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However, where the panels were originally installed or who commissioned them remains unknown.",{"_312":445,"_314":446},{"_312":443,"_314":444},{"_312":441,"_314":442},{"_312":439,"_314":440},{"_312":437,"_314":438},"#9da69e",0.1549,"#9c7e66",0.1665,"#706f5f",0.1839,"#39392e",0.2063,"#594f3f",0.2884,"François Boucher","francois-boucher","French, 1703–1770",1703,1770,"Paris","Boucher trained with François Lemoyne, won the Prix de Rome and spent several years in Italy before rising to become First Painter to Louis XV. Madame de Pompadour was his most important patron.","the-white-tablecloth-aic-51577","The White Tablecloth",{"_42":507,"_219":508,"_326":509,"_328":329,"_330":510,"_332":511,"_334":452,"_335":452,"_336":512,"_140":99},"c. 1731–32","Oil on canvas","96.8 × 123.5 cm (38 1/8 × 48 5/16 in.); Framed: 126.7 × 154.4 × 14 cm (49 7/8 × 60 3/4 × 5 1/2 in.)",123,96,1.2933452700686363,[492,493,494,495,496],{"_218":488,"_219":489,"_42":490,"_305":491},"Courtesy of the Art Institute of Chicago","1944.699","Jean Siméon Chardin painted this in about 1731–32, aged about 32. It is now at the Art Institute of Chicago.","A white cloth is thrown over a small table set with simple things, among them bread and a glass of wine, as if a meal has just been left.","A work made of oil on canvas.",{"_293":485,"_295":486,"_297":487},"https://img.ochreeditions.com/m/163.jpg?dl=1","/art/the-white-tablecloth-aic-51577","/galleries/style/french-eighteenth-century/the-white-tablecloth-aic-51577",{"_289":290,"_291":292},{"_222":480,"_125":481,"_283":482},{"_274":477,"_276":478,"_278":460,"_280":479},138,110.10221504383941,95.10221504383941,{"_285":222,"_123":483,"_154":484,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/jean-simeon-chardin","More by Jean Siméon Chardin","https://img.ochreeditions.com/a/163/480.jpg","https://img.ochreeditions.com/a/163/960.jpg","https://img.ochreeditions.com/a/163/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":505,"_314":506},{"_312":503,"_314":504},{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},"#736955",0.0695,"#9d9a89",0.0989,"#bebfb5",0.1502,"#4e3d2c",0.3227,"#2e2820",0.3587,"Jean Siméon Chardin","jean-simeon-chardin","French, 1699–1779",1699,1779,"Chardin spent his life in Paris and was received into the Academy in 1728 as a painter of animals and fruit.","spring-cma-128877","Spring",{"_42":561,"_219":562,"_326":563,"_328":329,"_330":564,"_332":565,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1720–36","Framed: 76.5 x 66 x 9 cm (30 1/8 x 26 x 3 9/16 in.); Unframed: 65 x 53.7 cm (25 9/16 x 21 1/8 in.)",53.7,65,0.7485294117647059,[546,547,548,549,550],{"_218":302,"_219":303,"_42":304,"_305":306},"1951.486","Jean-Baptiste Pater painted this in about 1720–36, aged about 20. It is now at the Cleveland Museum of Art.",{"_118":545,"_300":301},"Spring, by Jean-Baptiste Pater, c. 1720–36",{"_293":542,"_295":543,"_297":544},"https://img.ochreeditions.com/m/594.jpg?dl=1","/art/spring-cma-128877","/galleries/style/french-eighteenth-century/spring-cma-128877",{"_289":290,"_291":292},{"_222":537,"_125":538,"_283":539},{"_274":534,"_276":535,"_278":536,"_280":519},63.654411764705884,80,48.654411764705884,{"_285":222,"_123":540,"_154":541,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jean-baptiste-pater","Jean-Baptiste Pater's contemporaries","https://img.ochreeditions.com/a/594/480.jpg","https://img.ochreeditions.com/a/594/960.jpg","https://img.ochreeditions.com/a/594/1920.jpg","Spring