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He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_290":428,"_292":429,"_294":430},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_286":426,"_288":427},{"_220":419,"_125":420,"_280":421},{"_271":416,"_273":417,"_275":418,"_277":138},45.33300297324084,59,21.333002973240834,{"_282":220,"_123":424,"_154":425,"_140":97},{"_282":125,"_123":422,"_154":423,"_140":53},{"_282":280,"_123":166,"_154":165,"_140":168},"style/watercolour-18","More watercolours of the 18th century","artist/antoine-watteau","More by Antoine Watteau","black","snow","https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg",{"_306":444,"_308":445},{"_306":442,"_308":443},{"_306":440,"_308":441},{"_306":438,"_308":439},{"_306":436,"_308":437},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,"Antoine Watteau","antoine-watteau","French, 1684–1721",1684,1721,"Valenciennes","Nogent-sur-Marne","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","Les deux perroquets, le roi et son fils (Two Parrots, the King, and His Son)",{"_42":509,"_217":510,"_320":511,"_322":323,"_324":450,"_326":512,"_328":-5,"_329":-5,"_330":-5,"_140":103},"published 1759","print","Print","hand-colored etching",0.72607421875,[494,495,496,497,498],{"_216":490,"_217":491,"_42":492,"_299":493},"Courtesy National Gallery of Art, Washington","1975.81.28","Antoine Radigues made this (published 1759), aged 38. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a classical architectural scene with a bird and multiple individuals. It is done in the style of Jean-Baptiste Oudry. The image includes a large building with stone columns and stairs. A parrot is perched on a tree, catching attention with its colorful feathers. In the foreground, a person in classical clothing appears to be in motion. In the background, a group of people are gathered with varied expressions and gestures directed towards the person in the foreground. The architectural elements and foliage add depth and context to the scene.",{"_290":487,"_292":488,"_294":489},"https://img.ochreeditions.com/m/1579.jpg?dl=1","/art/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537","/galleries/style/french-eighteenth-century/les-deux-perroquets-le-roi-et-son-fils-two-parrots-the-king-nga-55537",{"_286":426,"_288":427},{"_220":479,"_125":480,"_280":481},{"_271":475,"_273":476,"_275":477,"_277":478},67.564453125,84,43.564453125,60,{"_282":220,"_123":485,"_154":486,"_140":89},{"_282":125,"_123":482,"_154":483,"_140":484},{"_282":280,"_123":166,"_154":165,"_140":168},"style/print-18","More prints of the 18th century",129,"artist/contemporaries-of-antoine-radigues","Antoine Radigues's contemporaries","https://img.ochreeditions.com/a/1579/480.jpg","https://img.ochreeditions.com/a/1579/960.jpg","https://img.ochreeditions.com/a/1579/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_306":507,"_308":508},{"_306":505,"_308":506},{"_306":503,"_308":504},{"_306":501,"_308":502},{"_306":499,"_308":500},"#d8caac",0.1532,"#c7a97c",0.1722,"#645a4d",0.2055,"#827861",0.2306,"#a19477",0.2385,"Antoine Radigues","antoine-radigues","French, 1721–1809",1809,"the-italian-comedians-nga-32687","The Italian Comedians",{"_42":446,"_217":447,"_320":448,"_322":323,"_324":449,"_326":450,"_328":451,"_329":452,"_330":453,"_140":97},"probably 1720","oil on canvas","overall: 63.8 × 76.2 cm (25 1/8 × 30 in.) framed: 94.62 × 107 × 13.65 cm (37 1/4 × 42 1/8 × 5 3/8 in.)",76.2,63.8,1.2054149499705709,[544,545,546,547,548],{"_216":490,"_217":491,"_42":492,"_299":493},"1946.7.9","Antoine Watteau painted this (probably 1720), aged 36. It is now at the National Gallery of Art in Washington, DC.","Pierrot, the white-clad clown of the Italian comedy, stands at the centre of a shallow stage with his arms hanging at his sides, while the troupe gathers around him