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It is now at the Cleveland Museum of Art.",{"_118":438,"_439":440},"Samson, by Valentin de Boulogne, 1630–31",{"_295":435,"_297":436,"_299":437},"https://img.ochreeditions.com/m/681.jpg?dl=1","/art/samson-cma-147020","/galleries/style/french-classicism/samson-cma-147020",{"_291":371,"_293":372},{"_226":430,"_125":431,"_286":432},{"_276":427,"_278":428,"_280":429,"_282":411},117.89647058823529,150.6,102.89647058823529,{"_288":226,"_123":433,"_154":434,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","https://img.ochreeditions.com/a/681/480.jpg","https://img.ochreeditions.com/a/681/960.jpg","https://img.ochreeditions.com/a/681/1920.jpg","The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey’s jawbone.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_311":458,"_313":459},{"_311":456,"_313":457},{"_311":454,"_313":455},{"_311":452,"_313":453},{"_311":450,"_313":451},"#a4724c",0.051,"#653f23",0.0593,"#69271e",0.2309,"#381e14",0.2379,"#130f0c",0.4209,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","the-jabach-family-met-626692","The Jabach Family",{"_42":513,"_223":514,"_325":515,"_327":328,"_329":516,"_330":517,"_332":518,"_333":518,"_334":-5,"_140":103},"ca. 1660","110 1/4 × 129 1/8 in. (280 × 328 cm)",328,280,1.1773709483793517,[498,499,500,501,502],{"_222":376,"_223":377,"_42":378,"_304":379},"2014.250","Charles Le Brun painted this in about 1660, aged about 36. It is now at The Met in New York.","The Jabach Family, by Charles Le Brun, ca. 1660",{"_295":495,"_297":496,"_299":497},"https://img.ochreeditions.com/m/1274.jpg?dl=1","/art/the-jabach-family-met-626692","/galleries/style/french-classicism/the-jabach-family-met-626692",{"_291":371,"_293":372},{"_226":490,"_125":491,"_286":492},{"_276":486,"_278":487,"_280":488,"_282":489},255,218.8439969411165,240,203.8439969411165,{"_288":226,"_123":493,"_154":494,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-le-brun","Charles Le Brun's contemporaries","https://img.ochreeditions.com/a/1274/480.jpg","https://img.ochreeditions.com/a/1274/960.jpg","https://img.ochreeditions.com/a/1274/1920.jpg",{"_311":511,"_313":512},{"_311":509,"_313":510},{"_311":507,"_313":508},{"_311":505,"_313":506},{"_311":503,"_313":504},"#8f7662",0.0385,"#613923",0.0917,"#564635",0.1033,"#362b20",0.2567,"#211c17",0.5098,"Charles Le Brun","charles-le-brun","French, 1619–1690",1619,1690,"Paris","peasant-couple-with-cow-nga-51518","Peasant Couple with Cow",{"_42":575,"_223":576,"_325":577,"_327":328,"_329":578,"_330":579,"_332":-5,"_333":-5,"_334":-5,"_140":101},"c. 1621","print","Print","etching on laid paper","plate: 8.4 × 8.5 cm (3 5/16 × 3 3/8 in.) sheet: 9.7 × 9.5 cm (3 13/16 × 3 3/4 in.)",8.5,8.4,1.0267741935483872,[560,561,562,563,564],{"_222":556,"_223":557,"_42":558,"_304":559},"Courtesy National Gallery of Art, Washington","1969.15.365","Jacques Callot made this in about 1621, aged 29. It is now at the National Gallery of Art in Washington, DC.","The image has an elevated perspective showing two figures with animals in the scene. One person is leaning against a tree with a stick, while the other is seated on the ground. A cow is between them and other livestock in the middle distance. A person in the distance is tending to the animals. The horizon is low in the image, hidden by rolling hills. The artwork is in monochrome with fine linework, creating texture through hatching and cross-hatching, emphasizing depth and dimensionality.",{"_295":553,"_297":554,"_299":555},"https://img.ochreeditions.com/m/1543.jpg?dl=1","/art/peasant-couple-with-cow-nga-51518","/galleries/style/french-classicism/peasant-couple-with-cow-nga-51518",{"_291":292,"_293":294},{"_226":545,"_125":546,"_286":547},{"_276":277,"_278":543,"_280":281,"_282":544},48.34809927741125,24.348099277411247,{"_288":226,"_123":551,"_154":552,"_140":89},{"_288":125,"_123":548,"_154":549,"_140":550},{"_288":286,"_123":166,"_154":165,"_140":168},"style/print-17","More