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The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.",{"_294":428,"_296":429,"_298":430},"https://img.ochreeditions.com/m/1543.jpg?dl=1","/art/peasant-couple-with-cow-nga-51518","/galleries/style/french-classicism/peasant-couple-with-cow-nga-51518",{"_290":426,"_292":427},{"_224":418,"_125":419,"_284":420},{"_275":414,"_277":415,"_279":416,"_281":417},49,48.34809927741125,25,24.348099277411247,{"_286":224,"_123":424,"_154":425,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","white","snow","https://img.ochreeditions.com/a/1543/480.jpg","https://img.ochreeditions.com/a/1543/960.jpg","https://img.ochreeditions.com/a/1543/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_310":448,"_312":449},{"_310":446,"_312":447},{"_310":444,"_312":445},{"_310":442,"_312":443},{"_310":440,"_312":441},"#6b6156",0.1207,"#cdc1ab",0.1797,"#a99d8a",0.1893,"#8a7f6f",0.1973,"#ebdfc8",0.313,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":512,"_221":513,"_324":514,"_326":327,"_328":515,"_330":516,"_332":517,"_334":335,"_336":518,"_140":93},"c. 1625–27","Painting","oil on canvas","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,97,1.317829457364341,[497,498,499,500,501],{"_220":493,"_221":494,"_42":495,"_303":496},"Courtesy of the Cleveland Museum of Art","1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":490,"_491":492},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_294":487,"_296":488,"_298":489},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_290":291,"_292":293},{"_224":482,"_125":483,"_284":484},{"_275":479,"_277":480,"_279":462,"_281":481},142.5,111.75000000000001,96.75000000000001,{"_286":224,"_123":485,"_154":486,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":510,"_312":511},{"_310":508,"_312":509},{"_310":506,"_312":507},{"_310":504,"_312":505},{"_310":502,"_312":503},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","landscape-with-saint-john-on-patmos-aic-5848","Landscape with Saint John on Patmos",{"_42":512,"_221":513,"_324":514,"_326":327,"_328":515,"_330":516,"_332":517,"_334":335,"_336":518,"_140":93},"1640","100.3 × 136.4 cm (39 1/2 × 53 5/8 in.); Framed: 128.3 × 164.5 × 12.1 cm (50 1/2 × 64 3/4 × 4 3/4 in.)",136,100,1.3513753327417923,[554,555,556,557,558],{"_220":550,"_221":551,"_42":552,"_303":553},"Courtesy of the Art Institute of Chicago","1930.500","Nicolas Poussin painted this in 1640, aged 46. It is now at the Art Institute of Chicago.","Saint John the Evangelist, robed in red and yellow, sits with his book among the ruins of classical buildings on the island of Patmos, where he received the visions of the Book of Revelation, and an ordered landscape stretches away under a calm sky.","Painting of Greek landscape, classical architecture, yellow, red robed man reading.",{"_294":547,"_296":548,"_298":549},"https://img.ochreeditions.com/m/11.jpg?dl=1","/art/landscape-with-saint-john-on-patmos-aic-5848","/galleries/style/french-classicism/landscape-with-saint-john-on-patmos-aic-5848",{"_290":291,"_292":293},{"_224":544,"_125":545,"_284":546},{"_275":541,"_277":542,"_279":524,"_281":543},151,115.63821405121472,100.63821405121472,{"_286":224,"_123":485,"_154":486,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/11/480.jpg","https://img.ochreeditions.com/a/11/960.jpg","https://img.ochreeditions.com/a/11/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":567,"_312":568},{"_310":565,"_312":566},{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},"#83766a",0.1037,"#73533b",0.1416,"#8da7b8",0.1566,"#2a2716",0.2939,"#4b3a26",0.3042,"saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":617,"_221":618,"_324":619,"_326":327,"_328":620,"_330":621,"_332":622,"_334":623,"_336":-5,"_140":101},"1645","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[602,603,604,605,606],{"_220":493,"_221":494