as if for a curtain call: a masked Harlequin in diamond-patterned costume, a young man in red with a jester’s bauble, a lute player, a bearded old man in black cloak and skullcap, and a figure in gold who gestures towards Pierrot.","A man wearing loose, ivory-white clothing stands flanked by two groups of people in this horizontal painting. All the people have pale or peachy skin except for one person, who may have a brown mask. The man in the center, representing the character Pierrot, stands facing us with his hands by his sides. He has slightly bulging eyes, a bulbous nose, ruddy cheeks, and his full pink lips slightly smile. He wears a straw hat pushed back on his high forehead and a narrow ruffled collar around his neck. His shirt has long, voluminous sleeves and a row of small white buttons down the front. The pants are baggy and end abruptly above his white-stockinged ankles over white slippers. The fabric seems to have a sheen. In the shallow space behind him, a stone wall curves toward us to either side of a doorway that leads to a park-like setting. A crimson-red curtain is pulled to our right. Pierrot stands on the top of two steps, and the people to either side are arranged along the stage or the step that runs close to the bottom edge of the canvas. A spray of white flowers drapes down the front of the steps to our right of center. The group to our left has eight men, women, and children. Closest to us and in the lower left corner, a young man wearing a tomato-red jester’s costume trimmed with bells sits on the steps as he twists and looks back at the scene behind him. He holds a scepter or puppet in the shape of a doll-like jester. Two children gather at his feet. One weaves stems of white flowers together, and the other looks at us, smiling. Just above them another cleanshaven young man sits holding a lute in his lap. He wears a brick-red coat, brown breeches, and slate-blue stockings over crossed legs. He leans back and looks up and to our left, his round cheeks flushed. At the back of this group, two people wear tan-colored costumes covered in muted green and pink diamond shapes, and one might wear a brown mask. That person’s pink lips, black mustache and eyebrows, and black dots for eyes appear painted onto a hard, molded surface. The group of six people to our right stand on the same level as Pierrot. At the front of that group, a heavyset young man wears a gold-colored costume trimmed with black and a waist-length, Wedgewood-blue cape. He faces us but looks to our right as he leans back with one arm extended toward Pierrot. Beyond him are two woman and another person shown only from the neck up. The woman closest to Pierrot wears a pewter-gray gown with a scooped neckline. To the right of the man in gold is an old man with a long beard, wearing a black skullcap and cloak. He leans on a short staff and turns his head to look at the group. The last person on the far right is shown from the neck up and stands before the red curtain hanging from the upper right.",{"_290":541,"_292":542,"_294":543},"https://img.ochreeditions.com/m/1481.jpg?dl=1","/art/the-italian-comedians-nga-32687","/galleries/style/french-eighteenth-century/the-italian-comedians-nga-32687",{"_286":287,"_288":289},{"_220":538,"_125":539,"_280":540},{"_271":535,"_273":536,"_275":519,"_277":537},91.2,78.21474609375001,63.21474609375001,{"_282":220,"_123":424,"_154":425,"_140":97},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1481/480.jpg","https://img.ochreeditions.com/a/1481/960.jpg","https://img.ochreeditions.com/a/1481/1920.jpg",{"_306":557,"_308":558},{"_306":555,"_308":556},{"_306":553,"_308":554},{"_306":551,"_308":552},{"_306":549,"_308":550},"#d6bea3",0.0525,"#917355",0.1565,"#7e3f17",0.1934,"#33281b",0.2535,"#594a36",0.3441,"le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":606,"_217":607,"_320":608,"_322":323,"_324":450,"_326":609,"_328":-5,"_329":-5,"_330":-5,"_140":103},"in