prints of the 17th century",55,"artist/contemporaries-of-jacques-callot","Jacques Callot's contemporaries","https://img.ochreeditions.com/a/1543/480.jpg","https://img.ochreeditions.com/a/1543/960.jpg","https://img.ochreeditions.com/a/1543/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_311":573,"_313":574},{"_311":571,"_313":572},{"_311":569,"_313":570},{"_311":567,"_313":568},{"_311":565,"_313":566},"#6b6156",0.1207,"#cdc1ab",0.1797,"#a99d8a",0.1893,"#8a7f6f",0.1973,"#ebdfc8",0.313,"Jacques Callot","jacques-callot","French, 1592–1635",1592,1635,"meekness-aic-47159","Meekness",{"_42":627,"_223":628,"_325":629,"_327":328,"_329":630,"_330":631,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1650","Oil on panel","100.7 × 67 cm (39 7/8 × 26 3/8 in.); Framed: 111.8 × 78.2 × 7.7 cm (44 × 30 3/4 × 3 in.)",67,100,0.6223633232888506,[612,613,614,615,616],{"_222":301,"_223":302,"_42":303,"_304":305},"1974.233","Eustache Le Sueur painted this in 1650, aged 34. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_295":609,"_297":610,"_299":611},"https://img.ochreeditions.com/m/152.jpg?dl=1","/art/meekness-aic-47159","/galleries/style/french-classicism/meekness-aic-47159",{"_291":371,"_293":372},{"_226":604,"_125":605,"_286":606},{"_276":601,"_278":602,"_280":603,"_282":587},77.23633232888506,115,62.236332328885055,{"_288":226,"_123":607,"_154":608,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eustache-le-sueur","Eustache Le Sueur's contemporaries","https://img.ochreeditions.com/a/152/480.jpg","https://img.ochreeditions.com/a/152/960.jpg","https://img.ochreeditions.com/a/152/1920.jpg",{"_311":625,"_313":626},{"_311":623,"_313":624},{"_311":621,"_313":622},{"_311":619,"_313":620},{"_311":617,"_313":618},"#a6847a",0.0449,"#7f5313",0.098,"#53331a",0.1102,"#897952",0.159,"#c3972f",0.5879,"Eustache Le Sueur","eustache-le-sueur","French, 1616–1655",1616,1655,"the-fortune-teller-met-436838","The Fortune-Teller",{"_42":678,"_223":679,"_325":680,"_327":328,"_329":681,"_330":682,"_332":683,"_333":684,"_334":-5,"_140":101},"probably 1630s","40 1/8 x 48 5/8 in. (101.9 x 123.5 cm)",123.5,101.9,1.209259823332318,[663,664,665,666,667],{"_222":376,"_223":377,"_42":378,"_304":379},"60.30","Georges de La Tour painted this (probably 1630s), aged about 37. It is now at The Met in New York.","The Fortune-Teller, by Georges de La Tour, probably 1630s",{"_295":660,"_297":661,"_299":662},"https://img.ochreeditions.com/m/1111.jpg?dl=1","/art/the-fortune-teller-met-436838","/galleries/style/french-classicism/the-fortune-teller-met-436838",{"_291":371,"_293":372},{"_226":655,"_125":656,"_286":657},{"_276":652,"_278":653,"_280":637,"_282":654},138.5,117.12858942065492,102.12858942065492,{"_288":226,"_123":658,"_154":659,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/1111/480.jpg","https://img.ochreeditions.com/a/1111/960.jpg","https://img.ochreeditions.com/a/1111/1920.jpg",{"_311":676,"_313":677},{"_311":674,"_313":675},{"_311":672,"_313":673},{"_311":670,"_313":671},{"_311":668,"_313":669},"#988a6d",0.0843,"#733019",0.1271,"#34271a",0.1689,"#755b3c",0.2562,"#543720",0.3635,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":395,"_223":396,"_325":397,"_327":328,"_329":398,"_330":399,"_332":400,"_333":401,"_334":402,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[716,717,718,719,720],{"_222":441,"_223":442,"_42":443,"_304":444},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":715,"_439":440},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_295":712,"_297":713,"_299":714},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_291":371,"_293":372},{"_226":709,"_125":710,"_286":711},{"_276":706,"_278":707,"_280":690,"_282":708},120.8,87.59747058823528,72.59747058823528,{"_288":226,"_123":369,"_154":370,"_140":93},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_311":729,"_313":730},{"_311":727,"_313":728},{"_311":725,"_313":726},{"_311":723,"_313":724},{"_311":721,"_313":722},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"edge-of-a-wood-with-peasants-going-to-market-nga-61210","Edge