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It is now at The Met in New York.","On a signal from Romulus, who stands on a raised platform at the left lifting his cloak, Roman soldiers seize the Sabine women who had come to the new city for a festival, to provide wives for Rome’s first citizens.","The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34",{"_296":435,"_298":436,"_300":437},"https://img.ochreeditions.com/m/1138.jpg?dl=1","/art/the-abduction-of-the-sabine-women-met-437329","/galleries/style/french-classicism/the-abduction-of-the-sabine-women-met-437329",{"_292":433,"_294":434},{"_225":425,"_125":426,"_286":427},{"_276":422,"_278":423,"_280":406,"_282":424},224.9,171.00817500000002,156.00817500000002,{"_288":225,"_123":431,"_154":432,"_140":93},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"style/painting-17","More paintings of the 17th century",168,"artist/nicolas-poussin","More by Nicolas Poussin","natural","ivory","https://img.ochreeditions.com/a/1138/480.jpg","https://img.ochreeditions.com/a/1138/960.jpg","https://img.ochreeditions.com/a/1138/1920.jpg",{"_312":451,"_314":452},{"_312":449,"_314":450},{"_312":447,"_314":448},{"_312":445,"_314":446},{"_312":443,"_314":444},"#51585e",0.0947,"#6a3f27",0.1445,"#76624e",0.1523,"#241f1b",0.1654,"#4f3b2b",0.4431,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Rome","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","perseus-and-the-origin-of-coral-met-459190","Perseus and the Origin of Coral",{"_42":508,"_222":509,"_326":510,"_328":329,"_330":511,"_332":512,"_334":513,"_336":459,"_338":514,"_140":99},"ca. 1671","Black chalk, sepia and black ink, sepia and gray wash heightened with white","10 x 12 13/16 in. (25.4 x 32.5 cm)",32.5,25.4,1.2723418134377038,[493,494,495,496,497],{"_221":302,"_222":303,"_42":304,"_305":306},"1975.1.661","Claude Lorrain (Claude Gellée) drew this in about 1671, aged about 64. It is now at The Met in New York.","Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671",{"_296":490,"_298":491,"_300":492},"https://img.ochreeditions.com/m/1269.jpg?dl=1","/art/perseus-and-the-origin-of-coral-met-459190","/galleries/style/french-classicism/perseus-and-the-origin-of-coral-met-459190",{"_292":293,"_294":295},{"_225":485,"_125":486,"_286":487},{"_276":482,"_278":483,"_280":467,"_282":484},56.5,49.54345039733401,25.543450397334016,{"_288":225,"_123":488,"_154":489,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1269/480.jpg","https://img.ochreeditions.com/a/1269/960.jpg","https://img.ochreeditions.com/a/1269/1920.jpg",{"_312":506,"_314":507},{"_312":504,"_314":505},{"_312":502,"_314":503},{"_312":500,"_314":501},{"_312":498,"_314":499},"#806752",0.1128,"#a0846a",0.1806,"#bca184",0.2288,"#d3bca0",0.2334,"#ead9be",0.2444,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","still-life-with-shells-and-a-chip-wood-box-met-438543","Still Life with Shells and a Chip-Wood Box",{"_42":561,"_222":562,"_326":563,"_328":329,"_330":564,"_332":565,"_334":566,"_336":567,"_338":-5,"_140":103},"late 1620s","18 1/2 x 23 3/8 in. (47 x 59.4 cm)",59.4,47,1.261431725007884,[546,547,548,549,550],{"_221":302,"_222":303,"_42":304,"_305":306},"2002.68","Sebastian Stoskopff painted this in the late 1620s, aged about 29. It is now at The Met in New York.","Still Life with Shells and a Chip-Wood Box, by Sebastian Stoskopff, late 