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The color scheme is sepia-toned.",{"_295":441,"_297":442,"_299":443},"https://img.ochreeditions.com/m/1602.jpg?dl=1","/art/hilly-landscape-with-travelers-on-foot-nga-61211","/galleries/style/french-classicism/hilly-landscape-with-travelers-on-foot-nga-61211",{"_291":376,"_293":377},{"_224":431,"_125":432,"_285":433},{"_276":427,"_278":428,"_280":429,"_282":430},68.033203125,84,44.033203125,60,{"_287":224,"_123":439,"_154":440,"_140":89},{"_287":125,"_123":436,"_154":437,"_140":438},{"_287":285,"_123":434,"_154":435,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jean-morin","Jean Morin's contemporaries","https://img.ochreeditions.com/a/1602/480.jpg","https://img.ochreeditions.com/a/1602/960.jpg","https://img.ochreeditions.com/a/1602/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_314":461,"_316":462},{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},"#dbc5a4",0.0805,"#847663",0.1802,"#b5a183",0.1818,"#695f52",0.2626,"#504942",0.2949,"Jean Morin","jean-morin","French, c. 1600–1650",1600,1650,"the-jabach-family-met-626692","The Jabach Family",{"_42":517,"_221":518,"_328":519,"_330":331,"_332":520,"_334":521,"_336":522,"_338":522,"_340":-5,"_140":103},"ca. 1660","Paintings","Oil on canvas","110 1/4 × 129 1/8 in. (280 × 328 cm)",328,280,1.1773709483793517,[502,503,504,505,506],{"_220":381,"_221":382,"_42":383,"_307":384},"2014.250","Charles Le Brun painted this in about 1660, aged about 36. It is now at The Met in New York.","The Jabach Family, by Charles Le Brun, ca. 1660",{"_295":499,"_297":500,"_299":501},"https://img.ochreeditions.com/m/1274.jpg?dl=1","/art/the-jabach-family-met-626692","/galleries/style/french-classicism/the-jabach-family-met-626692",{"_291":292,"_293":294},{"_224":494,"_125":495,"_285":496},{"_276":490,"_278":491,"_280":492,"_282":493},255,218.8439969411165,240,203.8439969411165,{"_287":224,"_123":497,"_154":498,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-charles-le-brun","Charles Le Brun's contemporaries","https://img.ochreeditions.com/a/1274/480.jpg","https://img.ochreeditions.com/a/1274/960.jpg","https://img.ochreeditions.com/a/1274/1920.jpg",{"_314":515,"_316":516},{"_314":513,"_316":514},{"_314":511,"_316":512},{"_314":509,"_316":510},{"_314":507,"_316":508},"#8f7662",0.0385,"#613923",0.0917,"#564635",0.1033,"#362b20",0.2567,"#211c17",0.5098,"Charles Le Brun","charles-le-brun","French, 1619–1690",1619,1690,"Paris","the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":571,"_221":572,"_328":573,"_330":331,"_332":574,"_334":575,"_336":576,"_338":339,"_340":577,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[556,557,558,559,560],{"_220":304,"_221":305,"_42":306,"_307":308},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":555,"_302":303},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_295":552,"_297":553,"_299":554},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_291":292,"_293":294},{"_224":547,"_125":548,"_285":549},{"_276":544,"_278":545,"_280":528,"_282":546},120.8,87.59747058823528,72.59747058823528,{"_287":224,"_123":550,"_154":551,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_314":569,"_316":570},{"_314":567,"_316":568},{"_314":565,"_316":566},{"_314":563,"_316":564},{"_314":561,"_316":562},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","a-rocky-pond-nga-127567","A Rocky Pond",{"_42":628,"_221":629,"_328":630,"_330":331,"_332":631,"_334":632,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1640","etching on laid paper","plate: 10.2 x 16 cm (4 x 6 5/16 in.) sheet: 10.4 x 16.3 cm (4 1/8 x 6 7/16 