of a Wood with Peasants Going to Market",{"_42":780,"_223":781,"_325":782,"_327":328,"_329":783,"_330":784,"_332":-5,"_333":-5,"_334":-5,"_140":101},"etching",1.463902787705504,[765,766,767,768,769],{"_222":556,"_223":557,"_42":558,"_304":559},"1982.51.1","Jean Morin made this. It is now at the National Gallery of Art in Washington, DC.","The image shows an etching of a rural landscape with trees obscuring the horizon. In the distance, there is a cart on a winding path with a person walking beside it. Closer to the viewer, there is a person with a child under a tree, accompanied by a small dog. The artwork features fine and detailed brushwork with cross-hatching for texture and shadows. The color scheme is monochromatic in muted browns, emphasizing details and creating a peaceful scene under soft light filtered through the trees. The trees form a canopy framing the serene setting.",{"_295":762,"_297":763,"_299":764},"https://img.ochreeditions.com/m/1601.jpg?dl=1","/art/edge-of-a-wood-with-peasants-going-to-market-nga-61210","/galleries/style/french-classicism/edge-of-a-wood-with-peasants-going-to-market-nga-61210",{"_291":292,"_293":294},{"_226":752,"_125":753,"_286":754},{"_276":748,"_278":749,"_280":750,"_282":751},84,64.986328125,60,40.986328125,{"_288":226,"_123":760,"_154":761,"_140":89},{"_288":125,"_123":757,"_154":758,"_140":759},{"_288":286,"_123":755,"_154":756,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jean-morin","Jean Morin's contemporaries","https://img.ochreeditions.com/a/1601/480.jpg","https://img.ochreeditions.com/a/1601/960.jpg","https://img.ochreeditions.com/a/1601/1920.jpg",{"_311":778,"_313":779},{"_311":776,"_313":777},{"_311":774,"_313":775},{"_311":772,"_313":773},{"_311":770,"_313":771},"#d5c1a3",0.1531,"#8d7c68",0.1808,"#ad9a80",0.1832,"#706355",0.2177,"#564c44",0.2652,"Jean Morin","jean-morin","French, c. 1600–1650",1600,1650,"perseus-and-the-origin-of-coral-met-459190","Perseus and the Origin of Coral",{"_42":837,"_223":838,"_325":839,"_327":328,"_329":840,"_330":841,"_332":842,"_333":401,"_334":843,"_140":99},"ca. 1671","drawing","Drawings","Black chalk, sepia and black ink, sepia and gray wash heightened with white","10 x 12 13/16 in. (25.4 x 32.5 cm)",32.5,25.4,1.2723418134377038,[822,823,824,825,826],{"_222":376,"_223":377,"_42":378,"_304":379},"1975.1.661","Claude Lorrain (Claude Gellée) drew this in about 1671, aged about 64. It is now at The Met in New York.","Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671",{"_295":819,"_297":820,"_299":821},"https://img.ochreeditions.com/m/1269.jpg?dl=1","/art/perseus-and-the-origin-of-coral-met-459190","/galleries/style/french-classicism/perseus-and-the-origin-of-coral-met-459190",{"_291":292,"_293":294},{"_226":811,"_125":812,"_286":813},{"_276":808,"_278":809,"_280":793,"_282":810},56.5,49.54345039733401,25.543450397334016,{"_288":226,"_123":817,"_154":818,"_140":99},{"_288":125,"_123":814,"_154":815,"_140":816},{"_288":286,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1269/480.jpg","https://img.ochreeditions.com/a/1269/960.jpg","https://img.ochreeditions.com/a/1269/1920.jpg",{"_311":835,"_313":836},{"_311":833,"_313":834},{"_311":831,"_313":832},{"_311":829,"_313":830},{"_311":827,"_313":828},"#806752",0.1128,"#a0846a",0.1806,"#bca184",0.2288,"#d3bca0",0.2334,"#ead9be",0.2444,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","pendant-nga-9225","Pendant",{"_42":886,"_223":887,"_325":888,"_327":328,"_329":889,"_330":890,"_332":-5,"_333":-5,"_334":-5,"_140":101},"engraving",0.706787109375,[871,872,873,874,875],{"_222":556,"_223":557,"_42":558,"_304":559},"1943.3.6431","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters \"A,\" \"F,\" \"D,\" \"H,\" and another \"H\" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.",{"_295":868,"_297":869,"_299":870},"https://img.ochreeditions.com/m/1351.jpg?dl=1","/art/pendant-nga-9225","/galleries/style/french-classicism/pendant-nga-9225",{"_291":292,"_293":294},{"_226":863,"_125":864,"_286":865},{"_276":861,"_278":748,"_280":862,"_282":750},66.4072265625,42.4072265625,{"_288":226,"_123":866,"_154":867,"_140":89},{"_288":125,"_123":548,"_154":549,"_140":550},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1351/480.jpg","https://img.ochreeditions.com/a/1351/960.jpg","https://img.ochreeditions.com/a/1351/1920.jpg",{"_311":884,"_313":885},{"_311":882,"_313":883},{"_311":880,"_313":881},{"_311":878,"_313":879},{"_311":876,"_313":877},"#817467",0.034,"#a19482",0.1083,"#d5c8b4",0.1274,"#b8ab98",0.1753,"#ede4d0",0.555,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"landscape-with-peasants-nga-32689","Landscape with Peasants",{"_42":937,"_223":938,"_325":939,"_327":328,"_329":783,"_330":940,"_332":-5,"_333":-5,"_334":-5,"_140":103},"c. 1640","overall: 46.5 x 57 cm (18 5/16 x 22 7/16 in.) framed: 71.1 x 81.9 x 10.2 cm (28 x 32 1/4 x 4 in.)",57,46.5,1.234850768766958,[922,923,924,925,926],{"_222":556,"_223":557,"_42":558,"_304":559},"1946.7.11","Louis Le Nain painted this in about 1640, aged 40. It is now at the National Gallery of Art in Washington, DC.","An elderly woman sits on a small stool and four children stand along the foreground of a landscape with rolling, olive-green fields leading back to low, slate-gray mountains in this nearly square painting. The horizon comes about halfway up the painting, and the sky above is filled with a sheet of steel-gray clouds that break to reveal patches of ice-blue sky. Closest to us and along the left edge of the painting, the woman sits near a structure with a fragment of wall and a column that could be made from tan-colored stone. The woman faces our right in profile and looks at or toward three children gathered on a low hill to our right. Her lined face is partially cast in shadow by her white bonnet, but her skin is yellowed where the light falls across the side closer to us. A wide, white collar lies over the shoulders of her muted, plum-purple jacket, which is tied with a narrow red belt. Her hands rest in the lap of her full, moss-green skirt that falls to her feet and covers most of the stool. To our right, two boys and a little girl stand on a low hill. They all stand with their bodies angled to our right, and all have pale skin and brown hair. To our left in the trio, the young girl wears a royal-blue dress with brick-red, long sleeves and a wide, white collar, cuffs, and cap. Next to her, a slightly older boy wearing gray knee-britches, a honey-orange jacket with a white collar, and a blue tricorn hat looks down and plays a thin pipe. His jacket is torn at the elbows, revealing a red shirt beneath. To our right, the oldest boy wears a brown cloak over a gray jacket, tan trousers, and a tan brimmed hat. He holds his right arm, closer to us, across his chest as he touches an instrument nestled in the crook of his other elbow. Another bareheaded boy wearing a red shirt and blue trousers walks beyond this trio, holding a short pole over one shoulder and a brimmed hat in his other hand. He walks to our left and looks to the horizon. More people with sheep, cows, and a person on horseback dot the rolling fields that stretch back to low hills. One house sits next to a line of trees to the left of center, in the middle distance, and more buildings, including