or after 1756","etching on laid paper","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[591,592,593,594,595],{"_216":490,"_217":491,"_42":492,"_299":493},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_290":588,"_292":589,"_294":590},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/french-eighteenth-century/le-duel-the-duel-nga-45777",{"_286":426,"_288":427},{"_220":583,"_125":584,"_280":585},{"_271":580,"_273":581,"_275":582,"_277":566},47.831030273437506,57.1,23.831030273437502,{"_282":220,"_123":586,"_154":587,"_140":89},{"_282":125,"_123":482,"_154":483,"_140":484},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_306":604,"_308":605},{"_306":602,"_308":603},{"_306":600,"_308":601},{"_306":598,"_308":599},{"_306":596,"_308":597},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599",0.1664,"#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1786,"la-camargo-dancing-nga-96","La Camargo Dancing",{"_42":653,"_217":654,"_320":655,"_322":323,"_324":656,"_326":657,"_328":-5,"_329":-5,"_330":-5,"_140":103},"overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.)",106.7,1.4003418803418803,[639,640,641,642,643],{"_216":490,"_217":491,"_42":492,"_299":493},"1937.1.89","Nicolas Lancret painted this in about 1730, aged 40. It is now at the National Gallery of Art in Washington, DC.","Twenty-one men in long waistcoats and women in elegantly trimmed gowns gather and dance within a verdant landscape in this horizontal painting. The men wear jackets and breeches in ginger brown, pale pink, or spruce blue. The women’s gowns have full sleeves, tight-fitting bodices, and full skirts in shades of bronze, teal blue, butterscotch gold, or rich pink edged with ribbons and lace. Some of them wear floral wreaths or ribbons in their upswept hair. Groups gather around a woman and man who dance together to our left in the scene. Some in the group of onlookers to our left hold musical instruments, including a violin and a pipe. Another group is nestled among trees just beyond the dancers, at the center of the painting, and more sit and stand to our right. The dancing woman wears a gleaming, ice-blue gown with rows of flowers in muted pink, blue, and gold down the full skirt and around the bottom hem, which falls short of her thin ankles. More garlands cross her chest and shoulders, and flowers are tucked into her dark gray hair. She faces us with her head turned to our right as she looks off in that direction with dark eyes under curving brows. She has a delicate nose, rosy, round cheeks, and pink lips. She holds her arms spread wide with the thumb touching the index finger of each hand. The man with whom she dances wears a coral-red tunic and breeches with sleeves decorated with pale pink and blue ribbons. The brim of his brown hat is turned up. His body faces us but he turns his head to look at the woman, his lips parted. The man and woman each have one gracefully pointed foot raised. The dancers and groups are enclosed within a park-like setting with tall trees to either side, and a screen of trees across the back of the space. The trees have slender trunks and canopies in shades of pine, sage, and moss green. Near the back middle of the scene, a stone column topped by a human head wearing a wreath of laurel leaves rises above the central group. A fountain with a vertical jet of water is tucked into the shadows within a grove of trees along the right edge of the painting. The water falls into a pool in the lower right corner.",{"_290":636,"_292":637,"_294":638},"https://img.ochreeditions.com/m/1308.jpg?dl=1","/art/la-camargo-dancing-nga-96","/galleries/style/french-eighteenth-century/la-camargo-dancing-nga-96",{"_286":287,"_288":289},{"_220":631,"_125":632,"_280":633},{"_271":628,"_273":629,"_275":614,"_277":630},121.7,91.1956787109375,76.1956787109375,{"_282":220,"_123":634,"_154":635,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-nicolas-lancret","Nicolas