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It is now at the Smithsonian American Art Museum in Washington, DC.","Cornwall, by Kerr Eby, 1927",{"_301":449,"_303":450,"_305":451},"https://img.ochreeditions.com/m/1953.jpg?dl=1","/art/cornwall-si-saam-1977-66-68","/galleries/style/etching-revival/cornwall-si-saam-1977-66-68",{"_297":298,"_299":300},{"_230":439,"_125":440,"_291":441},{"_282":353,"_284":436,"_286":437,"_288":438},39.50833333333333,25,15.508333333333333,{"_293":230,"_123":447,"_154":448,"_140":89},{"_293":125,"_123":445,"_154":446,"_140":75},{"_293":291,"_123":442,"_154":443,"_140":444},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1953/480.jpg","https://img.ochreeditions.com/a/1953/960.jpg","https://img.ochreeditions.com/a/1953/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_320":469,"_322":470},{"_320":467,"_322":468},{"_320":465,"_322":466},{"_320":463,"_322":464},{"_320":461,"_322":462},"#716351",0.0172,"#a4957f",0.0477,"#cbbca5",0.1355,"#e2d6bf",0.309,"#f2e9d4",0.4906,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"landscape-nga-40059","Landscape",{"_42":526,"_227":527,"_334":528,"_336":529,"_338":530,"_340":531,"_342":-5,"_343":-5,"_344":-5,"_140":103},"germany",1.2591454042422379,[511,512,513,514,515],{"_226":508,"_227":509,"_42":510,"_313":455},"Courtesy National Gallery of Art, Washington","1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_301":505,"_303":506,"_305":507},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_297":298,"_299":300},{"_230":498,"_125":499,"_291":500},{"_282":494,"_284":495,"_286":496,"_288":497},84,71.6513671875,60,47.6513671875,{"_293":230,"_123":503,"_154":504,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":501,"_154":502,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_320":524,"_322":525},{"_320":522,"_322":523},{"_320":520,"_322":521},{"_320":518,"_322":519},{"_320":516,"_322":517},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":580,"_227":581,"_334":582,"_336":406,"_338":583,"_340":584,"_342":585,"_343":586,"_344":587,"_140":53},"1870","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,35,0.6723333333333333,[565,566,567,568,569],{"_226":452,"_227":453,"_42":454,"_313":455},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_301":562,"_303":563,"_305":564},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_297":298,"_299":300},{"_230":557,"_125":558,"_291":559},{"_282":554,"_284":555,"_286":556,"_288":539},47.531666666666666,59,23.531666666666666,{"_293":230,"_123":560,"_154":561,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_320":578,"_322":579},{"_320":576,"_322":577},{"_320":574,"_322":575},{"_320":572,"_322":573},{"_320":570,"_322":571},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","untitled-si-saam-1982-80-4","Untitled",{"_42":635,"_227":636,"_334":637,"_336":-5,"_338":638,"_340":639,"_342":-5,"_343":-5,"_344":-5,"_140":103},"1915","woodcut on paper","image: 15 1/8 x 11 3/8 in. (38.3 x 28.9 cm)",28.9,38.3,0.7602739726027398,[620,621,622,623,624],{"_226":452,"_227":453,"_42":454,"_313":455},"1982.80.4","Mildred McMillen made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled, by Mildred McMillen, 1915",{"_301":617,"_303":618,"_305":619},"https://img.ochreeditions.com/m/1963.jpg?dl=1","/art/untitled-si-saam-1982-80-4","/galleries/style/etching-revival/untitled-si-saam-1982-80-4",{"_297":298,"_299":300},{"_230":612,"_125":613,"_291":614},{"_282":609,"_284":610,"_286":611,"_288":595},53.11849315068493,62.3,29.11849315068493,{"_293":230,"_123":615,"_154":616,"_140":89},{"_293":125,"_123":445,"_154":446,"_140":75},{"_293":291,"_123":442,"_154":443,"_140":444},"artist/contemporaries-of-mildred-mcmillen","Mildred McMillen's contemporaries","https://img.ochreeditions.com/a/1963/480.jpg","https://img.ochreeditions.com/a/1963/960.jpg","https://img.ochreeditions.com/a/1963/1920.jpg",{"_320":633,"_322":634},{"_320":631,"_322":632},{"_320":629,"_322":630},{"_320":627,"_322":628},{"_320":625,"_322":626},"#242321",0.1024,"#65635d",0.1209,"#c2bfb6",0.2417,"#9d9a92",0.2459,"#f0ede4",0.2891,"Mildred McMillen","mildred-mcmillen","born Chicago, IL 1884-died ca. 1940",1884,1940,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":403,"_227":404,"_334":405,"_336":406,"_338":407,"_340":408,"_342":409,"_343":410,"_344":411,"_140":236},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[673,674,675,676,677],{"_226":669,"_227":670,"_42":671,"_313":672},"Courtesy of the Art Institute of