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The trees form a canopy framing the serene setting.",{"_294":417,"_296":418,"_298":419},"https://img.ochreeditions.com/m/1601.jpg?dl=1","/art/edge-of-a-wood-with-peasants-going-to-market-nga-61210","/galleries/style/french-classicism/edge-of-a-wood-with-peasants-going-to-market-nga-61210",{"_290":291,"_292":293},{"_227":407,"_125":408,"_284":409},{"_274":277,"_276":405,"_278":281,"_280":406},64.986328125,40.986328125,{"_286":227,"_123":415,"_154":416,"_140":89},{"_286":125,"_123":412,"_154":413,"_140":414},{"_286":284,"_123":410,"_154":411,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jean-morin","Jean Morin's contemporaries","https://img.ochreeditions.com/a/1601/480.jpg","https://img.ochreeditions.com/a/1601/960.jpg","https://img.ochreeditions.com/a/1601/1920.jpg",{"_310":433,"_312":434},{"_310":431,"_312":432},{"_310":429,"_312":430},{"_310":427,"_312":428},{"_310":425,"_312":426},"#d5c1a3",0.1531,"#8d7c68",0.1808,"#ad9a80",0.1832,"#706355",0.2177,"#564c44",0.2652,"Jean Morin","jean-morin","French, c. 1600–1650",1600,1650,"pendant-nga-9225","Pendant",{"_42":322,"_224":323,"_324":325,"_326":327,"_328":329,"_330":331,"_332":-5,"_333":-5,"_334":-5,"_140":101},0.706787109375,[463,464,465,466,467],{"_223":300,"_224":301,"_42":302,"_303":304},"1943.3.6431","This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters \"A,\" \"F,\" \"D,\" \"H,\" and another \"H\" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.",{"_294":460,"_296":461,"_298":462},"https://img.ochreeditions.com/m/1351.jpg?dl=1","/art/pendant-nga-9225","/galleries/style/french-classicism/pendant-nga-9225",{"_290":291,"_292":293},{"_227":457,"_125":458,"_284":459},{"_274":455,"_276":277,"_278":456,"_280":281},66.4072265625,42.4072265625,{"_286":227,"_123":170,"_154":169,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1351/480.jpg","https://img.ochreeditions.com/a/1351/960.jpg","https://img.ochreeditions.com/a/1351/1920.jpg",{"_310":476,"_312":477},{"_310":474,"_312":475},{"_310":472,"_312":473},{"_310":470,"_312":471},{"_310":468,"_312":469},"#817467",0.034,"#a19482",0.1083,"#d5c8b4",0.1274,"#b8ab98",0.1753,"#ede4d0",0.555,"samson-cma-147020","Samson",{"_42":541,"_224":542,"_324":543,"_326":327,"_328":544,"_330":545,"_332":546,"_333":547,"_334":-5,"_140":101},"1630–31","painting","Painting","oil on canvas","Framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); Unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.)",102.8,135.6,0.7588235294117647,[526,527,528,529,530],{"_223":522,"_224":523,"_42":524,"_303":525},"Courtesy of the Cleveland Museum of Art","1972.50","Valentin de Boulogne painted this in 1630–31, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":519,"_520":521},"Samson, by Valentin de Boulogne, 1630–31",{"_294":516,"_296":517,"_298":518},"https://img.ochreeditions.com/m/681.jpg?dl=1","/art/samson-cma-147020","/galleries/style/french-classicism/samson-cma-147020",{"_290":514,"_292":515},{"_227":506,"_125":507,"_284":508},{"_274":503,"_276":504,"_278":505,"_280":487},117.89647058823529,150.6,102.89647058823529,{"_286":227,"_123":512,"_154":513,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"style/painting-17","More paintings of the 17th century",168,"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","natural","ivory","https://img.ochreeditions.com/a/681/480.jpg","https://img.ochreeditions.com/a/681/960.jpg","https://img.ochreeditions.com/a/681/1920.jpg","The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey’s jawbone.