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It is now at the Cleveland Museum of Art.",{"_118":443,"_380":381},"Business Men's Class, by George Bellows, 1916",{"_297":440,"_299":441,"_301":442},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_293":294,"_295":296},{"_227":432,"_125":433,"_287":434},{"_278":429,"_280":430,"_282":413,"_284":431},94,72.71176470588236,48.71176470588236,{"_289":227,"_123":438,"_154":439,"_140":93},{"_289":125,"_123":372,"_154":373,"_140":75},{"_289":287,"_123":435,"_154":436,"_140":437},"era/20-united-states","20th-century United States",124,"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_313":457,"_315":458},{"_313":455,"_315":456},{"_313":453,"_315":454},{"_313":451,"_315":452},{"_313":449,"_315":450},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925","American",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":513,"_224":514,"_327":515,"_329":462,"_331":516,"_333":517,"_335":518,"_336":519,"_337":520,"_140":233},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[498,499,500,501,502],{"_223":303,"_224":304,"_42":305,"_306":307},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_297":495,"_299":496,"_301":497},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_293":294,"_295":296},{"_227":490,"_125":491,"_287":492},{"_278":486,"_280":487,"_282":488,"_284":489},40.22557726465364,49,16.22557726465364,25,{"_289":227,"_123":493,"_154":494,"_140":233},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_313":511,"_315":512},{"_313":509,"_315":510},{"_313":507,"_315":508},{"_313":505,"_315":506},{"_313":503,"_315":504},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","lady-with-the-lute-si-saam-1973-130-255","Lady with the Lute",{"_42":573,"_224":574,"_327":575,"_329":-5,"_331":576,"_333":577,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1909","Graphic Arts-Print","wood engraving on paper","image: 8 x 6 7/8 in. (20.2 x 17.6 cm)",17.6,20.2,0.8392982456140351,[558,559,560,561,562],{"_223":554,"_224":555,"_42":556,"_306":557},"Courtesy of the Smithsonian American Art Museum","1973.130.255","Henry Wolf made this in 1909, aged 57. It is now at the Smithsonian American Art Museum in Washington, DC.","Lady with the Lute, by Henry Wolf, 1909",{"_297":551,"_299":552,"_301":553},"https://img.ochreeditions.com/m/1947.jpg?dl=1","/art/lady-with-the-lute-si-saam-1973-130-255","/galleries/style/etching-revival/lady-with-the-lute-si-saam-1973-130-255",{"_293":294,"_295":296},{"_227":546,"_125":547,"_287":548},{"_278":544,"_280":487,"_282":545,"_284":489},44.98245614035088,20.982456140350877,{"_289":227,"_123":549,"_154":550,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":75},{"_289":287,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1947/480.jpg","https://img.ochreeditions.com/a/1947/960.jpg","https://img.ochreeditions.com/a/1947/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_313":571,"_315":572},{"_313":569,"_315":570},{"_313":567,"_315":568},{"_313":565,"_315":566},{"_313":563,"_315":564},"#594938",0.0966,"#8c7e6b",0.1591,"#fbf1dd",0.2373,"#baae9c",0.2506,"#2d1f15",0.2564,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1852,1916,"at-the-cafe-cma-324444","At the Café",{"_42":631,"_224":632,"_327":633,"_329":634,"_331":635,"_333":636,"_335":637,"_336":637,"_337":638,"_140":53},"1874","france","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[616,617,618,619,620],{"_223":382,"_224":383,"_42":384,"_306":385},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":615,"_380":381},"At the Café, by Édouard Manet, 1874",{"_297":612,"_299":613,"_301":614},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_293":294,"_295":296},{"_227":604,"_125":605,"_287":606},{"_278":601,"_280":602,"_282":585,"_284":603},57.4,49.659058823529406,25.65905882352941,{"_289":227,"_123":610,"_154":611,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":607,"_154":608,"_140":609},"era/19-france","19th-century