a church spire, cluster on the horizon to our right.",{"_295":919,"_297":920,"_299":921},"https://img.ochreeditions.com/m/1483.jpg?dl=1","/art/landscape-with-peasants-nga-32689","/galleries/style/french-classicism/landscape-with-peasants-nga-32689",{"_291":371,"_293":372},{"_226":914,"_125":915,"_286":916},{"_276":911,"_278":912,"_280":896,"_282":913},72,61.159423828125,46.159423828125,{"_288":226,"_123":917,"_154":918,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-louis-le-nain","Louis Le Nain's contemporaries","https://img.ochreeditions.com/a/1483/480.jpg","https://img.ochreeditions.com/a/1483/960.jpg","https://img.ochreeditions.com/a/1483/1920.jpg",{"_311":935,"_313":936},{"_311":933,"_313":934},{"_311":931,"_313":932},{"_311":929,"_313":930},{"_311":927,"_313":928},"#373024",0.1241,"#a09f82",0.1412,"#706341",0.1776,"#757461",0.2413,"#564a34",0.3158,"Louis Le Nain","louis-le-nain","French, c. 1600/1603–1648",1648,"portrait-of-charlotte-duchesne-met-336461","Portrait of Charlotte Duchesne",{"_42":987,"_223":988,"_325":989,"_327":328,"_329":205,"_330":990,"_332":991,"_333":518,"_334":-5,"_140":103},"ca. 1628","Black chalk, heightened with white, with touches of red chalk","8 11/16 x 7 11/16 in. (22 x 19.6 cm.)",19.6,22,0.8598433702403456,[972,973,974,975,976],{"_222":376,"_223":377,"_42":378,"_304":379},"1994.7","Philippe de Champaigne drew this in about 1628, aged 26. It is now at The Met in New York.","Portrait of Charlotte Duchesne, by Philippe de Champaigne, ca. 1628",{"_295":969,"_297":970,"_299":971},"https://img.ochreeditions.com/m/1006.jpg?dl=1","/art/portrait-of-charlotte-duchesne-met-336461","/galleries/style/french-classicism/portrait-of-charlotte-duchesne-met-336461",{"_291":292,"_293":294},{"_226":964,"_125":965,"_286":966},{"_276":962,"_278":277,"_280":963,"_282":281},45.49608425600864,21.49608425600864,{"_288":226,"_123":967,"_154":968,"_140":89},{"_288":125,"_123":814,"_154":815,"_140":816},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-philippe-de-champaigne","Philippe de Champaigne's contemporaries","https://img.ochreeditions.com/a/1006/480.jpg","https://img.ochreeditions.com/a/1006/960.jpg","https://img.ochreeditions.com/a/1006/1920.jpg",{"_311":985,"_313":986},{"_311":983,"_313":984},{"_311":981,"_313":982},{"_311":979,"_313":980},{"_311":977,"_313":978},"#dfddd9",0.0707,"#7f6f5a",0.0798,"#9b876c",0.1045,"#b59e7f",0.1872,"#c6ad8b",0.5578,"Philippe de Champaigne","philippe-de-champaigne","French, 1602–1674",1674,"Brussels","hilly-landscape-with-travelers-on-foot-nga-61211","Hilly Landscape with Travelers on Foot",{"_42":780,"_223":781,"_325":782,"_327":328,"_329":783,"_330":784,"_332":-5,"_333":-5,"_334":-5,"_140":101},0.73388671875,[1015,1016,1017,1018,1019],{"_222":556,"_223":557,"_42":558,"_304":559},"1982.51.2","The image depicts a landscape viewed from a slightly elevated angle. On the left side, there is a large tree with a twisted trunk and dense foliage. A winding path can be seen with a figure walking with a dog. In the distance, a river winds through the land, and there are rolling hills and trees in the background. The color scheme is sepia-toned.",{"_295":1012,"_297":1013,"_299":1014},"https://img.ochreeditions.com/m/1602.jpg?dl=1","/art/hilly-landscape-with-travelers-on-foot-nga-61211","/galleries/style/french-classicism/hilly-landscape-with-travelers-on-foot-nga-61211",{"_291":292,"_293":294},{"_226":1009,"_125":1010,"_286":1011},{"_276":1007,"_278":748,"_280":1008,"_282":750},68.033203125,44.033203125,{"_288":226,"_123":760,"_154":761,"_140":89},{"_288":125,"_123":757,"_154":758,"_140":759},{"_288":286,"_123":755,"_154":756,"_140":89},"https://img.ochreeditions.com/a/1602/480.jpg","https://img.ochreeditions.com/a/1602/960.jpg","https://img.ochreeditions.com/a/1602/1920.jpg",{"_311":1028,"_313":1029},{"_311":1026,"_313":1027},{"_311":1024,"_313":1025},{"_311":1022,"_313":1023},{"_311":1020,"_313":1021},"#dbc5a4",0.0805,"#847663",0.1802,"#b5a183",0.1818,"#695f52",0.2626,"#504942",0.2949,"peasant-family-at-a-well-aic-8606","Peasant