,"_42":495,"_303":496},"1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":601,"_491":492},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_294":598,"_296":599,"_298":600},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_290":291,"_292":293},{"_224":593,"_125":594,"_284":595},{"_275":590,"_277":591,"_279":592,"_281":575},107.84294117647059,129,92.84294117647059,{"_286":224,"_123":596,"_154":597,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.",{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},{"_310":609,"_312":610},{"_310":607,"_312":608},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","the-abduction-of-the-sabine-women-met-437329","The Abduction of the Sabine Women",{"_42":512,"_221":513,"_324":514,"_326":327,"_328":515,"_330":516,"_332":517,"_334":335,"_336":518,"_140":93},"probably 1633–34","60 7/8 x 82 5/8 in. (154.6 x 209.9 cm)",209.9,154.6,1.3454423141607803,[654,655,656,657,658],{"_220":300,"_221":301,"_42":302,"_303":304},"46.160","Nicolas Poussin painted this (probably 1633–34), aged about 39. It is now at The Met in New York.","On a signal from Romulus, who stands on a raised platform at the left lifting his cloak, Roman soldiers seize the Sabine women who had come to the new city for a festival, to provide wives for Rome’s first citizens.","The Abduction of the Sabine Women, by Nicolas Poussin, probably 1633–34",{"_294":651,"_296":652,"_298":653},"https://img.ochreeditions.com/m/1138.jpg?dl=1","/art/the-abduction-of-the-sabine-women-met-437329","/galleries/style/french-classicism/the-abduction-of-the-sabine-women-met-437329",{"_290":291,"_292":293},{"_224":648,"_125":649,"_284":650},{"_275":645,"_277":646,"_279":629,"_281":647},224.9,171.00817500000002,156.00817500000002,{"_286":224,"_123":485,"_154":486,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1138/480.jpg","https://img.ochreeditions.com/a/1138/960.jpg","https://img.ochreeditions.com/a/1138/1920.jpg",{"_310":667,"_312":668},{"_310":665,"_312":666},{"_310":663,"_312":664},{"_310":661,"_312":662},{"_310":659,"_312":660},"#51585e",0.0947,"#6a3f27",0.1445,"#76624e",0.1523,"#241f1b",0.1654,"#4f3b2b",0.4431,"the-wise-and-foolish-virgins-plate-five-aic-23553","The Wise and Foolish Virgins, plate five",{"_42":716,"_221":717,"_324":718,"_326":327,"_328":719,"_330":720,"_332":-5,"_334":-5,"_336":-5,"_140":101},"1635","Engraving and etching on ivory laid paper","Image: 21.8 × 32 cm (8 5/8 × 12 5/8 in.); Sheet: 42.2 × 32 cm (16 5/8 × 12 5/8 in.)",32,21,1.275486381322957,[701,702,703,704,705],{"_220":550,"_221":551,"_42":552,"_303":553},"1937.138","Abraham Bosse made this in 1635, aged 33. It is now at the Art Institute of Chicago.","A work made of engraving and etching on ivory laid paper.",{"_294":698,"_296":699,"_298":700},"https://img.ochreeditions.com/m/98.jpg?dl=1","/art/the-wise-and-foolish-virgins-plate-five-aic-23553","/galleries/style/french-classicism/the-wise-and-foolish-virgins-plate-five-aic-23553",{"_290":426,"_292":427},{"_224":693,"_125":694,"_284":695},{"_275":690,"_277":691,"_279":675,"_281":692},56,49.08846857840147,25.088468578401468,{"_286":224,"_123":696,"_154":697,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-abraham-bosse","Abraham Bosse's contemporaries","https://img.ochreeditions.com/a/98/480.jpg","https://img.ochreeditions.com/a/98/960.jpg","https://img.ochreeditions.com/a/98/1920.jpg",{"_310":714,"_312":715},{"_310":712,"_312":713},{"_310":710,"_312":711},{"_310":708,"_312":709},{"_310":706,"_312":707},"#c3bbae",0.0644,"#7d766a",0.1275,"#4d4a41",0.1931,"#20201c",0.2034,"#e6ded2",0.4116,"Abraham Bosse","abraham-bosse","French, 1602–1676",1602,1676,"pendant-nga-9225","Pendant",{"_42":765,"_221":766,"_324":767,"_326":327,"_328":768,"_330":769,"_332":-5,"_334":-5,"_336":-5,"_140":101},"engraving",0.706787109375,[750,751,752,753,754],{"_220":431,"_221":432,"_42":433,"_303":434},"1943.3.6431","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters \"A,\" \"F,\" \"D,\" \"H,\" and another \"H\" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.",{"_294":747,"_296":748,"_298":749},"https://img.ochreeditions.com/m/1351.jpg?dl=1","/art/pendant-nga-9225","/galleries/style/french-classicism/pendant-nga-9225",{"_290":426,"_292":427},{"_224":742,"_125":743,"_284":744},{"_275":738,"_277":739,"_279":740,"_281":741},66.4072265625,84,42.4072265625,60,{"_286":224,"_123":745,"_154":746,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1351/480.jpg","https://img.ochreeditions.com/a/1351/960.jpg","https://img.ochreeditions.com/a/1351/1920.jpg",{"_310":763,"_312":764},{"_310":761,"_312":762},{"_310":759,"_312":760},{"_310":757,"_312":758},{"_310":755,"_312":756},"#817467",0.034,"#a19482",0.1083,"#d5c8b4",0.1274,"#b8ab98",0.1753,"#ede4d0",0.555,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"blind-orion-searching-for-the-rising-sun-met-437326","Blind Orion Searching for the Rising Sun",{"_42":512,"_221":513,"_324":514,"_326":327,"_328":515,"_330":516,"_332":517,"_334":335,"_336":518,"_140":93},"1658","46 7/8 x 72 in. (119.1 x 182.9 cm)",182.9,119.1,1.5303474257011302,[800,801,802,803,804],{"_220":300,"_221":301,"_42":302,"_303":304},"24.45.1","Nicolas Poussin painted this in 1658, aged 64. It is now at The Met in New York.","The blind giant Orion strides through a vast landscape towards the rising sun, which according to myth will restore his sight, guided by Cedalion, who stands on his shoulders, while Vulcan points the way from below and the goddess Diana watches from a cloud.","Blind Orion Searching for the Rising Sun, by Nicolas Poussin, 1658",{"_294":797,"_296":798,"_298":799},"https://img.ochreeditions.com/m/1137.jpg?dl=1","/art/blind-orion-searching-for-the-rising-sun-met-437326","/galleries/style/french-classicism/blind-orion-searching-for-the-rising-sun-met-437326",{"_290":291,"_292":293},{"_224":794,"_125":795,"_284":796},{"_275":791,"_277":792,"_279":775,"_281":793},197.9,134.51534463894967,119.51534463894967,{"_286":224,"_123":485,"_154":486,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1137/480.jpg","https://img.ochreeditions.com/a/1137/960.jpg","https://img.ochreeditions.com/a/1137/1920.jpg",{"_310":813,"_312":814},{"_310":811,"_312":812},{"_310":809,"_312":810},{"_310":807,"_312":808},{"_310":805,"_312":806},"#7088a3",0.0737,"#7b7c7a",0.0796,"#534d3d",0.1347,"#211e15",0.3512,"#3b3221",0.3608,"the-four-seasons-autumn-cma-106811","The Four Seasons: Autumn",{"_42":716,"_221":717,"_324":718,"_326":327,"_328":719,"_330":720,"_332":-5,"_334":-5,"_336":-5,"_140":101},"engraving and etching","Sheet: 26.1 x 32 cm (10 1/4 x 12 5/8 in.)",26.1,1.2239020878329734,[844,845,846,847,848],{"_220":493,"_221":494,"_42":495,"_303":496},"1924.830.3","Abraham Bosse made this in 1635, aged 33. It is now at the Cleveland Museum of Art.",{"_118":843,"_491":492},"The Four Seasons: Autumn, by Abraham Bosse, 1635",{"_294":840,"_296":841,"_298":842},"https://img.ochreeditions.com/m/513.jpg?dl=1","/art/the-four-seasons-autumn-cma-106811","/galleries/style/french-classicism/the-four-seasons-autumn-cma-106811",{"_290":426,"_292":427},{"_224":837,"_125":838,"_284":839},{"_275":690,"_277":835,"_279":675,"_281":836},50.14588235294117,26.145882352941175,{"_286":224,"_123":696,"_154":697,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/513/480.jpg","https://img.ochreeditions.com/a/513/960.jpg","https://img.ochreeditions.com/a/513/1920.jpg","Depictions of the four seasons in the early modern period often emphasized timeless agrarian seasonal activities. In this image of autumn, however, Abraham Bosse portrayed instead a group of middle-class people in contemporary