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The horizon is high, showing rooftops and the sun above it.",{"_296":370,"_298":371,"_300":372},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_292":293,"_294":295},{"_227":360,"_125":361,"_287":362},{"_278":356,"_280":357,"_282":358,"_283":359},84,71.6513671875,60,47.6513671875,{"_289":227,"_123":368,"_154":369,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":363,"_154":364,"_140":77},"era/19-germany","19th-century Germany","style/print-19","More prints of the 19th century",159,"artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_312":386,"_314":387},{"_312":384,"_314":385},{"_312":382,"_314":383},{"_312":380,"_314":381},{"_312":378,"_314":379},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"modern-masks-aic-49384","Modern Masks",{"_42":450,"_224":451,"_326":452,"_328":453,"_330":454,"_332":455,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,29,0.618788452437293,[435,436,437,438,439],{"_223":431,"_224":432,"_42":433,"_305":434},"Courtesy of the Art Institute of Chicago","1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_296":428,"_298":429,"_300":430},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_292":293,"_294":295},{"_227":420,"_125":421,"_287":422},{"_278":417,"_280":418,"_282":419,"_283":402},41.9448651206815,53,17.944865120681495,{"_289":227,"_123":426,"_154":427,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":423,"_154":424,"_140":425},"era/19","The 19th century",731,"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_312":448,"_314":449},{"_312":446,"_314":447},{"_312":444,"_314":445},{"_312":442,"_314":443},{"_312":440,"_314":441},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1833,1898,"whistler-with-a-hat-aic-213620","Whistler with a Hat",{"_42":507,"_224":508,"_326":509,"_328":329,"_330":510,"_332":511,"_334":512,"_335":513,"_336":514,"_140":340},"1859","Drypoint with light plate tone on thin ivory Japanese paper","Image/plate: 22.6 × 15.1 cm (8 15/16 × 6 in.); Sheet: 24.6 × 17 cm (9 11/16 × 6 3/4 in.)",22,0.7541095890410959,[492,493,494,495,496],{"_223":431,"_224":432,"_42":433,"_305":434},"2011.1098","James McNeill Whistler made this in 1859, aged 25. It is now at the Art Institute of Chicago.","Whistler portrays himself at about twenty-five in a broad-brimmed hat, scratching the image directly into the copper with a drypoint needle.","A work made of drypoint with light plate tone on thin ivory japanese paper.",{"_296":489,"_298":490,"_300":491},"https://img.ochreeditions.com/m/360.jpg?dl=1","/art/whistler-with-a-hat-aic-213620","/galleries/style/etching-revival/whistler-with-a-hat-aic-213620",{"_292":293,"_294":295},{"_227":481,"_125":482,"_287":483},{"_278":477,"_280":478,"_282":479,"_283":480},42.852739726027394,49,18.852739726027398,25,{"_289":227,"_123":487,"_154":488,"_140":340},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":484,"_154":485,"_140":486},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/360/480.jpg","https://img.ochreeditions.com/a/360/960.jpg","https://img.ochreeditions.com/a/360/1920.jpg",{"_312":505,"_314":506},{"_312":503,"_314":504},{"_312":501,"_314":502},{"_312":499,"_314":500},{"_312":497,"_314":498},"#675f57",0.0218,"#91857a",0.0303,"#baab9e",0.0495,"#e6d4c3",0.2142,"#f4e2d1",0.6842,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-fan-tree-si-saam-1984-155","The Fan Tree",{"_42":569,"_224":570,"_326":571,"_328":-5,"_330":572,"_332":573,"_334":-5,"_335":-5,"_336":-5,"_140":103},"ca. 1915","Graphic Arts-Print","etching, drypoint and engraving on paper","plate: 5 x 6 7/8 in. (12.7 x 17.6 cm)",17.6,12.7,1.341375770020534,[554,555,556,557,558],{"_223":551,"_224":552,"_42":553,"_305":306},"Courtesy of the Smithsonian American Art Museum","1984.155","Ernest Haskell made this in about 1915, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Fan Tree, by Ernest Haskell, ca. 1915",{"_296":548,"_298":549,"_300":550},"https://img.ochreeditions.com/m/1974.jpg?dl=1","/art/the-fan-tree-si-saam-1984-155","/galleries/style/etching-revival/the-fan-tree-si-saam-1984-155",{"_292":293,"_294":295},{"_227":540,"_125":541,"_287":542},{"_278":478,"_280":538,"_282":480,"_283":539},42.637581324148485,18.63758132414849,{"_289":227,"_123":546,"_154":547,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":75},{"_289":287,"_123":543,"_154":544,"_140":545},"era/20","The 