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":539,"_312":540},{"_310":537,"_312":538},{"_310":535,"_312":536},{"_310":533,"_312":534},{"_310":531,"_312":532},"#a4724c",0.051,"#653f23",0.0593,"#69271e",0.2309,"#381e14",0.2379,"#130f0c",0.4209,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","Rome","saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":596,"_224":597,"_324":598,"_326":327,"_328":599,"_330":600,"_332":601,"_333":602,"_334":-5,"_140":101},"1645","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[581,582,583,584,585],{"_223":522,"_224":523,"_42":524,"_303":525},"1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":580,"_520":521},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_294":577,"_296":578,"_298":579},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_290":514,"_292":515},{"_227":572,"_125":573,"_284":574},{"_274":569,"_276":570,"_278":571,"_280":554},107.84294117647059,129,92.84294117647059,{"_286":227,"_123":575,"_154":576,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.",{"_310":594,"_312":595},{"_310":592,"_312":593},{"_310":590,"_312":591},{"_310":588,"_312":589},{"_310":586,"_312":587},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","the-jabach-family-met-626692","The Jabach Family",{"_42":657,"_224":658,"_324":659,"_326":327,"_328":660,"_330":661,"_332":662,"_333":662,"_334":-5,"_140":103},"ca. 1660","Paintings","Oil on canvas","110 1/4 × 129 1/8 in. (280 × 328 cm)",328,280,1.1773709483793517,[642,643,644,645,646],{"_223":638,"_224":639,"_42":640,"_303":641},"Courtesy of The Metropolitan Museum of Art","2014.250","Charles Le Brun painted this in about 1660, aged about 36. It is now at The Met in New York.","The Jabach Family, by Charles Le Brun, ca. 1660",{"_294":635,"_296":636,"_298":637},"https://img.ochreeditions.com/m/1274.jpg?dl=1","/art/the-jabach-family-met-626692","/galleries/style/french-classicism/the-jabach-family-met-626692",{"_290":514,"_292":515},{"_227":630,"_125":631,"_284":632},{"_274":626,"_276":627,"_278":628,"_280":629},255,218.8439969411165,240,203.8439969411165,{"_286":227,"_123":633,"_154":634,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-le-brun","Charles Le Brun's contemporaries","https://img.ochreeditions.com/a/1274/480.jpg","https://img.ochreeditions.com/a/1274/960.jpg","https://img.ochreeditions.com/a/1274/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_310":655,"_312":656},{"_310":653,"_312":654},{"_310":651,"_312":652},{"_310":649,"_312":650},{"_310":647,"_312":648},"#8f7662",0.0385,"#613923",0.0917,"#564635",0.1033,"#362b20",0.2567,"#211c17",0.5098,"Charles Le Brun","charles-le-brun","French, 1619–1690",1619,1690,"Paris","the-fortune-teller-met-436838","The Fortune-Teller",{"_42":596,"_224":597,"_324":598,"_326":327,"_328":599,"_330":600,"_332":601,"_333":602,"_334":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[692,693,694,695,696],{"_223":638,"_224":639,"_42":640,"_303":641},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_294":689,"_296":690,"_298":691},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_290":514,"_292":515},{"_227":686,"_125":687,"_284":688},{"_274":683,"_276":684,"_278":668,"_280":685},138.5,117.12858942065492,102.12858942065492,{"_286":227,"_123":575,"_154":576,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_310":705,"_312":706},{"_310":703,"_312":704},{"_310":701,"_312":702},{"_310":699,"_312":700},{"_310":697,"_312":698},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,"still-life-with-shells-and-a-chip-wood-box-met-438543","Still Life with Shells and a Chip-Wood Box",{"_42":753,"_224":754,"_324":755,"_326":327,"_328":756,"_330":757,"_332":758,"_333":759,"_334":-5,"_140":103},"late 1620s","18 1/2 x 23 3/8 in. (47 x 59.4 cm)",59.4,47,1.261431725007884,[738,739,740,741,742],{"_223":638,"_224":639,"_42":640,"_303":641},"2002.68","Sebastian Stoskopff painted this in the late 1620s, aged about 29. It is now at The Met in New York.","Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s",{"_294":735,"_296":736,"_298":737},"https://img.ochreeditions.com/m/1183.jpg?dl=1","/art/still-life-with-shells-and-a-chip-wood-box-met-438543","/galleries/style/french-classicism/still-life-with-shells-and-a-chip-wood-box-met-438543",{"_290":514,"_292":515},{"_227":730,"_125":731,"_284":732},{"_274":727,"_276":728,"_278":712,"_280":729},74.4,62.08935,47.08935,{"_286":227,"_123":733,"_154":734,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-sebastian-stoskopff","Sebastian Stoskopff's