Lancret's contemporaries","https://img.ochreeditions.com/a/1308/480.jpg","https://img.ochreeditions.com/a/1308/960.jpg","https://img.ochreeditions.com/a/1308/1920.jpg",{"_306":651,"_308":652},{"_306":650,"_308":554},{"_306":648,"_308":649},{"_306":646,"_308":647},{"_306":644,"_308":645},"#a6a482",0.1135,"#7d775a",0.1375,"#4e3c22",0.1698,"#525035","#2d291a",0.3858,"Nicolas Lancret","nicolas-lancret","French, 1690–1743",1690,1743,"lion-s-head-from-the-capitoline-staircase-nga-110205","Lion's Head from the Capitoline Staircase",{"_42":710,"_217":711,"_320":712,"_322":323,"_324":713,"_326":512,"_328":-5,"_329":-5,"_330":-5,"_140":101},"1752/1756","drawing","Drawing","black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.688232421875,[695,696,697,698,699],{"_216":490,"_217":491,"_42":492,"_299":493},"1999.75.5.a","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","This is a detailed sketch of a lion's head, positioned to show its profile. The drawing features the lion's broad nose, rounded mouth, large eye, and flowing mane. The facial features are depicted with various curves and lines. The sketch is on textured paper with pencil shading creating variations in the background. Handwritten text at the bottom reads \"Leone de l'Escalier du capitol.\"",{"_290":692,"_292":693,"_294":694},"https://img.ochreeditions.com/m/1646.jpg?dl=1","/art/lion-s-head-from-the-capitoline-staircase-nga-110205","/galleries/style/french-eighteenth-century/lion-s-head-from-the-capitoline-staircase-nga-110205",{"_286":426,"_288":427},{"_220":684,"_125":685,"_280":686},{"_271":680,"_273":681,"_275":682,"_277":683},41.205810546875,49,17.205810546875,25,{"_282":220,"_123":690,"_154":691,"_140":89},{"_282":125,"_123":687,"_154":688,"_140":689},{"_282":280,"_123":166,"_154":165,"_140":168},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1646/480.jpg","https://img.ochreeditions.com/a/1646/960.jpg","https://img.ochreeditions.com/a/1646/1920.jpg",{"_306":708,"_308":709},{"_306":706,"_308":707},{"_306":704,"_308":705},{"_306":702,"_308":703},{"_306":700,"_308":701},"#b4b0a3",0.0632,"#d1c3a9",0.0824,"#c6c1b4",0.1484,"#d3cec0",0.2859,"#ded8c8",0.4201,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,"seated-male-nude-aic-85961","Seated Male Nude",{"_42":318,"_217":319,"_320":321,"_322":323,"_324":325,"_326":327,"_328":-5,"_329":-5,"_330":-5,"_140":99},"n.d.","Red chalk, with stumping, on tan laid paper","36.9 × 30.4 cm (14 9/16 × 12 in.)",36,0.8264226479839862,[744,745,746,747,748],{"_216":296,"_217":297,"_42":298,"_299":300},"1922.3201","François Le Moyne painted this (n.d.), aged about 12. It is now at the Art Institute of Chicago.","A work made of red chalk, with stumping, on tan laid paper.",{"_290":741,"_292":742,"_294":743},"https://img.ochreeditions.com/m/233.jpg?dl=1","/art/seated-male-nude-aic-85961","/galleries/style/french-eighteenth-century/seated-male-nude-aic-85961",{"_286":426,"_288":427},{"_220":736,"_125":737,"_280":738},{"_271":734,"_273":478,"_275":735,"_277":720},53.75121532742351,29.751215327423505,{"_282":220,"_123":170,"_154":169,"_140":99},{"_282":125,"_123":739,"_154":740,"_140":335},{"_282":280,"_123":361,"_154":362,"_140":363},"style/watercolour-17","More watercolours of the 17th century","https://img.ochreeditions.com/a/233/480.jpg","https://img.ochreeditions.com/a/233/960.jpg","https://img.ochreeditions.com/a/233/1920.jpg",{"_306":757,"_308":758},{"_306":755,"_308":756},{"_306":753,"_308":754},{"_306":751,"_308":752},{"_306":749,"_308":750},"#aa7155",0.0622,"#e1dacc",0.0625,"#b79072",0.1551,"#bba188",0.2568,"#c2b19c",0.4634,"le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527","Le