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The drawing captures a dynamic urban moment.",{"_293":426,"_295":427,"_297":428},"https://img.ochreeditions.com/m/1544.jpg?dl=1","/art/the-slave-market-nga-51556","/galleries/style/french-classicism/the-slave-market-nga-51556",{"_289":372,"_291":373},{"_223":423,"_125":424,"_283":425},{"_274":360,"_276":421,"_278":362,"_279":422},37.385009765625,13.385009765625,{"_285":223,"_123":370,"_154":371,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1544/480.jpg","https://img.ochreeditions.com/a/1544/960.jpg","https://img.ochreeditions.com/a/1544/1920.jpg",{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},{"_309":434,"_311":435},"#cabdab",0.1062,"#665d53",0.1112,"#a69988",0.1172,"#887c6e",0.1287,"#eee2cf",0.5367,"hilly-landscape-with-travelers-on-foot-nga-61211","Hilly Landscape with Travelers on Foot",{"_42":493,"_220":494,"_323":495,"_325":326,"_327":496,"_329":497,"_331":-5,"_333":-5,"_335":-5,"_140":101},"etching",0.73388671875,[478,479,480,481,482],{"_219":377,"_220":378,"_42":379,"_302":380},"1982.51.2","Jean Morin made this. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape viewed from a slightly elevated angle. On the left side, there is a large tree with a twisted trunk and dense foliage. A winding path can be seen with a figure walking with a dog. In the distance, a river winds through the land, and there are rolling hills and trees in the background. The color scheme is sepia-toned.",{"_293":475,"_295":476,"_297":477},"https://img.ochreeditions.com/m/1602.jpg?dl=1","/art/hilly-landscape-with-travelers-on-foot-nga-61211","/galleries/style/french-classicism/hilly-landscape-with-travelers-on-foot-nga-61211",{"_289":372,"_291":373},{"_223":465,"_125":466,"_283":467},{"_274":461,"_276":462,"_278":463,"_279":464},68.033203125,84,44.033203125,60,{"_285":223,"_123":473,"_154":474,"_140":89},{"_285":125,"_123":470,"_154":471,"_140":472},{"_285":283,"_123":468,"_154":469,"_140":89},"era/16-france","16th-century France","style/print-16","More prints of the 16th century",54,"artist/contemporaries-of-jean-morin","Jean Morin's contemporaries","https://img.ochreeditions.com/a/1602/480.jpg","https://img.ochreeditions.com/a/1602/960.jpg","https://img.ochreeditions.com/a/1602/1920.jpg",{"_309":491,"_311":492},{"_309":489,"_311":490},{"_309":487,"_311":488},{"_309":485,"_311":486},{"_309":483,"_311":484},"#dbc5a4",0.0805,"#847663",0.1802,"#b5a183",0.1818,"#695f52",0.2626,"#504942",0.2949,"Jean Morin","jean-morin","French, c. 1600–1650",1600,1650,"saint-peter-repentant-cma-128842","Saint Peter Repentant",{"_42":555,"_220":556,"_323":557,"_325":326,"_327":558,"_329":559,"_331":560,"_333":561,"_335":-5,"_140":101},"1645","Painting","oil on canvas","Framed: 140.3 x 119.1 x 7 cm (55 1/4 x 46 7/8 x 2 3/4 in.); Unframed: 114 x 95 cm (44 7/8 x 37 3/8 in.)",95,114,0.8144117647058824,[540,541,542,543,544],{"_219":536,"_220":537,"_42":538,"_302":539},"Courtesy of the Cleveland Museum of Art","1951.454","Georges de La Tour painted this in 1645, aged 52. It is now at the Cleveland Museum of Art.",{"_118":533,"_534":535},"Saint Peter Repentant, by Georges de La Tour, 