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Birds are scattered in the sky.",{"_301":438,"_303":439,"_305":440},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_297":298,"_299":300},{"_231":433,"_125":434,"_291":435},{"_282":429,"_284":430,"_286":431,"_288":432},84,67.36633663366337,60,43.366336633663366,{"_293":231,"_123":436,"_154":437,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_317":458,"_319":459},{"_317":456,"_319":457},{"_317":454,"_319":455},{"_317":452,"_319":453},{"_317":450,"_319":451},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"the-creation-cma-109009","The Creation",{"_42":526,"_228":527,"_331":528,"_333":334,"_335":529,"_337":530,"_339":-5,"_341":-5,"_343":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[511,512,513,514,515],{"_227":507,"_228":508,"_42":509,"_310":510},"Courtesy of the Cleveland Museum of Art","1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":504,"_505":506},"The Creation, by Kálmán Kubinyi, before 1927",{"_301":501,"_303":502,"_305":503},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_297":298,"_299":300},{"_231":491,"_125":492,"_291":493},{"_282":488,"_284":489,"_286":490,"_288":472},43.26877040261154,52.5,19.268770402611533,{"_293":231,"_123":499,"_154":500,"_140":89},{"_293":125,"_123":497,"_154":498,"_140":75},{"_293":291,"_123":494,"_154":495,"_140":496},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":524,"_319":525},{"_317":522,"_319":523},{"_317":520,"_319":521},{"_317":518,"_319":519},{"_317":516,"_319":517},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,"path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","Path through a Wheat Field (Sentier dans les bles)",{"_42":574,"_228":575,"_331":576,"_333":406,"_335":577,"_337":578,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1862","cliché-verre",1.1912940479715723,[559,560,561,562,563],{"_227":441,"_228":442,"_42":443,"_310":444},"1982.43.1","Charles-François Daubigny made this in 1862, aged 45. It is now at the National Gallery of Art in Washington, DC.","This image shows an elevated view of a grassy landscape with sparse trees and vegetation at the horizon. The linear brushstrokes create texture and movement in the grass and sky. The color palette is monochromatic with sepia tones. In the foreground, a figure is on a horse amidst tall grasses, while in the distance, another figure stands on the left and a cluster of trees is on the right. The sky has wisps of clouds.",{"_301":556,"_303":557,"_305":558},"https://img.ochreeditions.com/m/1600.jpg?dl=1","/art/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","/galleries/style/etching-revival/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196",{"_297":298,"_299":300},{"_231":551,"_125":552,"_291":553},{"_282":429,"_284":549,"_286":431,"_288":550},74.36539895600299,50.365398956002984,{"_293":231,"_123":554,"_154":555,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"artist/contemporaries-of-charles-francois-daubigny","Charles-François Daubigny's contemporaries","https://img.ochreeditions.com/a/1600/480.jpg","https://img.ochreeditions.com/a/1600/960.jpg","https://img.ochreeditions.com/a/1600/1920.jpg",{"_317":572,"_319":573},{"_317":570,"_319":571},{"_317":568,"_319":569},{"_317":566,"_319":567},{"_317":564,"_319":565},"#806e5d",0.0246,"#a99073",0.1001,"#c8ae8a",0.2106,"#dfc7a1",0.2925,"#efdbb8",0.3722,"Charles-François Daubigny","charles-francois-daubigny","French, 1817–1878",1817,1878,"bastille-day-cma-131761","Bastille Day",{"_42":629,"_228":630,"_331":631,"_333":334,"_335":632,"_337":633,"_339":-5,"_341":-5,"_343":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[614,615,616,617,618],{"_227":507,"_228":508,"_42":509,"_310":510},"1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":613,"_505":506},"Bastille Day, by Maurice Prendergast, 1892",{"_301":610,"_303":611,"_305":612},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_297":298,"_299":300},{"_231":605,"_125":606,"_291":607},{"_282":601,"_284":602,"_286":603,"_288":604},43.11029411764706,49,19.110294117647058,25,{"_293":231,"_123":608,"_154":609,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.",{"_317":627,"_319":628},{"_317":625,"_319":626},{"_317":623,"_319":624},{"_317":621,"_319":622},{"_317":619,"_319":620},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"the-cathedral-cma-163010","The Cathedral",{"_42":686,"_228":687,"_331":688,"_333":689,"_335":690,"_337":691,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1886","flanders","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[671,672,673,674,675],{"_227":507,"_228":508,"_42":509,"_310":510},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":670,"_505":506},"The Cathedral, by James Ensor, 1886",{"_301":667,"_303":668,"_305":669},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_297":298,"_299":300},{"_231":659,"_125":660,"_291":661},{"_282":656,"_284":657,"_286":658,"_288":641},47.93382352941177,55,23.933823529411764,{"_293":231,"_123":665,"_154":666,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":662,"_154":663,"_140":664},"era/19","The 