Chicago","1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_301":666,"_303":667,"_305":668},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_297":298,"_299":300},{"_230":663,"_125":664,"_291":665},{"_282":661,"_284":353,"_286":662,"_288":437},40.22557726465364,16.22557726465364,{"_293":230,"_123":379,"_154":380,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_320":686,"_322":687},{"_320":684,"_322":685},{"_320":682,"_322":683},{"_320":680,"_322":681},{"_320":678,"_322":679},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"tingletangle-aic-17236","Tingletangle",{"_42":738,"_227":739,"_334":740,"_336":741,"_338":742,"_340":743,"_342":-5,"_343":-5,"_344":744,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[723,724,725,726,727],{"_226":669,"_227":670,"_42":671,"_313":672},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_301":720,"_303":721,"_305":722},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_297":298,"_299":300},{"_230":713,"_125":714,"_291":715},{"_282":710,"_284":711,"_286":695,"_288":712},87,68.45550732501357,44.45550732501357,{"_293":230,"_123":718,"_154":719,"_140":99},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":716,"_154":717,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_320":736,"_322":737},{"_320":734,"_322":735},{"_320":732,"_322":733},{"_320":730,"_322":731},{"_320":728,"_322":729},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","the-frugal-meal-cma-111385","The Frugal Meal",{"_42":794,"_227":795,"_334":796,"_336":797,"_338":798,"_340":799,"_342":-5,"_343":-5,"_344":-5,"_140":103},"September 1904, printed 1913","spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[779,780,781,782,783],{"_226":310,"_227":311,"_42":312,"_313":314},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":778,"_308":309},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_301":775,"_303":776,"_305":777},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_297":298,"_299":300},{"_230":770,"_125":771,"_291":772},{"_282":767,"_284":768,"_286":769,"_288":752},61.81852941176471,69.5,37.81852941176471,{"_293":230,"_123":773,"_154":774,"_140":89},{"_293":125,"_123":445,"_154":446,"_140":75},{"_293":291,"_123":442,"_154":443,"_140":444},"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_320":792,"_322":793},{"_320":790,"_322":791},{"_320":788,"_322":789},{"_320":786,"_322":787},{"_320":784,"_322":785},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,1973,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":403,"_227":404,"_334":405,"_336":406,"_338":407,"_340":408,"_342":409,"_343":410,"_344":411,"_140":236},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[830,831,832,833,834],{"_226":669,"_227":670,"_42":671,"_313":672},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_301":827,"_303":828,"_305":829},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_297":298,"_299":300},{"_230":824,"_125":825,"_291":826},{"_282":821,"_284":822,"_286":806,"_288":823},53,43.31041635797896,19.31041635797896,{"_293":230,"_123":379,"_154":380,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_320":843,"_322":844},{"_320":841,"_322":842},{"_320":839,"_322":840},{"_320":837,"_322":838},{"_320":835,"_322":836},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"the-petit-pont-cma-130336","The Petit Pont",{"_42":898,"_227":899,"_334":900,"_336":901,"_338":902,"_340":903,"_342":-5,"_343":-5,"_344":-5,"_140":101},"1850","france","etching with engraving","Sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); Image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.)",19.6,26.4,0.7438235294117647,[883,884,885,886,887],{"_226":310,"_227":311,"_42":312,"_313":314},"1953.10","Charles Meryon made this in 1850, aged 29. It is now at the Cleveland Museum of Art.",{"_118":882,"_308":309},"The Petit Pont, by Charles Meryon, 1850",{"_301":879,"_303":880,"_305":881},"https://img.ochreeditions.com/m/599.jpg?dl=1","/art/the-petit-pont-cma-130336","/galleries/style/etching-revival/the-petit-pont-cma-130336",{"_297":298,"_299":300},{"_230":871,"_125":872,"_291":873},{"_282":868,"_284":869,"_286":870,"_288":853},43.636941176470586,50.4,19.636941176470586,{"_293":230,"_123":877,"_154":878,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":874,"_154":875,"_140":876},"era/19-france","19th-century France",237,"artist/contemporaries-of-charles-meryon","Charles Meryon's contemporaries","https://img.ochreeditions.com/a/599/480.jpg","https://img.ochreeditions.com/a/599/960.jpg","https://img.ochreeditions.com/a/599/1920.jpg","Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites.",{"_320":896,"_322":897},{"_320":894,"_322":895},{"_320":892,"_322":893},{"_320":890,"_322":891},{"_320":888,"_322":889},"#7e7263",0.1576,"#433d38",0.1799,"#5d544b",0.1842,"#a2937e",0.2201,"#bcaf9d",0.2582,"Charles Meryon","charles-meryon","French, 