costume.",{"_310":857,"_312":858},{"_310":855,"_312":856},{"_310":853,"_312":854},{"_310":851,"_312":852},{"_310":849,"_312":850},"#c1bdb2",0.1671,"#54514d",0.1872,"#6f6b65",0.2037,"#8b877e",0.2055,"#a6a297",0.2365,"the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":512,"_221":513,"_324":514,"_326":327,"_328":515,"_330":516,"_332":517,"_334":335,"_336":518,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[890,891,892,893,894],{"_220":493,"_221":494,"_42":495,"_303":496},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":889,"_491":492},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_294":886,"_296":887,"_298":888},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_290":291,"_292":293},{"_224":883,"_125":884,"_284":885},{"_275":880,"_277":881,"_279":864,"_281":882},120.8,87.59747058823528,72.59747058823528,{"_286":224,"_123":485,"_154":486,"_140":93},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_310":903,"_312":904},{"_310":901,"_312":902},{"_310":899,"_312":900},{"_310":897,"_312":898},{"_310":895,"_312":896},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"perseus-and-the-origin-of-coral-met-459190","Perseus and the Origin of Coral",{"_42":957,"_221":958,"_324":959,"_326":327,"_328":960,"_330":961,"_332":962,"_334":335,"_336":963,"_140":99},"ca. 1671","drawing","Drawings","Black chalk, sepia and black ink, sepia and gray wash heightened with white","10 x 12 13/16 in. (25.4 x 32.5 cm)",32.5,25.4,1.2723418134377038,[942,943,944,945,946],{"_220":300,"_221":301,"_42":302,"_303":304},"1975.1.661","Claude Lorrain (Claude Gellée) drew this in about 1671, aged about 64. It is now at The Met in New York.","Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671",{"_294":939,"_296":940,"_298":941},"https://img.ochreeditions.com/m/1269.jpg?dl=1","/art/perseus-and-the-origin-of-coral-met-459190","/galleries/style/french-classicism/perseus-and-the-origin-of-coral-met-459190",{"_290":426,"_292":427},{"_224":931,"_125":932,"_284":933},{"_275":928,"_277":929,"_279":913,"_281":930},56.5,49.54345039733401,25.543450397334016,{"_286":224,"_123":937,"_154":938,"_140":99},{"_286":125,"_123":934,"_154":935,"_140":936},{"_286":284,"_123":167,"_154":166,"_140":169},"style/drawing-17","More drawings of the 17th century",23,"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1269/480.jpg","https://img.ochreeditions.com/a/1269/960.jpg","https://img.ochreeditions.com/a/1269/1920.jpg",{"_310":955,"_312":956},{"_310":953,"_312":954},{"_310":951,"_312":952},{"_310":949,"_312":950},{"_310":947,"_312":948},"#806752",0.1128,"#a0846a",0.1806,"#bca184",0.2288,"#d3bca0",0.2334,"#ead9be",0.2444,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","a-rocky-pond-nga-127566","A Rocky Pond",{"_42":1008,"_221":1009,"_324":1010,"_326":327,"_328":1011,"_330":1012,"_332":-5,"_334":-5,"_336":-5,"_140":101},"sheet (cut within platemark): 10.2 x 15.6 cm (4 x 6 1/8 in.)",15.6,10.2,1.5550493545937738,[993,994,995,996,997],{"_220":431,"_221":432,"_42":433,"_303":434},"2002.157.46","Laurent de La Hyre made this in 1640, aged 34. It is now at the National Gallery of Art in Washington, DC.","The image is a landscape view with a natural scene depicted in fine etching. The horizon is situated towards the middle of the composition, where the land gently rises, and a subtle outline of distant hills is visible. Large rocks and foliage are depicted close to us, with a lone, barren tree extending upwards on the left side. The etching features intricate and well-defined brushstrokes, including thin lines and cross-hatching to create texture and depth. The color palette is monochromatic, with dark tones against a lighter background. In the distance, additional clusters of trees can be seen, rendered with similar linework to convey movement and