[{"_1":2,"_3":4},"root",{"_5":1136},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Etching Revival, in the galleries · Ochre Editions","description","Artists who took up the etching needle again, from Whistler to the Paris printmakers. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/etching-revival","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/etching-revival.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Etching Revival, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/la-belle-jardiniere-aic-73398",15,"https://www.ochreeditions.com/art/bastille-day-cma-131761",14,"https://www.ochreeditions.com/art/shrewsbury-river-nga-148431",13,"https://www.ochreeditions.com/art/landscape-nga-40059",12,"https://www.ochreeditions.com/art/washerwomen-descending-a-quai-staircase-cma-441006",11,"https://www.ochreeditions.com/art/lowlands-nga-5973",10,"https://www.ochreeditions.com/art/sculptress-cma-153129",9,"https://www.ochreeditions.com/art/paulus-from-le-cafe-concert-aic-125990",8,"https://www.ochreeditions.com/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",7,"https://www.ochreeditions.com/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",6,"https://www.ochreeditions.com/art/the-old-violin-aic-135454",5,"https://www.ochreeditions.com/art/tingletangle-aic-17236",4,"https://www.ochreeditions.com/art/business-men-s-class-cma-115925",3,"https://www.ochreeditions.com/art/cape-ann-willows-nga-149212",2,"https://www.ochreeditions.com/art/mission-santa-barbara-looking-south-nga-182317",1,"https://www.ochreeditions.com/art/portrait-of-mrs-c-si-saam-1973-130-104","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~etching-revival.15b4b450f5.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~etching-revival.15b4b450f5.jpg","alt","The Etching Revival, a room in the galleries: three of its 50 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Etching Revival: 50 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~etching-revival.jpg","key","style/etching-revival","style","The Etching Revival","intro","Artists who took up the etching needle again, from Whistler to the Paris printmakers.","wing","Style galleries","floor","layout","long","hang",9199,"/galleries/style/etching-revival","total",50,"page","works",[202,203,204,205,206,207,208,209,210,211,212,213,214,215,216,217],"walls",[173,174,175,176],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6OTE5OSwiaSI6bnVsbCwiZyI6IjZKSGFJQnVHIn0","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/etching-revival?hang=9199&cursor=eyJvIjoxNiwiaCI6OTE5OSwiaSI6bnVsbCwiZyI6IjZKSGFJQnVHIn0&via=continue","label","The Etching Revival, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/279/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":172},{"_154":165,"_123":166,"_44":167,"_140":168},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=9199&via=continue",198,"More by James McNeill Whistler","artist/james-mcneill-whistler","/galleries/artist/james-mcneill-whistler?hang=9199&via=continue",19,{"_42":196,"_178":197},{"_42":190,"_178":191},{"_42":184,"_178":185},{"_42":177,"_178":179},"Section 2, north wall","work_ids",[180,181,182,183],1497,1678,604,188,"Section 2, south wall",[186,187,188,189],304,737,1341,794,"Section 1, south wall",[192,193,194,195],67,318,1992,1991,"Section 1, north