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The architectural elements and foliage add depth and context to the scene.",{"_295":374,"_297":375,"_299":376},"https://img.ochreeditions.com/m/1579.jpg?dl=1","/art/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","/galleries/style/french-eighteenth-century/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537",{"_291":372,"_293":373},{"_224":364,"_125":365,"_285":366},{"_276":360,"_278":361,"_280":362,"_281":363},67.564453125,84,43.564453125,60,{"_287":224,"_123":370,"_154":371,"_140":89},{"_287":125,"_123":367,"_154":368,"_140":369},{"_287":285,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-antoine-radigues","Antoine Radigues's contemporaries","black","snow","https://img.ochreeditions.com/a/1579/480.jpg","https://img.ochreeditions.com/a/1579/960.jpg","https://img.ochreeditions.com/a/1579/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":394,"_313":395},{"_311":392,"_313":393},{"_311":390,"_313":391},{"_311":388,"_313":389},{"_311":386,"_313":387},"#d8caac",0.1532,"#c7a97c",0.1722,"#645a4d",0.2055,"#827861",0.2306,"#a19477",0.2385,"Antoine Radigues","antoine-radigues","French, 1721–1809",1721,1809,"seated-male-nude-aic-85961","Seated Male Nude",{"_42":459,"_221":460,"_325":461,"_327":328,"_329":462,"_331":463,"_333":-5,"_335":-5,"_337":-5,"_140":99},"n.d.",17,"watercolour","Drawing and Watercolor","Red chalk, with stumping, on tan laid paper","36.9 × 30.4 cm (14 9/16 × 12 in.)",30,36,0.8264226479839862,[444,445,446,447,448],{"_220":440,"_221":441,"_42":442,"_304":443},"Courtesy of the Art Institute of Chicago","1922.3201","François Le Moyne painted this (n.d.), aged about 12. It is now at the Art Institute of Chicago.","A work made of red chalk, with stumping, on tan laid paper.",{"_295":437,"_297":438,"_299":439},"https://img.ochreeditions.com/m/233.jpg?dl=1","/art/seated-male-nude-aic-85961","/galleries/style/french-eighteenth-century/seated-male-nude-aic-85961",{"_291":372,"_293":373},{"_224":428,"_125":429,"_285":430},{"_276":426,"_278":363,"_280":427,"_281":411},53.75121532742351,29.751215327423505,{"_287":224,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":433,"_154":434,"_140":405},{"_287":285,"_123":431,"_154":432,"_140":410},"era/17-france","17th-century France","style/watercolour-17","More watercolours of the 17th century","artist/francois-le-moyne","More by François Le Moyne","https://img.ochreeditions.com/a/233/480.jpg","https://img.ochreeditions.com/a/233/960.jpg","https://img.ochreeditions.com/a/233/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_311":457,"_313":458},{"_311":455,"_313":456},{"_311":453,"_313":454},{"_311":451,"_313":452},{"_311":449,"_313":450},"#aa7155",0.0622,"#e1dacc",0.0625,"#b79072",0.1551,"#bba188",0.2568,"#c2b19c",0.4634,"François Le Moyne","francois-le-moyne","French, 1688–1737",1688,1737,"portrait-of-the-marquise-d-aguirandes-cma-122341","Portrait of the Marquise d'Aguirandes",{"_42":521,"_221":522,"_325":523,"_327":328,"_329":524,"_331":525,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1759","Painting","oil on canvas","Framed: 138.6 x 111.9 x 13.7 cm (54 9/16 x 44 1/16 x 5 3/8 in.); Unframed: 101 x 85.6 cm (39 3/4 x 33 11/16 in.)",85.6,101,0.8085294117647058,[506,507,508,509,510],{"_220":502,"_221":503,"_42":504,"_304":505},"Courtesy of the Cleveland Museum of Art","1942.638","François Hubert Drouais painted this in 1759, aged 32. It is now at the Cleveland Museum of Art.",{"_118":499,"_500":501},"Portrait of the Marquise d'Aguirandes, by François Hubert Drouais, 