19th century",731,"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_317":684,"_319":685},{"_317":682,"_319":683},{"_317":680,"_319":681},{"_317":678,"_319":679},{"_317":676,"_319":677},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,"san-giorgio-nga-11030","San Giorgio",{"_42":329,"_228":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":342,"_343":344,"_140":172},"1880","etching and drypoint on Asian laid paper",1.4246956521739131,[719,720,721,722,723],{"_227":441,"_228":442,"_42":443,"_310":444},"1943.3.8533","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","Masted ships ride at anchor in the foreground, their reflections trembling in the water, while across the lagoon the church of San Giorgio Maggiore and its neighbours lie in a faint line along the horizon.","The image displays a harbor filled with boats and ships. The perspective is slightly elevated, likely from a dock, with a partially visible boat and dock at the forefront. The horizon is in the upper third of the image, showing a distant cityscape with spires and structures. The brushwork is delicate, with fine, linear strokes typical of etching. The color palette is monochromatic, sepia tones creating a vintage and serene mood. The ships with tall masts populate the water, with reflections giving a sense of stillness. In the distance, faint impressions of buildings line the harbor, blending into the horizon.",{"_301":716,"_303":717,"_305":718},"https://img.ochreeditions.com/m/1356.jpg?dl=1","/art/san-giorgio-nga-11030","/galleries/style/etching-revival/san-giorgio-nga-11030",{"_297":298,"_299":300},{"_231":713,"_125":714,"_291":715},{"_282":429,"_284":711,"_286":431,"_288":712},66.1142578125,42.1142578125,{"_293":231,"_123":170,"_154":169,"_140":172},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1356/480.jpg","https://img.ochreeditions.com/a/1356/960.jpg","https://img.ochreeditions.com/a/1356/1920.jpg",{"_317":732,"_319":733},{"_317":730,"_319":731},{"_317":728,"_319":729},{"_317":726,"_319":727},{"_317":724,"_319":725},"#a68a6d",0.0462,"#c3a583",0.1167,"#d7b893",0.201,"#e4c8a5",0.2458,"#edd5b6",0.3903,"the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":781,"_228":782,"_331":783,"_333":334,"_335":784,"_337":785,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1913","lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[766,767,768,769,770],{"_227":441,"_228":442,"_42":443,"_310":444},"2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_301":763,"_303":764,"_305":765},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_297":298,"_299":300},{"_231":758,"_125":759,"_291":760},{"_282":755,"_284":756,"_286":740,"_288":757},79.3,67.81142499999999,43.81142499999999,{"_293":231,"_123":761,"_154":762,"_140":89},{"_293":125,"_123":497,"_154":498,"_140":75},{"_293":291,"_123":494,"_154":495,"_140":496},"artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg",{"_317":779,"_319":780},{"_317":777,"_319":778},{"_317":775,"_319":776},{"_317":773,"_319":774},{"_317":771,"_319":772},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":838,"_228":839,"_331":840,"_333":334,"_335":841,"_337":842,"_339":843,"_341":844,"_343":845,"_140":53},"1870","Graphic Arts-Print","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,0.6723333333333333,[823,824,825,826,827],{"_227":820,"_228":821,"_42":822,"_310":444},"Courtesy of the Smithsonian American Art Museum","1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_301":817,"_303":818,"_305":819},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_297":298,"_299":300},{"_231":812,"_125":813,"_291":814},{"_282":809,"_284":810,"_286":811,"_288":354},47.531666666666666,59,23.531666666666666,{"_293":231,"_123":815,"_154":816,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":836,"_319":837},{"_317":834,"_319":835},{"_317":832,"_319":833},{"_317":830,"_319":831},{"_317":828,"_319":829},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","lowlands-nga-5973","Lowlands",{"_42":889,"_228":890,"_331":891,"_333":334,"_335":892,"_337":893,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1918","wood