1645",{"_293":530,"_295":531,"_297":532},"https://img.ochreeditions.com/m/593.jpg?dl=1","/art/saint-peter-repentant-cma-128842","/galleries/style/french-classicism/saint-peter-repentant-cma-128842",{"_289":290,"_291":292},{"_223":525,"_125":526,"_283":527},{"_274":522,"_276":523,"_278":524,"_279":506},107.84294117647059,129,92.84294117647059,{"_285":223,"_123":528,"_154":529,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-georges-de-la-tour","Georges de La Tour's contemporaries","https://img.ochreeditions.com/a/593/480.jpg","https://img.ochreeditions.com/a/593/960.jpg","https://img.ochreeditions.com/a/593/1920.jpg","During Jesus’s arrest on the night of the Last Supper, the apostle Peter denied knowing him. Although Christ forgave his betrayal, Peter was consumed by guilt. Georges de La Tour represents Peter as an old man, reflecting on his past actions in a state of perpetual repentance.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},{"_309":545,"_311":546},"#966349",0.0346,"#5e3f2d",0.0913,"#3a2a20",0.1484,"#221f1a",0.3074,"#121210",0.4183,"Georges de La Tour","georges-de-la-tour","French, 1593–1652",1593,1652,"Vic-sur-Seille","Lunéville","the-wise-and-foolish-virgins-plate-five-aic-23553","The Wise and Foolish Virgins, plate five",{"_42":614,"_220":615,"_323":616,"_325":326,"_327":188,"_329":617,"_331":-5,"_333":-5,"_335":-5,"_140":101},"1635","Engraving and etching on ivory laid paper","Image: 21.8 × 32 cm (8 5/8 × 12 5/8 in.); Sheet: 42.2 × 32 cm (16 5/8 × 12 5/8 in.)",32,21,1.275486381322957,[599,600,601,602,603],{"_219":595,"_220":596,"_42":597,"_302":598},"Courtesy of the Art Institute of Chicago","1937.138","Abraham Bosse made this in 1635, aged 33. It is now at the Art Institute of Chicago.","A work made of engraving and etching on ivory laid paper.",{"_293":592,"_295":593,"_297":594},"https://img.ochreeditions.com/m/98.jpg?dl=1","/art/the-wise-and-foolish-virgins-plate-five-aic-23553","/galleries/style/french-classicism/the-wise-and-foolish-virgins-plate-five-aic-23553",{"_289":372,"_291":373},{"_223":587,"_125":588,"_283":589},{"_274":584,"_276":585,"_278":568,"_279":586},56,49.08846857840147,25.088468578401468,{"_285":223,"_123":590,"_154":591,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-abraham-bosse","Abraham Bosse's contemporaries","https://img.ochreeditions.com/a/98/480.jpg","https://img.ochreeditions.com/a/98/960.jpg","https://img.ochreeditions.com/a/98/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_309":612,"_311":613},{"_309":610,"_311":611},{"_309":608,"_311":609},{"_309":606,"_311":607},{"_309":604,"_311":605},"#c3bbae",0.0644,"#7d766a",0.1275,"#4d4a41",0.1931,"#20201c",0.2034,"#e6ded2",0.4116,"Abraham Bosse","abraham-bosse","French, 1602–1676",1676,"meekness-aic-47159","Meekness",{"_42":665,"_220":666,"_323":667,"_325":326,"_327":668,"_329":669,"_331":-5,"_333":-5,"_335":-5,"_140":103},"1650","Oil on panel","100.7 × 67 cm (39 7/8 × 26 3/8 in.); Framed: 111.8 × 78.2 × 7.7 cm (44 × 30 3/4 × 3 in.)",67,100,0.6223633232888506,[650,651,652,653,654],{"_219":595,"_220":596,"_42":597,"_302":598},"1974.233","Eustache Le Sueur painted this in 1650, aged 34. It is now at the Art Institute of Chicago.","A work made of oil on