1759",{"_295":496,"_297":497,"_299":498},"https://img.ochreeditions.com/m/551.jpg?dl=1","/art/portrait-of-the-marquise-d-aguirandes-cma-122341","/galleries/style/french-eighteenth-century/portrait-of-the-marquise-d-aguirandes-cma-122341",{"_291":292,"_293":294},{"_224":491,"_125":492,"_285":493},{"_276":488,"_278":489,"_280":490,"_281":472},96.66147058823529,116,81.66147058823529,{"_287":224,"_123":494,"_154":495,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-francois-hubert-drouais","François Hubert Drouais's contemporaries","https://img.ochreeditions.com/a/551/480.jpg","https://img.ochreeditions.com/a/551/960.jpg","https://img.ochreeditions.com/a/551/1920.jpg","Like many French portraitists active during the ancien régime, François-Hubert Drouais was skilled at veiling the physical imperfections of his subjects.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":519,"_313":520},{"_311":517,"_313":518},{"_311":515,"_313":516},{"_311":513,"_313":514},{"_311":511,"_313":512},"#a69b80",0.0493,"#796e54",0.1145,"#584932",0.1764,"#392f21",0.2921,"#1e1e14",0.3677,"François Hubert Drouais","francois-hubert-drouais","French, 1727–1775",1727,1775,"study-of-a-groom-aic-29903","Study of a Groom",{"_42":323,"_221":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_335":336,"_337":338,"_140":99},"c. 1760","Black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper","50.7 × 29.4 cm (20 × 11 5/8 in.)",29,50,0.5963445949347969,[558,559,560,561,562],{"_220":440,"_221":441,"_42":442,"_304":443},"1968.461","Jean Baptiste Greuze painted this in about 1760, aged about 30. It is now at the Art Institute of Chicago.","A work made of black chalk, with stumping and black crayon, red and brown chalk, heightened with white chalk, on buff laid paper, laid down on cream laid paper.",{"_295":555,"_297":556,"_299":557},"https://img.ochreeditions.com/m/123.jpg?dl=1","/art/study-of-a-groom-aic-29903","/galleries/style/french-eighteenth-century/study-of-a-groom-aic-29903",{"_291":372,"_293":373},{"_224":550,"_125":551,"_285":552},{"_276":547,"_278":548,"_280":549,"_281":533},53.81722974673984,74,29.817229746739844,{"_287":224,"_123":170,"_154":169,"_140":99},{"_287":125,"_123":553,"_154":554,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","https://img.ochreeditions.com/a/123/480.jpg","https://img.ochreeditions.com/a/123/960.jpg","https://img.ochreeditions.com/a/123/1920.jpg",{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},{"_311":563,"_313":564},"#6f5d4c",0.0569,"#927c64",0.111,"#ae967a",0.1675,"#c1aa8d",0.2408,"#d7bf9f",0.4238,"hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","Hercules Raising his Club: Study for “Hercules and Cacus”",{"_42":459,"_221":460,"_325":461,"_327":328,"_329":462,"_331":463,"_333":-5,"_335":-5,"_337":-5,"_140":99},"1717","Black chalk, with white chalk, on buff laid paper, laid down on laid paper","41 × 24.7 cm (16 3/16 × 9 3/4 in.)",24,41,0.6067853170189099,[604,605,606,607,608],{"_220":440,"_221":441,"_42":442,"_304":443},"2019.880","François Le Moyne painted this in 1717, aged 29. It is now at the Art Institute of Chicago.","Hercules swings his club high, his muscular body modelled in black chalk with white highlights on buff paper.","A work made of black chalk, with white chalk, on buff laid paper, laid down on laid paper.",{"_295":601,"_297":602,"_299":603},"https://img.ochreeditions.com/m/377.jpg?dl=1","/art/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310","/galleries/style/french-eighteenth-century/hercules-raising-his-club-study-for-hercules-and-cacus-aic-248310",{"_291":372,"_293":373},{"_224":598,"_125":599,"_285":600},{"_276":595,"_278":596,"_280":597,"_281":580},48.8781979977753,65,24.878197997775306,{"_287":224,"_123":435,"_154":436,"_140":99},{"_287":125,"_123":553,"_154":554,"_140":53},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/377/480.jpg","https://img.ochreeditions.com/a/377/960.jpg","