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It is now at the Cleveland Museum of Art.",{"_118":303,"_304":305},"note","The Holy Family on the Steps, by Nicolas Poussin, 1648","images",{"_297":298,"_299":300,"_301":302},"download_url","https://img.ochreeditions.com/m/714.jpg?dl=1","page_url","/art/the-holy-family-on-the-steps-cma-150389","walk_url","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389","frame",{"_293":294,"_295":296},{"_226":285,"_125":286,"_287":288},"size",{"_278":279,"_280":281,"_282":245,"_283":284},"w",120.8,"h",87.59747058823528,"image_w","image_h",72.59747058823528,{"_289":226,"_123":170,"_154":169,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},"era",{"_289":287,"_123":166,"_154":165,"_140":168},"facet","style/painting-17","More paintings of the 17th century",168,"moulding","natural","mount","ivory","480","https://img.ochreeditions.com/a/714/480.jpg","960","https://img.ochreeditions.com/a/714/960.jpg","1920","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_316":326,"_318":327},{"_316":324,"_318":325},{"_316":322,"_318":323},{"_316":320,"_318":321},{"_316":317,"_318":319},"hex","#927057","weight",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"Nicolas Poussin","nicolas-poussin","bio","French, 1594–1665","nationality","French","birth_year",1594,"death_year",1665,"birth_place","Les Andelys","death_place","Rome","about_excerpt","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","peasant-family-at-a-well-aic-8606","Peasant Family at a Well",{"_42":396,"_223":397,"_330":398,"_332":399,"_334":-5,"_336":-5,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1650/60","Oil on canvas","97.5 × 103.2 cm (38 3/8 × 40 5/8 in.); Framed: 112.4 × 118.8 × 9.9 cm (44 1/4 × 46 3/4 × 3 7/8 in.)",103,97,1.0569530808366308,[381,382,383,384,385],{"_222":377,"_223":378,"_42":379,"_309":380},"Courtesy of the Art Institute of Chicago","1923.415","The Master of the Children's Caps painted this in 1650/60. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_297":374,"_299":375,"_301":376},"https://img.ochreeditions.com/m/16.jpg?dl=1","/art/peasant-family-at-a-well-aic-8606","/galleries/style/french-classicism/peasant-family-at-a-well-aic-8606",{"_293":294,"_295":296},{"_226":369,"_125":370,"_287":371},{"_278":366,"_280":367,"_282":350,"_283":368},118,112.4499264607568,97.4499264607568,{"_289":226,"_123":372,"_154":373,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-the-master-of-the-children-s-caps","The Master of the Children's Caps's contemporaries","https://img.ochreeditions.com/a/16/480.jpg","https://img.ochreeditions.com/a/16/960.jpg","https://img.ochreeditions.com/a/16/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":394,"_318":395},{"_316":392,"_318":393},{"_316":390,"_318":391},{"_316":388,"_318":389},{"_316":386,"_318":387},"#4f3221",0.0651,"#7d6b59",0.1729,"#2c2119",0.1911,"#3f3429",0.2266,"#5a4f42",0.3443,"The Master of the Children's Caps","the-master-of-the-children-s-caps","Le Maître aux Béguins; French, 17th century","Le Maître aux Béguins; French","landscape-with-peasants-nga-32689","Landscape with Peasants",{"_42":451,"_223":452,"_330":453,"_332":333,"_334":454,"_336":455,"_338":-5,"_340":-5,"_342":-5,"_140":103},"c. 1640","overall: 46.5 x 57 cm (18 5/16 x 22 7/16 in.) framed: 71.1 x 81.9 x 10.2 cm (28 x 32 1/4 x 4 in.)",57,46.5,1.234850768766958,[436,437,438,439,440],{"_222":432,"_223":433,"_42":434,"_309":435},"Courtesy National Gallery of Art, Washington","1946.7.11","Louis Le Nain painted this in about 1640, aged 40. It is now at the National Gallery of Art