chat, la balette et le petit lapin (The Cat, the Weasel, and the Rabbit)",{"_42":801,"_217":802,"_320":803,"_322":323,"_324":804,"_326":805,"_328":-5,"_329":-5,"_330":-5,"_140":103},"published 1756",0.7255859375,[786,787,788,789,790],{"_216":490,"_217":491,"_42":492,"_299":493},"1975.81.18","Martin Marvie made this (published 1756), aged 43. It is now at the National Gallery of Art in Washington, DC.","This is a painting of animals in front of a ruined structure. The painting features a cat, a weasel, and a small rabbit gathered on a patch of grass. The cat has its paw over the rabbit, with the weasel observing. They are in front of an ancient stone structure surrounded by vegetation. In the background are trees against a sky. The foreground has detailed foliage and flowers.",{"_290":783,"_292":784,"_294":785},"https://img.ochreeditions.com/m/1577.jpg?dl=1","/art/le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527","/galleries/style/french-eighteenth-century/le-chat-la-balette-et-le-petit-lapin-the-cat-the-weasel-and-nga-55527",{"_286":426,"_288":427},{"_220":778,"_125":779,"_280":780},{"_271":776,"_273":476,"_275":777,"_277":478},67.53515625,43.53515625,{"_282":220,"_123":781,"_154":782,"_140":89},{"_282":125,"_123":482,"_154":483,"_140":484},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-martin-marvie","Martin Marvie's contemporaries","https://img.ochreeditions.com/a/1577/480.jpg","https://img.ochreeditions.com/a/1577/960.jpg","https://img.ochreeditions.com/a/1577/1920.jpg",{"_306":799,"_308":800},{"_306":797,"_308":798},{"_306":795,"_308":796},{"_306":793,"_308":794},{"_306":791,"_308":792},"#615a4d",0.1365,"#cdae7b",0.1841,"#837a63",0.2116,"#d5c9ab",0.2245,"#a79b7c",0.2433,"Martin Marvie","martin-marvie","French, 1713–1813",1713,1813,"portrait-of-a-woman-as-diana-cma-122347","Portrait of a Woman as Diana",{"_42":854,"_217":855,"_320":856,"_322":323,"_324":857,"_326":858,"_328":-5,"_329":-5,"_330":-5,"_140":101},"1752","Framed: 127.5 x 107.5 x 10 cm (50 3/16 x 42 5/16 x 3 15/16 in.); Unframed: 100.4 x 79.5 cm (39 1/2 x 31 5/16 in.)",79.5,100.4,0.805,[839,840,841,842,843],{"_216":374,"_217":375,"_42":376,"_299":377},"1942.643","Jean-Marc Nattier painted this in 1752, aged 67. It is now at the Cleveland Museum of Art.",{"_118":838,"_372":373},"Portrait of a Woman as Diana, by Jean-Marc Nattier, 1752",{"_290":835,"_292":836,"_294":837},"https://img.ochreeditions.com/m/555.jpg?dl=1","/art/portrait-of-a-woman-as-diana-cma-122347","/galleries/style/french-eighteenth-century/portrait-of-a-woman-as-diana-cma-122347",{"_286":287,"_288":289},{"_220":830,"_125":831,"_280":832},{"_271":827,"_273":828,"_275":829,"_277":812},95.822,115.4,80.822,{"_282":220,"_123":833,"_154":834,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/555/480.jpg","https://img.ochreeditions.com/a/555/960.jpg","https://img.ochreeditions.com/a/555/1920.jpg","For many years, this sitter was identified as Madame de Pompadour, but she bears little resemblance to this pivotal figure in French art and politics of the mid 1700s.",{"_306":852,"_308":853},{"_306":850,"_308":851},{"_306":848,"_308":849},{"_306":846,"_308":847},{"_306":844,"_308":845},"#a79d8d",0.0705,"#776f5f",0.1057,"#514e3f",0.2206,"#262217",0.296,"#3c3c30",0.3072,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":710,"_217":711,"_320":712,"_322":323,"_324":713,"_326":512,"_328":-5,"_329":-5,"_330":-5,"_140":101},"pen and brown ink over black chalk on laid paper",0.690673828125,[883,884,885,886,887],{"_216":490,"_217":491,"_42":492,"_299":493},"1999.75.5.b","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_290":880,"_292":881,"_294":882},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_286":426,"_288":427},{"_220":877,"_125":878,"_280":879},{"_271":875,"_273":681,"_275":876,"_277":683},41.266845703125,17.266845703125,{"_282":220,"_123":690,"_154":691,"_140":89},{"_282":125,"_123":687,"_154":688,"_140":689},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_306":896,"_308":897},{"_306":894,"_308":895},{"_306":892,"_308":893},{"_306":890,"_308":891},{"_306":888,"_308":889},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","Le