in.)",10.2,1.5772044666923373,[613,614,615,616,617],{"_220":444,"_221":445,"_42":446,"_307":447},"2002.157.47","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.",{"_295":610,"_297":611,"_299":612},"https://img.ochreeditions.com/m/1654.jpg?dl=1","/art/a-rocky-pond-nga-127567","/galleries/style/french-classicism/a-rocky-pond-nga-127567",{"_291":376,"_293":377},{"_224":602,"_125":603,"_285":604},{"_276":598,"_278":599,"_280":600,"_282":601},49,39.850830078125,25,15.850830078125,{"_287":224,"_123":608,"_154":609,"_140":89},{"_287":125,"_123":605,"_154":606,"_140":607},{"_287":285,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1654/480.jpg","https://img.ochreeditions.com/a/1654/960.jpg","https://img.ochreeditions.com/a/1654/1920.jpg",{"_314":626,"_316":627},{"_314":624,"_316":625},{"_314":622,"_316":623},{"_314":620,"_316":621},{"_314":618,"_316":619},"#b19f86",0.1707,"#736455",0.1883,"#92816d",0.1938,"#d3bfa2",0.2129,"#f3e1c4",0.2343,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"landscape-with-saint-john-on-patmos-aic-5848","Landscape with Saint John on Patmos",{"_42":571,"_221":572,"_328":573,"_330":331,"_332":574,"_334":575,"_336":576,"_338":339,"_340":577,"_140":93},"100.3 × 136.4 cm (39 1/2 × 53 5/8 in.); Framed: 128.3 × 164.5 × 12.1 cm (50 1/2 × 64 3/4 × 4 3/4 in.)",136,100,1.3513753327417923,[667,668,669,670,671],{"_220":663,"_221":664,"_42":665,"_307":666},"Courtesy of the Art Institute of Chicago","1930.500","Nicolas Poussin painted this in 1640, aged 46. It is now at the Art Institute of Chicago.","Saint John the Evangelist, robed in red and yellow, sits with his book among the ruins of classical buildings on the island of Patmos, where he received the visions of the Book of Revelation, and an ordered landscape stretches away under a calm sky.","Painting of Greek landscape, classical architecture, yellow, red robed man reading.",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/11.jpg?dl=1","/art/landscape-with-saint-john-on-patmos-aic-5848","/galleries/style/french-classicism/landscape-with-saint-john-on-patmos-aic-5848",{"_291":292,"_293":294},{"_224":657,"_125":658,"_285":659},{"_276":654,"_278":655,"_280":637,"_282":656},151,115.63821405121472,100.63821405121472,{"_287":224,"_123":550,"_154":551,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/11/480.jpg","https://img.ochreeditions.com/a/11/960.jpg","https://img.ochreeditions.com/a/11/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":680,"_316":681},{"_314":678,"_316":679},{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},"#83766a",0.1037,"#73533b",0.1416,"#8da7b8",0.1566,"#2a2716",0.2939,"#4b3a26",0.3042,"pendant-nga-9225","Pendant",{"_42":724,"_221":725,"_328":726,"_330":331,"_332":727,"_334":728,"_336":-5,"_338":-5,"_340":-5,"_140":101},"engraving",0.706787109375,[709,710,711,712,713],{"_220":444,"_221":445,"_42":446,"_307":447},"1943.3.6431","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters \"A,\" \"F,\" \"D,\" \"H,\" and another \"H\" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.",{"_295":706,"_297":707,"_299":708},"https://img.ochreeditions.com/m/1351.jpg?dl=1","/art/pendant-nga-9225","/galleries/style/french-classicism/pendant-nga-9225",{"_291":376,"_293":377},{"_224":701,"_125":702,"_285":703},{"_276":699,"_278":428,"_280":700,"_282":430},66.4072265625,42.4072265625,{"_287":224,"_123":704,"_154":705,"_140":89},{"_287":125,"_123":605,"_154":606,"_140":607},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1351/480.jpg","https://img.ochreeditions.com/a/1351/960.jpg","https://img.ochreeditions.com/a/1351/1920.jpg",{"_314":722,"_316":723},{"_314":720,"_316":721},{"_314":718,"_316":719},{"_314":716,"_316":717},{"_314":714,"_316":715},"#817467",0.034,"#a19482",0.1083,"#d5c8b4",0.1274,"#b8ab98",0.1753,"#ede4d0",0.555,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":571,"_221":572,"_328":573,"_330":331,"_332":574,"_334":575,"_336":576,"_338":339,"_340":577,"_140":93},"c. 