in Washington, DC.","An elderly woman sits on a small stool and four children stand along the foreground of a landscape with rolling, olive-green fields leading back to low, slate-gray mountains in this nearly square painting. The horizon comes about halfway up the painting, and the sky above is filled with a sheet of steel-gray clouds that break to reveal patches of ice-blue sky. Closest to us and along the left edge of the painting, the woman sits near a structure with a fragment of wall and a column that could be made from tan-colored stone. The woman faces our right in profile and looks at or toward three children gathered on a low hill to our right. Her lined face is partially cast in shadow by her white bonnet, but her skin is yellowed where the light falls across the side closer to us. A wide, white collar lies over the shoulders of her muted, plum-purple jacket, which is tied with a narrow red belt. Her hands rest in the lap of her full, moss-green skirt that falls to her feet and covers most of the stool. To our right, two boys and a little girl stand on a low hill. They all stand with their bodies angled to our right, and all have pale skin and brown hair. To our left in the trio, the young girl wears a royal-blue dress with brick-red, long sleeves and a wide, white collar, cuffs, and cap. Next to her, a slightly older boy wearing gray knee-britches, a honey-orange jacket with a white collar, and a blue tricorn hat looks down and plays a thin pipe. His jacket is torn at the elbows, revealing a red shirt beneath. To our right, the oldest boy wears a brown cloak over a gray jacket, tan trousers, and a tan brimmed hat. He holds his right arm, closer to us, across his chest as he touches an instrument nestled in the crook of his other elbow. Another bareheaded boy wearing a red shirt and blue trousers walks beyond this trio, holding a short pole over one shoulder and a brimmed hat in his other hand. He walks to our left and looks to the horizon. More people with sheep, cows, and a person on horseback dot the rolling fields that stretch back to low hills. One house sits next to a line of trees to the left of center, in the middle distance, and more buildings, including a church spire, cluster on the horizon to our right.",{"_297":429,"_299":430,"_301":431},"https://img.ochreeditions.com/m/1483.jpg?dl=1","/art/landscape-with-peasants-nga-32689","/galleries/style/french-classicism/landscape-with-peasants-nga-32689",{"_293":294,"_295":296},{"_226":424,"_125":425,"_287":426},{"_278":421,"_280":422,"_282":405,"_283":423},72,61.159423828125,46.159423828125,{"_289":226,"_123":427,"_154":428,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-louis-le-nain","Louis Le Nain's contemporaries","https://img.ochreeditions.com/a/1483/480.jpg","https://img.ochreeditions.com/a/1483/960.jpg","https://img.ochreeditions.com/a/1483/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":449,"_318":450},{"_316":447,"_318":448},{"_316":445,"_318":446},{"_316":443,"_318":444},{"_316":441,"_318":442},"#373024",0.1241,"#a09f82",0.1412,"#706341",0.1776,"#757461",0.2413,"#564a34",0.3158,"Louis Le Nain","louis-le-nain","French, c. 1600/1603–1648",1600,1648,"nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":93},"c. 