panel.",{"_293":647,"_295":648,"_297":649},"https://img.ochreeditions.com/m/152.jpg?dl=1","/art/meekness-aic-47159","/galleries/style/french-classicism/meekness-aic-47159",{"_289":290,"_291":292},{"_223":642,"_125":643,"_283":644},{"_274":639,"_276":640,"_278":641,"_279":625},77.23633232888506,115,62.236332328885055,{"_285":223,"_123":645,"_154":646,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-eustache-le-sueur","Eustache Le Sueur's contemporaries","https://img.ochreeditions.com/a/152/480.jpg","https://img.ochreeditions.com/a/152/960.jpg","https://img.ochreeditions.com/a/152/1920.jpg",{"_309":663,"_311":664},{"_309":661,"_311":662},{"_309":659,"_311":660},{"_309":657,"_311":658},{"_309":655,"_311":656},"#a6847a",0.0449,"#7f5313",0.098,"#53331a",0.1102,"#897952",0.159,"#c3972f",0.5879,"Eustache Le Sueur","eustache-le-sueur","French, 1616–1655",1616,1655,"samson-cma-147020","Samson",{"_42":718,"_220":719,"_323":720,"_325":326,"_327":721,"_329":722,"_331":723,"_333":724,"_335":-5,"_140":101},"1630–31","Framed: 157 x 125 x 7 cm (61 13/16 x 49 3/16 x 2 3/4 in.); Unframed: 135.6 x 102.8 cm (53 3/8 x 40 1/2 in.)",102.8,135.6,0.7588235294117647,[703,704,705,706,707],{"_219":536,"_220":537,"_42":538,"_302":539},"1972.50","Valentin de Boulogne painted this in 1630–31, aged about 39. It is now at the Cleveland Museum of Art.",{"_118":702,"_534":535},"Samson, by Valentin de Boulogne, 1630–31",{"_293":699,"_295":700,"_297":701},"https://img.ochreeditions.com/m/681.jpg?dl=1","/art/samson-cma-147020","/galleries/style/french-classicism/samson-cma-147020",{"_289":290,"_291":292},{"_223":694,"_125":695,"_283":696},{"_274":691,"_276":692,"_278":693,"_279":676},117.89647058823529,150.6,102.89647058823529,{"_285":223,"_123":697,"_154":698,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-valentin-de-boulogne","Valentin de Boulogne's contemporaries","https://img.ochreeditions.com/a/681/480.jpg","https://img.ochreeditions.com/a/681/960.jpg","https://img.ochreeditions.com/a/681/1920.jpg","The Old Testament hero Samson rests his head on his hand in a pensive, even melancholic pose. Objects on the table recall two of his heroic deeds: he killed a lion with his bare hands, and liberated the Israelites by slaughtering a thousand Philistines with a donkey’s jawbone.",{"_309":716,"_311":717},{"_309":714,"_311":715},{"_309":712,"_311":713},{"_309":710,"_311":711},{"_309":708,"_311":709},"#a4724c",0.051,"#653f23",0.0593,"#69271e",0.2309,"#381e14",0.2379,"#130f0c",0.4209,"Valentin de Boulogne","valentin-de-boulogne","French, 1591–1632",1591,1632,"Coulommiers-en-Brie","Rome","perseus-and-the-origin-of-coral-met-459190","Perseus and the Origin of Coral",{"_42":777,"_220":778,"_323":779,"_325":326,"_327":780,"_329":781,"_331":782,"_333":724,"_335":783,"_140":99},"ca. 1671","drawing","Drawings","Black chalk, sepia and black ink, sepia and gray wash heightened with white","10 x 12 13/16 in. (25.4 x 32.5 cm)",32.5,25.4,1.2723418134377038,[762,763,764,765,766],{"_219":299,"_220":300,"_42":301,"_302":303},"1975.1.661","Claude Lorrain (Claude Gellée) drew this in about 1671, aged about 64. It is now at The Met in New York.","Perseus and the Origin of Coral, by Claude Lorrain (Claude Gellée), ca. 