1620s",{"_296":543,"_298":544,"_300":545},"https://img.ochreeditions.com/m/1183.jpg?dl=1","/art/still-life-with-shells-and-a-chip-wood-box-met-438543","/galleries/style/french-classicism/still-life-with-shells-and-a-chip-wood-box-met-438543",{"_292":433,"_294":434},{"_225":538,"_125":539,"_286":540},{"_276":535,"_278":536,"_280":520,"_282":537},74.4,62.08935,47.08935,{"_288":225,"_123":541,"_154":542,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-sebastian-stoskopff","Sebastian Stoskopff's contemporaries","https://img.ochreeditions.com/a/1183/480.jpg","https://img.ochreeditions.com/a/1183/960.jpg","https://img.ochreeditions.com/a/1183/1920.jpg",{"_312":559,"_314":560},{"_312":557,"_314":558},{"_312":555,"_314":556},{"_312":553,"_314":554},{"_312":551,"_314":552},"#6b5c42",0.0757,"#2d231c",0.1131,"#997f50",0.1192,"#443526",0.1602,"#1a1615",0.5318,"Sebastian Stoskopff","sebastian-stoskopff","French, 1597–1657",1597,1657,"Strasbourg","Idstein","nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":453,"_222":454,"_326":455,"_328":329,"_330":456,"_332":457,"_334":458,"_336":459,"_338":460,"_140":93},"c. 1625–27","Painting","oil on canvas","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,97,1.317829457364341,[608,609,610,611,612],{"_221":604,"_222":605,"_42":606,"_305":607},"Courtesy of the Cleveland Museum of Art","1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":601,"_602":603},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_296":598,"_298":599,"_300":600},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_292":433,"_294":434},{"_225":595,"_125":596,"_286":597},{"_276":592,"_278":593,"_280":575,"_282":594},142.5,111.75000000000001,96.75000000000001,{"_288":225,"_123":431,"_154":432,"_140":93},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},{"_312":615,"_314":616},{"_312":613,"_314":614},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":453,"_222":454,"_326":455,"_328":329,"_330":456,"_332":457,"_334":458,"_336":459,"_338":460,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[654,655,656,657,658],{"_221":604,"_222":605,"_42":606,"_305":607},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":653,"_602":603},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_296":650,"_298":651,"_300":652},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_292":433,"_294":434},{"_225":647,"_125":648,"_286":649},{"_276":644,"_278":645,"_280":628,"_282":646},120.8,87.59747058823528,72.59747058823528,{"_288":225,"_123":431,"_154":432,"_140":93},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_312":667,"_314":668},{"_312":665,"_314":666},{"_312":663,"_314":664},{"_312":661,"_314":662},{"_312":659,"_314":660},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"lute-player-met-439933","Lute Player",{"_42":715,"_222":716,"_326":717,"_328":329,"_330":718,"_332":719,"_334":720,"_336":459,"_338":-5,"_140":101},"ca. 1625–26","50 1/2 x 39 in. (128.3 x 99.1 cm)",99.1,128.3,0.7673395445134575,[700,701,702,703,704],{"_221":302,"_222":303,"_42":304,"_305":306},"2008.459","Valentin de Boulogne painted this in about 1625–26, aged about 34. It is now at The Met in New York.","Lute Player, by Valentin de Boulogne, ca. 