1625–27","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,1.317829457364341,[486,487,488,489,490],{"_222":306,"_223":307,"_42":308,"_309":310},"1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":485,"_304":305},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_297":482,"_299":483,"_301":484},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_293":294,"_295":296},{"_226":479,"_125":480,"_287":481},{"_278":476,"_280":477,"_282":461,"_283":478},142.5,111.75000000000001,96.75000000000001,{"_289":226,"_123":170,"_154":169,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.",{"_316":499,"_318":500},{"_316":497,"_318":498},{"_316":495,"_318":496},{"_316":493,"_318":494},{"_316":491,"_318":492},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"the-abduction-of-the-sabine-women-met-437329","The Abduction of the Sabine Women",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":93},"probably 1633–34","Paintings","60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)",209.9,154.6,1.3454423141607803,[537,538,539,540,541],{"_222":533,"_223":534,"_42":535,"_309":536},"Courtesy of The Metropolitan Museum of Art","46.160","Nicolas Poussin painted this (probably 1633–34), aged about 39. It is now at The Met in New York.","On a signal from Romulus, who stands on a raised platform at the left lifting his cloak, Roman soldiers seize the Sabine women who had come to the new city for a festival, to provide wives for Rome’s first citizens.","The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34",{"_297":530,"_299":531,"_301":532},"https://img.ochreeditions.com/m/1138.jpg?dl=1","/art/the-abduction-of-the-sabine-women-met-437329","/galleries/style/french-classicism/the-abduction-of-the-sabine-women-met-437329",{"_293":294,"_295":296},{"_226":527,"_125":528,"_287":529},{"_278":524,"_280":525,"_282":507,"_283":526},224.9,171.00817500000002,156.00817500000002,{"_289":226,"_123":170,"_154":169,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1138/480.jpg","https://img.ochreeditions.com/a/1138/960.jpg","https://img.ochreeditions.com/a/1138/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":550,"_318":551},{"_316":548,"_318":549},{"_316":546,"_318":547},{"_316":544,"_318":545},{"_316":542,"_318":543},"#51585e",0.0947,"#6a3f27",0.1445,"#76624e",0.1523,"#241f1b",0.1654,"#4f3b2b",0.4431,"samson-cma-147020","Samson",{"_42":600,"_223":601,"_330":602,"_332":333,"_334":603,"_336":604,"_338":605,"_340":341,"_342":-5,"_140":101},"1630–31","Framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); Unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.)",102.8,135.6,0.7588235294117647,[585,586,587,588,589],{"_222":306,"_223":307,"_42":308,"_309":310},"1972.50","Valentin de Boulogne painted this in 1630–31, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":584,"_304":305},"Samson, by Valentin de Boulogne, 1630–31",{"_297":581,"_299":582,"_301":583},"https://img.ochreeditions.com/m/681.jpg?dl=1","/art/samson-cma-147020","/galleries/style/french-classicism/samson-cma-147020",{"_293":294,"_295":296},{"_226":576,"_125":577,"_287":578},{"_278":573,"_280":574,"_282":575,"_283":558},117.89647058823529,150.6,102.89647058823529,{"_289":226,"_123":579,"_154":580,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","https://img.ochreeditions.com/a/681/480.jpg","https://img.ochreeditions.com/a/681/960.jpg","https://img.ochreeditions.com/a/681/1920.jpg","The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey’s jawbone.",{"_316":598,"_318":599},{"_316":596,"_318":597},{"_316":594,"_318":595},{"_316":592,"_318":593},{"_316":590,"_318":591},"#a4724c",0.051,"#653f23",0.0593,"#69271e",0.2309,"#381e14",0.2379,"#130f0c",0.4209,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","the-wise-and-foolish-virgins-plate-five-aic-23553","The Wise and Foolish Virgins, plate five",{"_42":660,"_223":661,"_330":662,"_332":333,"_334":663,"_336":664,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1635","print","Print","Engraving