wall",[198,199,200,201],1946,1687,1679,532,{"_218":198,"_219":1086,"_20":1087,"_222":1088,"_224":-5,"_225":226,"_227":172,"_228":-5,"_230":-5,"_125":231,"_28":232,"_233":721,"_235":722,"_237":1089,"_239":1090,"_240":1091,"_242":1092,"_244":1093,"_246":1094,"_248":729,"_250":1095,"_252":253,"_254":1096,"_154":-5,"_256":-5,"_111":1097,"_258":1098,"_260":1099,"_262":1100,"_264":1101,"_266":1102,"_144":1103,"_269":1104},{"_218":199,"_219":1036,"_20":1037,"_222":1038,"_224":-5,"_225":504,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":1039,"_237":1040,"_239":1041,"_240":1042,"_242":1043,"_244":1044,"_246":1045,"_248":404,"_250":1046,"_252":253,"_254":1047,"_154":-5,"_256":-5,"_111":1048,"_258":1049,"_260":1050,"_262":1051,"_264":1052,"_266":1053,"_144":1054,"_269":1055},{"_218":200,"_219":985,"_20":986,"_222":987,"_224":-5,"_225":398,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":988,"_237":989,"_239":990,"_240":991,"_242":992,"_244":993,"_246":994,"_248":404,"_250":995,"_252":253,"_254":996,"_154":-5,"_256":-5,"_111":997,"_258":998,"_260":999,"_262":1000,"_264":1001,"_266":1002,"_144":1003,"_269":1004},{"_218":201,"_219":931,"_20":932,"_222":933,"_224":-5,"_225":934,"_227":564,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":935,"_237":936,"_239":937,"_240":938,"_242":939,"_244":940,"_246":941,"_248":346,"_250":942,"_252":253,"_254":943,"_154":944,"_256":-5,"_111":945,"_258":946,"_260":947,"_262":948,"_264":949,"_266":950,"_144":951,"_269":952},{"_218":192,"_219":875,"_20":876,"_222":877,"_224":-5,"_225":878,"_227":172,"_228":879,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":880,"_237":881,"_239":882,"_240":883,"_242":884,"_244":885,"_246":886,"_248":249,"_250":887,"_252":253,"_254":888,"_154":-5,"_256":-5,"_111":889,"_258":890,"_260":891,"_262":892,"_264":893,"_266":894,"_144":895,"_269":896},{"_218":193,"_219":823,"_20":824,"_222":825,"_224":-5,"_225":398,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":826,"_237":827,"_239":828,"_240":829,"_242":830,"_244":831,"_246":832,"_248":249,"_250":833,"_252":253,"_254":834,"_154":-5,"_256":-5,"_111":835,"_258":836,"_260":837,"_262":838,"_264":839,"_266":840,"_144":841,"_269":842},{"_218":194,"_219":778,"_20":779,"_222":780,"_224":-5,"_225":781,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":721,"_235":722,"_237":782,"_239":783,"_240":784,"_242":785,"_244":786,"_246":787,"_248":729,"_250":788,"_252":253,"_254":789,"_154":-5,"_256":790,"_111":791,"_258":792,"_260":793,"_262":794,"_264":795,"_266":796,"_144":797,"_269":798},{"_218":195,"_219":717,"_20":718,"_222":719,"_224":-5,"_225":720,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":721,"_235":722,"_237":723,"_239":724,"_240":725,"_242":726,"_244":727,"_246":728,"_248":729,"_250":730,"_252":253,"_254":731,"_154":-5,"_256":732,"_111":733,"_258":734,"_260":735,"_262":736,"_264":737,"_266":738,"_144":739,"_269":740},{"_218":186,"_219":668,"_20":669,"_222":670,"_224":-5,"_225":671,"_227":172,"_228":505,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":672,"_237":673,"_239":77,"_240":241,"_242":674,"_244":675,"_246":676,"_248":249,"_250":677,"_252":253,"_254":678,"_154":-5,"_256":-5,"_111":679,"_258":680,"_260":681,"_262":682,"_264":683,"_266":684,"_144":685,"_269":686},{"_218":187,"_219":614,"_20":615,"_222":616,"_224":-5,"_225":617,"_227":172,"_228":505,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":618,"_237":619,"_239":620,"_240":621,"_242":622,"_244":623,"_246":624,"_248":346,"_250":625,"_252":253,"_254":626,"_154":627,"_256":-5,"_111":628,"_258":629,"_260":630,"_262":631,"_264":632,"_266":633,"_144":634,"_269":635},{"_218":188,"_219":560,"_20":561,"_222":562,"_224":-5,"_225":563,"_227":564,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":565,"_237":-5,"_239":-5,"_240":-5,"_242":566,"_244":567,"_246":568,"_248":404,"_250":569,"_252":253,"_254":570,"_154":-5,"_256":-5,"_111":571,"_258":572,"_260":573,"_262":574,"_264":575,"_266":576,"_144":577,"_269":578},{"_218":189,"_219":501,"_20":502,"_222":503,"_224":-5,"_225":504,"_227":172,"_228":505,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":506,"_237":507,"_239":508,"_240":509,"_242":510