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It is now at the Cleveland Museum of Art.",{"_118":436,"_437":438},"Evening, Melancholy I, by Edvard Munch, 1896",{"_296":433,"_298":434,"_300":435},"https://img.ochreeditions.com/m/636.jpg?dl=1","/art/evening-melancholy-i-cma-136154","/galleries/style/etching-revival/evening-melancholy-i-cma-136154",{"_292":293,"_294":295},{"_227":426,"_125":427,"_286":428},{"_276":423,"_278":424,"_280":406,"_282":425},69,63.01764705882353,39.01764705882353,{"_288":227,"_123":431,"_154":432,"_140":99},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":429,"_154":430,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/636/480.jpg","https://img.ochreeditions.com/a/636/960.jpg","https://img.ochreeditions.com/a/636/1920.jpg","Evening, Melancholy I depicts the jilted, tormented art critic Jappe Nilssen, Munch's friend, on the shore of Åsgårdstrand, a fishing village south of Oslo.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":456,"_314":457},{"_312":454,"_314":455},{"_312":452,"_314":453},{"_312":450,"_314":451},{"_312":448,"_314":449},"#ede3d0",0.0552,"#b8a78e",0.1378,"#7a6f5f",0.1616,"#5d4f4a",0.2478,"#3b3944",0.3976,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":516,"_224":517,"_326":518,"_328":519,"_330":520,"_332":521,"_334":522,"_335":523,"_336":-5,"_140":103},"ca. 1890–96","latin-america","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[501,502,503,504,505],{"_223":372,"_224":373,"_42":374,"_305":375},"46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_296":498,"_298":499,"_300":500},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_292":293,"_294":295},{"_227":490,"_125":491,"_286":492},{"_276":487,"_278":488,"_280":489,"_282":473},54.41883383520394,64,30.41883383520394,{"_288":227,"_123":496,"_154":497,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":493,"_154":494,"_140":495},"era/19","The 19th century",731,"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg",{"_312":514,"_314":515},{"_312":512,"_314":513},{"_312":510,"_314":511},{"_312":508,"_314":509},{"_312":506,"_314":507},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","the-petit-pont-cma-130336","The Petit Pont",{"_42":577,"_224":578,"_326":579,"_328":580,"_330":581,"_332":582,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1850","france","etching with engraving","Sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); Image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.)",19.6,26.4,0.7438235294117647,[562,563,564,565,566],{"_223":439,"_224":440,"_42":441,"_305":442},"1953.10","Charles Meryon made this in 1850, aged 29. It is now at the Cleveland Museum of Art.",{"_118":561,"_437":438},"The Petit Pont, by Charles Meryon, 1850",{"_296":558,"_298":559,"_300":560},"https://img.ochreeditions.com/m/599.jpg?dl=1","/art/the-petit-pont-cma-130336","/galleries/style/etching-revival/the-petit-pont-cma-130336",{"_292":293,"_294":295},{"_227":550,"_125":551,"_286":552},{"_276":547,"_278":548,"_280":549,"_282":532},43.636941176470586,50.4,19.636941176470586,{"_288":227,"_123":556,"_154":557,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":553,"_154":554,"_140":555},"era/19-france","19th-century France",237,"artist/contemporaries-of-charles-meryon","Charles Meryon's contemporaries","https://img.ochreeditions.com/a/599/480.jpg","https://img.ochreeditions.com/a/599/960.jpg","https://img.ochreeditions.com/a/599/1920.jpg","Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites.",{"_312":575,"_314":576},{"_312":573,"_314":574},{"_312":571,"_314":572},{"_312":569,"_314":570},{"_312":567,"_314":568},"#7e7263",0.1576,"#433d38",0.1799,"#5d544b",0.1842,"#a2937e",0.2201,"#bcaf9d",0.2582,"Charles Meryon","charles-meryon","French, 1821–1868","French",1821,1868,"une-lecture-interessante-et-rafraichissante-nga-170184","Une lecture intéressante et rafraichissante",{"_42":627,"_224":628,"_326":629,"_328":580,"_330":630,"_332":631,"_334":632,"_335":633,"_336":634,"_140":95},"1854","lithograph",1.1524056467876693,[612,613,614,615,616],{"_223":302,"_224":303,"_42":304,"_305":306},"2015.143.1157","Honoré Daumier made this in 1854, aged 46. It is now at the National Gallery of Art in Washington, DC.","A balding man in spectacles sits by the water with his feet submerged, absorbed in his reading, while his companion beside him, feet likewise in the water, sits upright with her hands in her lap. His top hat waits on the ground. The caption calls it “an interesting and refreshing read”.","The image