20th century",189,"artist/contemporaries-of-ernest-haskell","Ernest Haskell's contemporaries","https://img.ochreeditions.com/a/1974/480.jpg","https://img.ochreeditions.com/a/1974/960.jpg","https://img.ochreeditions.com/a/1974/1920.jpg","si","smithsonian","Smithsonian Institution",{"_312":567,"_314":568},{"_312":565,"_314":566},{"_312":563,"_314":564},{"_312":561,"_314":562},{"_312":559,"_314":560},"#6f6054",0.1087,"#a19283",0.1117,"#3c2f26",0.1553,"#c9b9aa",0.2204,"#e1d4c7",0.4039,"Ernest Haskell","ernest-haskell","born Woodstock, CT 1876-died Bath, ME 1925",1876,1925,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":622,"_224":623,"_326":624,"_328":329,"_330":625,"_332":626,"_334":627,"_335":628,"_336":629,"_140":53},"1870","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,35,0.6723333333333333,[607,608,609,610,611],{"_223":551,"_224":552,"_42":553,"_305":306},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_296":604,"_298":605,"_300":606},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_292":293,"_294":295},{"_227":599,"_125":600,"_287":601},{"_278":596,"_280":597,"_282":598,"_283":581},47.531666666666666,59,23.531666666666666,{"_289":227,"_123":602,"_154":603,"_140":53},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":484,"_154":485,"_140":486},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_312":620,"_314":621},{"_312":618,"_314":619},{"_312":616,"_314":617},{"_312":614,"_314":615},{"_312":612,"_314":613},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":684,"_224":685,"_326":686,"_328":687,"_330":688,"_332":689,"_334":690,"_335":691,"_336":-5,"_140":103},"ca. 1890–96","latin-america","Prints","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[669,670,671,672,673],{"_223":665,"_224":666,"_42":667,"_305":668},"Courtesy of The Metropolitan Museum of Art","46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_296":662,"_298":663,"_300":664},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_292":293,"_294":295},{"_227":657,"_125":658,"_287":659},{"_278":654,"_280":655,"_282":656,"_283":639},54.41883383520394,64,30.41883383520394,{"_289":227,"_123":660,"_154":661,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_312":682,"_314":683},{"_312":680,"_314":681},{"_312":678,"_314":679},{"_312":676,"_314":677},{"_312":674,"_314":675},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","the-creation-cma-109009","The Creation",{"_42":748,"_224":749,"_326":750,"_328":329,"_330":751,"_332":752,"_334":-5,"_335":-5,"_336":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[733,734,735,736,737],{"_223":729,"_224":730,"_42":731,"_305":732},"Courtesy of the Cleveland Museum of Art","1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":726,"_727":728},"The Creation, by Kálmán Kubinyi, before 1927",{"_296":723,"_298":724,"_300":725},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_292":293,"_294":295},{"_227":718,"_125":719,"_287":720},{"_278":715,"_280":716,"_282":717,"_283":699},43.26877040261154,52.5,19.268770402611533,{"_289":227,"_123":721,"_154":722,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":75},{"_289":287,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_312":746,"_314":747},{"_312":744,"_314":745},{"_312":742,"_314":743},{"_312":740,"_314":741},{"_312":738,"_314":739},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":805,"_224":806,"_326":807,"_328":808,"_330":809,"_332":810,"_334":811,"_335":811,"_336":812,"_140":53},"1875","france","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[790,791,792,793,794],{"_223":431,"_224":432,"_42":433,"_305":434},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_296":787,"_298":788,"_300":789},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_292":293,"_294":295},{"_227":779,"_125":780,"_287":781},{"_278":776,"_280":777,"_282":760,"_283":778},62,51.193133047210296,27.1931330472103,{"_289":227,"_123":785,"_154":786,"_140":53},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":782,"_154":783,"_140":784},"era/19-france","19th-century France",237,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_312":803,"_314":804},{"_312":801,"_314":802},{"_312":799,"_314":800},{"_312":797,"_314":798},{"_312":795,"_314":796},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","nocturne-nocturne-the-thames-at-battersea-met-337702","Nocturne (Nocturne: The Thames at Battersea)",{"_42":507,"_224":508,"_326":509,"_328":329,"_330":510,"_332":511,"_334":512,"_335":513,"_336":514,"_140":340},"1878","Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)","Image: 6 3/4 × 10 3/16 in. (17.1 × 25.9 cm) Sheet: 13 1/2 × 19 5/16 in. (34.3 × 49 cm)",34.3,1.4978354978354977,[843,844,845,846,847],{"_223":665,"_224":666,"_42":667,"_305":668},"17.3.159","James McNeill Whistler made this in 1878, aged 44. It is now at The Met in New York.","The Thames at Battersea dissolves into soft, misty greys, boats and the far bank suggested by a few darker tones.","Nocturne (Nocturne: The Thames at Battersea), by James McNeill Whistler, 1878",{"_296":840,"_298":841,"_300":842},"https://img.ochreeditions.com/m/1029.jpg?dl=1","/art/nocturne-nocturne-the-thames-at-battersea-met-337702","/galleries/style/etching-revival/nocturne-nocturne-the-thames-at-battersea-met-337702",{"_292":293,"_294":295},{"_227":837,"_125":838,"_287":839},{"_278":834,"_280":835,"_282":478,"_283":836},73,56.713872832369944,32.713872832369944,{"_289":227,"_123":487,"_154":488,"_140":340},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":484,"_154":485,"_140":486},"https://img.ochreeditions.com/a/1029/480.jpg","https://img.ochreeditions.com/a/1029/960.jpg","https://img.ochreeditions.com/a/1029/1920.jpg",{"_312":856,"_314":857},{"_312":854,"_314":855},{"_312":852,"_314":853},{"_312":850,"_314":851},{"_312":848,"_314":849},"#dedcd4",0.068,"#6e6d64",0.1708,"#848478",0.2453,"#9a9c8e",0.2562,"#adb0a1",0.2597,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":905,"_224":906,"_326":907,"_328":329,"_330":908,"_332":909,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[890,891,892,893,894],{"_223":302,"_224":303,"_42":304,"_305":306},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_296":887,"_298":888,"_300":889},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_292":293,"_294":295},{"_227":882,"_125":883,"_287":884},{"_278":879,"_280":880,"_282":881,"_283":865},44.136475000000004,49.1,20.136475,{"_289":227,"_123":885,"_154":886,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_312":903,"_314":904},{"_312":901,"_314":902},{"_312":899,"_314":900},{"_312":897,"_314":898},{"_312":895,"_314":896},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,1894,"ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","Ostpreussisches Ehepaar (Couple from East Prussia)",{"_42":958,"_224":959,"_326":960,"_328":391,"_330":961,"_332":573,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1916","drypoint in black on wove paper","plate: 18 x 11.7 cm (7 1/16 x 4 5/8 in.) sheet: 31.8 x 23.8 cm (12 1/2 x 9 3/8 in.)",11.7,18,0.678466796875,[943,944,945,946,947],{"_223":302,"_224":303,"_42":304,"_305":306},"1991.210.72","Lovis Corinth made this in 1916, aged 58. It is now at the National Gallery of Art in Washington, DC.","The image depicts two individuals from the waist up. The person on the left has a round face and is slightly behind the person on the right who has a slightly elongated face. Both individuals appear to be seated and have short, neatly combed hair. They have neutral facial expressions and their features are indistinct. The person on the left wears a suit with a bow tie, while the person on the right is dressed in clothing with detailed patterns and holds a flower-like object in their left hand. The background shows simple line sketches that suggest an interior setting.",{"_296":940,"_298":941,"_300":942},"https://img.ochreeditions.com/m/1622.jpg?dl=1","/art/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061","/galleries/style/etching-revival/ostpreussisches-ehepaar-couple-from-east-prussia-nga-74061",{"_292":293,"_294":295},{"_227":933,"_125":934,"_287":935},{"_278":931,"_280":478,"_282":932,"_283":480},40.961669921875,16.961669921875,{"_289":227,"_123":938,"_154":939,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":75},{"_289":287,"_123":936,"_154":937,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-lovis-corinth","Lovis Corinth's contemporaries","https://img.ochreeditions.com/a/1622/480.jpg","https://img.ochreeditions.com/a/1622/960.jpg","https://img.ochreeditions.com/a/1622/1920.jpg",{"_312":956,"_314":957},{"_312":954,"_314":955},{"_312":952,"_314":953},{"_312":950,"_314":951},{"_312":948,"_314":949},"#60574f",0.061,"#8d7f6e",0.1021,"#b9a68c",0.1726,"#ddc6a6",0.3154,"#f5e0c3",0.3489,"Lovis