1671",{"_293":759,"_295":760,"_297":761},"https://img.ochreeditions.com/m/1269.jpg?dl=1","/art/perseus-and-the-origin-of-coral-met-459190","/galleries/style/french-classicism/perseus-and-the-origin-of-coral-met-459190",{"_289":372,"_291":373},{"_223":751,"_125":752,"_283":753},{"_274":748,"_276":749,"_278":733,"_279":750},56.5,49.54345039733401,25.543450397334016,{"_285":223,"_123":757,"_154":758,"_140":99},{"_285":125,"_123":754,"_154":755,"_140":756},{"_285":283,"_123":166,"_154":165,"_140":168},"style/drawing-17","More drawings of the 17th century",23,"artist/claude-lorrain-claude-gellee","More by Claude Lorrain (Claude Gellée)","https://img.ochreeditions.com/a/1269/480.jpg","https://img.ochreeditions.com/a/1269/960.jpg","https://img.ochreeditions.com/a/1269/1920.jpg",{"_309":775,"_311":776},{"_309":773,"_311":774},{"_309":771,"_311":772},{"_309":769,"_311":770},{"_309":767,"_311":768},"#806752",0.1128,"#a0846a",0.1806,"#bca184",0.2288,"#d3bca0",0.2334,"#ead9be",0.2444,"Claude Lorrain (Claude Gellée)","claude-lorrain-claude-gellee","French, 1604–1682",1604,1682,"Chamagne","Claude Gellée, called Lorrain after his native duchy, went to Rome as a youth and spent almost his whole life there.","portrait-of-charlotte-duchesne-met-336461","Portrait of Charlotte Duchesne",{"_42":830,"_220":831,"_323":832,"_325":326,"_327":188,"_329":833,"_331":834,"_333":835,"_335":-5,"_140":103},"ca. 1628","Black chalk, heightened with white, with touches of red chalk","8 11/16 x 7 11/16 in. (22 x 19.6 cm.)",19.6,22,0.8598433702403456,[815,816,817,818,819],{"_219":299,"_220":300,"_42":301,"_302":303},"1994.7","Philippe de Champaigne drew this in about 1628, aged 26. It is now at The Met in New York.","Portrait of Charlotte Duchesne, by Philippe de Champaigne, ca. 1628",{"_293":812,"_295":813,"_297":814},"https://img.ochreeditions.com/m/1006.jpg?dl=1","/art/portrait-of-charlotte-duchesne-met-336461","/galleries/style/french-classicism/portrait-of-charlotte-duchesne-met-336461",{"_289":372,"_291":373},{"_223":807,"_125":808,"_283":809},{"_274":805,"_276":360,"_278":806,"_279":362},45.49608425600864,21.49608425600864,{"_285":223,"_123":810,"_154":811,"_140":89},{"_285":125,"_123":754,"_154":755,"_140":756},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-philippe-de-champaigne","Philippe de Champaigne's contemporaries","https://img.ochreeditions.com/a/1006/480.jpg","https://img.ochreeditions.com/a/1006/960.jpg","https://img.ochreeditions.com/a/1006/1920.jpg",{"_309":828,"_311":829},{"_309":826,"_311":827},{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},"#dfddd9",0.0707,"#7f6f5a",0.0798,"#9b876c",0.1045,"#b59e7f",0.1872,"#c6ad8b",0.5578,"Philippe de Champaigne","philippe-de-champaigne","French, 1602–1674",1674,"Brussels","Paris","pendant-nga-9225","Pendant",{"_42":878,"_220":879,"_323":880,"_325":326,"_327":881,"_329":882,"_331":-5,"_333":-5,"_335":-5,"_140":101},"engraving",0.706787109375,[863,864,865,866,867],{"_219":377,"_220":378,"_42":379,"_302":380},"1943.3.6431","Robert Nanteuil made this. It is now at the National Gallery of Art in Washington, DC.","This image features intricately designed ornate letters of the alphabet surrounded by elaborate illustrations. The top of the composition shows a cherub riding on an eagle, holding a crown above their head. A ribbon with inscriptions unfurls around the crown, and a sun with a human face is visible in the corner. The letters \"A,\" \"F,\" \"D,\" \"H,\" and another \"H\" are decorated with classical elements like putti, garlands, and