1821–1868","French",1821,1868,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":951,"_227":952,"_334":953,"_336":406,"_338":954,"_340":955,"_342":-5,"_343":-5,"_344":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[936,937,938,939,940],{"_226":508,"_227":509,"_42":510,"_313":455},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_301":933,"_303":934,"_305":935},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_297":298,"_299":300},{"_230":928,"_125":929,"_291":930},{"_282":925,"_284":926,"_286":927,"_288":911},44.136475000000004,49.1,20.136475,{"_293":230,"_123":931,"_154":932,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_320":949,"_322":950},{"_320":947,"_322":948},{"_320":945,"_322":946},{"_320":943,"_322":944},{"_320":941,"_322":942},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,1894,"cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":1003,"_227":1004,"_334":1005,"_336":406,"_338":1006,"_340":1007,"_342":-5,"_343":-5,"_344":-5,"_140":103},"1887","drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[988,989,990,991,992],{"_226":508,"_227":509,"_42":510,"_313":455},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_301":985,"_303":986,"_305":987},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_297":298,"_299":300},{"_230":980,"_125":981,"_291":982},{"_282":977,"_284":978,"_286":962,"_288":979},51.5,46.3773193359375,22.3773193359375,{"_293":230,"_123":983,"_154":984,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_320":1001,"_322":1002},{"_320":999,"_322":1000},{"_320":997,"_322":998},{"_320":995,"_322":996},{"_320":993,"_322":994},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":1053,"_227":1054,"_334":1055,"_336":901,"_338":1056,"_340":1057,"_342":1058,"_343":1058,"_344":1059,"_140":53},"1875","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[1038,1039,1040,1041,1042],{"_226":669,"_227":670,"_42":671,"_313":672},"1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_301":1035,"_303":1036,"_305":1037},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_297":298,"_299":300},{"_230":1030,"_125":1031,"_291":1032},{"_282":1028,"_284":353,"_286":1029,"_288":437},42.93403332572472,18.93403332572472,{"_293":230,"_123":1033,"_154":1034,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":874,"_154":875,"_140":876},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_320":1051,"_322":1052},{"_320":1049,"_322":1050},{"_320":1047,"_322":1048},{"_320":1045,"_322":1046},{"_320":1043,"_322":1044},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9",0.0824,"#d0bda2",0.2246,"#e2d2b8",0.6426,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","modern-masks-aic-49384","Modern Masks",{"_42":1105,"_227":1106,"_334":1107,"_336":337,"_338":1108,"_340":1109,"_342":-5,"_343":-5,"_344":-5,"_140":103},"1889","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,0.618788452437293,[1090,1091,1092,1093,1094],{"_226":669,"_227":670,"_42":671,"_313":672},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_301":1087,"_303":1088,"_305":1089},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_297":298,"_299":300},{"_230":1082,"_125":1083,"_291":1084},{"_282":1080,"_284":821,"_286":1081,"_288":806},41.9448651206815,17.944865120681495,{"_293":230,"_123":1085,"_154":1086,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_320":1103,"_322":1104},{"_320":1101,"_322":1102},{"_320":1099,"_322":1100},{"_320":1097,"_322":1098},{"_320":1095,"_322":1096},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898",1833,1898,"long-lagoon-nga-11033","Long Lagoon",{"_42":403,"_227":404,"_334":405,"_336":406,"_338":407,"_340":408,"_342":409,"_343":410,"_344":411,"_140":236},"1880","etching and drypoint on Asian laid paper","plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[1140,1141,1142,1143,1144],{"_226":508,"_227":509,"_42":510,"_313":455},"1943.3.8536","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_301":1137,"_303":1138,"_305":1139},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/etching-revival/long-lagoon-nga-11033",{"_297":298,"_299":300},{"_230":1134,"_125":1135,"_291":1136},{"_282":353,"_284":1132,"_286":437,"_288":1133},41.132568359375,17.132568359375,{"_293":230,"_123":379,"_154":380,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":376,"_154":377,"_140":378},"https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_320":1153,"_322":1154},{"_320":1151,"_322":1152},{"_320":1149,"_322":1150},{"_320":1147,"_322":1148},{"_320":1145,"_322":1146},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,{"_1156":-5,"_1157":1158,"_1159":1160,"_1161":8,"_1162":1163,"_1164":8},"user","csrf","e67d74cc0ed520d3d2db69de70f05996dd1d7b14","cartCount",0,"dropLive","legal",[1165,1166,1167,1168,1169,1170,1171,1172,1173,1174,1175,1176],"uploadsEnabled",{"_227":1199,"_20":1200},{"_227":1197,"_20":1198},{"_227":1195,"_20":1196},{"_227":1193,"_20":1194},{"_227":1191,"_20":1192},{"_227":1189,"_20":1190},{"_227":1187,"_20":1188},{"_227":1185,"_20":1186},{"_227":1183,"_20":1184},{"_227":1181,"_20":1182},{"_227":1179,"_20":1180},{"_227":1177,"_20":1178},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]