Corinth","lovis-corinth","German, 1858–1925",1858,"the-cathedral-cma-163010","The Cathedral",{"_42":1010,"_224":1011,"_326":1012,"_328":453,"_330":1013,"_332":1014,"_334":-5,"_335":-5,"_336":-5,"_140":103},"1886","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[995,996,997,998,999],{"_223":729,"_224":730,"_42":731,"_305":732},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":994,"_727":728},"The Cathedral, by James Ensor, 1886",{"_296":991,"_298":992,"_300":993},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_292":293,"_294":295},{"_227":986,"_125":987,"_287":988},{"_278":983,"_280":984,"_282":985,"_283":968},47.93382352941177,55,23.933823529411764,{"_289":227,"_123":989,"_154":990,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":423,"_154":424,"_140":425},"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_312":1008,"_314":1009},{"_312":1006,"_314":1007},{"_312":1004,"_314":1005},{"_312":1002,"_314":1003},{"_312":1000,"_314":1001},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949",1860,1949,"bastille-day-cma-131761","Bastille Day",{"_42":1063,"_224":1064,"_326":1065,"_328":329,"_330":961,"_332":1066,"_334":-5,"_335":-5,"_336":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[1048,1049,1050,1051,1052],{"_223":729,"_224":730,"_42":731,"_305":732},"1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":1047,"_727":728},"Bastille Day, by Maurice Prendergast, 1892",{"_296":1044,"_298":1045,"_300":1046},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_292":293,"_294":295},{"_227":1039,"_125":1040,"_287":1041},{"_278":1037,"_280":478,"_282":1038,"_283":480},43.11029411764706,19.110294117647058,{"_289":227,"_123":1042,"_154":1043,"_140":89},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":484,"_154":485,"_140":486},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.",{"_312":1061,"_314":1062},{"_312":1059,"_314":1060},{"_312":1057,"_314":1058},{"_312":1055,"_314":1056},{"_312":1053,"_314":1054},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1924,"head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":1112,"_224":1113,"_326":1114,"_328":-5,"_330":1115,"_332":1116,"_334":-5,"_335":-5,"_336":-5,"_140":101},"ca. 1918","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[1097,1098,1099,1100,1101],{"_223":551,"_224":552,"_42":553,"_305":306},"1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_296":1094,"_298":1095,"_300":1096},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_292":293,"_294":295},{"_227":1089,"_125":1090,"_287":1091},{"_278":1087,"_280":478,"_282":1088,"_283":480},40.59166666666667,16.591666666666665,{"_289":227,"_123":1092,"_154":1093,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":75},{"_289":287,"_123":543,"_154":544,"_140":545},"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg",{"_312":1110,"_314":1111},{"_312":1108,"_314":1109},{"_312":1106,"_314":1107},{"_312":1104,"_314":1105},{"_312":1102,"_314":1103},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":805,"_224":806,"_326":807,"_328":808,"_330":809,"_332":810,"_334":811,"_335":811,"_336":812,"_140":53},"Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[1143,1144,1145,1146,1147],{"_223":431,"_224":432,"_42":433,"_305":434},"1945.52.1","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_296":1140,"_298":1141,"_300":1142},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_292":293,"_294":295},{"_227":1137,"_125":1138,"_287":1139},{"_278":1135,"_280":478,"_282":1136,"_283":480},42.93403332572472,18.93403332572472,{"_289":227,"_123":785,"_154":786,"_140":53},{"_289":125,"_123":365,"_154":366,"_140":367},{"_289":287,"_123":782,"_154":783,"_140":784},"https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_312":1156,"_314":1157},{"_312":1154,"_314":1155},{"_312":1152,"_314":1153},{"_312":1150,"_314":1151},{"_312":1148,"_314":1149},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9",0.0824,"#d0bda2",0.2246,"#e2d2b8",0.6426,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","4b2aa4773495da8113a2ed5ab4733b5449bb9c79","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_224":1202,"_20":1203},{"_224":1200,"_20":1201},{"_224":1198,"_20":1199},{"_224":1196,"_20":1197},{"_224":1194,"_20":1195},{"_224":1192,"_20":1193},{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]