Family at a Well",{"_42":1076,"_223":1077,"_325":1078,"_327":1079,"_329":-5,"_330":-5,"_332":-5,"_333":-5,"_334":-5,"_140":103},"1650/60","97.5 × 103.2 cm (38 3/8 × 40 5/8 in.); Framed: 112.4 × 118.8 × 9.9 cm (44 1/4 × 46 3/4 × 3 7/8 in.)",103,97,1.0569530808366308,[1061,1062,1063,1064,1065],{"_222":301,"_223":302,"_42":303,"_304":305},"1923.415","The Master of the Children's Caps painted this in 1650/60. It is now at the Art Institute of Chicago.","A work made of oil on canvas.",{"_295":1058,"_297":1059,"_299":1060},"https://img.ochreeditions.com/m/16.jpg?dl=1","/art/peasant-family-at-a-well-aic-8606","/galleries/style/french-classicism/peasant-family-at-a-well-aic-8606",{"_291":371,"_293":372},{"_226":1053,"_125":1054,"_286":1055},{"_276":1050,"_278":1051,"_280":1035,"_282":1052},118,112.4499264607568,97.4499264607568,{"_288":226,"_123":1056,"_154":1057,"_140":89},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-the-master-of-the-children-s-caps","The Master of the Children's Caps's contemporaries","https://img.ochreeditions.com/a/16/480.jpg","https://img.ochreeditions.com/a/16/960.jpg","https://img.ochreeditions.com/a/16/1920.jpg",{"_311":1074,"_313":1075},{"_311":1072,"_313":1073},{"_311":1070,"_313":1071},{"_311":1068,"_313":1069},{"_311":1066,"_313":1067},"#4f3221",0.0651,"#7d6b59",0.1729,"#2c2119",0.1911,"#3f3429",0.2266,"#5a4f42",0.3443,"The Master of the Children's Caps","the-master-of-the-children-s-caps","Le Maître aux Béguins; French, 17th century","Le Maître aux Béguins; French","nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","Nymphs and a Satyr (Amor Vincit Omnia)",{"_42":395,"_223":396,"_325":397,"_327":328,"_329":398,"_330":399,"_332":400,"_333":401,"_334":402,"_140":93},"c. 1625–27","Framed: 121 x 152 x 7 cm (47 5/8 x 59 13/16 x 2 3/4 in.); Unframed: 97 x 127.5 cm (38 3/16 x 50 3/16 in.)",127.5,1.317829457364341,[1110,1111,1112,1113,1114],{"_222":441,"_223":442,"_42":443,"_304":444},"1926.26","Nicolas Poussin painted this in about 1625–27, aged about 31. It is now at the Cleveland Museum of Art.",{"_118":1109,"_439":440},"Nymphs and a Satyr (Amor Vincit Omnia), by Nicolas Poussin, c. 1625–27",{"_295":1106,"_297":1107,"_299":1108},"https://img.ochreeditions.com/m/517.jpg?dl=1","/art/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555","/galleries/style/french-classicism/nymphs-and-a-satyr-amor-vincit-omnia-cma-108555",{"_291":371,"_293":372},{"_226":1103,"_125":1104,"_286":1105},{"_276":1100,"_278":1101,"_280":1085,"_282":1102},142.5,111.75000000000001,96.75000000000001,{"_288":226,"_123":369,"_154":370,"_140":93},{"_288":125,"_123":366,"_154":367,"_140":368},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/517/480.jpg","https://img.ochreeditions.com/a/517/960.jpg","https://img.ochreeditions.com/a/517/1920.jpg","Like his colleague Claude Lorrain, Poussin depicted historical and mythological subjects in landscapes inspired by the countryside around Rome. His themes were often complex, and frequently incorporated witty allusions to classical texts.",{"_311":1123,"_313":1124},{"_311":1121,"_313":1122},{"_311":1119,"_313":1120},{"_311":1117,"_313":1118},{"_311":1115,"_313":1116},"#4f5958",0.0837,"#78776a",0.0924,"#494032",0.1986,"#231e16",0.292,"#332b1f",0.3333,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","4befd8bc5316751b70567885019167fd0e311aa7","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},{"_223":1159,"_20":1160},{"_223":1157,"_20":1158},{"_223":1155,"_20":1156},{"_223":1153,"_20":1154},{"_223":1151,"_20":1152},{"_223":1149,"_20":1150},{"_223":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]