https://img.ochreeditions.com/a/377/1920.jpg",{"_311":617,"_313":618},{"_311":615,"_313":616},{"_311":613,"_313":614},{"_311":611,"_313":612},{"_311":609,"_313":610},"#695d52",0.0353,"#817263",0.0817,"#b9a58d",0.0849,"#998673",0.1362,"#ac957e",0.6619,"spring-cma-128877","Spring",{"_42":666,"_221":667,"_325":668,"_327":328,"_329":669,"_331":670,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1720–36","Framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); Unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in.)",53.7,0.7485294117647059,[651,652,653,654,655],{"_220":502,"_221":503,"_42":504,"_304":505},"1951.486","Jean-Baptiste Pater painted this in about 1720–36, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":650,"_500":501},"Spring, by Jean-Baptiste Pater, c. 1720–36",{"_295":647,"_297":648,"_299":649},"https://img.ochreeditions.com/m/594.jpg?dl=1","/art/spring-cma-128877","/galleries/style/french-eighteenth-century/spring-cma-128877",{"_291":292,"_293":294},{"_224":642,"_125":643,"_285":644},{"_276":639,"_278":640,"_280":641,"_281":596},63.654411764705884,80,48.654411764705884,{"_287":224,"_123":645,"_154":646,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-baptiste-pater","Jean-Baptiste Pater's contemporaries","https://img.ochreeditions.com/a/594/480.jpg","https://img.ochreeditions.com/a/594/960.jpg","https://img.ochreeditions.com/a/594/1920.jpg","Spring and Summer are two scenes from a four-season series. These landscapes were originally a part of a screen or a decorative panel, indicated by their floral borders and oval shape.",{"_311":664,"_313":665},{"_311":662,"_313":663},{"_311":660,"_313":661},{"_311":658,"_313":659},{"_311":656,"_313":657},"#464026",0.0573,"#9a966d",0.0785,"#7f754d",0.1458,"#605a35",0.2327,"#010100",0.4857,"Jean-Baptiste Pater","jean-baptiste-pater","French, 1695–1736",1695,1736,"soap-bubbles-met-435888","Soap Bubbles",{"_42":718,"_221":719,"_325":720,"_327":328,"_329":721,"_331":722,"_333":336,"_335":336,"_337":723,"_140":99},"ca. 1733–34","24 x 24 7/8 in. (61 x 63.2 cm)",63.2,61,1.0344736144258817,[703,704,705,706,707],{"_220":301,"_221":302,"_42":303,"_304":305},"49.24","Jean Siméon Chardin painted this in about 1733–34, aged about 34. It is now at The Met in New York.","A young man leans out over a window ledge, carefully blowing a large, glistening bubble through a straw, while a small child peers over the sill to watch; a glass of soapy water stands beside him.","Soap Bubbles, by Jean Siméon Chardin, ca. 1733–34",{"_295":700,"_297":701,"_299":702},"https://img.ochreeditions.com/m/1074.jpg?dl=1","/art/soap-bubbles-met-435888","/galleries/style/french-eighteenth-century/soap-bubbles-met-435888",{"_291":292,"_293":294},{"_224":695,"_125":696,"_285":697},{"_276":692,"_278":693,"_280":676,"_281":694},78.2,76.09387336580365,61.093873365803645,{"_287":224,"_123":698,"_154":699,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/1074/480.jpg","https://img.ochreeditions.com/a/1074/960.jpg","https://img.ochreeditions.com/a/1074/1920.jpg",{"_311":716,"_313":717},{"_311":714,"_313":715},{"_311":712,"_313":713},{"_311":710,"_313":711},{"_311":708,"_313":709},"#805837",0.0459,"#503b29",0.1498,"#312416",0.2392,"#1f1a0f",0.2728,"#120e06",0.2923,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.","la-camargo-dancing-nga-96","La Camargo Dancing",{"_42":770,"_221":771,"_325":772,"_327":328,"_329":773,"_331":774,"_333":-5,"_335":-5,"_337":-5,"_140":103},"c. 1730","overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.)",106.7,76.2,1.4003418803418803,[755,756,757,758,759],{"_220":377,"_221":378,"_42":379,"_304":380},"1937.1.89","Nicolas Lancret painted this in about 1730, aged 40. It is now at the National Gallery of Art in