and Summer are two scenes from a four-season series. These landscapes were originally a part of a screen or a decorative panel, indicated by their floral borders and oval shape.",{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},"#464026",0.0573,"#9a966d",0.0785,"#7f754d",0.1458,"#605a35",0.2327,"#010100",0.4857,"Jean-Baptiste Pater","jean-baptiste-pater","French, 1695–1736",1695,1736,"the-old-savoyard-aic-20432","The Old Savoyard",{"_42":617,"_219":618,"_326":619,"_328":329,"_330":620,"_332":621,"_334":622,"_335":623,"_336":624,"_140":97},"c. 1715","watercolour","Drawing and Watercolor","Red and black chalk on cream laid paper","35.9 × 22.1 cm (14 3/16 × 8 3/4 in.)",22,0.6095143706640238,[602,603,604,605,606],{"_218":488,"_219":489,"_42":490,"_305":491},"1964.74","Antoine Watteau painted this in about 1715, aged about 26. It is now at the Art Institute of Chicago.","An elderly, bearded man carries a crate and pack on his back, sketched from life in red and black chalk. He is a Savoyard, one of the poor itinerant performers from the Alpine region of Savoy who tramped the streets of Paris with peep-show boxes or performing marmots.","Chalk drawing with red and black shading of man carrying crate and pack.",{"_293":599,"_295":600,"_297":601},"https://img.ochreeditions.com/m/75.jpg?dl=1","/art/the-old-savoyard-aic-20432","/galleries/style/french-eighteenth-century/the-old-savoyard-aic-20432",{"_289":370,"_291":371},{"_222":592,"_125":593,"_283":594},{"_274":589,"_276":590,"_278":591,"_280":138},45.33300297324084,59,21.333002973240834,{"_285":222,"_123":597,"_154":598,"_140":97},{"_285":125,"_123":595,"_154":596,"_140":53},{"_285":283,"_123":165,"_154":164,"_140":167},"style/watercolour-18","More watercolours of the 18th century","artist/antoine-watteau","More by Antoine Watteau","https://img.ochreeditions.com/a/75/480.jpg","https://img.ochreeditions.com/a/75/960.jpg","https://img.ochreeditions.com/a/75/1920.jpg",{"_312":615,"_314":616},{"_312":613,"_314":614},{"_312":611,"_314":612},{"_312":609,"_314":610},{"_312":607,"_314":608},"#a59d94",0.0853,"#8f685a",0.1086,"#af836f",0.1999,"#c69d84",0.2508,"#d3b59b",0.3554,"Antoine Watteau","antoine-watteau","French, 1684–1721",1684,1721,"Valenciennes","Nogent-sur-Marne","Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace.","ange-laurent-de-la-live-de-jully-nga-32686","Ange Laurent de La Live de Jully",{"_42":672,"_219":673,"_326":674,"_328":329,"_330":675,"_332":676,"_334":677,"_335":452,"_336":678,"_140":99},"probably 1759","overall: 117 x 88.5 cm (46 1/16 x 34 13/16 in.) framed: 161.9 x 121.9 cm (63 3/4 x 48 in.)",88.5,117,0.757568359375,[657,658,659,660,661],{"_218":375,"_219":376,"_42":377,"_305":378},"1946.7.8","Jean Baptiste Greuze painted this (probably 1759), aged 34. It is now at the National Gallery of Art in Washington, DC.","The collector Ange Laurent de La Live de Jully sits at his harp in a loose white shirt and rose-pink breeches, turning from the strings to smile at us, in a room furnished with a gilded chair and a table of books, portfolios and a statuette.","A pale-skinned man sits facing our left as he plays a harp while turning his face to smile at us in this vertical portrait painting. He looks out the corners of his light blue eyes under arched, gray brows. He has a rounded nose, pale pink lips, and a round face. Gray hair is brushed back from his high forehead and curls around his ears. His long fingers rest on the