and etching on ivory laid paper","Image: 21.8 × 32 cm (8 5/8 × 12 5/8 in.); Sheet: 42.2 × 32 cm (16 5/8 × 12 5/8 in.)",32,21,1.275486381322957,[645,646,647,648,649],{"_222":377,"_223":378,"_42":379,"_309":380},"1937.138","Abraham Bosse made this in 1635, aged 33. It is now at the Art Institute of Chicago.","A work made of engraving and etching on ivory laid paper.",{"_297":642,"_299":643,"_301":644},"https://img.ochreeditions.com/m/98.jpg?dl=1","/art/the-wise-and-foolish-virgins-plate-five-aic-23553","/galleries/style/french-classicism/the-wise-and-foolish-virgins-plate-five-aic-23553",{"_293":640,"_295":641},{"_226":632,"_125":633,"_287":634},{"_278":629,"_280":630,"_282":614,"_283":631},56,49.08846857840147,25.088468578401468,{"_289":226,"_123":638,"_154":639,"_140":89},{"_289":125,"_123":635,"_154":636,"_140":637},{"_289":287,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-abraham-bosse","Abraham Bosse's contemporaries","white","snow","https://img.ochreeditions.com/a/98/480.jpg","https://img.ochreeditions.com/a/98/960.jpg","https://img.ochreeditions.com/a/98/1920.jpg",{"_316":658,"_318":659},{"_316":656,"_318":657},{"_316":654,"_318":655},{"_316":652,"_318":653},{"_316":650,"_318":651},"#c3bbae",0.0644,"#7d766a",0.1275,"#4d4a41",0.1931,"#20201c",0.2034,"#e6ded2",0.4116,"Abraham Bosse","abraham-bosse","French, 1602–1676",1602,1676,"the-four-evangelists-nga-9227","The Four Evangelists",{"_42":709,"_223":710,"_330":711,"_332":333,"_334":712,"_336":713,"_338":-5,"_340":-5,"_342":-5,"_140":101},"engraving",0.569091796875,[694,695,696,697,698],{"_222":432,"_223":433,"_42":434,"_309":435},"1943.3.6433","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.",{"_297":691,"_299":692,"_301":693},"https://img.ochreeditions.com/m/1352.jpg?dl=1","/art/the-four-evangelists-nga-9227","/galleries/style/french-classicism/the-four-evangelists-nga-9227",{"_293":640,"_295":641},{"_226":686,"_125":687,"_287":688},{"_278":682,"_280":683,"_282":684,"_283":685},58.1455078125,84,34.1455078125,60,{"_289":226,"_123":689,"_154":690,"_140":89},{"_289":125,"_123":635,"_154":636,"_140":637},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1352/480.jpg","https://img.ochreeditions.com/a/1352/960.jpg","https://img.ochreeditions.com/a/1352/1920.jpg",{"_316":707,"_318":708},{"_316":705,"_318":706},{"_316":703,"_318":704},{"_316":701,"_318":702},{"_316":699,"_318":700},"#6f6256",0.1024,"#968673",0.1315,"#eadabf",0.1875,"#b8a78f",0.2595,"#d0bfa4",0.3191,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"blind-orion-searching-for-the-rising-sun-met-437326","Blind Orion Searching for the Rising Sun",{"_42":328,"_223":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_342":343,"_140":93},"1658","46 7/8 x 72 in. (119.1 x 182.9 cm)",182.9,119.1,1.5303474257011302,[744,745,746,747,748],{"_222":533,"_223":534,"_42":535,"_309":536},"24.45.1","Nicolas Poussin painted this in 1658, aged 64. It is now at The Met in New York.","The blind giant Orion strides through a vast landscape towards the rising sun, which according to myth will restore his sight, guided by Cedalion, who stands on his shoulders, while Vulcan points the way from below and the goddess Diana watches from a cloud.","Blind Orion Searching for the Rising Sun, by Nicolas Poussin, 