France",237,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_313":629,"_315":630},{"_313":627,"_315":628},{"_313":625,"_315":626},{"_313":623,"_315":624},{"_313":621,"_315":622},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":688,"_224":689,"_327":690,"_329":634,"_331":691,"_333":577,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1888","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[673,674,675,676,677],{"_223":382,"_224":383,"_42":384,"_306":385},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":672,"_380":381},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_297":669,"_299":670,"_301":671},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_293":294,"_295":296},{"_227":664,"_125":665,"_287":666},{"_278":661,"_280":662,"_282":663,"_284":646},67.31202941176471,81.1,43.312029411764705,{"_289":227,"_123":667,"_154":668,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":607,"_154":608,"_140":609},"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_313":686,"_315":687},{"_313":684,"_315":685},{"_313":682,"_315":683},{"_313":680,"_315":681},{"_313":678,"_315":679},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916",1863,"bastille-day-cma-131761","Bastille Day",{"_42":740,"_224":741,"_327":742,"_329":462,"_331":743,"_333":744,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[725,726,727,728,729],{"_223":382,"_224":383,"_42":384,"_306":385},"1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":724,"_380":381},"Bastille Day, by Maurice Prendergast, 1892",{"_297":721,"_299":722,"_301":723},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_293":294,"_295":296},{"_227":716,"_125":717,"_287":718},{"_278":714,"_280":487,"_282":715,"_284":489},43.11029411764706,19.110294117647058,{"_289":227,"_123":719,"_154":720,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.",{"_313":738,"_315":739},{"_313":736,"_315":737},{"_313":734,"_315":735},{"_313":732,"_315":733},{"_313":730,"_315":731},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":631,"_224":632,"_327":633,"_329":634,"_331":635,"_333":636,"_335":637,"_336":637,"_337":638,"_140":53},"1875","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[773,774,775,776,777],{"_223":303,"_224":304,"_42":305,"_306":307},"1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_297":770,"_299":771,"_301":772},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_293":294,"_295":296},{"_227":767,"_125":768,"_287":769},{"_278":765,"_280":487,"_282":766,"_284":489},42.93403332572472,18.93403332572472,{"_289":227,"_123":610,"_154":611,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":607,"_154":608,"_140":609},"https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_313":785,"_315":786},{"_313":783,"_315":784},{"_313":782,"_315":318},{"_313":780,"_315":781},{"_313":778,"_315":779},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9","#d0bda2",0.2246,"#e2d2b8",0.6426,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":834,"_224":835,"_327":836,"_329":462,"_331":837,"_333":838,"_335":839,"_336":840,"_337":841,"_140":53},"1862","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[819,820,821,822,823],{"_223":554,"_224":555,"_42":556,"_306":557},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_297":816,"_299":817,"_301":818},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_293":294,"_295":296},{"_227":811,"_125":812,"_287":813},{"_278":808,"_280":809,"_282":792,"_284":810},76.7,60.7319,36.7319,{"_289":227,"_123":814,"_154":815,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_313":832,"_315":833},{"_313":830,"_315":831},{"_313":828,"_315":829},{"_313":826,"_315":827},{"_313":824,"_315":825},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-old-orchard-si-saam-1935-13-211","The Old Orchard",{"_42":887,"_224":888,"_327":889,"_329":-5,"_331":890,"_333":891,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1915","4 1/2 x 7 in. (11.4 x 17.8 cm)",17.8,11.4,1.4133817427385893,[872,873,874,875,876],{"_223":554,"_224":555,"_42":556,"_306":557},"1935.13.211","Arthur A. Marschner made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","The Old Orchard, by Arthur A. Marschner, 