1625–27","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,97,1.317829457364341,[760,761,762,763,764],{"_220":304,"_221":305,"_42":306,"_307":308},"1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":759,"_302":303},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_295":756,"_297":757,"_299":758},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_291":292,"_293":294},{"_224":753,"_125":754,"_285":755},{"_276":750,"_278":751,"_280":734,"_282":752},142.5,111.75000000000001,96.75000000000001,{"_287":224,"_123":550,"_154":551,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.",{"_314":773,"_316":774},{"_314":771,"_316":772},{"_314":769,"_316":770},{"_314":767,"_316":768},{"_314":765,"_316":766},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"landscape-with-peasants-nga-32689","Landscape with Peasants",{"_42":821,"_221":822,"_328":823,"_330":331,"_332":466,"_334":824,"_336":-5,"_338":-5,"_340":-5,"_140":103},"c. 1640","overall: 46.5 x 57 cm (18 5/16 x 22 7/16 in.) framed: 71.1 x 81.9 x 10.2 cm (28 x 32 1/4 x 4 in.)",57,46.5,1.234850768766958,[806,807,808,809,810],{"_220":444,"_221":445,"_42":446,"_307":447},"1946.7.11","Louis Le Nain painted this in about 1640, aged 40. It is now at the National Gallery of Art in Washington, DC.","An elderly woman sits on a small stool and four children stand along the foreground of a landscape with rolling, olive-green fields leading back to low, slate-gray mountains in this nearly square painting. The horizon comes about halfway up the painting, and the sky above is filled with a sheet of steel-gray clouds that break to reveal patches of ice-blue sky. Closest to us and along the left edge of the painting, the woman sits near a structure with a fragment of wall and a column that could be made from tan-colored stone. The woman faces our right in profile and looks at or toward three children gathered on a low hill to our right. Her lined face is partially cast in shadow by her white bonnet, but her skin is yellowed where the light falls across the side closer to us. A wide, white collar lies over the shoulders of her muted, plum-purple jacket, which is tied with a narrow red belt. Her hands rest in the lap of her full, moss-green skirt that falls to her feet and covers most of the stool. To our right, two boys and a little girl stand on a low hill. They all stand with their bodies angled to our right, and all have pale skin and brown hair. To our left in the trio, the young girl wears a royal-blue dress with brick-red, long sleeves and a wide, white collar, cuffs, and cap. Next to her, a slightly older boy wearing gray knee-britches, a honey-orange jacket with a white collar, and a blue tricorn hat looks down and plays a thin pipe. His jacket is torn at the elbows, revealing a red shirt beneath. To our right, the oldest boy wears a brown cloak over a gray jacket, tan trousers, and a tan brimmed hat. He holds his right arm, closer to us, across his chest as he touches an instrument nestled in the crook of his other elbow. Another bareheaded boy wearing a red shirt and blue trousers walks beyond this trio, holding a short pole over one shoulder and a brimmed hat in his other hand. He walks to our left and looks to the horizon. More people with sheep, cows, and a person on horseback dot the rolling fields that stretch back to low hills. One house sits next to a line of trees to the left of center, in the middle distance, and more buildings, including a church spire, cluster on the horizon to our right.",{"_295":803,"_297":804,"_299":805},"https://img.ochreeditions.com/m/1483.jpg?dl=1","/art/landscape-with-peasants-nga-32689","/galleries/style/french-classicism/landscape-with-peasants-nga-32689",{"_291":292,"_293":294},{"_224":798,"_125":799,"_285":800},{"_276":795,"_278":796,"_280":780,"_282":797},72,61.159423828125,46.159423828125,{"_287":224,"_123":801,"_154":802,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-louis-le-nain","Louis Le Nain's contemporaries","https://img.ochreeditions.com/a/1483/480.jpg","https://img.ochreeditions.com/a/1483/960.jpg","https://img.ochreeditions.com/a/1483/1920.jpg",{"_314":819,"_316":820},{"_314":817,"_316":818},{"_314":815,"_316":816},{"_314":813,"_316":814},{"_314":811,"_316":812},"#373024",0.1241,"#a09f82",0.1412,"#706341",0.1776,"#757461",0.2413,"#564a34",0.3158,"Louis