Washington, DC.","Twenty-one men in long waistcoats and women in elegantly trimmed gowns gather and dance within a verdant landscape in this horizontal painting. The men wear jackets and breeches in ginger brown, pale pink, or spruce blue. The women’s gowns have full sleeves, tight-fitting bodices, and full skirts in shades of bronze, teal blue, butterscotch gold, or rich pink edged with ribbons and lace. Some of them wear floral wreaths or ribbons in their upswept hair. Groups gather around a woman and man who dance together to our left in the scene. Some in the group of onlookers to our left hold musical instruments, including a violin and a pipe. Another group is nestled among trees just beyond the dancers, at the center of the painting, and more sit and stand to our right. The dancing woman wears a gleaming, ice-blue gown with rows of flowers in muted pink, blue, and gold down the full skirt and around the bottom hem, which falls short of her thin ankles. More garlands cross her chest and shoulders, and flowers are tucked into her dark gray hair. She faces us with her head turned to our right as she looks off in that direction with dark eyes under curving brows. She has a delicate nose, rosy, round cheeks, and pink lips. She holds her arms spread wide with the thumb touching the index finger of each hand. The man with whom she dances wears a coral-red tunic and breeches with sleeves decorated with pale pink and blue ribbons. The brim of his brown hat is turned up. His body faces us but he turns his head to look at the woman, his lips parted. The man and woman each have one gracefully pointed foot raised. The dancers and groups are enclosed within a park-like setting with tall trees to either side, and a screen of trees across the back of the space. The trees have slender trunks and canopies in shades of pine, sage, and moss green. Near the back middle of the scene, a stone column topped by a human head wearing a wreath of laurel leaves rises above the central group. A fountain with a vertical jet of water is tucked into the shadows within a grove of trees along the right edge of the painting. The water falls into a pool in the lower right corner.",{"_295":752,"_297":753,"_299":754},"https://img.ochreeditions.com/m/1308.jpg?dl=1","/art/la-camargo-dancing-nga-96","/galleries/style/french-eighteenth-century/la-camargo-dancing-nga-96",{"_291":292,"_293":294},{"_224":747,"_125":748,"_285":749},{"_276":744,"_278":745,"_280":729,"_281":746},121.7,91.1956787109375,76.1956787109375,{"_287":224,"_123":750,"_154":751,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-nicolas-lancret","Nicolas Lancret's contemporaries","https://img.ochreeditions.com/a/1308/480.jpg","https://img.ochreeditions.com/a/1308/960.jpg","https://img.ochreeditions.com/a/1308/1920.jpg",{"_311":768,"_313":769},{"_311":766,"_313":767},{"_311":764,"_313":765},{"_311":762,"_313":763},{"_311":760,"_313":761},"#a6a482",0.1135,"#7d775a",0.1375,"#4e3c22",0.1698,"#525035",0.1934,"#2d291a",0.3858,"Nicolas Lancret","nicolas-lancret","French, 1690–1743",1690,1743,"portrait-of-a-woman-cma-125951","Portrait of a Woman",{"_42":822,"_221":823,"_325":824,"_327":328,"_329":825,"_331":826,"_333":-5,"_335":-5,"_337":-5,"_140":101},"c. 1748","Framed: 108 x 92.5 x 11 cm (42 1/2 x 36 7/16 x 4 5/16 in.); Unframed: 82 x 65 cm (32 5/16 x 25 9/16 in.)",82,0.8023529411764706,[807,808,809,810,811],{"_220":502,"_221":503,"_42":504,"_304":505},"1948.183","Jean-Marc Nattier painted this in about 1748, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":806,"_500":501},"Portrait of a Woman, by Jean-Marc Nattier, c. 