1915",{"_297":869,"_299":870,"_301":871},"https://img.ochreeditions.com/m/1890.jpg?dl=1","/art/the-old-orchard-si-saam-1935-13-211","/galleries/style/etching-revival/the-old-orchard-si-saam-1935-13-211",{"_293":294,"_295":296},{"_227":864,"_125":865,"_287":866},{"_278":487,"_280":862,"_282":489,"_284":863},41.68807339449541,17.68807339449541,{"_289":227,"_123":867,"_154":868,"_140":89},{"_289":125,"_123":372,"_154":373,"_140":75},{"_289":287,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-arthur-a-marschner","Arthur A. Marschner's contemporaries","https://img.ochreeditions.com/a/1890/480.jpg","https://img.ochreeditions.com/a/1890/960.jpg","https://img.ochreeditions.com/a/1890/1920.jpg",{"_313":885,"_315":886},{"_313":883,"_315":884},{"_313":881,"_315":882},{"_313":879,"_315":880},{"_313":877,"_315":878},"#4d402c",0.0497,"#796952",0.1365,"#d3c3ae",0.183,"#9c8b72",0.2479,"#b8a790",0.3829,"Arthur A. Marschner","arthur-a-marschner","born Detroit, MI 1884-died Detroit, MI 1950",1884,1950,"evening-melancholy-i-cma-136154","Evening, Melancholy I",{"_42":944,"_224":945,"_327":946,"_329":947,"_331":691,"_333":948,"_335":-5,"_336":-5,"_337":949,"_140":99},"1896","scandinavia","Hand-colored woodcut","Image: 37.7 x 45 cm (14 13/16 x 17 11/16 in.)",45,37.7,1.153324287652646,[929,930,931,932,933],{"_223":382,"_224":383,"_42":384,"_306":385},"1959.82","Edvard Munch made this in 1896, aged 33. It is now at the Cleveland Museum of Art.",{"_118":928,"_380":381},"Evening, Melancholy I, by Edvard Munch, 1896",{"_297":925,"_299":926,"_301":927},"https://img.ochreeditions.com/m/636.jpg?dl=1","/art/evening-melancholy-i-cma-136154","/galleries/style/etching-revival/evening-melancholy-i-cma-136154",{"_293":294,"_295":296},{"_227":918,"_125":919,"_287":920},{"_278":915,"_280":916,"_282":899,"_284":917},69,63.01764705882353,39.01764705882353,{"_289":227,"_123":923,"_154":924,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":921,"_154":922,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/636/480.jpg","https://img.ochreeditions.com/a/636/960.jpg","https://img.ochreeditions.com/a/636/1920.jpg","Evening, Melancholy I depicts the jilted, tormented art critic Jappe Nilssen, Munch's friend, on the shore of Åsgårdstrand, a fishing village south of Oslo.",{"_313":942,"_315":943},{"_313":940,"_315":941},{"_313":938,"_315":939},{"_313":936,"_315":937},{"_313":934,"_315":935},"#ede3d0",0.0552,"#b8a78e",0.1378,"#7a6f5f",0.1616,"#5d4f4a",0.2478,"#3b3944",0.3976,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","sculptress-cma-153129","Sculptress",{"_42":999,"_224":1000,"_327":1001,"_329":634,"_331":1002,"_333":1003,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1897","lithograph with watercolor added by hand","Sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); Image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)",49.5,64.5,0.7047058823529412,[984,985,986,987,988],{"_223":382,"_224":383,"_42":384,"_306":385},"1986.136","Eugène Grasset painted this in 1897, aged 56. It is now at the Cleveland Museum of Art.",{"_118":983,"_380":381},"Sculptress, by Eugène Grasset, 1897",{"_297":980,"_299":981,"_301":982},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/etching-revival/sculptress-cma-153129",{"_293":294,"_295":296},{"_227":975,"_125":976,"_287":977},{"_278":972,"_280":973,"_282":974,"_284":957},69.4535294117647,88.5,45.453529411764706,{"_289":227,"_123":978,"_154":979,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":607,"_154":608,"_140":609},"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.",{"_313":997,"_315":998},{"_313":995,"_315":996},{"_313":993,"_315":994},{"_313":991,"_315":992},{"_313":989,"_315":990},"#e5b078",0.0913,"#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917",1841,1917,"apple-trees-along-the-side-of-a-ditch-nga-208413","Apple Trees along the Side of a Ditch",{"_42":1058,"_224":1059,"_327":1060,"_329":1061,"_331":1062,"_333":1063,"_335":-5,"_336":-5,"_337":-5,"_140":103},"netherlands","etching on wove paper","plate: 29.3 × 24.2 cm (11 9/16 × 9 1/2 in.) sheet: 40.7 × 31.6 cm (16 × 12 7/16 in.)",24.2,29.3,0.769287109375,[1043,1044,1045,1046,1047],{"_223":1040,"_224":1041,"_42":1042,"_306":557},"Courtesy