1625–26",{"_296":697,"_298":698,"_300":699},"https://img.ochreeditions.com/m/1199.jpg?dl=1","/art/lute-player-met-439933","/galleries/style/french-classicism/lute-player-met-439933",{"_292":433,"_294":434},{"_225":692,"_125":693,"_286":694},{"_276":689,"_278":690,"_280":691,"_282":675},113.4496635610766,143.3,98.4496635610766,{"_288":225,"_123":695,"_154":696,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","https://img.ochreeditions.com/a/1199/480.jpg","https://img.ochreeditions.com/a/1199/960.jpg","https://img.ochreeditions.com/a/1199/1920.jpg",{"_312":713,"_314":714},{"_312":711,"_314":712},{"_312":709,"_314":710},{"_312":707,"_314":708},{"_312":705,"_314":706},"#958366",0.0374,"#402416",0.0586,"#5b4a3a",0.0592,"#251c15",0.2536,"#13110f",0.5912,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":769,"_222":770,"_326":771,"_328":329,"_330":772,"_332":773,"_334":774,"_336":775,"_338":-5,"_140":101},"1645","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[754,755,756,757,758],{"_221":604,"_222":605,"_42":606,"_305":607},"1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":753,"_602":603},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_296":750,"_298":751,"_300":752},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_292":433,"_294":434},{"_225":745,"_125":746,"_286":747},{"_276":742,"_278":743,"_280":744,"_282":727},107.84294117647059,129,92.84294117647059,{"_288":225,"_123":748,"_154":749,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.",{"_312":767,"_314":768},{"_312":765,"_314":766},{"_312":763,"_314":764},{"_312":761,"_314":762},{"_312":759,"_314":760},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","a-rocky-pond-nga-127567","A Rocky Pond",{"_42":821,"_222":822,"_326":823,"_328":329,"_330":824,"_332":825,"_334":-5,"_336":-5,"_338":-5,"_140":101},"1640","etching on laid paper","plate: 10.2 x 16 cm (4 x 6 5/16 in.) sheet: 10.4 x 16.3 cm (4 1/8 x 6 7/16 in.)",10.2,1.5772044666923373,[806,807,808,809,810],{"_221":374,"_222":375,"_42":376,"_305":377},"2002.157.47","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.",{"_296":803,"_298":804,"_300":805},"https://img.ochreeditions.com/m/1654.jpg?dl=1","/art/a-rocky-pond-nga-127567","/galleries/style/french-classicism/a-rocky-pond-nga-127567",{"_292":293,"_294":295},{"_225":798,"_125":799,"_286":800},{"_276":279,"_278":796,"_280":283,"_282":797},39.850830078125,15.850830078125,{"_288":225,"_123":801,"_154":802,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1654/480.jpg","https://img.ochreeditions.com/a/1654/960.jpg","https://img.ochreeditions.com/a/1654/1920.jpg",{"_312":819,"_314":820},{"_312":817,"_314":818},{"_312":815,"_314":816},{"_312":813,"_314":814},{"_312":811,"_314":812},"#b19f86",0.1707,"#736455",0.1883,"#92816d",0.1938,"#d3bfa2",0.2129,"#f3e1c4",0.2343,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"peasant-couple-with-cow-nga-51518","Peasant Couple with Cow",{"_42":871,"_222":872,"_326":873,"_328":329,"_330":874,"_332":875,"_334":-5,"_336":-5,"_338":-5,"_140":101},"c. 1621","plate: 8.4 × 8.5 cm (3 5/16 × 3 3/8 in.) sheet: 9.7 × 9.5 cm (3 13/16 × 3 3/4 in.)",8.5,8.4,1.0267741935483872,[856,857,858,859,860],{"_221":374,"_222":375,"_42":376,"_305":377},"1969.15.365","Jacques Callot made this in about 1621, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.",{"_296":853,"_298":854,"_300":855},"https://img.ochreeditions.com/m/1543.jpg?dl=1","/art/peasant-couple-with-cow-nga-51518","/galleries/style/french-classicism/peasant-couple-with-cow-nga-51518",{"_292":293,"_294":295},{"_225":848,"_125":849,"_286":850},{"_276":279,"_278":846,"_280":283,"_282":847},48.34809927741125,24.348099277411247,{"_288":225,"_123":851,"_154":852,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","https://img.ochreeditions.com/a/1543/480.jpg","https://img.ochreeditions.com/a/1543/960.jpg","https://img.ochreeditions.com/a/1543/1920.jpg",{"_312":869,"_314":870},{"_312":867,"_314":868},{"_312":865,"_314":866},{"_312":863,"_314":864},{"_312":861,"_314":862},"#6b6156",0.1207,"#cdc1ab",0.1797,"#a99d8a",0.1893,"#8a7f6f",0.1973,"#ebdfc8",0.313,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"a-rocky-pond-nga-127566",{"_42":821,"_222":822,"_326":823,"_328":329,"_330":824,"_332":825,"_334":-5,"_336":-5,"_338":-5,"_140":101},"sheet (cut within platemark): 10.2 x 15.6 cm (4 x 6 1/8 in.)",15.6,1.5550493545937738,[900,901,902,903,904],{"_221":374,"_222":375,"_42":376,"_305":377},"2002.157.46","The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.",{"_296":897,"_298":898,"_300":899},"https://img.ochreeditions.com/m/1653.jpg?dl=1","/art/a-rocky-pond-nga-127566","/galleries/style/french-classicism/a-rocky-pond-nga-127566",{"_292":293,"_294":295},{"_225":894,"_125":895,"_286":896},{"_276":279,"_278":892,"_280":283,"_282":893},40.07666015625,16.07666015625,{"_288":225,"_123":801,"_154":802,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1653/480.jpg","https://img.ochreeditions.com/a/1653/960.jpg","https://img.ochreeditions.com/a/1653/1920.jpg",{"_312":913,"_314":914},{"_312":911,"_314":912},{"_312":909,"_314":910},{"_312":907,"_314":908},{"_312":905,"_314":906},"#b29f85",0.1715,"#6c5f52",0.1776,"#d7c3a5",0.1787,"#8e7d69",0.2142,"#f3e2c5",0.258,"meekness-aic-47159","Meekness",{"_42":967,"_222":968,"_326":969,"_328":329,"_330":970,"_332":971,"_334":-5,"_336":-5,"_338":-5,"_140":103},"1650","Oil on panel","100.7 × 67 cm (39 7/8 × 26 3/8 in.); Framed: 111.8 × 78.2 × 7.7 cm (44 × 30 3/4 × 3 in.)",67,100,0.6223633232888506,[952,953,954,955,956],{"_221":948,"_222":949,"_42":950,"_305":951},"Courtesy of the Art Institute of Chicago","1974.233","Eustache Le Sueur painted this in 1650, aged 34. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_296":945,"_298":946,"_300":947},"https://img.ochreeditions.com/m/152.jpg?dl=1","/art/meekness-aic-47159","/galleries/style/french-classicism/meekness-aic-47159",{"_292":433,"_294":434},{"_225":940,"_125":941,"_286":942},{"_276":937,"_278":938,"_280":939,"_282":922},77.23633232888506,115,62.236332328885055,{"_288":225,"_123":943,"_154":944,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-eustache-le-sueur","Eustache Le Sueur's contemporaries","https://img.ochreeditions.com/a/152/480.jpg","https://img.ochreeditions.com/a/152/960.jpg","https://img.ochreeditions.com/a/152/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":965,"_314":966},{"_312":963,"_314":964},{"_312":961,"_314":962},{"_312":959,"_314":960},{"_312":957,"_314":958},"#a6847a",0.0449,"#7f5313",0.098,"#53331a",0.1102,"#897952",0.159,"#c3972f",0.5879,"Eustache Le Sueur","eustache-le-sueur","French, 1616–1655",1616,1655,"the-trojan-women-setting-fire-to-their-fleet-met-435908","The Trojan Women Setting Fire to Their Fleet",{"_42":508,"_222":509,"_326":510,"_328":329,"_330":511,"_332":512,"_334":513,"_336":459,"_338":514,"_140":99},"ca. 1643","41 3/8 x 59 7/8 in. (105.1 x 152.1 cm)",152.1,105.1,1.439867598381758,[1002,1003,1004,1005,1006],{"_221":302,"_222":303,"_42":304,"_305":306},"55.119","Claude Lorrain (Claude Gellée) painted this in about 1643, aged 39. It is now at The Met in New York.","Weary of years of wandering, the Trojan women travelling with Aeneas gather on the shore of Sicily and set fire to their own ships, urged on by the goddess Iris in disguise, so that they need sail no further.","The Trojan Women Setting Fire to Their Fleet, by Claude Lorrain (Claude Gellée), ca. 