strings of the harp, and the ends of strings curl like wind-loosened strands of hair along the top edge. The man wears a pale mauve-purple cravat, and his snow-white, long-sleeved chemise is untucked and loose around his thighs. The cuff we see is open and folded back over a bright white shirt edged with lace. His dusky rose-pink breeches are unbuttoned at the knee over white stockings. The square-seated chair on which he sits is carved with garlands and floral patterns, which are gilded gold. The seat itself is topaz blue, and it has a low back. A similarly ornamented and gilded table along the back of the room holds a portfolio and roll of papers, the tooled and gilded spines of books, and a statuette to the right. The pale pinkish-orange statuette shows a woman holding a tablet and wearing a long, loose robe and head covering. Her body angles to our left and she looks off in that direction. The wall behind the table is mottled with smoky shades of gray and tan.",{"_293":654,"_295":655,"_297":656},"https://img.ochreeditions.com/m/1480.jpg?dl=1","/art/ange-laurent-de-la-live-de-jully-nga-32686","/galleries/style/french-eighteenth-century/ange-laurent-de-la-live-de-jully-nga-32686",{"_289":290,"_291":292},{"_222":649,"_125":650,"_283":651},{"_274":646,"_276":647,"_278":648,"_280":631},103.635498046875,132,88.635498046875,{"_285":222,"_123":652,"_154":653,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/jean-baptiste-greuze","More by Jean Baptiste Greuze","https://img.ochreeditions.com/a/1480/480.jpg","https://img.ochreeditions.com/a/1480/960.jpg","https://img.ochreeditions.com/a/1480/1920.jpg",{"_312":670,"_314":671},{"_312":668,"_314":669},{"_312":666,"_314":667},{"_312":664,"_314":665},{"_312":662,"_314":663},"#b7b2af",0.1217,"#8e807a",0.126,"#605045",0.1738,"#5a341a",0.182,"#382a20",0.3965,"Jean Baptiste Greuze","jean-baptiste-greuze","French, 1725–1805",1725,1805,"Tournus","Greuze rose to fame at the Paris Salon in the later 1750s with moralising scenes of family life, sentimental and theatrical, which the critic Denis Diderot championed. Broken Eggs, shown at the Salon of 1757, tells a story of lost innocence through a single domestic incident.","broken-eggs-met-436579","Broken Eggs",{"_42":672,"_219":673,"_326":674,"_328":329,"_330":675,"_332":676,"_334":677,"_335":452,"_336":678,"_140":99},"1756","Paintings","28 3/4 x 37 in. (73 x 94 cm)",94,73,1.2870279146141215,[715,716,717,718,719],{"_218":711,"_219":712,"_42":713,"_305":714},"Courtesy of The Metropolitan Museum of Art","20.155.8","Jean Baptiste Greuze painted this in 1756, aged 31. It is now at The Met in New York.","A young woman sits dejected beside a basket of broken eggs, while an older woman remonstrates with a young man who seems eager to slip away. The broken eggs are a pointed metaphor for lost innocence.","Broken Eggs, by Jean Baptiste Greuze, 1756",{"_293":708,"_295":709,"_297":710},"https://img.ochreeditions.com/m/1099.jpg?dl=1","/art/broken-eggs-met-436579","/galleries/style/french-eighteenth-century/broken-eggs-met-436579",{"_289":290,"_291":292},{"_222":705,"_125":706,"_283":707},{"_274":702,"_276":703,"_278":685,"_280":704},109,88.03648890022966,73.03648890022966,{"_285":222,"_123":652,"_154":653,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1099/480.jpg","https://img.ochreeditions.com/a/1099/960.jpg","https://img.ochreeditions.com/a/1099/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":728,"_314":729},{"_312":726,"_314":727},{"_312":724,"_314":725},{"_312":722,"_314":723},{"_312":720,"_314":721},"#6b4429",0.0386,"#998c68",0.0635,"#6c5d40",0.1371,"#453622",0.2873,"#291d11",0.4735,"la-camargo-dancing-nga-96","La