[{"_1":2,"_3":4},"root",{"_5":1146},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Etching Revival, in the galleries · Ochre Editions","description","Artists who took up the etching needle again, from Whistler to the Paris printmakers. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/etching-revival","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/etching-revival.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Etching Revival, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",15,"https://www.ochreeditions.com/art/the-old-orchard-si-saam-1935-13-211",14,"https://www.ochreeditions.com/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",13,"https://www.ochreeditions.com/art/street-in-saverne-nga-133448",12,"https://www.ochreeditions.com/art/washerwomen-descending-a-quai-staircase-cma-441006",11,"https://www.ochreeditions.com/art/shrewsbury-river-nga-148431",10,"https://www.ochreeditions.com/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",9,"https://www.ochreeditions.com/art/tingletangle-aic-17236",8,"https://www.ochreeditions.com/art/whistler-with-a-hat-aic-213620",7,"https://www.ochreeditions.com/art/the-stranger-si-saam-1983-4",6,"https://www.ochreeditions.com/art/head-of-an-old-man-si-saam-1977-66-38",5,"https://www.ochreeditions.com/art/portrait-of-mrs-c-si-saam-1973-130-104",4,"https://www.ochreeditions.com/art/the-fan-tree-si-saam-1984-155",3,"https://www.ochreeditions.com/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",2,"https://www.ochreeditions.com/art/at-the-cafe-cma-324444",1,"https://www.ochreeditions.com/art/the-cathedral-cma-163010","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~etching-revival.15b4b450f5.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~etching-revival.15b4b450f5.jpg","alt","The Etching Revival, a room in the galleries: three of its 50 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Etching Revival: 50 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~etching-revival.jpg","key","style/etching-revival","style","The Etching Revival","intro","Artists who took up the etching needle again, from Whistler to the Paris printmakers.","wing","Style galleries","floor","layout","corridor","hang",752,"/galleries/style/etching-revival","total",50,"page","works",[207,208,209,210,211,212,213,214,215,216,217,218,219,220,221,222],"walls",[172,173,174,175,176,177],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NzUyLCJpIjpudWxsLCJnIjoiNkpIYUlCdUcifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/etching-revival?hang=752&cursor=eyJvIjoxNiwiaCI6NzUyLCJpIjpudWxsLCJnIjoiNkpIYUlCdUcifQ&via=continue","label","The Etching Revival, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/1687/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":53},{"_154":165,"_123":166,"_44":167,"_140":168},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=752&via=continue",198,"More by Winslow Homer","artist/winslow-homer","/galleries/artist/winslow-homer?hang=752&via=continue",{"_42":202,"_179":203},{"_42":197,"_179":198},{"_42":192,"_179":193},{"_42":188,"_179":189},{"_42":183,"_179":184},{"_42":178,"_179":180},"Section 3, south wall","work_ids",[181,182],1890,1991,"Section 3, north wall",[185,186,187],794,1657,1283,"Section 2, north wall",[190,191],280,1678,"Section 2, south wall",[194,195,196],1967,360,67,"Section 1, south wall",[199,200,201],1974,1946,1952,"Section 1, north