1748",{"_295":803,"_297":804,"_299":805},"https://img.ochreeditions.com/m/581.jpg?dl=1","/art/portrait-of-a-woman-cma-125951","/galleries/style/french-eighteenth-century/portrait-of-a-woman-cma-125951",{"_291":292,"_293":294},{"_224":798,"_125":799,"_285":800},{"_276":795,"_278":796,"_280":797,"_281":780},80.79294117647059,97,65.79294117647059,{"_287":224,"_123":801,"_154":802,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/581/480.jpg","https://img.ochreeditions.com/a/581/960.jpg","https://img.ochreeditions.com/a/581/1920.jpg","Jean-Marc Nattier was a favorite portraitist of King Louis XV of France. He held the lucrative position as the court painter for Queen Mary Lesczynski, the daughter of the exiled king of Poland.",{"_311":820,"_313":821},{"_311":818,"_313":819},{"_311":816,"_313":817},{"_311":814,"_313":815},{"_311":812,"_313":813},"#beac98",0.068,"#6f6355",0.0686,"#1b2b2d",0.1719,"#383529",0.3217,"#1a1813",0.3698,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"cupids-in-conspiracy-cma-125950","Cupids in Conspiracy",{"_42":875,"_221":876,"_325":877,"_327":328,"_329":878,"_331":879,"_333":336,"_335":336,"_337":880,"_140":93},"1740s","Framed: 77.5 x 131.5 x 6 cm (30 1/2 x 51 3/4 x 2 3/8 in.); Unframed: 68.8 x 123.2 cm (27 1/16 x 48 1/2 in.)",123.2,68.8,1.812366737739872,[860,861,862,863,864],{"_220":502,"_221":503,"_42":504,"_304":505},"1948.181.2","François Boucher painted this in the 1740s, aged about 37. It is now at the Cleveland Museum of Art.",{"_118":859,"_500":501},"Cupids in Conspiracy, by François Boucher, 1740s",{"_295":856,"_297":857,"_299":858},"https://img.ochreeditions.com/m/580.jpg?dl=1","/art/cupids-in-conspiracy-cma-125950","/galleries/style/french-eighteenth-century/cupids-in-conspiracy-cma-125950",{"_291":292,"_293":294},{"_224":851,"_125":852,"_285":853},{"_276":848,"_278":849,"_280":832,"_281":850},138.2,82.97741176470589,67.97741176470589,{"_287":224,"_123":854,"_154":855,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/francois-boucher","More by François Boucher","https://img.ochreeditions.com/a/580/480.jpg","https://img.ochreeditions.com/a/580/960.jpg","https://img.ochreeditions.com/a/580/1920.jpg","Along with Music and Dance (1948.181.1), this work is surely part of a series of over-door paintings that would have been installed in a house. However, where the panels were originally installed or who commissioned them remains unknown.",{"_311":873,"_313":874},{"_311":871,"_313":872},{"_311":869,"_313":870},{"_311":867,"_313":868},{"_311":865,"_313":866},"#9da69e",0.1549,"#9c7e66",0.1665,"#706f5f",0.1839,"#39392e",0.2063,"#594f3f",0.2884,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","portrait-of-cardinal-guillaume-dubois-cma-143206","Portrait of Cardinal Guillaume Dubois",{"_42":929,"_221":930,"_325":931,"_327":328,"_329":932,"_331":774,"_333":-5,"_335":-5,"_337":-5,"_140":103},"1723","Framed: 180.5 x 148 x 15 cm (71 1/16 x 58 1/4 x 5 7/8 in.); Unframed: 146.7 x 113.7 cm (57 3/4 x 44 3/4 in.)",113.7,146.7,0.7764705882352941,[914,915,916,917,918],{"_220":502,"_221":503,"_42":504,"_304":505},"1967.17","Hyacinthe Rigaud painted this in 1723, aged 64. It is now at the Cleveland Museum of Art.",{"_118":913,"_500":501},"Portrait of Cardinal Guillaume Dubois, by Hyacinthe Rigaud, 1723",{"_295":910,"_297":911,"_299":912},"https://img.ochreeditions.com/m/665.jpg?dl=1","/art/portrait-of-cardinal-guillaume-dubois-cma-143206","/galleries/style/french-eighteenth-century/portrait-of-cardinal-guillaume-dubois-cma-143206",{"_291":292,"_293":294},{"_224":905,"_125":906,"_285":907},{"_276":902,"_278":903,"_280":904,"_281":887},128.90823529411765,161.7,113.90823529411765,{"_287":224,"_123":908,"_154":909,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-hyacinthe-rigaud","Hyacinthe Rigaud's