detail.",{"_294":990,"_296":991,"_298":992},"https://img.ochreeditions.com/m/1653.jpg?dl=1","/art/a-rocky-pond-nga-127566","/galleries/style/french-classicism/a-rocky-pond-nga-127566",{"_290":426,"_292":427},{"_224":985,"_125":986,"_284":987},{"_275":414,"_277":983,"_279":416,"_281":984},40.07666015625,16.07666015625,{"_286":224,"_123":988,"_154":989,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"artist/contemporaries-of-laurent-de-la-hyre","Laurent de La Hyre's contemporaries","https://img.ochreeditions.com/a/1653/480.jpg","https://img.ochreeditions.com/a/1653/960.jpg","https://img.ochreeditions.com/a/1653/1920.jpg",{"_310":1006,"_312":1007},{"_310":1004,"_312":1005},{"_310":1002,"_312":1003},{"_310":1000,"_312":1001},{"_310":998,"_312":999},"#b29f85",0.1715,"#6c5f52",0.1776,"#d7c3a5",0.1787,"#8e7d69",0.2142,"#f3e2c5",0.258,"Laurent de La Hyre","laurent-de-la-hyre","French, 1606–1656",1606,1656,"the-fortune-teller-met-436838","The Fortune-Teller",{"_42":617,"_221":618,"_324":619,"_326":327,"_328":620,"_330":621,"_332":622,"_334":623,"_336":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[1042,1043,1044,1045,1046],{"_220":300,"_221":301,"_42":302,"_303":304},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_294":1039,"_296":1040,"_298":1041},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_290":291,"_292":293},{"_224":1036,"_125":1037,"_284":1038},{"_275":1033,"_277":1034,"_279":1018,"_281":1035},138.5,117.12858942065492,102.12858942065492,{"_286":224,"_123":596,"_154":597,"_140":89},{"_286":125,"_123":287,"_154":288,"_140":289},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_310":1055,"_312":1056},{"_310":1053,"_312":1054},{"_310":1051,"_312":1052},{"_310":1049,"_312":1050},{"_310":1047,"_312":1048},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,"the-four-evangelists-nga-9227","The Four Evangelists",{"_42":765,"_221":766,"_324":767,"_326":327,"_328":768,"_330":769,"_332":-5,"_334":-5,"_336":-5,"_140":101},0.569091796875,[1080,1081,1082,1083,1084],{"_220":431,"_221":432,"_42":433,"_303":434},"1943.3.6433","The image shows four elderly men around a table. They have long hair and beards, and appear focused as they write or take notes on tablets. They wear classical robes and sit in different postures, engaged in writing or possibly calculating. Two hold writing implements and tablets, while a third holds a scroll. Above them, a seated figure with wings is present. Light rays emanate from a dove at the top, highlighting a celestial influence. An eagle is perched nearby. Architectural elements like columns and arches are in the background. A lion's head is under the table.",{"_294":1077,"_296":1078,"_298":1079},"https://img.ochreeditions.com/m/1352.jpg?dl=1","/art/the-four-evangelists-nga-9227","/galleries/style/french-classicism/the-four-evangelists-nga-9227",{"_290":426,"_292":427},{"_224":1074,"_125":1075,"_284":1076},{"_275":1072,"_277":739,"_279":1073,"_281":741},58.1455078125,34.1455078125,{"_286":224,"_123":745,"_154":746,"_140":89},{"_286":125,"_123":421,"_154":422,"_140":423},{"_286":284,"_123":167,"_154":166,"_140":169},"https://img.ochreeditions.com/a/1352/480.jpg","https://img.ochreeditions.com/a/1352/960.jpg","https://img.ochreeditions.com/a/1352/1920.jpg",{"_310":1093,"_312":1094},{"_310":1091,"_312":1092},{"_310":1089,"_312":1090},{"_310":1087,"_312":1088},{"_310":1085,"_312":1086},"#6f6256",0.1024,"#968673",0.1315,"#eadabf",0.1875,"#b8a78f",0.2595,"#d0bfa4",0.3191,{"_1096":-5,"_1097":1098,"_1099":1100,"_1101":8,"_1102":1103,"_1104":8},"user","csrf","0a20a457278cf11540e40f96554a3a02ea87e983","cartCount",0,"dropLive","legal",[1105,1106,1107,1108,1109,1110,1111,1112,1113,1114,1115,1116],"uploadsEnabled",{"_221":1139,"_20":1140},{"_221":1137,"_20":1138},{"_221":1135,"_20":1136},{"_221":1133,"_20":1134},{"_221":1131,"_20":1132},{"_221":1129,"_20":1130},{"_221":1127,"_20":1128},{"_221":1125,"_20":1126},{"_221":1123,"_20":1124},{"_221":1121,"_20":1122},{"_221":1119,"_20":1120},{"_221":1117,"_20":1118},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]