Camargo Dancing",{"_42":776,"_219":777,"_326":778,"_328":329,"_330":779,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":103},"c. 1730","overall: 76.2 x 106.7 cm (30 x 42 in.) framed: 107.3 x 135.9 x 9.2 cm (42 1/4 x 53 1/2 x 3 5/8 in.)",106.7,76.2,1.4003418803418803,[761,762,763,764,765],{"_218":375,"_219":376,"_42":377,"_305":378},"1937.1.89","Nicolas Lancret painted this in about 1730, aged 40. It is now at the National Gallery of Art in Washington, DC.","Twenty-one men in long waistcoats and women in elegantly trimmed gowns gather and dance within a verdant landscape in this horizontal painting. The men wear jackets and breeches in ginger brown, pale pink, or spruce blue. The women’s gowns have full sleeves, tight-fitting bodices, and full skirts in shades of bronze, teal blue, butterscotch gold, or rich pink edged with ribbons and lace. Some of them wear floral wreaths or ribbons in their upswept hair. Groups gather around a woman and man who dance together to our left in the scene. Some in the group of onlookers to our left hold musical instruments, including a violin and a pipe. Another group is nestled among trees just beyond the dancers, at the center of the painting, and more sit and stand to our right. The dancing woman wears a gleaming, ice-blue gown with rows of flowers in muted pink, blue, and gold down the full skirt and around the bottom hem, which falls short of her thin ankles. More garlands cross her chest and shoulders, and flowers are tucked into her dark gray hair. She faces us with her head turned to our right as she looks off in that direction with dark eyes under curving brows. She has a delicate nose, rosy, round cheeks, and pink lips. She holds her arms spread wide with the thumb touching the index finger of each hand. The man with whom she dances wears a coral-red tunic and breeches with sleeves decorated with pale pink and blue ribbons. The brim of his brown hat is turned up. His body faces us but he turns his head to look at the woman, his lips parted. The man and woman each have one gracefully pointed foot raised. The dancers and groups are enclosed within a park-like setting with tall trees to either side, and a screen of trees across the back of the space. The trees have slender trunks and canopies in shades of pine, sage, and moss green. Near the back middle of the scene, a stone column topped by a human head wearing a wreath of laurel leaves rises above the central group. A fountain with a vertical jet of water is tucked into the shadows within a grove of trees along the right edge of the painting. The water falls into a pool in the lower right corner.",{"_293":758,"_295":759,"_297":760},"https://img.ochreeditions.com/m/1308.jpg?dl=1","/art/la-camargo-dancing-nga-96","/galleries/style/french-eighteenth-century/la-camargo-dancing-nga-96",{"_289":290,"_291":292},{"_222":753,"_125":754,"_283":755},{"_274":750,"_276":751,"_278":735,"_280":752},121.7,91.1956787109375,76.1956787109375,{"_285":222,"_123":756,"_154":757,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-nicolas-lancret","Nicolas Lancret's contemporaries","https://img.ochreeditions.com/a/1308/480.jpg","https://img.ochreeditions.com/a/1308/960.jpg","https://img.ochreeditions.com/a/1308/1920.jpg",{"_312":774,"_314":775},{"_312":772,"_314":773},{"_312":770,"_314":771},{"_312":768,"_314":769},{"_312":766,"_314":767},"#a6a482",0.1135,"#7d775a",0.1375,"#4e3c22",0.1698,"#525035",0.1934,"#2d291a",0.3858,"Nicolas