contemporaries","https://img.ochreeditions.com/a/1183/480.jpg","https://img.ochreeditions.com/a/1183/960.jpg","https://img.ochreeditions.com/a/1183/1920.jpg",{"_310":751,"_312":752},{"_310":749,"_312":750},{"_310":747,"_312":748},{"_310":745,"_312":746},{"_310":743,"_312":744},"#6b5c42",0.0757,"#2d231c",0.1131,"#997f50",0.1192,"#443526",0.1602,"#1a1615",0.5318,"Sebastian Stoskopff","sebastian-stoskopff","French, 1597–1657",1597,1657,"Strasbourg","Idstein","nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":808,"_224":809,"_324":810,"_326":327,"_328":811,"_330":812,"_332":813,"_333":547,"_334":814,"_140":93},"c. 1625–27","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,97,1.317829457364341,[793,794,795,796,797],{"_223":522,"_224":523,"_42":524,"_303":525},"1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":792,"_520":521},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_294":789,"_296":790,"_298":791},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_290":514,"_292":515},{"_227":784,"_125":785,"_284":786},{"_274":781,"_276":782,"_278":765,"_280":783},142.5,111.75000000000001,96.75000000000001,{"_286":227,"_123":787,"_154":788,"_140":93},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.",{"_310":806,"_312":807},{"_310":804,"_312":805},{"_310":802,"_312":803},{"_310":800,"_312":801},{"_310":798,"_312":799},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","a-rocky-pond-nga-127566","A Rocky Pond",{"_42":860,"_224":861,"_324":862,"_326":327,"_328":863,"_330":864,"_332":-5,"_333":-5,"_334":-5,"_140":101},"1640","sheet (cut within platemark): 10.2 x 15.6 cm (4 x 6 1/8 in.)",15.6,10.2,1.5550493545937738,[845,846,847,848,849],{"_223":300,"_224":301,"_42":302,"_303":304},"2002.157.46","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.",{"_294":842,"_296":843,"_298":844},"https://img.ochreeditions.com/m/1653.jpg?dl=1","/art/a-rocky-pond-nga-127566","/galleries/style/french-classicism/a-rocky-pond-nga-127566",{"_290":291,"_292":293},{"_227":837,"_125":838,"_284":839},{"_274":356,"_276":835,"_278":358,"_280":836},40.07666015625,16.07666015625,{"_286":227,"_123":840,"_154":841,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1653/480.jpg","https://img.ochreeditions.com/a/1653/960.jpg","https://img.ochreeditions.com/a/1653/1920.jpg",{"_310":858,"_312":859},{"_310":856,"_312":857},{"_310":854,"_312":855},{"_310":852,"_312":853},{"_310":850,"_312":851},"#b29f85",0.1715,"#6c5f52",0.1776,"#d7c3a5",0.1787,"#8e7d69",0.2142,"#f3e2c5",0.258,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"blind-orion-searching-for-the-rising-sun-met-437326","Blind Orion Searching for the Rising Sun",{"_42":808,"_224":809,"_324":810,"_326":327,"_328":811,"_330":812,"_332":813,"_333":547,"_334":814,"_140":93},"1658","46 7/8 x 72 in. (119.1 x 182.9 cm)",182.9,119.1,1.5303474257011302,[895,896,897,898,899],{"_223":638,"_224":639,"_42":640,"_303":641},"24.45.1","Nicolas Poussin painted this in 1658, aged 64. It is now at The Met in New York.","The blind giant Orion strides through a vast landscape towards the rising sun, which according to myth will restore his sight, guided by Cedalion, who stands on his shoulders, while Vulcan points the way from below and the goddess Diana watches from a cloud.","Blind Orion Searching for the Rising Sun, by Nicolas Poussin, 1658",{"_294":892,"_296":893,"_298":894},"https://img.ochreeditions.com/m/1137.jpg?dl=1","/art/blind-orion-searching-for-the-rising-sun-met-437326","/galleries/style/french-classicism/blind-orion-searching-for-the-rising-sun-met-437326",{"_290":514,"_292":515},{"_227":889,"_125":890,"_284":891},{"_274":886,"_276":887,"_278":870,"_280":888},197.9,134.51534463894967,119.51534463894967,{"_286":227,"_123":787,"_154":788,"_140":93},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1137/480.jpg","https://img.ochreeditions.com/a/1137/960.jpg","https://img.ochreeditions.com/a/1137/1920.jpg",{"_310":908,"_312":909},{"_310":906,"_312":907},{"_310":904,"_312":905},{"_310":902,"_312":903},{"_310":900,"_312