_221":1160,"_20":1161},{"_221":1158,"_20":1159},{"_221":1156,"_20":1157},{"_221":1154,"_20":1155},{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]