contemporaries","https://img.ochreeditions.com/a/665/480.jpg","https://img.ochreeditions.com/a/665/960.jpg","https://img.ochreeditions.com/a/665/1920.jpg","With his luxurious, flamboyant dress—a voluminous wrap of scarlet silk topped by a short fur cape—the subject of Hyacinthe Rigaud’s portrait was clearly a man of consequence.",{"_311":927,"_313":928},{"_311":925,"_313":926},{"_311":923,"_313":924},{"_311":921,"_313":922},{"_311":919,"_313":920},"#c3bda7",0.0591,"#8c6d4d",0.0594,"#932e05",0.2044,"#4d2107",0.2966,"#241105",0.3805,"Hyacinthe Rigaud","hyacinthe-rigaud","French, 1659–1743",1659,"are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","Are They Thinking about the Grape? (Pensent-ils au raisin?)",{"_42":875,"_221":876,"_325":877,"_327":328,"_329":878,"_331":879,"_333":336,"_335":336,"_337":880,"_140":93},"1747","Oval: 80.8 × 68.5 cm (31 3/4 × 27 in.); Framed: 96.6 × 84.5 × 11.5 cm (38 × 33 1/4 × 4 1/2 in.)",68,0.8520552799433027,[964,965,966,967,968],{"_220":440,"_221":441,"_42":442,"_304":443},"1973.304","François Boucher painted this in 1747, aged 44. It is now at the Art Institute of Chicago.",{"_118":962,"_500":963},"A work made of oil on canvas.",{"_295":959,"_297":960,"_299":961},"https://img.ochreeditions.com/m/149.jpg?dl=1","/art/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742","/galleries/style/french-eighteenth-century/are-they-thinking-about-the-grape-pensent-ils-au-raisin-aic-44742",{"_291":292,"_293":294},{"_224":956,"_125":957,"_285":958},{"_276":953,"_278":954,"_280":955,"_281":640},83.16442239546421,95,68.16442239546421,{"_287":224,"_123":854,"_154":855,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/149/480.jpg","https://img.ochreeditions.com/a/149/960.jpg","https://img.ochreeditions.com/a/149/1920.jpg","This painting is based on a 1745 pantomime about a young shepherd’s awakening love for a shepherdess. The couple feed each other grapes—a fruit associated with Bacchus, god of pleasure—suggesting that their encounter is not entirely chaste.","Text from the Art Institute of Chicago.",{"_311":977,"_313":978},{"_311":975,"_313":976},{"_311":973,"_313":974},{"_311":971,"_313":972},{"_311":969,"_313":970},"#70513c",0.1432,"#97a8a4",0.1568,"#536851",0.1673,"#fcfcfc",0.2466,"#1d312a",0.2861,"portrait-of-a-woman-as-diana-cma-122347","Portrait of a Woman as Diana",{"_42":822,"_221":823,"_325":824,"_327":328,"_329":825,"_331":826,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752","Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.)",79.5,100.4,0.805,[1010,1011,1012,1013,1014],{"_220":502,"_221":503,"_42":504,"_304":505},"1942.643","Jean-Marc Nattier painted this in 1752, aged 67. It is now at the Cleveland Museum of Art.",{"_118":1009,"_500":501},"Portrait of a Woman as Diana, by Jean-Marc Nattier, 1752",{"_295":1006,"_297":1007,"_299":1008},"https://img.ochreeditions.com/m/555.jpg?dl=1","/art/portrait-of-a-woman-as-diana-cma-122347","/galleries/style/french-eighteenth-century/portrait-of-a-woman-as-diana-cma-122347",{"_291":292,"_293":294},{"_224":1003,"_125":1004,"_285":1005},{"_276":1000,"_278":1001,"_280":1002,"_281":985},95.822,115.4,80.822,{"_287":224,"_123":801,"_154":802,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/555/480.jpg","https://img.ochreeditions.com/a/555/960.jpg","https://img.ochreeditions.com/a/555/1920.jpg","For many years, this sitter was identified as Madame de Pompadour, but she bears little resemblance to this pivotal figure in French art and politics of the mid 1700s.",{"_311":1023,"_313":1024},{"_311":1021,"_313":1022},{"_311":1019,"_313":1020},{"_311":1017,"_313":1018},{"_311":1015,"_313":1016},"#a79d8d",0.0705,"#776f5f",0.1057,"#514e3f",0.2206,"#262217",0.296,"#3c3c30",0.3072,"mezzetin-met-437926","Mezzetin",{"_42":1072,"_221":1073,"_325":1074,"_327":328,"_329":1075,"_331":399,"_333":1076,"_335":1077,"_337":1078,"_140":97},"ca. 