,"_244":511,"_246":512,"_248":346,"_250":513,"_252":253,"_254":514,"_154":515,"_256":-5,"_111":516,"_258":517,"_260":518,"_262":519,"_264":520,"_266":521,"_144":522,"_269":523},{"_218":180,"_219":451,"_20":452,"_222":453,"_224":-5,"_225":-5,"_227":172,"_228":454,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":399,"_237":-5,"_239":-5,"_240":-5,"_242":455,"_244":456,"_246":457,"_248":404,"_250":458,"_252":253,"_254":459,"_154":-5,"_256":-5,"_111":460,"_258":461,"_260":462,"_262":463,"_264":464,"_266":465,"_144":466,"_269":467},{"_218":181,"_219":395,"_20":396,"_222":397,"_224":-5,"_225":398,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":399,"_237":400,"_239":-5,"_240":-5,"_242":401,"_244":402,"_246":403,"_248":404,"_250":405,"_252":253,"_254":406,"_154":-5,"_256":-5,"_111":407,"_258":408,"_260":409,"_262":410,"_264":411,"_266":412,"_144":413,"_269":414},{"_218":182,"_219":335,"_20":336,"_222":337,"_224":-5,"_225":338,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":339,"_237":340,"_239":341,"_240":342,"_242":343,"_244":344,"_246":345,"_248":346,"_250":347,"_252":253,"_254":348,"_154":349,"_256":-5,"_111":350,"_258":351,"_260":352,"_262":353,"_264":354,"_266":355,"_144":356,"_269":357},{"_218":183,"_219":220,"_20":221,"_222":223,"_224":-5,"_225":226,"_227":172,"_228":229,"_230":-5,"_125":231,"_28":232,"_233":234,"_235":236,"_237":238,"_239":75,"_240":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_154":-5,"_256":-5,"_111":257,"_258":259,"_260":261,"_262":263,"_264":265,"_266":267,"_144":268,"_269":270},"id","slug","la-belle-jardiniere-aic-73398","La Belle Jardinière","artist",{"_42":319,"_219":320,"_321":322,"_323":324,"_325":326,"_327":328,"_329":330,"_331":332,"_333":334,"_140":172},"unrecorded","date","1894","century","place","united-states","movement","etching-revival","print","classification","Print","medium","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","dimensions","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)","width_cm","height_cm",22,"aspect",0.6490230905861456,"palette",[302,303,304,305,306],"museum",{"_218":297,"_219":298,"_42":299,"_300":301},"credit","Courtesy of the Art Institute of Chicago","accession","1917.437","licence","CC0","story","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","note","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.","images",{"_291":292,"_293":294,"_295":296},"download_url","https://img.ochreeditions.com/m/188.jpg?dl=1","page_url","/art/la-belle-jardiniere-aic-73398","walk_url","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398","frame",{"_287":288,"_289":290},{"_222":279,"_125":280,"_281":282},"size",{"_271":272,"_273":274,"_275":276,"_277":278},"w",40.22557726465364,"h",49,"image_w",16.22557726465364,"image_h",25,{"_283":222,"_123":170,"_154":169,"_140":172},{"_283":125,"_123":284,"_154":285,"_140":286},"era",{"_283":281,"_123":166,"_154":165,"_140":168},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/188/480.jpg","960","https://img.ochreeditions.com/a/188/960.jpg","1920","https://img.ochreeditions.com/a/188/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","city","Chicago",{"_307":317,"_309":318},{"_307":315,"_309":316},{"_307":313,"_309":314},{"_307":311,"_309":312},{"_307":308,"_309":310},"hex","#9e8f7e","weight",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"James McNeill Whistler","james-mcneill-whistler","bio","American, 1834–1903","nationality","American","birth_year",1834,"death_year",1903,"birth_place","Lowell, Massachusetts","death_place","London","about_excerpt","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","bastille-day-cma-131761","Bastille