mythological figures. The central panel is adorned with heraldic symbols, angelic figures, and coats of arms. The overall style of the artwork reflects baroque or renaissance decorative artistry, known for its ornamental details and classical themes.",{"_293":860,"_295":861,"_297":862},"https://img.ochreeditions.com/m/1351.jpg?dl=1","/art/pendant-nga-9225","/galleries/style/french-classicism/pendant-nga-9225",{"_289":372,"_291":373},{"_223":855,"_125":856,"_283":857},{"_274":853,"_276":462,"_278":854,"_279":464},66.4072265625,42.4072265625,{"_285":223,"_123":858,"_154":859,"_140":89},{"_285":125,"_123":367,"_154":368,"_140":369},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-robert-nanteuil","Robert Nanteuil's contemporaries","https://img.ochreeditions.com/a/1351/480.jpg","https://img.ochreeditions.com/a/1351/960.jpg","https://img.ochreeditions.com/a/1351/1920.jpg",{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},{"_309":868,"_311":869},"#817467",0.034,"#a19482",0.1083,"#d5c8b4",0.1274,"#b8ab98",0.1753,"#ede4d0",0.555,"Robert Nanteuil","robert-nanteuil","French, 1623–1678",1623,1678,"landscape-with-saint-john-on-patmos-aic-5848","Landscape with Saint John on Patmos",{"_42":929,"_220":930,"_323":931,"_325":326,"_327":932,"_329":933,"_331":934,"_333":724,"_335":935,"_140":93},"1640","100.3 × 136.4 cm (39 1/2 × 53 5/8 in.); Framed: 128.3 × 164.5 × 12.1 cm (50 1/2 × 64 3/4 × 4 3/4 in.)",136,1.3513753327417923,[914,915,916,917,918],{"_219":595,"_220":596,"_42":597,"_302":598},"1930.500","Nicolas Poussin painted this in 1640, aged 46. It is now at the Art Institute of Chicago.","Saint John the Evangelist, robed in red and yellow, sits with his book among the ruins of classical buildings on the island of Patmos, where he received the visions of the Book of Revelation, and an ordered landscape stretches away under a calm sky.","Painting of Greek landscape, classical architecture, yellow, red robed man reading.",{"_293":911,"_295":912,"_297":913},"https://img.ochreeditions.com/m/11.jpg?dl=1","/art/landscape-with-saint-john-on-patmos-aic-5848","/galleries/style/french-classicism/landscape-with-saint-john-on-patmos-aic-5848",{"_289":290,"_291":292},{"_223":906,"_125":907,"_283":908},{"_274":903,"_276":904,"_278":888,"_279":905},151,115.63821405121472,100.63821405121472,{"_285":223,"_123":909,"_154":910,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/nicolas-poussin","More by Nicolas Poussin","https://img.ochreeditions.com/a/11/480.jpg","https://img.ochreeditions.com/a/11/960.jpg","https://img.ochreeditions.com/a/11/1920.jpg",{"_309":927,"_311":928},{"_309":925,"_311":926},{"_309":923,"_311":924},{"_309":921,"_311":922},{"_309":919,"_311":920},"#83766a",0.1037,"#73533b",0.1416,"#8da7b8",0.1566,"#2a2716",0.2939,"#4b3a26",0.3042,"Nicolas Poussin","nicolas-poussin","French, 1594–1665",1594,1665,"Les Andelys","Poussin left Normandy for Paris and in 1624 settled in Rome, where he spent almost all his career.","edge-of-a-wood-with-peasants-going-to-market-nga-61210","Edge of a Wood with Peasants Going to Market",{"_42":493,"_220":494,"_323":495,"_325":326,"_327":496,"_329":497,"_331":-5,"_333":-5,"_335":-5,"_140":101},1.463902787705504,[959,960,961,962,963],{"_219":377,"_220":378,"_42":379,"_302":380},"1982.51.1","The