1718–20","21 3/4 x 17 in. (55.2 x 43.2 cm)",43.2,55.2,0.7867494824016563,[1057,1058,1059,1060,1061],{"_220":301,"_221":302,"_42":303,"_304":305},"34.138","Antoine Watteau painted this in about 1718–20, aged about 34. It is now at The Met in New York.","Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. Behind him a stone statue of a woman turns her back, an ironic reply to his lovesick serenade.","Mezzetin, by Antoine Watteau, ca. 1718–20",{"_295":1054,"_297":1055,"_299":1056},"https://img.ochreeditions.com/m/1176.jpg?dl=1","/art/mezzetin-met-437926","/galleries/style/french-eighteenth-century/mezzetin-met-437926",{"_291":292,"_293":294},{"_224":1049,"_125":1050,"_285":1051},{"_276":1046,"_278":1047,"_280":1048,"_281":1031},58.42857142857143,70.2,43.42857142857143,{"_287":224,"_123":1052,"_154":1053,"_140":97},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":166,"_154":165,"_140":168},"artist/antoine-watteau","More by Antoine Watteau","https://img.ochreeditions.com/a/1176/480.jpg","https://img.ochreeditions.com/a/1176/960.jpg","https://img.ochreeditions.com/a/1176/1920.jpg",{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},{"_311":1064,"_313":1065},{"_311":1062,"_313":1063},"#958565",0.0844,"#765032",0.1184,"#5e5837",0.1853,"#3d3e2a",0.2978,"#342a1d",0.3141,"Antoine Watteau","antoine-watteau","French, 1684–1721",1684,"Valenciennes","Nogent-sur-Marne","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","lion-s-head-from-the-capitoline-staircase-nga-110205","Lion's Head from the Capitoline Staircase",{"_42":1131,"_221":1132,"_325":1133,"_327":328,"_329":1134,"_331":400,"_333":-5,"_335":-5,"_337":-5,"_140":101},"1752/1756","drawing","Drawing","black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.688232421875,[1116,1117,1118,1119,1120],{"_220":377,"_221":378,"_42":379,"_304":380},"1999.75.5.a","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","This is a detailed sketch of a lion's head, positioned to show its profile. The drawing features the lion's broad nose, rounded mouth, large eye, and flowing mane. The facial features are depicted with various curves and lines. The sketch is on textured paper with pencil shading creating variations in the background. Handwritten text at the bottom reads \"Leone de l'Escalier du capitol.\"",{"_295":1113,"_297":1114,"_299":1115},"https://img.ochreeditions.com/m/1646.jpg?dl=1","/art/lion-s-head-from-the-capitoline-staircase-nga-110205","/galleries/style/french-eighteenth-century/lion-s-head-from-the-capitoline-staircase-nga-110205",{"_291":372,"_293":373},{"_224":1105,"_125":1106,"_285":1107},{"_276":1101,"_278":1102,"_280":1103,"_281":1104},41.205810546875,49,17.205810546875,25,{"_287":224,"_123":1111,"_154":1112,"_140":89},{"_287":125,"_123":1108,"_154":1109,"_140":1110},{"_287":285,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1646/480.jpg","https://img.ochreeditions.com/a/1646/960.jpg","https://img.ochreeditions.com/a/1646/1920.jpg",{"_311":1129,"_313":1130},{"_311":1127,"_313":1128},{"_311":1125,"_313":1126},{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},"#b4b0a3",0.0632,"#d1c3a9",0.0824,"#c6c1b4",0.1484,"#d3cec0",0.2859,"#ded8c8",0.4201,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","c29ccde1e25b7a1b2c25a6487323ad2d83dd8c59","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_221":1179,"_20":1180},{"_221":1177,"_20":1178},{"_221":1175,"_20":1176},{"_221":1173,"_20":1174},{"_221":1171,"_20":1172},{"_221":1169,"_20":1170},{"_221":1167,"_20":1168},{"_221":1165,"_20":1166},{"_221":1163,"_20":1164},{"_221":1161,"_20":1162},{"_221":1159,"_20":1160},{"_221":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]