Day",{"_42":390,"_219":391,"_321":392,"_323":324,"_325":393,"_327":394,"_329":-5,"_331":-5,"_333":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[375,376,377,378,379],{"_218":371,"_219":372,"_42":373,"_300":374},"Courtesy of the Cleveland Museum of Art","1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":368,"_369":370},"Bastille Day, by Maurice Prendergast, 1892",{"_291":365,"_293":366,"_295":367},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_287":288,"_289":290},{"_222":360,"_125":361,"_281":362},{"_271":358,"_273":274,"_275":359,"_277":278},43.11029411764706,19.110294117647058,{"_283":222,"_123":363,"_154":364,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_307":388,"_309":389},{"_307":386,"_309":387},{"_307":384,"_309":385},{"_307":382,"_309":383},{"_307":380,"_309":381},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":446,"_219":447,"_321":448,"_323":324,"_325":449,"_327":450,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1887","etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[431,432,433,434,435],{"_218":427,"_219":428,"_42":429,"_300":430},"Courtesy National Gallery of Art, Washington","2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_291":424,"_293":425,"_295":426},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_287":288,"_289":290},{"_222":419,"_125":420,"_281":421},{"_271":415,"_273":416,"_275":417,"_277":418},84,67.36633663366337,60,43.366336633663366,{"_283":222,"_123":422,"_154":423,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_307":444,"_309":445},{"_307":442,"_309":443},{"_307":440,"_309":441},{"_307":438,"_309":439},{"_307":436,"_309":437},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"landscape-nga-40059","Landscape",{"_42":495,"_219":496,"_321":497,"_323":498,"_325":499,"_327":500,"_329":-5,"_331":-5,"_333":-5,"_140":103},"germany",1.2591454042422379,[480,481,482,483,484],{"_218":427,"_219":428,"_42":429,"_300":430},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_291":477,"_293":478,"_295":479},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_287":288,"_289":290},{"_222":470,"_125":471,"_281":472},{"_271":415,"_273":468,"_275":417,"_277":469},71.6513671875,47.6513671875,{"_283":222,"_123":475,"_154":476,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":473,"_154":474,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_307":493,"_309":494},{"_307":491,"_309":492},{"_307":489,"_309":490},{"_307":487,"_309":488},{"_307":485,"_309":486},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":554,"_219":555,"_321":556,"_323":557,"_325":558,"_327":559,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1888","france","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[539,540,541,542,543],{"_218":371,"_219":372,"_42":373,"_300":374},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":538,"_369":370},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_291":535,"_293":536,"_295":537},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_287":288,"_289":290},{"_222":527,"_125":528,"_281":529},{"_271":524,"_273":525,"_275":526,"_277":509},67.31202941176471,81.1,43.312029411764705,{"_283":222,"_123":533,"_154":534,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":530,"_154":531,"_140":532},"era/19-france","19th-century France",237,"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_307":552,"_309":553},{"_307":550,"_309":551},{"_307":548,"_309":549},{"_307":546,"_309":547},{"_307":544,"_309":545},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916","French",1863,1916,"lowlands-nga-5973","Lowlands",{"_42":609,"_219":610,"_321":611,"_323":324,"_325":612,"_327":613,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1918",20,"wood