shows two individuals seated outdoors near a body of water with their feet submerged. Both individuals are seen from head to toe. The person on the left is seated with a slightly hunched posture, reading a document or a book. They have a balding head, wear glasses, a dark suit with the coat draped over their knees, and a top hat placed on the ground. The individual on the right is sitting upright with a scarf over their hair. They wear a long dress with a shawl, and their hands rest on their lap. The background features a bare tree and a rough, sketched environment. The sky and landscape are depicted in shades of light and dark.",{"_296":609,"_298":610,"_300":611},"https://img.ochreeditions.com/m/1683.jpg?dl=1","/art/une-lecture-interessante-et-rafraichissante-nga-170184","/galleries/style/etching-revival/une-lecture-interessante-et-rafraichissante-nga-170184",{"_292":293,"_294":295},{"_227":604,"_125":605,"_286":606},{"_276":277,"_278":602,"_280":281,"_282":603},76.065,52.065,{"_288":227,"_123":607,"_154":608,"_140":95},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":553,"_154":554,"_140":555},"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1683/480.jpg","https://img.ochreeditions.com/a/1683/960.jpg","https://img.ochreeditions.com/a/1683/1920.jpg",{"_312":625,"_314":626},{"_312":623,"_314":624},{"_312":621,"_314":622},{"_312":619,"_314":620},{"_312":617,"_314":618},"#535049",0.0776,"#787266",0.1625,"#9b907f",0.181,"#c1b198",0.2099,"#dfc9ad",0.369,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","paulus-from-le-cafe-concert-aic-125990","Paulus, from Le Café-Concert",{"_42":686,"_224":687,"_326":688,"_328":580,"_330":689,"_332":690,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1893","Lithograph on ivory wove paper","Image: 22.8 × 14.3 cm (9 × 5 11/16 in.); Sheet: 43.7 × 31.9 cm (17 1/4 × 12 9/16 in.)",22,0.7285374336445176,[671,672,673,674,675],{"_223":667,"_224":668,"_42":669,"_305":670},"Courtesy of the Art Institute of Chicago","1938.1150","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph on ivory wove paper.",{"_296":664,"_298":665,"_300":666},"https://img.ochreeditions.com/m/304.jpg?dl=1","/art/paulus-from-le-cafe-concert-aic-125990","/galleries/style/etching-revival/paulus-from-le-cafe-concert-aic-125990",{"_292":293,"_294":295},{"_227":659,"_125":660,"_286":661},{"_276":656,"_278":344,"_280":657,"_282":658},42.21343584111294,18.21343584111294,25,{"_288":227,"_123":662,"_154":663,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":553,"_154":554,"_140":555},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/304/480.jpg","https://img.ochreeditions.com/a/304/960.jpg","https://img.ochreeditions.com/a/304/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":684,"_314":685},{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},"#6b6860",0.0196,"#bbb5a4",0.0216,"#2c2c2c",0.0479,"#ede3cc",0.3178,"#efe7d2",0.5931,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","At the window (\"Open here I flung the shutter...\"), from The Raven (Le Corbeau)",{"_42":739,"_224":740,"_326":741,"_328":580,"_330":742,"_332":743,"_334":744,"_335":744,"_336":745,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 38.7 × 31.5 cm (15 1/4 × 12 7/16 in.); Sheet: 55.1 × 39 cm (21 3/4 × 15 3/8 in.)",31,38,0.7145762711864406,[724,725,726,727,728],{"_223":667,"_224":668,"_42":669,"_305":670},"1945.52.5","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Open here I flung the shutter”: in Poe’s poem the sleepless narrator throws open his window, and in steps the raven, which will perch above his door and answer every question with “Nevermore”.","A work made of transfer lithograph in black on gray china paper.",{"_296":721,"_298":722,"_300":723},"https://img.ochreeditions.com/m/281.jpg?dl=1","/art/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","/galleries/style/etching-revival/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366",{"_292":293,"_294":295},{"_227":716,"_125":717,"_286":718},{"_276":713,"_278":714,"_280":715,"_282":698},51.153898305084745,62,27.153898305084745,{"_288":227,"_123":719,"_154":720,"_140":53},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":553,"_154":554,"_140":555},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/281/480.jpg","https://img.ochreeditions.com/a/281/960.jpg","https://img.ochreeditions.com/a/281/1920.jpg",{"_312":737,"_314":738},{"_312":735,"_314":736},{"_312":733,"_314":734},{"_312":731,"_314":732},{"_312":729,"_314":730},"#66655f",0.0581,"#363531",0.0591,"#918f88",0.091,"#c2c0b9",0.1196,"#eae8e1",0.6722,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":802,"_224":803,"_326":804,"_328":-5,"_330":805,"_332":206,"_334":-5,"_335":-5,"_336":-5,"_140":101},"ca. 