":901},"#7088a3",0.0737,"#7b7c7a",0.0796,"#534d3d",0.1347,"#211e15",0.3512,"#3b3221",0.3608,"the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":808,"_224":809,"_324":810,"_326":327,"_328":811,"_330":812,"_332":813,"_333":547,"_334":814,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[941,942,943,944,945],{"_223":522,"_224":523,"_42":524,"_303":525},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":940,"_520":521},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_294":937,"_296":938,"_298":939},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_290":514,"_292":515},{"_227":934,"_125":935,"_284":936},{"_274":931,"_276":932,"_278":915,"_280":933},120.8,87.59747058823528,72.59747058823528,{"_286":227,"_123":787,"_154":788,"_140":93},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_310":954,"_312":955},{"_310":952,"_312":953},{"_310":950,"_312":951},{"_310":948,"_312":949},{"_310":946,"_312":947},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"queen-esther-approaching-the-palace-of-ahasuerus-met-336489","Queen Esther Approaching the Palace of Ahasuerus",{"_42":1005,"_224":1006,"_324":1007,"_326":327,"_328":1008,"_330":1009,"_332":1010,"_333":547,"_334":1011,"_140":99},"drawing","Drawings","Pen and brown ink, brush and brown wash, heightened with white, over black chalk","11 13/16 x 17 1/2 in. (30 x 44.4 cm)",44.4,1.4576399394856279,[991,992,993,994,995],{"_223":638,"_224":639,"_42":640,"_303":641},"1997.156","Claude Lorrain (Claude Gellée) drew this in 1658, aged 54. It is now at The Met in New York.","Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658",{"_294":988,"_296":989,"_298":990},"https://img.ochreeditions.com/m/1007.jpg?dl=1","/art/queen-esther-approaching-the-palace-of-ahasuerus-met-336489","/galleries/style/french-classicism/queen-esther-approaching-the-palace-of-ahasuerus-met-336489",{"_290":291,"_292":293},{"_227":980,"_125":981,"_284":982},{"_274":977,"_276":978,"_278":963,"_280":979},68.4,54.46019719771665,30.460197197716656,{"_286":227,"_123":986,"_154":987,"_140":99},{"_286":125,"_123":983,"_154":984,"_140":985},{"_286":284,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1007/480.jpg","https://img.ochreeditions.com/a/1007/960.jpg","https://img.ochreeditions.com/a/1007/1920.jpg",{"_310":1003,"_312":1004},{"_310":1001,"_312":1002},{"_310":1000,"_312":951},{"_310":998,"_312":999},{"_310":996,"_312":997},"#d0c4b6",0.1314,"#b9a997",0.1374,"#786251","#a38e7a",0.2688,"#917962",0.2916,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","landscape-with-peasants-nga-32689","Landscape with Peasants",{"_42":1057,"_224":1058,"_324":1059,"_326":327,"_328":438,"_330":1060,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1640","overall: 46.5 x 57 cm (18 5/16 x 22 7/16 in.) framed: 71.1 x 81.9 x 10.2 cm (28 x 32 1/4 x 4 in.)",57,46.5,1.234850768766958,[1043,1044,1045,1046,1047],{"_223":300,"_224":301,"_42":302,"_303":304},"1946.7.11","Louis Le Nain painted this in about 1640, aged 40. It is now at the National Gallery of Art in Washington, DC.","An elderly woman sits on a small stool and four children stand along the foreground of a landscape with rolling, olive-green fields leading back to low, slate-gray mountains in this nearly square painting. The horizon comes about halfway up the painting, and the sky above is filled with a sheet of steel-gray clouds that break to reveal patches of ice-blue sky. Closest to us and along the left edge of the painting, the woman sits near a structure with a fragment of wall and a column that could be made from tan-colored stone. The woman faces our right in profile and looks at or toward three children gathered on a low hill to our right. Her lined face is partially cast in shadow by her white bonnet, but her skin is yellowed where the light falls across the side closer to us. A wide, white collar lies over the shoulders of her muted, plum-purple jacket, which is tied with a narrow red belt. Her hands rest in the lap of her full, moss-green skirt that falls to her feet and