engraving",1.2816065723413965,[594,595,596,597,598],{"_218":427,"_219":428,"_42":429,"_300":430},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_291":591,"_293":592,"_295":593},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_287":288,"_289":290},{"_222":581,"_125":582,"_281":583},{"_271":415,"_273":579,"_275":417,"_277":580},70.81623931623932,46.81623931623932,{"_283":222,"_123":589,"_154":590,"_140":89},{"_283":125,"_123":587,"_154":588,"_140":75},{"_283":281,"_123":584,"_154":585,"_140":586},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_307":607,"_309":608},{"_307":605,"_309":606},{"_307":603,"_309":604},{"_307":601,"_309":602},{"_307":599,"_309":600},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1852,1931,"sculptress-cma-153129","Sculptress",{"_42":663,"_219":664,"_321":665,"_323":557,"_325":666,"_327":667,"_329":-5,"_331":-5,"_333":-5,"_140":103},"1897","lithograph with watercolor added by hand","Sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); Image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)",49.5,64.5,0.7047058823529412,[648,649,650,651,652],{"_218":371,"_219":372,"_42":373,"_300":374},"1986.136","Eugène Grasset painted this in 1897, aged 56. It is now at the Cleveland Museum of Art.",{"_118":647,"_369":370},"Sculptress, by Eugène Grasset, 1897",{"_291":644,"_293":645,"_295":646},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/etching-revival/sculptress-cma-153129",{"_287":288,"_289":290},{"_222":639,"_125":640,"_281":641},{"_271":636,"_273":637,"_275":638,"_277":621},69.4535294117647,88.5,45.453529411764706,{"_283":222,"_123":642,"_154":643,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":530,"_154":531,"_140":532},"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.",{"_307":661,"_309":662},{"_307":659,"_309":660},{"_307":657,"_309":658},{"_307":655,"_309":656},{"_307":653,"_309":654},"#e5b078",0.0913,"#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917",1841,1917,"paulus-from-le-cafe-concert-aic-125990","Paulus, from Le Café-Concert",{"_42":712,"_219":713,"_321":714,"_323":557,"_325":715,"_327":716,"_329":-5,"_331":-5,"_333":-5,"_140":101},"1893","Lithograph on ivory wove paper","Image: 22.8 × 14.3 cm (9 × 5 11/16 in.); Sheet: 43.7 × 31.9 cm (17 1/4 × 12 9/16 in.)",0.7285374336445176,[697,698,699,700,701],{"_218":297,"_219":298,"_42":299,"_300":301},"1938.1150","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph on ivory wove paper.",{"_291":694,"_293":695,"_295":696},"https://img.ochreeditions.com/m/304.jpg?dl=1","/art/paulus-from-le-cafe-concert-aic-125990","/galleries/style/etching-revival/paulus-from-le-cafe-concert-aic-125990",{"_287":288,"_289":290},{"_222":689,"_125":690,"_281":691},{"_271":687,"_273":274,"_275":688,"_277":278},42.21343584111294,18.21343584111294,{"_283":222,"_123":692,"_154":693,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":530,"_154":531,"_140":532},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/304/480.jpg","https://img.ochreeditions.com/a/304/960.jpg","https://img.ochreeditions.com/a/304/1920.jpg",{"_307":710,"_309":711},{"_307":708,"_309":709},{"_307":706,"_309":707},{"_307":704,"_309":705},{"_307":702,"_309":703},"#6b6860",0.0196,"#bbb5a4",0.0216,"#2c2c2c",0.0479,"#ede3cc",0.3178,"#efe7d2",0.5931,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":770,"_219":771,"_321":772,"_323":324,"_325":773,"_327":774,"_329":775,"_331":776,"_333":777,"_140":53},"1862","Graphic Arts-Print","wood engraving on paper","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[755,756,757,758,759],{"_218":752,"_219":753,"_42":754,"_300":430},"Courtesy of the Smithsonian American Art Museum","1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_291":749,"_293":750,"_295":751},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_287":288,"_289":290},{"_222":744,"_125":745,"_281":746},{"_271":741,"_273":742,"_275":724,"_277":743},76.7,60.7319,36.7319,{"_283":222,"_123":747,"_154":748,"_140":53},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg","si","smithsonian","Smithsonian