Le Nain","louis-le-nain","French, c. 1600/1603–1648",1648,"meekness-aic-47159","Meekness",{"_42":871,"_221":872,"_328":873,"_330":331,"_332":874,"_334":875,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1650","Oil on panel","100.7 × 67 cm (39 7/8 × 26 3/8 in.); Framed: 111.8 × 78.2 × 7.7 cm (44 × 30 3/4 × 3 in.)",67,0.6223633232888506,[856,857,858,859,860],{"_220":663,"_221":664,"_42":665,"_307":666},"1974.233","Eustache Le Sueur painted this in 1650, aged 34. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":853,"_297":854,"_299":855},"https://img.ochreeditions.com/m/152.jpg?dl=1","/art/meekness-aic-47159","/galleries/style/french-classicism/meekness-aic-47159",{"_291":292,"_293":294},{"_224":848,"_125":849,"_285":850},{"_276":845,"_278":846,"_280":847,"_282":638},77.23633232888506,115,62.236332328885055,{"_287":224,"_123":851,"_154":852,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-eustache-le-sueur","Eustache Le Sueur's contemporaries","https://img.ochreeditions.com/a/152/480.jpg","https://img.ochreeditions.com/a/152/960.jpg","https://img.ochreeditions.com/a/152/1920.jpg",{"_314":869,"_316":870},{"_314":867,"_316":868},{"_314":865,"_316":866},{"_314":863,"_316":864},{"_314":861,"_316":862},"#a6847a",0.0449,"#7f5313",0.098,"#53331a",0.1102,"#897952",0.159,"#c3972f",0.5879,"Eustache Le Sueur","eustache-le-sueur","French, 1616–1655",1616,1655,"the-trojan-women-setting-fire-to-their-fleet-met-435908","The Trojan Women Setting Fire to Their Fleet",{"_42":400,"_221":401,"_328":402,"_330":331,"_332":403,"_334":404,"_336":405,"_338":339,"_340":406,"_140":99},"ca. 1643","41 3/8 x 59 7/8 in. (105.1 x 152.1 cm)",152.1,105.1,1.439867598381758,[906,907,908,909,910],{"_220":381,"_221":382,"_42":383,"_307":384},"55.119","Claude Lorrain (Claude Gellée) painted this in about 1643, aged 39. It is now at The Met in New York.","Weary of years of wandering, the Trojan women travelling with Aeneas gather on the shore of Sicily and set fire to their own ships, urged on by the goddess Iris in disguise, so that they need sail no further.","The Trojan Women Setting Fire to Their Fleet, by Claude Lorrain (Claude Gellée), ca. 1643",{"_295":903,"_297":904,"_299":905},"https://img.ochreeditions.com/m/1076.jpg?dl=1","/art/the-trojan-women-setting-fire-to-their-fleet-met-435908","/galleries/style/french-classicism/the-trojan-women-setting-fire-to-their-fleet-met-435908",{"_291":292,"_293":294},{"_224":900,"_125":901,"_285":902},{"_276":897,"_278":898,"_280":881,"_282":899},167.1,120.63471264367816,105.63471264367816,{"_287":224,"_123":374,"_154":375,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1076/480.jpg","https://img.ochreeditions.com/a/1076/960.jpg","https://img.ochreeditions.com/a/1076/1920.jpg",{"_314":919,"_316":920},{"_314":917,"_316":918},{"_314":915,"_316":916},{"_314":913,"_316":914},{"_314":911,"_316":912},"#6a5a40",0.1444,"#251e15",0.1656,"#7f7f71",0.2122,"#463722",0.2361,"#a49b81",0.2417,"the-fortune-teller-met-436838","The Fortune-Teller",{"_42":967,"_221":968,"_328":969,"_330":331,"_332":970,"_334":971,"_336":972,"_338":973,"_340":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[952,953,954,955,956],{"_220":381,"_221":382,"_42":383,"_307":384},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_295":949,"_297":950,"_299":951},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_291":292,"_293":294},{"_224":944,"_125":945,"_285":946},{"_276":941,"_278":942,"_280":926,"_282":943},138.5,117.12858942065492,102.12858942065492,{"_287":224,"_123":947,"_154":948,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_314":965,"_316":966},{"_314":963,"_316":964},{"_314":961,"_316":962},{"_314":959,"_316":960},{"_314":957,"_316":958},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","the-four-evangelists-nga-9227","The