Lancret","nicolas-lancret","French, 1690–1743",1690,"ancient-ruins-on-the-bank-of-the-tiber-nga-110206","Ancient Ruins on the Bank of the Tiber",{"_42":832,"_219":833,"_326":834,"_328":329,"_330":835,"_332":836,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1752/1756","drawing","Drawing","pen and brown ink over black chalk on laid paper","overall: 18 x 12.3 cm (7 1/16 x 4 13/16 in.)",12.3,0.690673828125,[817,818,819,820,821],{"_218":375,"_219":376,"_42":377,"_305":378},"1999.75.5.b","Augustin Pajou drew this in 1752/1756, aged about 22. It is now at the National Gallery of Art in Washington, DC.","The image shows a sketch of an architectural scene with structures lining a road or pathway. The horizon is not clearly defined, and the sketch focuses on architectural details. The drawing features loose, freehand lines outlining buildings and trees, with classical elements like columns and entablatures. The color palette is monochromatic, with light parchment and dark ink strokes creating contrast. Close-up details are lightly shaded for depth, while distant details are less defined. The composition is open and airy, emphasizing architectural features over precision.",{"_293":814,"_295":815,"_297":816},"https://img.ochreeditions.com/m/1647.jpg?dl=1","/art/ancient-ruins-on-the-bank-of-the-tiber-nga-110206","/galleries/style/french-eighteenth-century/ancient-ruins-on-the-bank-of-the-tiber-nga-110206",{"_289":370,"_291":371},{"_222":806,"_125":807,"_283":808},{"_274":802,"_276":803,"_278":804,"_280":805},41.266845703125,49,17.266845703125,25,{"_285":222,"_123":812,"_154":813,"_140":89},{"_285":125,"_123":809,"_154":810,"_140":811},{"_285":283,"_123":165,"_154":164,"_140":167},"style/drawing-18","More drawings of the 18th century",31,"artist/contemporaries-of-augustin-pajou","Augustin Pajou's contemporaries","https://img.ochreeditions.com/a/1647/480.jpg","https://img.ochreeditions.com/a/1647/960.jpg","https://img.ochreeditions.com/a/1647/1920.jpg",{"_312":830,"_314":831},{"_312":828,"_314":829},{"_312":826,"_314":827},{"_312":824,"_314":825},{"_312":822,"_314":823},"#bdac92",0.0487,"#b3af9f",0.1349,"#c4bfaa",0.1516,"#bdbcae",0.2102,"#c9c7b9",0.4546,"Augustin Pajou","augustin-pajou","French, 1730–1809",1730,1809,"soap-bubbles-met-435888","Soap Bubbles",{"_42":507,"_219":508,"_326":509,"_328":329,"_330":510,"_332":511,"_334":452,"_335":452,"_336":512,"_140":99},"ca. 1733–34","24 x 24 7/8 in. (61 x 63.2 cm)",63.2,61,1.0344736144258817,[867,868,869,870,871],{"_218":711,"_219":712,"_42":713,"_305":714},"49.24","Jean Siméon Chardin painted this in about 1733–34, aged about 34. It is now at The Met in New York.","A young man leans out over a window ledge, carefully blowing a large, glistening bubble through a straw, while a small child peers over the sill to watch; a glass of soapy water stands beside him.","Soap Bubbles, by Jean Siméon Chardin, ca. 1733–34",{"_293":864,"_295":865,"_297":866},"https://img.ochreeditions.com/m/1074.jpg?dl=1","/art/soap-bubbles-met-435888","/galleries/style/french-eighteenth-century/soap-bubbles-met-435888",{"_289":290,"_291":292},{"_222":861,"_125":862,"_283":863},{"_274":858,"_276":859,"_278":842,"_280":860},78.2,76.09387336580365,61.093873365803645,{"_285":222,"_123":483,"_154":484,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1074/480.jpg","https://img.ochreeditions.com/a/1074/960.jpg","https://img.ochreeditions.com/a/1074/1920.jpg",{"_312":880,"_314":881},{"_312":878,"_314":879},{"_312":876,"_314":877},{"_312":874,"_314":875},{"_312":872,"_314":873},"#805837",0.0459,"#503b29",0.1498,"#312416",0.2392,"#1f1a0f",0.2728,"#120e06",0.2923,"figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27","Figures