National Gallery of Art, Washington","2016.157.3","Pieter Dupont made this in 1894, aged 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.",{"_297":1037,"_299":1038,"_301":1039},"https://img.ochreeditions.com/m/1693.jpg?dl=1","/art/apple-trees-along-the-side-of-a-ditch-nga-208413","/galleries/style/etching-revival/apple-trees-along-the-side-of-a-ditch-nga-208413",{"_293":294,"_295":296},{"_227":1029,"_125":1030,"_287":1031},{"_278":1026,"_280":1027,"_282":1028,"_284":1011},46.5401123046875,53.3,22.5401123046875,{"_289":227,"_123":1035,"_154":1036,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":1032,"_154":1033,"_140":1034},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-pieter-dupont","Pieter Dupont's contemporaries","https://img.ochreeditions.com/a/1693/480.jpg","https://img.ochreeditions.com/a/1693/960.jpg","https://img.ochreeditions.com/a/1693/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_313":1056,"_315":1057},{"_313":1054,"_315":1055},{"_313":1052,"_315":1053},{"_313":1050,"_315":1051},{"_313":1048,"_315":1049},"#695b50",0.08,"#a18974",0.1122,"#887464",0.162,"#c7aa8e",0.1888,"#e5c7a7",0.457,"Pieter Dupont","pieter-dupont","Dutch, 1870–1911","Dutch",1870,1911,"paulus-from-le-cafe-concert-aic-125990","Paulus, from Le Café-Concert",{"_42":1108,"_224":1109,"_327":1110,"_329":634,"_331":1111,"_333":1112,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1893","Lithograph on ivory wove paper","Image: 22.8 × 14.3 cm (9 × 5 11/16 in.); Sheet: 43.7 × 31.9 cm (17 1/4 × 12 9/16 in.)",0.7285374336445176,[1093,1094,1095,1096,1097],{"_223":303,"_224":304,"_42":305,"_306":307},"1938.1150","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph on ivory wove paper.",{"_297":1090,"_299":1091,"_301":1092},"https://img.ochreeditions.com/m/304.jpg?dl=1","/art/paulus-from-le-cafe-concert-aic-125990","/galleries/style/etching-revival/paulus-from-le-cafe-concert-aic-125990",{"_293":294,"_295":296},{"_227":1085,"_125":1086,"_287":1087},{"_278":1083,"_280":487,"_282":1084,"_284":489},42.21343584111294,18.21343584111294,{"_289":227,"_123":1088,"_154":1089,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":607,"_154":608,"_140":609},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/304/480.jpg","https://img.ochreeditions.com/a/304/960.jpg","https://img.ochreeditions.com/a/304/1920.jpg",{"_313":1106,"_315":1107},{"_313":1104,"_315":1105},{"_313":1102,"_315":1103},{"_313":1100,"_315":1101},{"_313":1098,"_315":1099},"#6b6860",0.0196,"#bbb5a4",0.0216,"#2c2c2c",0.0479,"#ede3cc",0.3178,"#efe7d2",0.5931,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":513,"_224":514,"_327":515,"_329":462,"_331":516,"_333":517,"_335":518,"_336":519,"_337":520,"_140":233},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[1143,1144,1145,1146,1147],{"_223":303,"_224":304,"_42":305,"_306":307},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_297":1140,"_299":1141,"_301":1142},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_293":294,"_295":296},{"_227":1137,"_125":1138,"_287":1139},{"_278":1134,"_280":1135,"_282":1119,"_284":1136},53,43.31041635797896,19.31041635797896,{"_289":227,"_123":493,"_154":494,"_140":233},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_313":1155,"_315":1156},{"_313":1153,"_315":1154},{"_313":1151,"_315":1152},{"_313":1150,"_315":880},{"_313":1148,"_315":1149},"#a58970",0.1246,"#77604c","#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,{"_1158":-5,"_1159":1160,"_1161":1162,"_1163":8,"_1164":1165,"_1166":8},"user","csrf","07fdfddd8528d0977feb755ad0575e79f5d687b0","cartCount",0,"dropLive","legal",[1167,1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178],"uploadsEnabled",{"_224":1201,"_20":1202},{"_224":1199,"_20":1200},{"_224":1197,"_20":1198},{"_224":1195,"_20":1196},{"_224":1193,"_20":1194},{"_224":1191,"_20":1192},{"_224":1189,"_20":1190},{"_224":1187,"_20":1188},{"_224":1185,"_20":1186},{"_224":1183,"_20":1184},{"_224":1181,"_20":1182},{"_224":1179,"_20":1180},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]