1658",{"_297":741,"_299":742,"_301":743},"https://img.ochreeditions.com/m/1137.jpg?dl=1","/art/blind-orion-searching-for-the-rising-sun-met-437326","/galleries/style/french-classicism/blind-orion-searching-for-the-rising-sun-met-437326",{"_293":294,"_295":296},{"_226":738,"_125":739,"_287":740},{"_278":735,"_280":736,"_282":719,"_283":737},197.9,134.51534463894967,119.51534463894967,{"_289":226,"_123":170,"_154":169,"_140":93},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1137/480.jpg","https://img.ochreeditions.com/a/1137/960.jpg","https://img.ochreeditions.com/a/1137/1920.jpg",{"_316":757,"_318":758},{"_316":755,"_318":756},{"_316":753,"_318":754},{"_316":751,"_318":752},{"_316":749,"_318":750},"#7088a3",0.0737,"#7b7c7a",0.0796,"#534d3d",0.1347,"#211e15",0.3512,"#3b3221",0.3608,"perseus-and-the-origin-of-coral-met-459190","Perseus and the Origin of Coral",{"_42":811,"_223":812,"_330":813,"_332":333,"_334":814,"_336":815,"_338":816,"_340":341,"_342":817,"_140":99},"ca. 1671","drawing","Drawings","Black chalk, sepia and black ink, sepia and gray wash heightened with white","10 x 12 13/16 in. (25.4 x 32.5 cm)",32.5,25.4,1.2723418134377038,[796,797,798,799,800],{"_222":533,"_223":534,"_42":535,"_309":536},"1975.1.661","Claude Lorrain (Claude Gellée) drew this in about 1671, aged about 64. It is now at The Met in New York.","Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671",{"_297":793,"_299":794,"_301":795},"https://img.ochreeditions.com/m/1269.jpg?dl=1","/art/perseus-and-the-origin-of-coral-met-459190","/galleries/style/french-classicism/perseus-and-the-origin-of-coral-met-459190",{"_293":640,"_295":641},{"_226":785,"_125":786,"_287":787},{"_278":782,"_280":783,"_282":767,"_283":784},56.5,49.54345039733401,25.543450397334016,{"_289":226,"_123":791,"_154":792,"_140":99},{"_289":125,"_123":788,"_154":789,"_140":790},{"_289":287,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1269/480.jpg","https://img.ochreeditions.com/a/1269/960.jpg","https://img.ochreeditions.com/a/1269/1920.jpg",{"_316":809,"_318":810},{"_316":807,"_318":808},{"_316":805,"_318":806},{"_316":803,"_318":804},{"_316":801,"_318":802},"#806752",0.1128,"#a0846a",0.1806,"#bca184",0.2288,"#d3bca0",0.2334,"#ead9be",0.2444,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","meekness-aic-47159","Meekness",{"_42":865,"_223":866,"_330":867,"_332":333,"_334":868,"_336":869,"_338":-5,"_340":-5,"_342":-5,"_140":103},"1650","Oil on panel","100.7 × 67 cm (39 7/8 × 26 3/8 in.); Framed: 111.8 × 78.2 × 7.7 cm (44 × 30 3/4 × 3 in.)",67,100,0.6223633232888506,[850,851,852,853,854],{"_222":377,"_223":378,"_42":379,"_309":380},"1974.233","Eustache Le Sueur painted this in 1650, aged 34. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_297":847,"_299":848,"_301":849},"https://img.ochreeditions.com/m/152.jpg?dl=1","/art/meekness-aic-47159","/galleries/style/french-classicism/meekness-aic-47159",{"_293":294,"_295":296},{"_226":842,"_125":843,"_287":844},{"_278":839,"_280":840,"_282":841,"_283":825},77.23633232888506,115,62.236332328885055,{"_289":226,"_123":845,"_154":846,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eustache-le-sueur","Eustache Le Sueur's contemporaries","https://img.ochreeditions.com/a/152/480.jpg","https://img.ochreeditions.com/a/152/960.jpg","https://img.ochreeditions.com/a/152/1920.jpg",{"_316":863,"_318":864},{"_316":861,"_318":862},{"_316":859,"_318":860},{"_316":857,"_318":858},{"_316":855,"_318":856},"#a6847a",0.0449,"#7f5313",0.098,"#53331a",0.1102,"#897952",0.159,"#c3972f",0.5879,"Eustache Le Sueur","eustache-le-sueur","French, 