Institution",{"_307":768,"_309":769},{"_307":766,"_309":767},{"_307":764,"_309":765},{"_307":762,"_309":763},{"_307":760,"_309":761},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":770,"_219":771,"_321":772,"_323":324,"_325":773,"_327":774,"_329":775,"_331":776,"_333":777,"_140":53},"1870","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,35,0.6723333333333333,[808,809,810,811,812],{"_218":752,"_219":753,"_42":754,"_300":430},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_291":805,"_293":806,"_295":807},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_287":288,"_289":290},{"_222":802,"_125":803,"_281":804},{"_271":799,"_273":800,"_275":801,"_277":784},47.531666666666666,59,23.531666666666666,{"_283":222,"_123":747,"_154":748,"_140":53},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_307":821,"_309":822},{"_307":819,"_309":820},{"_307":817,"_309":818},{"_307":815,"_309":816},{"_307":813,"_309":814},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"the-old-violin-aic-135454","The Old Violin",{"_42":869,"_219":870,"_321":871,"_323":872,"_325":873,"_327":874,"_329":-5,"_331":-5,"_333":-5,"_140":101},"Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[854,855,856,857,858],{"_218":297,"_219":298,"_42":299,"_300":301},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_291":851,"_293":852,"_295":853},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_287":288,"_289":290},{"_222":846,"_125":847,"_281":848},{"_271":843,"_273":844,"_275":845,"_277":829},87.83501457072404,112,63.83501457072405,{"_283":222,"_123":849,"_154":850,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_307":867,"_309":868},{"_307":865,"_309":866},{"_307":863,"_309":864},{"_307":861,"_309":862},{"_307":859,"_309":860},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"tingletangle-aic-17236","Tingletangle",{"_42":925,"_219":926,"_321":927,"_323":928,"_325":558,"_327":929,"_329":-5,"_331":-5,"_333":930,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[910,911,912,913,914],{"_218":297,"_219":298,"_42":299,"_300":301},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_291":907,"_293":908,"_295":909},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_287":288,"_289":290},{"_222":900,"_125":901,"_281":902},{"_271":897,"_273":898,"_275":882,"_277":899},87,68.45550732501357,44.45550732501357,{"_283":222,"_123":905,"_154":906,"_140":99},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":903,"_154":904,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_307":923,"_309":924},{"_307":921,"_309":922},{"_307":919,"_309":920},{"_307":917,"_309":918},{"_307":915,"_309":916},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","business-men-s-class-cma-115925","Business Men's Class",{"_42":980,"_219":981,"_321":982,"_323":324,"_325":499,"_327":983,"_329":-5,"_331":-5,"_333":984,"_140":93},"1916","lithograph","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[965,966,967,968,969],{"_218":371,"_219":372,"_42":373,"_300":374},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":964,"_369":370},"Business Men's Class, by George Bellows, 