1643",{"_296":999,"_298":1000,"_300":1001},"https://img.ochreeditions.com/m/1076.jpg?dl=1","/art/the-trojan-women-setting-fire-to-their-fleet-met-435908","/galleries/style/french-classicism/the-trojan-women-setting-fire-to-their-fleet-met-435908",{"_292":433,"_294":434},{"_225":996,"_125":997,"_286":998},{"_276":993,"_278":994,"_280":977,"_282":995},167.1,120.63471264367816,105.63471264367816,{"_288":225,"_123":488,"_154":489,"_140":99},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1076/480.jpg","https://img.ochreeditions.com/a/1076/960.jpg","https://img.ochreeditions.com/a/1076/1920.jpg",{"_312":1015,"_314":1016},{"_312":1013,"_314":1014},{"_312":1011,"_314":1012},{"_312":1009,"_314":1010},{"_312":1007,"_314":1008},"#6a5a40",0.1444,"#251e15",0.1656,"#7f7f71",0.2122,"#463722",0.2361,"#a49b81",0.2417,"the-fortune-teller-met-436838","The Fortune-Teller",{"_42":769,"_222":770,"_326":771,"_328":329,"_330":772,"_332":773,"_334":774,"_336":775,"_338":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[1046,1047,1048,1049,1050],{"_221":302,"_222":303,"_42":304,"_305":306},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_296":1043,"_298":1044,"_300":1045},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_292":433,"_294":434},{"_225":1040,"_125":1041,"_286":1042},{"_276":1037,"_278":1038,"_280":1022,"_282":1039},138.5,117.12858942065492,102.12858942065492,{"_288":225,"_123":748,"_154":749,"_140":89},{"_288":125,"_123":428,"_154":429,"_140":430},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_312":1059,"_314":1060},{"_312":1057,"_314":1058},{"_312":1055,"_314":1056},{"_312":1053,"_314":1054},{"_312":1051,"_314":1052},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,"queen-esther-approaching-the-palace-of-ahasuerus-met-336489","Queen Esther Approaching the Palace of Ahasuerus",{"_42":508,"_222":509,"_326":510,"_328":329,"_330":511,"_332":512,"_334":513,"_336":459,"_338":514,"_140":99},"1658","Pen and brown ink, brush and brown wash, heightened with white, over black chalk","11 13/16 x 17 1/2 in. (30 x 44.4 cm)",44.4,1.4576399394856279,[1090,1091,1092,1093,1094],{"_221":302,"_222":303,"_42":304,"_305":306},"1997.156","Claude Lorrain (Claude Gellée) drew this in 1658, aged 54. It is now at The Met in New York.","Queen Esther Approaching the Palace of Ahasuerus, by Claude Lorrain (Claude Gellée), 1658",{"_296":1087,"_298":1088,"_300":1089},"https://img.ochreeditions.com/m/1007.jpg?dl=1","/art/queen-esther-approaching-the-palace-of-ahasuerus-met-336489","/galleries/style/french-classicism/queen-esther-approaching-the-palace-of-ahasuerus-met-336489",{"_292":293,"_294":295},{"_225":1084,"_125":1085,"_286":1086},{"_276":1081,"_278":1082,"_280":1067,"_282":1083},68.4,54.46019719771665,30.460197197716656,{"_288":225,"_123":488,"_154":489,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1007/480.jpg","https://img.ochreeditions.com/a/1007/960.jpg","https://img.ochreeditions.com/a/1007/1920.jpg",{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1099,"_314":664},{"_312":1097,"_314":1098},{"_312":1095,"_314":1096},"#d0c4b6",0.1314,"#b9a997",0.1374,"#786251","#a38e7a",0.2688,"#917962",0.2916,{"_1105":-5,"_1106":1107,"_1108":1109,"_1110":8,"_1111":1112,"_1113":8},"user","csrf","45126c477ad92dd1d55a4d7adf0d5b895ad91b91","cartCount",0,"dropLive","legal",[1114,1115,1116,1117,1118,1119,1120,1121,1122,1123,1124,1125],"uploadsEnabled",{"_222":1148,"_20":1149},{"_222":1146,"_20":1147},{"_222":1144,"_20":1145},{"_222":1142,"_20":1143},{"_222":1140,"_20":1141},{"_222":1138,"_20":1139},{"_222":1136,"_20":1137},{"_222":1134,"_20":1135},{"_222":1132,"_20":1133},{"_222":1130,"_20":1131},{"_222":1128,"_20":1129},{"_222":1126,"_20":1127},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]