covers most of the stool. To our right, two boys and a little girl stand on a low hill. They all stand with their bodies angled to our right, and all have pale skin and brown hair. To our left in the trio, the young girl wears a royal-blue dress with brick-red, long sleeves and a wide, white collar, cuffs, and cap. Next to her, a slightly older boy wearing gray knee-britches, a honey-orange jacket with a white collar, and a blue tricorn hat looks down and plays a thin pipe. His jacket is torn at the elbows, revealing a red shirt beneath. To our right, the oldest boy wears a brown cloak over a gray jacket, tan trousers, and a tan brimmed hat. He holds his right arm, closer to us, across his chest as he touches an instrument nestled in the crook of his other elbow. Another bareheaded boy wearing a red shirt and blue trousers walks beyond this trio, holding a short pole over one shoulder and a brimmed hat in his other hand. He walks to our left and looks to the horizon. More people with sheep, cows, and a person on horseback dot the rolling fields that stretch back to low hills. One house sits next to a line of trees to the left of center, in the middle distance, and more buildings, including a church spire, cluster on the horizon to our right.",{"_294":1040,"_296":1041,"_298":1042},"https://img.ochreeditions.com/m/1483.jpg?dl=1","/art/landscape-with-peasants-nga-32689","/galleries/style/french-classicism/landscape-with-peasants-nga-32689",{"_290":514,"_292":515},{"_227":1035,"_125":1036,"_284":1037},{"_274":1032,"_276":1033,"_278":1017,"_280":1034},72,61.159423828125,46.159423828125,{"_286":227,"_123":1038,"_154":1039,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-louis-le-nain","Louis Le Nain's contemporaries","https://img.ochreeditions.com/a/1483/480.jpg","https://img.ochreeditions.com/a/1483/960.jpg","https://img.ochreeditions.com/a/1483/1920.jpg",{"_310":1055,"_312":1056},{"_310":1053,"_312":1054},{"_310":1052,"_312":853},{"_310":1050,"_312":1051},{"_310":1048,"_312":1049},"#373024",0.1241,"#a09f82",0.1412,"#706341","#757461",0.2413,"#564a34",0.3158,"Louis Le Nain","louis-le-nain","French, c. 1600/1603–1648",1648,"lute-player-met-439933","Lute Player",{"_42":541,"_224":542,"_324":543,"_326":327,"_328":544,"_330":545,"_332":546,"_333":547,"_334":-5,"_140":101},"ca. 1625–26","50 1/2 x 39 in. (128.3 x 99.1 cm)",99.1,128.3,0.7673395445134575,[1090,1091,1092,1093,1094],{"_223":638,"_224":639,"_42":640,"_303":641},"2008.459","Valentin de Boulogne painted this in about 1625–26, aged about 34. It is now at The Met in New York.","Lute Player, by Valentin de Boulogne, ca. 1625–26",{"_294":1087,"_296":1088,"_298":1089},"https://img.ochreeditions.com/m/1199.jpg?dl=1","/art/lute-player-met-439933","/galleries/style/french-classicism/lute-player-met-439933",{"_290":514,"_292":515},{"_227":1084,"_125":1085,"_284":1086},{"_274":1081,"_276":1082,"_278":1083,"_280":1067},113.4496635610766,143.3,98.4496635610766,{"_286":227,"_123":512,"_154":513,"_140":89},{"_286":125,"_123":509,"_154":510,"_140":511},{"_286":284,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1199/480.jpg","https://img.ochreeditions.com/a/1199/960.jpg","https://img.ochreeditions.com/a/1199/1920.jpg",{"_310":1103,"_312":1104},{"_310":1101,"_312":1102},{"_310":1099,"_312":1100},{"_310":1097,"_312":1098},{"_310":1095,"_312":1096},"#958366",0.0374,"#402416",0.0586,"#5b4a3a",0.0592,"#251c15",0.2536,"#13110f",0.5912,{"_1106":-5,"_1107":1108,"_1109":1110,"_1111":8,"_1112":1113,"_1114":8},"user","csrf","ee20aca24bff4fd24da6781de2f6ab173c46316c","cartCount",0,"dropLive","legal",[1115,1116,1117,1118,1119,1120,1121,1122,1123,1124,1125,1126],"uploadsEnabled",{"_224":1149,"_20":1150},{"_224":1147,"_20":1148},{"_224":1145,"_20":1146},{"_224":1143,"_20":1144},{"_224":1141,"_20":1142},{"_224":1139,"_20":1140},{"_224":1137,"_20":1138},{"_224":1135,"_20":1136},{"_224":1133,"_20":1134},{"_224":1131,"_20":1132},{"_224":1129,"_20":1130},{"_224":1127,"_20":1128},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]