1916",{"_291":961,"_293":962,"_295":963},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_287":288,"_289":290},{"_222":956,"_125":957,"_281":958},{"_271":953,"_273":954,"_275":937,"_277":955},94,72.71176470588236,48.71176470588236,{"_283":222,"_123":959,"_154":960,"_140":93},{"_283":125,"_123":587,"_154":588,"_140":75},{"_283":281,"_123":584,"_154":585,"_140":586},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_307":978,"_309":979},{"_307":976,"_309":977},{"_307":974,"_309":975},{"_307":972,"_309":973},{"_307":970,"_309":971},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":1031,"_219":1032,"_321":1033,"_323":324,"_325":1034,"_327":1035,"_329":-5,"_331":-5,"_333":-5,"_140":103},"drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[1016,1017,1018,1019,1020],{"_218":427,"_219":428,"_42":429,"_300":430},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_291":1013,"_293":1014,"_295":1015},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_287":288,"_289":290},{"_222":1008,"_125":1009,"_281":1010},{"_271":1005,"_273":1006,"_275":990,"_277":1007},51.5,46.3773193359375,22.3773193359375,{"_283":222,"_123":1011,"_154":1012,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_307":1029,"_309":1030},{"_307":1027,"_309":1028},{"_307":1025,"_309":1026},{"_307":1023,"_309":1024},{"_307":1021,"_309":1022},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":1082,"_219":1083,"_321":1084,"_323":324,"_325":1085,"_327":450,"_329":-5,"_331":-5,"_333":-5,"_140":103},"etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[1067,1068,1069,1070,1071],{"_218":427,"_219":428,"_42":429,"_300":430},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_291":1064,"_293":1065,"_295":1066},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_287":288,"_289":290},{"_222":1059,"_125":1060,"_281":1061},{"_271":1056,"_273":1057,"_275":1058,"_277":1042},44.136475000000004,49.1,20.136475,{"_283":222,"_123":1062,"_154":1063,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_307":1080,"_309":1081},{"_307":1078,"_309":1079},{"_307":1076,"_309":1077},{"_307":1074,"_309":1075},{"_307":1072,"_309":1073},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,"portrait-of-mrs-c-si-saam-1973-130-104","Portrait of Mrs. C--",{"_42":1133,"_219":1134,"_321":1135,"_323":-5,"_325":612,"_327":559,"_329":-5,"_331":-5,"_333":-5,"_140":101},"image: 6 1/2 x 4 7/8 in. (16.6 x 12.5 cm)",12.5,16.6,0.7476666666666667,[1118,1119,1120,1121,1122],{"_218":752,"_219":753,"_42":754,"_300":430},"1973.130.104","Henry Wolf made this in 1894, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of Mrs. C--, by Henry Wolf, 1894",{"_291":1115,"_293":1116,"_295":1117},"https://img.ochreeditions.com/m/1946.jpg?dl=1","/art/portrait-of-mrs-c-si-saam-1973-130-104","/galleries/style/etching-revival/portrait-of-mrs-c-si-saam-1973-130-104",{"_287":288,"_289":290},{"_222":1107,"_125":1108,"_281":1109},{"_271":1105,"_273":274,"_275":1106,"_277":278},42.69166666666666,18.691666666666666,{"_283":222,"_123":1113,"_154":1114,"_140":89},{"_283":125,"_123":284,"_154":285,"_140":286},{"_283":281,"_123":1110,"_154":1111,"_140":1112},"era/19","The 19th century",731,"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1946/480.jpg","https://img.ochreeditions.com/a/1946/960.jpg","https://img.ochreeditions.com/a/1946/1920.jpg",{"_307":1131,"_309":1132},{"_307":1129,"_309":1130},{"_307":1127,"_309":1128},{"_307":1125,"_309":1126},{"_307":1123,"_309":1124},"#c3c1b3",0.0698,"#858274",0.0711,"#433e35",0.2144,"#fbfaeb",0.2191,"#302b24",0.4256,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",{"_1137":-5,"_1138":1139,"_1140":1141,"_1142":8,"_1143":1144,"_1145":8},"user","csrf","84a496f9a49458aa9cbcdbf1634c968bd638e8a5","cartCount",0,"dropLive","legal",[1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156,1157],"uploadsEnabled",{"_219":1180,"_20":1181},{"_219":1178,"_20":1179},{"_219":1176,"_20":1177},{"_219":1174,"_20":1175},{"_219":1172,"_20":1173},{"_219":1170,"_20":1171},{"_219":1168,"_20":1169},{"_219":1166,"_20":1167},{"_219":1164,"_20":1165},{"_219":1162,"_20":1163},{"_219":1160,"_20":1161},{"_219":1158,"_20":1159},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]