image shows an etching of a rural landscape with trees obscuring the horizon. In the distance, there is a cart on a winding path with a person walking beside it. Closer to the viewer, there is a person with a child under a tree, accompanied by a small dog. The artwork features fine and detailed brushwork with cross-hatching for texture and shadows. The color scheme is monochromatic in muted browns, emphasizing details and creating a peaceful scene under soft light filtered through the trees. The trees form a canopy framing the serene setting.",{"_293":956,"_295":957,"_297":958},"https://img.ochreeditions.com/m/1601.jpg?dl=1","/art/edge-of-a-wood-with-peasants-going-to-market-nga-61210","/galleries/style/french-classicism/edge-of-a-wood-with-peasants-going-to-market-nga-61210",{"_289":372,"_291":373},{"_223":953,"_125":954,"_283":955},{"_274":462,"_276":951,"_278":464,"_279":952},64.986328125,40.986328125,{"_285":223,"_123":473,"_154":474,"_140":89},{"_285":125,"_123":470,"_154":471,"_140":472},{"_285":283,"_123":468,"_154":469,"_140":89},"https://img.ochreeditions.com/a/1601/480.jpg","https://img.ochreeditions.com/a/1601/960.jpg","https://img.ochreeditions.com/a/1601/1920.jpg",{"_309":972,"_311":973},{"_309":970,"_311":971},{"_309":968,"_311":969},{"_309":966,"_311":967},{"_309":964,"_311":965},"#d5c1a3",0.1531,"#8d7c68",0.1808,"#ad9a80",0.1832,"#706355",0.2177,"#564c44",0.2652,"the-holy-family-on-the-steps-cma-150389","The Holy Family on the Steps",{"_42":929,"_220":930,"_323":931,"_325":326,"_327":932,"_329":933,"_331":934,"_333":724,"_335":935,"_140":93},"1648","Framed: 103.5 x 135.3 x 13.3 cm (40 3/4 x 53 1/4 x 5 1/4 in.); Unframed: 73.3 x 105.8 cm (28 7/8 x 41 5/8 in.); Former: 72.3 x 104 cm (28 7/16 x 40 15/16 in.)",105.8,73.3,1.4573510501500215,[1005,1006,1007,1008,1009],{"_219":536,"_220":537,"_42":538,"_302":539},"1981.18","Nicolas Poussin painted this in 1648, aged 54. It is now at the Cleveland Museum of Art.",{"_118":1004,"_534":535},"The Holy Family on the Steps, by Nicolas Poussin, 1648",{"_293":1001,"_295":1002,"_297":1003},"https://img.ochreeditions.com/m/714.jpg?dl=1","/art/the-holy-family-on-the-steps-cma-150389","/galleries/style/french-classicism/the-holy-family-on-the-steps-cma-150389",{"_289":290,"_291":292},{"_223":998,"_125":999,"_283":1000},{"_274":995,"_276":996,"_278":979,"_279":997},120.8,87.59747058823528,72.59747058823528,{"_285":223,"_123":909,"_154":910,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/714/480.jpg","https://img.ochreeditions.com/a/714/960.jpg","https://img.ochreeditions.com/a/714/1920.jpg","This deceptively simple composition represents a complex meditation on the Holy Family’s role in the redemption of humanity. At the center, Mary presents the Christ child to the world.",{"_309":1018,"_311":1019},{"_309":1016,"_311":1017},{"_309":1014,"_311":1015},{"_309":1012,"_311":1013},{"_309":1010,"_311":1011},"#927057",0.0966,"#33597c",0.0973,"#5f5850",0.1708,"#261b17",0.2408,"#473327",0.3945,"a-procession-aic-248309","A Procession",{"_42":1068,"_220":1069,"_323":1070,"_325":326,"_327":181,"_329":1071,"_331":-5,"_333":-5,"_335":-5,"_140":103},"c. 1610","watercolour","Drawing and Watercolor","Black chalk, with touches of white chalk, on cream laid paper","17.1 × 21.8 cm (6 3/4 × 8 