1616–1655",1616,1655,"saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":918,"_223":919,"_330":920,"_332":333,"_334":921,"_336":922,"_338":923,"_340":924,"_342":-5,"_140":101},"1645","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[903,904,905,906,907],{"_222":306,"_223":307,"_42":308,"_309":310},"1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":902,"_304":305},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_297":899,"_299":900,"_301":901},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_293":294,"_295":296},{"_226":894,"_125":895,"_287":896},{"_278":891,"_280":892,"_282":893,"_283":876},107.84294117647059,129,92.84294117647059,{"_289":226,"_123":897,"_154":898,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.",{"_316":916,"_318":917},{"_316":914,"_318":915},{"_316":912,"_318":913},{"_316":910,"_318":911},{"_316":908,"_318":909},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","a-rocky-pond-nga-127567","A Rocky Pond",{"_42":972,"_223":973,"_330":974,"_332":333,"_334":975,"_336":976,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1640","etching on laid paper","plate: 10.2 x 16 cm (4 x 6 5/16 in.) sheet: 10.4 x 16.3 cm (4 1/8 x 6 7/16 in.)",10.2,1.5772044666923373,[957,958,959,960,961],{"_222":432,"_223":433,"_42":434,"_309":435},"2002.157.47","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with trees, rocks, and water. The perspective is slightly elevated. Rocks are prominent in the central area, with various shapes and textures. Trees and foliage are depicted with detailed brushstrokes. The color scheme is sepia, creating a warm and vintage atmosphere. The scene includes water reflecting rocks, distant hills, and faint cloud formations.",{"_297":954,"_299":955,"_301":956},"https://img.ochreeditions.com/m/1654.jpg?dl=1","/art/a-rocky-pond-nga-127567","/galleries/style/french-classicism/a-rocky-pond-nga-127567",{"_293":640,"_295":641},{"_226":949,"_125":950,"_287":951},{"_278":945,"_280":946,"_282":947,"_283":948},49,39.850830078125,25,15.850830078125,{"_289":226,"_123":952,"_154":953,"_140":89},{"_289":125,"_123":635,"_154":636,"_140":637},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1654/480.jpg","https://img.ochreeditions.com/a/1654/960.jpg","https://img.ochreeditions.com/a/1654/1920.jpg",{"_316":970,"_318":971},{"_316":968,"_318":969},{"_316":966,"_318":967},{"_316":964,"_318":965},{"_316":962,"_318":963},"#b19f86",0.1707,"#736455",0.1883,"#92816d",0.1938,"#d3bfa2",0.2129,"#f3e1c4",0.2343,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"peasant-couple-with-cow-nga-51518","Peasant Couple with Cow",{"_42":1022,"_223":1023,"_330":1024,"_332":333,"_334":1025,"_336":1026,"_338":-5,"_340":-5,"_342":-5,"_140":101},"c. 1621","plate: 8.4 × 8.5 cm (3 5/16 × 3 3/8 in.) sheet: 9.7 × 9.5 cm (3 13/16 × 3 3/4 in.)",8.5,8.4,1.0267741935483872,[1007,1008,1009,1010,1011],{"_222":432,"_223":433,"_42":434,"_309":435},"1969.15.365","Jacques Callot made this in about 1621, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.",{"_297":1004,"_299":1005,"_301":1006},"https://img.ochreeditions.com/m/1543.jpg?dl=1","/art/peasant-couple-with-cow-nga-51518","/galleries/style/french-classicism/peasant-couple-with-cow-nga-51518",{"_293":640,"_295":641},{"_226":999,"_125":1000,"_287":1001},{"_278":945,"_280":997,"_282":947,"_283":998},48.34809927741125,24.348099277411247,{"_289":226,"_123":1002,"_154":1003,"_140":89},{"_289":125,"_123":635,"_154":636,"_140":637},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","https://img.ochreeditions.com/a/1543/480.jpg","https://img.ochreeditions.com/a/1543/960.jpg","https://img.ochreeditions.com/a/1543/1920.jpg",{"_316":1020,"_318":1021},{"_316":1018,"_318":1019},{"_316":1016,"_318":1017},{"_316":1014,"_318":1015},{"_316":1012,"_318":1013},"#6b6156",0.1207,"#cdc1ab",0.1797,"#a99d8a",0.1893,"#8a7f6f",0.1973,"#ebdfc8",0.313,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"the-slave-market-nga-51556","The