1918",20,"Graphic Arts-Print","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[787,788,789,790,791],{"_223":784,"_224":785,"_42":786,"_305":306},"Courtesy of the Smithsonian American Art Museum","1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_296":781,"_298":782,"_300":783},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_292":293,"_294":295},{"_227":771,"_125":772,"_286":773},{"_276":769,"_278":344,"_280":770,"_282":658},40.59166666666667,16.591666666666665,{"_288":227,"_123":779,"_154":780,"_140":89},{"_288":125,"_123":777,"_154":778,"_140":75},{"_288":286,"_123":774,"_154":775,"_140":776},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":800,"_314":801},{"_312":798,"_314":799},{"_312":796,"_314":797},{"_312":794,"_314":795},{"_312":792,"_314":793},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":853,"_224":854,"_326":855,"_328":329,"_330":856,"_332":333,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[838,839,840,841,842],{"_223":302,"_224":303,"_42":304,"_305":306},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_296":835,"_298":836,"_300":837},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_292":293,"_294":295},{"_227":830,"_125":831,"_286":832},{"_276":827,"_278":828,"_280":829,"_282":813},44.136475000000004,49.1,20.136475,{"_288":227,"_123":833,"_154":834,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_312":851,"_314":852},{"_312":849,"_314":850},{"_312":847,"_314":848},{"_312":845,"_314":846},{"_312":843,"_314":844},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,"landscape-nga-40059","Landscape",{"_42":901,"_224":902,"_326":903,"_328":904,"_330":905,"_332":906,"_334":-5,"_335":-5,"_336":-5,"_140":103},"germany",1.2591454042422379,[886,887,888,889,890],{"_223":302,"_224":303,"_42":304,"_305":306},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_296":883,"_298":884,"_300":885},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_292":293,"_294":295},{"_227":876,"_125":877,"_286":878},{"_276":277,"_278":874,"_280":281,"_282":875},71.6513671875,47.6513671875,{"_288":227,"_123":881,"_154":882,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":879,"_154":880,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},{"_312":893,"_314":894},{"_312":891,"_314":892},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"the-frugal-meal-cma-111385","The Frugal Meal",{"_42":956,"_224":957,"_326":958,"_328":959,"_330":960,"_332":961,"_334":-5,"_335":-5,"_336":-5,"_140":103},"September 1904, printed 1913","spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[941,942,943,944,945],{"_223":439,"_224":440,"_42":441,"_305":442},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":940,"_437":438},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_296":937,"_298":938,"_300":939},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_292":293,"_294":295},{"_227":932,"_125":933,"_286":934},{"_276":929,"_278":930,"_280":931,"_282":914},61.81852941176471,69.5,37.81852941176471,{"_288":227,"_123":935,"_154":936,"_140":89},{"_288":125,"_123":777,"_154":778,"_140":75},{"_288":286,"_123":774,"_154":775,"_140":776},"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_312":954,"_314":955},{"_312":952,"_314":953},{"_312":950,"_314":951},{"_312":948,"_314":949},{"_312":946,"_314":947},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,1973,"the-stranger-si-saam-1983-4","The Stranger",{"_42":1009,"_224":1010,"_326":1011,"_328":-5,"_330":462,"_332":206,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1916","lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[994,995,996,997,998],{"_223":784,"_224":785,"_42":786,"_305":306},"1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_296":991,"_298":992,"_300":993},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_292":293,"_294":295},{"_227":986,"_125":987,"_286":988},{"_276":983,"_278":984,"_280":985,"_282":969},47.74746666666667,58.4,23.747466666666668,{"_288":227,"_123":989,"_154":990,"_140":89},{"_288":125,"_123":777,"_154":778,"_140":75},{"_288":286,"_123":774,"_154":775,"_140":776},"artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg",{"_312":1007,"_314":1008},{"_312":1005,"_314":1006},{"_312":1003,"_314":1004},{"_312":1001,"_314":1002},{"_312":999,"_314":1000},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946","portrait-of-mrs-c-si-saam-1973-130-104","Portrait