from Sistine Chapel ceiling",{"_42":932,"_219":933,"_326":329,"_328":329,"_330":-5,"_332":934,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1759–70","Red chalk on paper",0.6816335740072202,[917,918,919,920,921],{"_218":914,"_219":915,"_42":916,"_305":714},"Courtesy of Cooper Hewitt, Smithsonian Design Museum","1977-110-1-27","Jean-Robert Ango drew this in about 1759–70. It is now at Cooper Hewitt, Smithsonian Design Museum in New York.",{"_118":912,"_300":913},"FIGURES FROM SISTINE CHAPEL CEILING",{"_293":909,"_295":910,"_297":911},"https://img.ochreeditions.com/m/1756.jpg?dl=1","/art/figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27","/galleries/style/french-eighteenth-century/figures-from-sistine-chapel-ceiling-si-chndm-1977-110-1-27",{"_289":370,"_291":371},{"_222":904,"_125":905,"_283":906},{"_274":902,"_276":359,"_278":903,"_280":361},64.89801444043322,40.898014440433215,{"_285":222,"_123":907,"_154":908,"_140":89},{"_285":125,"_123":809,"_154":810,"_140":811},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jean-robert-ango","Jean-Robert Ango's contemporaries","https://img.ochreeditions.com/a/1756/480.jpg","https://img.ochreeditions.com/a/1756/960.jpg","https://img.ochreeditions.com/a/1756/1920.jpg","Figures from the ceiling of the Sistine Chapel, painted by Michelangelo. The lower figure is directly above and to the right of the Jesse spandrel.","Text from Cooper Hewitt, Smithsonian Design Museum.","si","smithsonian","Smithsonian Institution",{"_312":930,"_314":931},{"_312":928,"_314":929},{"_312":926,"_314":927},{"_312":924,"_314":925},{"_312":922,"_314":923},"#efc0a9",0.071,"#c0a886",0.1087,"#ebcfbb",0.1726,"#f2dccb",0.2315,"#f3e7d9",0.4162,"Jean-Robert Ango","jean-robert-ango",1773,"portrait-of-a-woman-cma-125951","Portrait of a Woman",{"_42":982,"_219":983,"_326":984,"_328":329,"_330":985,"_332":986,"_334":-5,"_335":-5,"_336":-5,"_140":101},"c. 1748","Framed: 108 x 92.5 x 11 cm (42 1/2 x 36 7/16 x 4 5/16 in.); Unframed: 82 x 65 cm (32 5/16 x 25 9/16 in.)",82,0.8023529411764706,[967,968,969,970,971],{"_218":302,"_219":303,"_42":304,"_305":306},"1948.183","Jean-Marc Nattier painted this in about 1748, aged about 58. It is now at the Cleveland Museum of Art.",{"_118":966,"_300":301},"Portrait of a Woman, by Jean-Marc Nattier, c. 1748",{"_293":963,"_295":964,"_297":965},"https://img.ochreeditions.com/m/581.jpg?dl=1","/art/portrait-of-a-woman-cma-125951","/galleries/style/french-eighteenth-century/portrait-of-a-woman-cma-125951",{"_289":290,"_291":292},{"_222":958,"_125":959,"_283":960},{"_274":955,"_276":956,"_278":957,"_280":940},80.79294117647059,97,65.79294117647059,{"_285":222,"_123":961,"_154":962,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-jean-marc-nattier","Jean-Marc Nattier's contemporaries","https://img.ochreeditions.com/a/581/480.jpg","https://img.ochreeditions.com/a/581/960.jpg","https://img.ochreeditions.com/a/581/1920.jpg","Jean-Marc Nattier was a favorite portraitist of King Louis XV of France. He held the lucrative position as the court painter for Queen Mary Lesczynski, the daughter of the exiled king of