wall",[204,205,206],764,788,269,{"_223":204,"_224":1091,"_20":1092,"_227":1093,"_229":-5,"_230":1094,"_232":233,"_234":1095,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":347,"_243":1096,"_245":1097,"_247":1098,"_249":1099,"_251":1100,"_253":1101,"_255":538,"_257":1102,"_259":260,"_261":1103,"_154":1104,"_263":-5,"_111":1105,"_266":1106,"_268":1107,"_270":1108,"_272":1109,"_274":1110,"_144":1111,"_277":1112},{"_223":205,"_224":1044,"_20":1045,"_227":1046,"_229":-5,"_230":1047,"_232":233,"_234":530,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":1048,"_243":1049,"_245":1050,"_247":1051,"_249":1052,"_251":1053,"_253":1054,"_255":538,"_257":1055,"_259":260,"_261":1056,"_154":1057,"_263":-5,"_111":1058,"_266":1059,"_268":1060,"_270":1061,"_272":1062,"_274":1063,"_144":1064,"_277":1065},{"_223":206,"_224":1000,"_20":1001,"_227":1002,"_229":-5,"_230":1003,"_232":233,"_234":235,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":1004,"_243":1005,"_245":1006,"_247":346,"_249":1007,"_251":1008,"_253":1009,"_255":653,"_257":1010,"_259":260,"_261":1011,"_154":-5,"_263":1012,"_111":1013,"_266":1014,"_268":1015,"_270":1016,"_272":1017,"_274":1018,"_144":1019,"_277":1020},{"_223":199,"_224":949,"_20":950,"_227":951,"_229":-5,"_230":952,"_232":346,"_234":-5,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":953,"_243":954,"_245":955,"_247":956,"_249":957,"_251":958,"_253":959,"_255":256,"_257":960,"_259":260,"_261":961,"_154":-5,"_263":-5,"_111":962,"_266":963,"_268":964,"_270":965,"_272":966,"_274":967,"_144":968,"_277":969},{"_223":200,"_224":901,"_20":902,"_227":903,"_229":-5,"_230":904,"_232":233,"_234":-5,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":242,"_243":905,"_245":906,"_247":907,"_249":908,"_251":909,"_253":910,"_255":256,"_257":911,"_259":260,"_261":912,"_154":-5,"_263":-5,"_111":913,"_266":914,"_268":915,"_270":916,"_272":917,"_274":918,"_144":919,"_277":920},{"_223":201,"_224":852,"_20":853,"_227":854,"_229":-5,"_230":855,"_232":346,"_234":-5,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":856,"_243":857,"_245":85,"_247":858,"_249":859,"_251":860,"_253":861,"_255":256,"_257":862,"_259":260,"_261":863,"_154":-5,"_263":-5,"_111":864,"_266":865,"_268":866,"_270":867,"_272":868,"_274":869,"_144":870,"_277":871},{"_223":194,"_224":802,"_20":803,"_227":804,"_229":-5,"_230":805,"_232":346,"_234":-5,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":806,"_243":807,"_245":808,"_247":809,"_249":810,"_251":811,"_253":812,"_255":256,"_257":813,"_259":260,"_261":814,"_154":-5,"_263":-5,"_111":815,"_266":816,"_268":817,"_270":818,"_272":819,"_274":820,"_144":821,"_277":822},{"_223":195,"_224":758,"_20":759,"_227":760,"_229":-5,"_230":761,"_232":233,"_234":235,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":762,"_243":763,"_245":75,"_247":764,"_249":765,"_251":766,"_253":767,"_255":653,"_257":768,"_259":260,"_261":769,"_154":-5,"_263":770,"_111":771,"_266":772,"_268":773,"_270":774,"_272":775,"_274":776,"_144":777,"_277":778},{"_223":196,"_224":702,"_20":703,"_227":704,"_229":-5,"_230":705,"_232":233,"_234":706,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":707,"_243":708,"_245":709,"_247":710,"_249":711,"_251":712,"_253":713,"_255":653,"_257":714,"_259":260,"_261":715,"_154":-5,"_263":-5,"_111":716,"_266":717,"_268":718,"_270":719,"_272":720,"_274":721,"_144":722,"_277":723},{"_223":190,"_224":642,"_20":643,"_227":644,"_229":-5,"_230":645,"_232":233,"_234":530,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":646,"_243":647,"_245":648,"_247":649,"_249":650,"_251":651,"_253":652,"_255":653,"_257":654,"_259":260,"_261":655,"_154":-5,"_263":656,"_111":657,"_266":658,"_268":659,"_270":660,"_272":661,"_274":662,"_144":663,"_277":664},{"_223":191,"_224":592,"_20":593,"_227":594,"_229":-5,"_230":595,"_232":233,"_234":235,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":347,"_243":596,"_245":-5,"_247":-5,"_249":597,"_251":598,"_253":599,"_255":478,"_257":600,"_259":260,"_261":601,"_154":-5,"_263":-5,"_111":602,"_266":603,"_268":604,"_270":605,"_272":606,"_274":607,"_144":608,"_277":609},{"_223":185,"_224":526,"_20":527,"_227":528,"_229":-5,"_230":529,"_232":233,"_234":530,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":531,"_243":532,"_245":533,"_247":534,"_249":535,"_251":536,"_253":537,"_255":538,"_257":539,"_259":260,"_261":540,"_154":541,"_263":-5,"_111":542,"_266":543,"