of Mrs. C--",{"_42":1058,"_224":1059,"_326":1060,"_328":-5,"_330":520,"_332":1061,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1894","wood engraving on paper","image: 6 1/2 x 4 7/8 in. (16.6 x 12.5 cm)",12.5,16.6,0.7476666666666667,[1043,1044,1045,1046,1047],{"_223":784,"_224":785,"_42":786,"_305":306},"1973.130.104","Henry Wolf made this in 1894, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of Mrs. C--, by Henry Wolf, 1894",{"_296":1040,"_298":1041,"_300":1042},"https://img.ochreeditions.com/m/1946.jpg?dl=1","/art/portrait-of-mrs-c-si-saam-1973-130-104","/galleries/style/etching-revival/portrait-of-mrs-c-si-saam-1973-130-104",{"_292":293,"_294":295},{"_227":1035,"_125":1036,"_286":1037},{"_276":1033,"_278":344,"_280":1034,"_282":658},42.69166666666666,18.691666666666666,{"_288":227,"_123":1038,"_154":1039,"_140":89},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":493,"_154":494,"_140":495},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1946/480.jpg","https://img.ochreeditions.com/a/1946/960.jpg","https://img.ochreeditions.com/a/1946/1920.jpg",{"_312":1056,"_314":1057},{"_312":1054,"_314":1055},{"_312":1052,"_314":1053},{"_312":1050,"_314":1051},{"_312":1048,"_314":1049},"#c3c1b3",0.0698,"#858274",0.0711,"#433e35",0.2144,"#fbfaeb",0.2191,"#302b24",0.4256,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1916,"street-in-saverne-nga-133448","Street in Saverne",{"_42":391,"_224":392,"_326":393,"_328":329,"_330":394,"_332":395,"_334":396,"_335":397,"_336":398,"_140":233},"1858","etching and open bite or sandpaper ground on laid paper","plate: 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.) sheet: 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.)",15.8,20.9,0.763916015625,[1092,1093,1094,1095,1096],{"_223":302,"_224":303,"_42":304,"_305":306},"2005.99.38","James McNeill Whistler made this in 1858, aged 24. It is now at the National Gallery of Art in Washington, DC.","A narrow street in the Alsatian town of Saverne stretches away at night, its worn house fronts in deep shadow and a single figure in the distance.","The image shows a street scene from a close perspective down a narrow alleyway. The horizon is not visible, with buildings on both sides. The style features detailed etching with fine lines and shading for depth and texture. The color palette is monochromatic with black, gray, and off-white tones. The houses have worn facades, and there is a distant figure. The sky is dark and overcast, enhancing the shadow-filled scene.",{"_296":1089,"_298":1090,"_300":1091},"https://img.ochreeditions.com/m/1657.jpg?dl=1","/art/street-in-saverne-nga-133448","/galleries/style/etching-revival/street-in-saverne-nga-133448",{"_292":293,"_294":295},{"_227":1086,"_125":1087,"_286":1088},{"_276":1084,"_278":344,"_280":1085,"_282":658},43.097900390625,19.097900390625,{"_288":227,"_123":367,"_154":368,"_140":233},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1657/960.jpg","https://img.ochreeditions.com/a/1657/1920.jpg",{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},{"_312":1100,"_314":1101},{"_312":1099,"_314":949},{"_312":1097,"_314":1098},"#bda983",0.1119,"#9a8a6e","#726755",0.1964,"#403c3a",0.2194,"#585046",0.3116,"nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":391,"_224":392,"_326":393,"_328":329,"_330":394,"_332":395,"_334":396,"_335":397,"_336":398,"_140":233},"1879–80","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[1137,1138,1139,1140,1141],{"_223":372,"_224":373,"_42":374,"_305":375},"40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_296":1134,"_298":1135,"_300":1136},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_292":293,"_294":295},{"_227":1131,"_125":1132,"_286":1133},{"_276":1128,"_278":1129,"_280":1130,"_282":1113},44.074504480043444,53.2,20.074504480043444,{"_288":227,"_123":367,"_154":368,"_140":233},{"_288":125,"_123":289,"_154":290,"_140":291},{"_288":286,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg",{"_312":1150,"_314":1151},{"_312":1148,"_314":1149},{"_312":1146,"_314":1147},{"_312":1144,"_314":1145},{"_312":1142,"_314":1143},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,{"_1153":-5,"_1154":1155,"_1156":1157,"_1158":8,"_1159":1160,"_1161":8},"user","csrf","7eb3a06733d12eb4b27ff65a6c26876961768784","cartCount",0,"dropLive","legal",[1162,1163,1164,1165,1166,1167,1168,1169,1170,1171,1172,1173],"uploadsEnabled",{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]