engraving",1.2816065723413965,[874,875,876,877,878],{"_227":441,"_228":442,"_42":443,"_310":444},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_301":871,"_303":872,"_305":873},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_297":298,"_299":300},{"_231":866,"_125":867,"_291":868},{"_282":429,"_284":864,"_286":431,"_288":865},70.81623931623932,46.81623931623932,{"_293":231,"_123":869,"_154":870,"_140":89},{"_293":125,"_123":497,"_154":498,"_140":75},{"_293":291,"_123":494,"_154":495,"_140":496},"artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_317":887,"_319":888},{"_317":885,"_319":886},{"_317":883,"_319":884},{"_317":881,"_319":882},{"_317":879,"_319":880},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1852,1931,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":941,"_228":942,"_331":943,"_333":334,"_335":944,"_337":464,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[926,927,928,929,930],{"_227":441,"_228":442,"_42":443,"_310":444},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_301":923,"_303":924,"_305":925},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_297":298,"_299":300},{"_231":918,"_125":919,"_291":920},{"_282":915,"_284":916,"_286":917,"_288":901},44.136475000000004,49.1,20.136475,{"_293":231,"_123":921,"_154":922,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_317":939,"_319":940},{"_317":937,"_319":938},{"_317":935,"_319":936},{"_317":933,"_319":934},{"_317":931,"_319":932},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,"tingletangle-aic-17236","Tingletangle",{"_42":995,"_228":996,"_331":997,"_333":998,"_335":999,"_337":1000,"_339":-5,"_341":-5,"_343":1001,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[980,981,982,983,984],{"_227":384,"_228":385,"_42":386,"_310":387},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_301":977,"_303":978,"_305":979},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_297":298,"_299":300},{"_231":970,"_125":971,"_291":972},{"_282":967,"_284":968,"_286":952,"_288":969},87,68.45550732501357,44.45550732501357,{"_293":231,"_123":975,"_154":976,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":973,"_154":974,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_317":993,"_319":994},{"_317":991,"_319":992},{"_317":989,"_319":990},{"_317":987,"_319":988},{"_317":985,"_319":986},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","the-frugal-meal-cma-111385","The Frugal Meal",{"_42":1054,"_228":1055,"_331":1056,"_333":1057,"_335":1058,"_337":530,"_339":-5,"_341":-5,"_343":-5,"_140":103},"September 1904, printed 1913","spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[1039,1040,1041,1042,1043],{"_227":507,"_228":508,"_42":509,"_310":510},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":1038,"_505":506},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_301":1035,"_303":1036,"_305":1037},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_297":298,"_299":300},{"_231":1027,"_125":1028,"_291":1029},{"_282":1024,"_284":1025,"_286":1026,"_288":1009},61.81852941176471,69.5,37.81852941176471,{"_293":231,"_123":1033,"_154":1034,"_140":89},{"_293":125,"_123":497,"_154":498,"_140":75},{"_293":291,"_123":1030,"_154":1031,"_140":1032},"era/20","The 20th century",189,"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_317":1052,"_319":1053},{"_317":1050,"_319":1051},{"_317":1048,"_319":1049},{"_317":1046,"_319":1047},{"_317":1044,"_319":1045},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":838,"_228":839,"_331":840,"_333":334,"_335":841,"_337":842,"_339":843,"_341":844,"_343":845,"_140":53},"image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[1088,1089,1090,1091,1092],{"_227":820,"_228":821,"_42":822,"_310":444},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_301":1085,"_303":1086,"_305":1087},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_297":298,"_299":300},{"_231":1082,"_125":1083,"_291":1084},{"_282":1079,"_284":1080,"_286":1063,"_288":1081},76.7,60.7319,36.7319,{"_293":231,"_123":815,"_154":816,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_317":1101,"_319":1102},{"_317":1099,"_319":1100},{"_317":1097,"_319":1098},{"_317":1095,"_319":1096},{"_317":1093,"_319":1094},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":1149,"_228":1150,"_331":1151,"_333":334,"_335":1152,"_337":1153,"_339":-5,"_341":-5,"_343":-5,"_140":103},"drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[1134,1135,1136,1137,1138],{"_227":441,"_228":442,"_42":443,"_310":444},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_301":1131,"_303":1132,"_305":1133},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_297":298,"_299":300},{"_231":1126,"_125":1127,"_291":1128},{"_282":1123,"_284":1124,"_286":1108,"_288":1125},51.5,46.3773193359375,22.3773193359375,{"_293":231,"_123":1129,"_154":1130,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_317":1147,"_319":1148},{"_317":1145,"_319":1146},{"_317":1143,"_319":1144},{"_317":1141,"_319":1142},{"_317":1139,"_319":1140},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,{"_1155":-5,"_1156":1157,"_1158":1159,"_1160":8,"_1161":1162,"_1163":8},"user","csrf","28a10ca38b3c17b877e6d21bd03f7f8bcf77427a","cartCount",0,"dropLive","legal",[1164,1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175],"uploadsEnabled",{"_228":1198,"_20":1199},{"_228":1196,"_20":1197},{"_228":1194,"_20":1195},{"_228":1192,"_20":1193},{"_228":1190,"_20":1191},{"_228":1188,"_20":1189},{"_228":1186,"_20":1187},{"_228":1184,"_20":1185},{"_228":1182,"_20":1183},{"_228":1180,"_20":1181},{"_228":1178,"_20":1179},{"_228":1176,"_20":1177},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]