Poland.",{"_312":980,"_314":981},{"_312":978,"_314":979},{"_312":976,"_314":977},{"_312":974,"_314":975},{"_312":972,"_314":973},"#beac98",0.068,"#6f6355",0.0686,"#1b2b2d",0.1719,"#383529",0.3217,"#1a1813",0.3698,"Jean-Marc Nattier","jean-marc-nattier","French, 1685–1766",1685,1766,"the-house-of-cards-nga-97","The House of Cards",{"_42":507,"_219":508,"_326":509,"_328":329,"_330":510,"_332":511,"_334":452,"_335":452,"_336":512,"_140":99},"probably 1737","overall: 82.2 x 66 cm (32 3/8 x 26 in.) framed: 107.3 x 92.1 x 10.2 cm (42 1/4 x 36 1/4 x 4 in.)",66,82.2,0.79931640625,[1017,1018,1019,1020,1021],{"_218":375,"_219":376,"_42":377,"_305":378},"1937.1.90","Jean Siméon Chardin painted this (probably 1737), aged 38. It is now at the National Gallery of Art in Washington, DC.","A boy in a brown coat leans on a table covered in teal cloth, carefully standing a row of folded playing cards on end, with a few coins nearby and a jack of hearts showing in the open drawer.","Shown from about the lap up, a young person with brown hair and a peachy complexion faces our left in profile as he leans onto a table and sets folded playing cards up in a row in this vertical painting. Shown against a dark background, his long, brown hair curls by his ears and is pulled back with a navy-blue ribbon at the nape of his neck. He has a delicately sloping nose, his pink lips are closed, the cheek facing us is flushed, and he looks down at the tabletop under lowered lids. He wears a chestnut-brown, long-sleeved coat with a dark blue sash across his chest and tied around his waist. The white of his undershirt peeks out at the high neck and wrists, and the brick-red lining of the sleeve of his jacket rolls back at his right wrist. The wooden table is lined with teal-blue fabric on its surface, and three coins lie near his left hand, closer to us. In that hand he holds three nested, vertically folded playing cards. With his right hand he places the last in a line of ten cards, standing vertically but close together like dominoes, in a curving row in front of him. Scarlet-red diamonds and hearts and the edges of some black shapes are visible within the bent cards. A jack of hearts and a piece of paper or the back of another card sit in a drawer that opens toward us along the side of the table. The artist signed the work in dark brown paint in the lower right corner: “J. Chardin.”",{"_293":1014,"_295":1015,"_297":1016},"https://img.ochreeditions.com/m/1309.jpg?dl=1","/art/the-house-of-cards-nga-97","/galleries/style/french-eighteenth-century/the-house-of-cards-nga-97",{"_289":290,"_291":292},{"_222":1011,"_125":1012,"_283":1013},{"_274":1008,"_276":1009,"_278":1010,"_280":993},80.70380859375,97.2,65.70380859375,{"_285":222,"_123":483,"_154":484,"_140":99},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1309/480.jpg","https://img.ochreeditions.com/a/1309/960.jpg","https://img.ochreeditions.com/a/1309/1920.jpg",{"_312":1030,"_314":1031},{"_312":1028,"_314":1029},{"_312":1026,"_314":1027},{"_312":1024,"_314":1025},{"_312":1022,"_314":1023},"#2a3f3a",0.0453,"#af8f66",0.057,"#714723",0.0839,"#3b2b1c",0.1982,"#4f4634",0.6156,"seated-woman-met-459192","Seated Woman",{"_42":617,"_219":618,"_326":619,"_328":329,"_330":620,"_332":621,"_334":622,"_335":623,"_336":624,"_140":97},"1716–17","Drawings","Black, red and white chalk","9 7/16 x 5 7/16 in. (24 x 13.8 cm)",13.8,24,0.6601138127263321,[1062,1063,1064,1065,1066],{"_218":711,"_219":712,"_42":713,"_305":714},"1975.1.763","Antoine