roi, le milan, et le chasseur (The King, the Kite, and the Hunter)",{"_42":939,"_217":940,"_320":941,"_322":323,"_324":942,"_326":943,"_328":-5,"_329":-5,"_330":-5,"_140":103},0.736328125,[924,925,926,927,928],{"_216":490,"_217":491,"_42":492,"_299":493},"1975.81.27","Benoît-Louis Prévost made this (published 1759), aged 24. It is now at the National Gallery of Art in Washington, DC.","This is a painting of a king, a hawk, and a hunter in a classical architectural setting with columns and arches. In the image, a figure in royal clothing is seated beneath draped red fabric, facing a man in hunting attire holding a bird. A hawk perches on the royal figure's head, wings spread, while the hunter reaches toward the hawk. Surrounding them are other figures in armor, holding spears and shields. The style is reminiscent of classic European paintings with themes of mythology or allegory.",{"_290":921,"_292":922,"_294":923},"https://img.ochreeditions.com/m/1578.jpg?dl=1","/art/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536","/galleries/style/french-eighteenth-century/le-roi-le-milan-et-le-chasseur-the-king-the-kite-and-the-hun-nga-55536",{"_286":426,"_288":427},{"_220":916,"_125":917,"_280":918},{"_271":914,"_273":476,"_275":915,"_277":478},68.1796875,44.1796875,{"_282":220,"_123":919,"_154":920,"_140":89},{"_282":125,"_123":482,"_154":483,"_140":484},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-benoit-louis-prevost","Benoît-Louis Prévost's contemporaries","https://img.ochreeditions.com/a/1578/480.jpg","https://img.ochreeditions.com/a/1578/960.jpg","https://img.ochreeditions.com/a/1578/1920.jpg",{"_306":937,"_308":938},{"_306":935,"_308":936},{"_306":933,"_308":934},{"_306":931,"_308":932},{"_306":929,"_308":930},"#dacaae",0.141,"#7a524a",0.1453,"#685d4e",0.1483,"#93866e",0.2816,"#c3a774",0.2838,"Benoît-Louis Prévost","benoit-louis-prevost","French, c. 1735–1804",1735,1804,"mezzetin-met-437926","Mezzetin",{"_42":446,"_217":447,"_320":448,"_322":323,"_324":449,"_326":450,"_328":451,"_329":452,"_330":453,"_140":97},"ca. 1718–20","Paintings","21 3/4 x 17 in. (55.2 x 43.2 cm)",43.2,55.2,0.7867494824016563,[980,981,982,983,984],{"_216":976,"_217":977,"_42":978,"_299":979},"Courtesy of The Metropolitan Museum of Art","34.138","Antoine Watteau painted this in about 1718–20, aged about 34. It is now at The Met in New York.","Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. Behind him a stone statue of a woman turns her back, an ironic reply to his lovesick serenade.","Mezzetin, by Antoine Watteau, ca. 1718–20",{"_290":973,"_292":974,"_294":975},"https://img.ochreeditions.com/m/1176.jpg?dl=1","/art/mezzetin-met-437926","/galleries/style/french-eighteenth-century/mezzetin-met-437926",{"_286":287,"_288":289},{"_220":970,"_125":971,"_280":972},{"_271":967,"_273":968,"_275":969,"_277":951},58.42857142857143,70.2,43.42857142857143,{"_282":220,"_123":424,"_154":425,"_140":97},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1176/480.jpg","https://img.ochreeditions.com/a/1176/960.jpg","https://img.ochreeditions.com/a/1176/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_306":993,"_308":994},{"_306":991,"_308":992},{"_306":989,"_308":990},{"_306":987,"_308":988},{"_306":985,"_308":986},"#958565",0.0844,"#765032",0.1184,"#5e5837",0.1853,"#3d3e2a",0.2978,"#342a1d",0.3141,"portrait-of-a-woman-cma-125951","Portrait of a Woman",{"_42":854,"_217":855,"_320":856,"_322":323,"_324":857,"_326":858,"_328":-5,"_329":-5,"_330":-5,"_140":101},"c. 1748","Framed: 