Four Evangelists",{"_42":724,"_221":725,"_328":726,"_330":331,"_332":727,"_334":728,"_336":-5,"_338":-5,"_340":-5,"_140":101},0.569091796875,[997,998,999,1000,1001],{"_220":444,"_221":445,"_42":446,"_307":447},"1943.3.6433","The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.",{"_295":994,"_297":995,"_299":996},"https://img.ochreeditions.com/m/1352.jpg?dl=1","/art/the-four-evangelists-nga-9227","/galleries/style/french-classicism/the-four-evangelists-nga-9227",{"_291":376,"_293":377},{"_224":991,"_125":992,"_285":993},{"_276":989,"_278":428,"_280":990,"_282":430},58.1455078125,34.1455078125,{"_287":224,"_123":704,"_154":705,"_140":89},{"_287":125,"_123":605,"_154":606,"_140":607},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1352/480.jpg","https://img.ochreeditions.com/a/1352/960.jpg","https://img.ochreeditions.com/a/1352/1920.jpg",{"_314":1010,"_316":1011},{"_314":1008,"_316":1009},{"_314":1006,"_316":1007},{"_314":1004,"_316":1005},{"_314":1002,"_316":1003},"#6f6256",0.1024,"#968673",0.1315,"#eadabf",0.1875,"#b8a78f",0.2595,"#d0bfa4",0.3191,"the-slave-market-nga-51556","The Slave Market",{"_42":1057,"_221":1058,"_328":1059,"_330":331,"_332":1060,"_334":1061,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1620","plate: 11.4 × 20.7 cm (4 1/2 × 8 1/8 in.) sheet: 16.1 × 17.3 cm (6 5/16 × 6 13/16 in.)",20.7,11.4,1.8677610579115367,[1042,1043,1044,1045,1046],{"_220":444,"_221":445,"_42":446,"_307":447},"1969.15.401","Jacques Callot made this in 1620, aged 28. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.",{"_295":1039,"_297":1040,"_299":1041},"https://img.ochreeditions.com/m/1544.jpg?dl=1","/art/the-slave-market-nga-51556","/galleries/style/french-classicism/the-slave-market-nga-51556",{"_291":376,"_293":377},{"_224":1034,"_125":1035,"_285":1036},{"_276":598,"_278":1032,"_280":600,"_282":1033},37.385009765625,13.385009765625,{"_287":224,"_123":1037,"_154":1038,"_140":89},{"_287":125,"_123":605,"_154":606,"_140":607},{"_287":285,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","https://img.ochreeditions.com/a/1544/480.jpg","https://img.ochreeditions.com/a/1544/960.jpg","https://img.ochreeditions.com/a/1544/1920.jpg",{"_314":1055,"_316":1056},{"_314":1053,"_316":1054},{"_314":1051,"_316":1052},{"_314":1049,"_316":1050},{"_314":1047,"_316":1048},"#cabdab",0.1062,"#665d53",0.1112,"#a69988",0.1172,"#887c6e",0.1287,"#eee2cf",0.5367,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":967,"_221":968,"_328":969,"_330":331,"_332":970,"_334":971,"_336":972,"_338":973,"_340":-5,"_140":101},"1645","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[1093,1094,1095,1096,1097],{"_220":304,"_221":305,"_42":306,"_307":308},"1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":1092,"_302":303},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_295":1089,"_297":1090,"_299":1091},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_291":292,"_293":294},{"_224":1086,"_125":1087,"_285":1088},{"_276":1083,"_278":1084,"_280":1085,"_282":1068},107.84294117647059,129,92.84294117647059,{"_287":224,"_123":947,"_154":948,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.",{"_314":1106,"_316":1107},{"_314":1104,"_316":1105},{"_314":1102,"_316":1103},{"_314":1100,"_316":1101},{"_314":1098,"_316":1099},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,{"_1109":-5,"_1110":1111,"_1112":1113,"_1114":8,"_1115":1116,"_1117":8},"user","csrf","c7cfca1cdcb1945e0d481685698bd6a225b01c70","cartCount",0,"dropLive","legal",[1118,1119,1120,1121,1122,1123,1124,1125,1126,1127,1128,1129],"uploadsEnabled",{"_221":1152,"_20":1153},{"_221":1150,"_20":1151},{"_221":1148,"_20":1149},{"_221":1146,"_20":1147},{"_221":1144,"_20":1145},{"_221":1142,"_20":1143},{"_221":1140,"_20":1141},{"_221":1138,"_20":1139},{"_221":1136,"_20":1137},{"_221":1134,"_20":1135},{"_221":1132,"_20":1133},{"_221":1130,"_20":1131},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]