Watteau drew this in 1716–17, aged about 32. It is now at The Met in New York.","Seated Woman, by Antoine Watteau, 1716–17",{"_293":1059,"_295":1060,"_297":1061},"https://img.ochreeditions.com/m/1270.jpg?dl=1","/art/seated-woman-met-459192","/galleries/style/french-eighteenth-century/seated-woman-met-459192",{"_289":370,"_291":371},{"_222":1056,"_125":1057,"_283":1058},{"_274":1054,"_276":803,"_278":1055,"_280":805},40.5028453181583,16.5028453181583,{"_285":222,"_123":597,"_154":598,"_140":97},{"_285":125,"_123":809,"_154":810,"_140":811},{"_285":283,"_123":165,"_154":164,"_140":167},"https://img.ochreeditions.com/a/1270/480.jpg","https://img.ochreeditions.com/a/1270/960.jpg","https://img.ochreeditions.com/a/1270/1920.jpg",{"_312":1075,"_314":1076},{"_312":1073,"_314":1074},{"_312":1071,"_314":1072},{"_312":1069,"_314":1070},{"_312":1067,"_314":1068},"#cfcbbd",0.0551,"#c0a06b",0.1079,"#c4ab91",0.1815,"#9b8e72",0.2582,"#c19a78",0.3973,"le-duel-the-duel-nga-45777","Le Duel (The Duel)",{"_42":1124,"_219":1125,"_326":1126,"_328":329,"_330":621,"_332":1127,"_334":-5,"_335":-5,"_336":-5,"_140":103},"in or after 1756","etching on laid paper","sheet (trimmed to plate mark): 33.1 x 23.7 cm (13 1/16 x 9 5/16 in.)",23.7,33.1,0.719970703125,[1109,1110,1111,1112,1113],{"_218":375,"_219":376,"_42":377,"_305":378},"1958.8.132","Charles Germain de Saint-Aubin made this (in or after 1756), aged 35. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of anthropomorphic butterflies engaged in a duel with fencing swords. The butterflies have human-like bodies with wings resembling cloaks or capes. They stand on an ornate structure featuring decorative architectural elements like columns with floral and leaf motifs. Above them are arches, canopies, and hanging vines, creating a theatrical setting. The drawing combines fantasy and nature elements, showcasing elegance and imagination.",{"_293":1106,"_295":1107,"_297":1108},"https://img.ochreeditions.com/m/1509.jpg?dl=1","/art/le-duel-the-duel-nga-45777","/galleries/style/french-eighteenth-century/le-duel-the-duel-nga-45777",{"_289":370,"_291":371},{"_222":1101,"_125":1102,"_283":1103},{"_274":1098,"_276":1099,"_278":1100,"_280":1084},47.831030273437506,57.1,23.831030273437502,{"_285":222,"_123":1104,"_154":1105,"_140":89},{"_285":125,"_123":365,"_154":366,"_140":367},{"_285":283,"_123":165,"_154":164,"_140":167},"artist/contemporaries-of-charles-germain-de-saint-aubin","Charles Germain de Saint-Aubin's contemporaries","https://img.ochreeditions.com/a/1509/480.jpg","https://img.ochreeditions.com/a/1509/960.jpg","https://img.ochreeditions.com/a/1509/1920.jpg",{"_312":1122,"_314":1123},{"_312":1120,"_314":1121},{"_312":1118,"_314":1119},{"_312":1116,"_314":1117},{"_312":1114,"_314":1115},"#8a7c67",0.0391,"#aa9b82",0.1077,"#c4b599",0.1664,"#dbccb0",0.2065,"#f2e3c8",0.4803,"Charles Germain de Saint-Aubin","charles-germain-de-saint-aubin","French, 1721–1786",1786,{"_1129":-5,"_1130":1131,"_1132":1133,"_1134":8,"_1135":1136,"_1137":8},"user","csrf","1bff7228fac9e271fcc794840ac760c0c7587c33","cartCount",0,"dropLive","legal",[1138,1139,1140,1141,1142,1143,1144,1145,1146,1147,1148,1149],"uploadsEnabled",{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},{"_219":1164,"_20":1165},{"_219":1162,"_20":1163},{"_219":1160,"_20":1161},{"_219":1158,"_20":1159},{"_219":1156,"_20":1157},{"_219":1154,"_20":1155},{"_219":1152,"_20":1153},{"_219":1150,"_20":1151},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]