108 x 92.5 x 11 cm (42 1/2 x 36 7/16 x 4 5/16 in.); Unframed: 82 x 65 cm (32 5/16 x 25 9/16 in.)",65,82,0.8023529411764706,[1026,1027,1028,1029,1030],{"_216":374,"_217":375,"_42":376,"_299":377},"1948.183","Jean-Marc Nattier painted this in about 1748, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":1025,"_372":373},"Portrait of a Woman, by Jean-Marc Nattier, c. 1748",{"_290":1022,"_292":1023,"_294":1024},"https://img.ochreeditions.com/m/581.jpg?dl=1","/art/portrait-of-a-woman-cma-125951","/galleries/style/french-eighteenth-century/portrait-of-a-woman-cma-125951",{"_286":287,"_288":289},{"_220":1019,"_125":1020,"_280":1021},{"_271":1016,"_273":1017,"_275":1018,"_277":1001},80.79294117647059,97,65.79294117647059,{"_282":220,"_123":833,"_154":834,"_140":89},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/581/480.jpg","https://img.ochreeditions.com/a/581/960.jpg","https://img.ochreeditions.com/a/581/1920.jpg","Jean-Marc Nattier was a favorite portraitist of King Louis XV of France. He held the lucrative position as the court painter for Queen Mary Lesczynski, the daughter of the exiled king of Poland.",{"_306":1039,"_308":1040},{"_306":1037,"_308":1038},{"_306":1035,"_308":1036},{"_306":1033,"_308":1034},{"_306":1031,"_308":1032},"#beac98",0.068,"#6f6355",0.0686,"#1b2b2d",0.1719,"#383529",0.3217,"#1a1813",0.3698,"broken-eggs-met-436579","Broken Eggs",{"_42":1088,"_217":1089,"_320":1090,"_322":323,"_324":1091,"_326":1092,"_328":1093,"_329":1094,"_330":1095,"_140":99},"1756","28 3/4 x 37 in. (73 x 94 cm)",94,73,1.2870279146141215,[1073,1074,1075,1076,1077],{"_216":976,"_217":977,"_42":978,"_299":979},"20.155.8","Jean Baptiste Greuze painted this in 1756, aged 31. It is now at The Met in New York.","A young woman sits dejected beside a basket of broken eggs, while an older woman remonstrates with a young man who seems eager to slip away. The broken eggs are a pointed metaphor for lost innocence.","Broken Eggs, by Jean Baptiste Greuze, 1756",{"_290":1070,"_292":1071,"_294":1072},"https://img.ochreeditions.com/m/1099.jpg?dl=1","/art/broken-eggs-met-436579","/galleries/style/french-eighteenth-century/broken-eggs-met-436579",{"_286":287,"_288":289},{"_220":1065,"_125":1066,"_280":1067},{"_271":1062,"_273":1063,"_275":1046,"_277":1064},109,88.03648890022966,73.03648890022966,{"_282":220,"_123":1068,"_154":1069,"_140":99},{"_282":125,"_123":283,"_154":284,"_140":285},{"_282":280,"_123":166,"_154":165,"_140":168},"artist/jean-baptiste-greuze","More by Jean Baptiste Greuze","https://img.ochreeditions.com/a/1099/480.jpg","https://img.ochreeditions.com/a/1099/960.jpg","https://img.ochreeditions.com/a/1099/1920.jpg",{"_306":1086,"_308":1087},{"_306":1084,"_308":1085},{"_306":1082,"_308":1083},{"_306":1080,"_308":1081},{"_306":1078,"_308":1079},"#6b4429",0.0386,"#998c68",0.0635,"#6c5d40",0.1371,"#453622",0.2873,"#291d11",0.4735,"Jean Baptiste Greuze","jean-baptiste-greuze","French, 1725–1805",1725,1805,"Tournus","Paris","Greuze rose to fame at the Paris Salon in the later 1750s with moralising scenes of family life, sentimental and theatrical, which the critic Denis Diderot championed. Broken Eggs, shown at the Salon of 1757, tells a story of lost innocence through a single domestic incident.",{"_1097":-5,"_1098":1099,"_1100":1101,"_1102":8,"_1103":1104,"_1105":8},"user","csrf","1c89e6b5d5eca7e7759b1912b0df535581dea7de","cartCount",0,"dropLive","legal",[1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116,1117],"uploadsEnabled",{"_217":1140,"_20":1141},{"_217":1138,"_20":1139},{"_217":1136,"_20":1137},{"_217":1134,"_20":1135},{"_217":1132,"_20":1133},{"_217":1130,"_20":1131},{"_217":1128,"_20":1129},{"_217":1126,"_20":1127},{"_217":1124,"_20":1125},{"_217":1122,"_20":1123},{"_217":1120,"_20":1121},{"_217":1118,"_20":1119},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]