5/8 in.)",1.2648636566830576,[1053,1054,1055,1056,1057],{"_219":595,"_220":596,"_42":597,"_302":598},"2019.878","Ambroise Dubois painted this in about 1610, aged about 62. It is now at the Art Institute of Chicago.","A work made of black chalk, with touches of white chalk, on cream laid paper.",{"_293":1050,"_295":1051,"_297":1052},"https://img.ochreeditions.com/m/376.jpg?dl=1","/art/a-procession-aic-248309","/galleries/style/french-classicism/a-procession-aic-248309",{"_289":372,"_291":373},{"_223":1043,"_125":1044,"_283":1045},{"_274":360,"_276":1041,"_278":362,"_279":1042},43.76497614419509,19.76497614419509,{"_285":223,"_123":1048,"_154":1049,"_140":89},{"_285":125,"_123":1046,"_154":1047,"_140":229},{"_285":283,"_123":166,"_154":165,"_140":168},"style/watercolour-17","More watercolours of the 17th century","artist/contemporaries-of-ambroise-dubois","Ambroise Dubois's contemporaries","https://img.ochreeditions.com/a/376/480.jpg","https://img.ochreeditions.com/a/376/960.jpg","https://img.ochreeditions.com/a/376/1920.jpg",{"_309":1066,"_311":1067},{"_309":1064,"_311":1065},{"_309":1062,"_311":1063},{"_309":1060,"_311":1061},{"_309":1058,"_311":1059},"#826f60",0.0855,"#94897f",0.106,"#ac9886",0.1955,"#cdb8a3",0.2941,"#bea894",0.3189,"Ambroise Dubois","ambroise-dubois","French, 1543–1615",1615,"the-jabach-family-met-626692","The Jabach Family",{"_42":1119,"_220":1120,"_323":1121,"_325":326,"_327":1122,"_329":1123,"_331":835,"_333":835,"_335":-5,"_140":103},"ca. 1660","110 1/4 × 129 1/8 in. (280 × 328 cm)",328,280,1.1773709483793517,[1104,1105,1106,1107,1108],{"_219":299,"_220":300,"_42":301,"_302":303},"2014.250","Charles Le Brun painted this in about 1660, aged about 36. It is now at The Met in New York.","The Jabach Family, by Charles Le Brun, ca. 1660",{"_293":1101,"_295":1102,"_297":1103},"https://img.ochreeditions.com/m/1274.jpg?dl=1","/art/the-jabach-family-met-626692","/galleries/style/french-classicism/the-jabach-family-met-626692",{"_289":290,"_291":292},{"_223":1096,"_125":1097,"_283":1098},{"_274":1092,"_276":1093,"_278":1094,"_279":1095},255,218.8439969411165,240,203.8439969411165,{"_285":223,"_123":1099,"_154":1100,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-le-brun","Charles Le Brun's contemporaries","https://img.ochreeditions.com/a/1274/480.jpg","https://img.ochreeditions.com/a/1274/960.jpg","https://img.ochreeditions.com/a/1274/1920.jpg",{"_309":1117,"_311":1118},{"_309":1115,"_311":1116},{"_309":1113,"_311":1114},{"_309":1111,"_311":1112},{"_309":1109,"_311":1110},"#8f7662",0.0385,"#613923",0.0917,"#564635",0.1033,"#362b20",0.2567,"#211c17",0.5098,"Charles Le Brun","charles-le-brun","French, 1619–1690",1619,1690,{"_1125":-5,"_1126":1127,"_1128":1129,"_1130":8,"_1131":1132,"_1133":8},"user","csrf","4efae3bae6cc6c64c07b80de6dba575967bed0d5","cartCount",0,"dropLive","legal",[1134,1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145],"uploadsEnabled",{"_220":1168,"_20":1169},{"_220":1166,"_20":1167},{"_220":1164,"_20":1165},{"_220":1162,"_20":1163},{"_220":1160,"_20":1161},{"_220":1158,"_20":1159},{"_220":1156,"_20":1157},{"_220":1154,"_20":1155},{"_220":1152,"_20":1153},{"_220":1150,"_20":1151},{"_220":1148,"_20":1149},{"_220":1146,"_20":1147},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]