Slave Market",{"_42":1022,"_223":1023,"_330":1024,"_332":333,"_334":1025,"_336":1026,"_338":-5,"_340":-5,"_342":-5,"_140":101},"1620","plate: 11.4 × 20.7 cm (4 1/2 × 8 1/8 in.) sheet: 16.1 × 17.3 cm (6 5/16 × 6 13/16 in.)",20.7,11.4,1.8677610579115367,[1055,1056,1057,1058,1059],{"_222":432,"_223":433,"_42":434,"_309":435},"1969.15.401","Jacques Callot made this in 1620, aged 28. It is now at the National Gallery of Art in Washington, DC.","This is a drawing of a busy street scene with architectural structures and various figures. It depicts a large open area bordered by a grand building to the left and a rounded tower or structure to the right. The left side of the scene is lined with stairs leading up to an elevated walkway or platform, where people are gathered. In the middle and to the right, a crowd has formed, encompassing the space in front of the tower. Various individuals, some wearing distinctive headgear, are seen mingling and gesturing. The architectural details in the background, such as the windows and brickwork of the tower, frame the scene below. A hand-operated apparatus extends from the tower, possibly for lifting goods or supplies. The drawing captures a dynamic urban moment.",{"_297":1052,"_299":1053,"_301":1054},"https://img.ochreeditions.com/m/1544.jpg?dl=1","/art/the-slave-market-nga-51556","/galleries/style/french-classicism/the-slave-market-nga-51556",{"_293":640,"_295":641},{"_226":1049,"_125":1050,"_287":1051},{"_278":945,"_280":1047,"_282":947,"_283":1048},37.385009765625,13.385009765625,{"_289":226,"_123":1002,"_154":1003,"_140":89},{"_289":125,"_123":635,"_154":636,"_140":637},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1544/480.jpg","https://img.ochreeditions.com/a/1544/960.jpg","https://img.ochreeditions.com/a/1544/1920.jpg",{"_316":1068,"_318":1069},{"_316":1066,"_318":1067},{"_316":1064,"_318":1065},{"_316":1062,"_318":1063},{"_316":1060,"_318":1061},"#cabdab",0.1062,"#665d53",0.1112,"#a69988",0.1172,"#887c6e",0.1287,"#eee2cf",0.5367,"the-fortune-teller-met-436838","The Fortune-Teller",{"_42":918,"_223":919,"_330":920,"_332":333,"_334":921,"_336":922,"_338":923,"_340":924,"_342":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[1099,1100,1101,1102,1103],{"_222":533,"_223":534,"_42":535,"_309":536},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_297":1096,"_299":1097,"_301":1098},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_293":294,"_295":296},{"_226":1093,"_125":1094,"_287":1095},{"_278":1090,"_280":1091,"_282":1075,"_283":1092},138.5,117.12858942065492,102.12858942065492,{"_289":226,"_123":897,"_154":898,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_316":1112,"_318":1113},{"_316":1110,"_318":1111},{"_316":1108,"_318":1109},{"_316":1106,"_318":1107},{"_316":1104,"_318":1105},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,{"_1115":-5,"_1116":1117,"_1118":1119,"_1120":8,"_1121":1122,"_1123":8},"user","csrf","16b4355d456544cc92edbeeeaff24500d8d50c30","cartCount",0,"dropLive","legal",[1124,1125,1126,1127,1128,1129,1130,1131,1132,1133,1134,1135],"uploadsEnabled",{"_223":1158,"_20":1159},{"_223":1156,"_20":1157},{"_223":1154,"_20":1155},{"_223":1152,"_20":1153},{"_223":1150,"_20":1151},{"_223":1148,"_20":1149},{"_223":1146,"_20":1147},{"_223":1144,"_20":1145},{"_223":1142,"_20":1143},{"_223":1140,"_20":1141},{"_223":1138,"_20":1139},{"_223":1136,"_20":1137},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]