_268":544,"_270":545,"_272":546,"_274":547,"_144":548,"_277":549},{"_223":186,"_224":466,"_20":467,"_227":468,"_229":-5,"_230":469,"_232":233,"_234":235,"_236":-5,"_125":237,"_28":238,"_239":470,"_241":471,"_243":472,"_245":473,"_247":474,"_249":475,"_251":476,"_253":477,"_255":478,"_257":479,"_259":260,"_261":480,"_154":-5,"_263":481,"_111":482,"_266":483,"_268":484,"_270":485,"_272":486,"_274":487,"_144":488,"_277":489},{"_223":187,"_224":401,"_20":402,"_227":403,"_229":-5,"_230":404,"_232":233,"_234":405,"_236":-5,"_125":237,"_28":238,"_239":406,"_241":407,"_243":408,"_245":409,"_247":410,"_249":411,"_251":412,"_253":413,"_255":414,"_257":415,"_259":260,"_261":416,"_154":-5,"_263":-5,"_111":417,"_266":418,"_268":419,"_270":420,"_272":421,"_274":422,"_144":423,"_277":424},{"_223":181,"_224":342,"_20":343,"_227":344,"_229":-5,"_230":345,"_232":346,"_234":-5,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":347,"_243":348,"_245":349,"_247":350,"_249":351,"_251":352,"_253":353,"_255":256,"_257":354,"_259":260,"_261":355,"_154":-5,"_263":-5,"_111":356,"_266":357,"_268":358,"_270":359,"_272":360,"_274":361,"_144":362,"_277":363},{"_223":182,"_224":225,"_20":226,"_227":228,"_229":-5,"_230":231,"_232":233,"_234":235,"_236":-5,"_125":237,"_28":238,"_239":240,"_241":242,"_243":244,"_245":246,"_247":248,"_249":250,"_251":252,"_253":254,"_255":256,"_257":258,"_259":260,"_261":262,"_154":-5,"_263":264,"_111":265,"_266":267,"_268":269,"_270":271,"_272":273,"_274":275,"_144":276,"_277":278},"id","slug","our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862","artist",{"_42":326,"_224":327,"_328":329,"_330":331,"_332":333,"_334":335,"_336":337,"_338":339,"_340":341,"_140":53},"unrecorded","date","1862","century",19,"place","united-states","movement","etching-revival","print","classification","Graphic Arts-Print","medium","wood engraving on paper","dimensions","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular","width_cm",52.7,"height_cm",34.9,"aspect",1.4347202295552368,"palette",[309,310,311,312,313],"museum",{"_223":304,"_224":305,"_42":306,"_307":308},"credit","Courtesy of the Smithsonian American Art Museum","accession","1996.63.116","licence","CC0","story","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","note","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862","images",{"_298":299,"_300":301,"_302":303},"download_url","https://img.ochreeditions.com/m/1991.jpg?dl=1","page_url","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","walk_url","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","frame",{"_294":295,"_296":297},{"_227":286,"_125":287,"_288":289},"size",{"_279":280,"_281":282,"_283":246,"_284":285},"w",76.7,"h",60.7319,"image_w","image_h",36.7319,{"_290":227,"_123":170,"_154":169,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},"era",{"_290":288,"_123":166,"_154":165,"_140":168},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/1991/480.jpg","960","https://img.ochreeditions.com/a/1991/960.jpg","1920","https://img.ochreeditions.com/a/1991/1920.jpg","si","smithsonian","Smithsonian Institution","city","Washington, DC",{"_314":324,"_316":325},{"_314":322,"_316":323},{"_314":320,"_316":321},{"_314":318,"_316":319},{"_314":315,"_316":317},"hex","#51453a","weight",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","bio","American, 1836–1910","nationality","American","birth_year",1836,"death_year",1910,"birth_place","Boston, Massachusetts","death_place","Prouts Neck, Maine","about_excerpt","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-old-orchard-si-saam-1935-13-211","The Old Orchard",{"_42":396,"_224":397,"_328":398,"_330":-5,"_332":399,"_334":400,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1915",20,"etching","4 1/2 x 7 in. (11.4 x 17.8 cm)",17.8,11.4,1.4133817427385893,[381,382,383,384,385],{"_223":304,"_224":305,"_42":306,"_307":308},"1935.13.211","Arthur A. Marschner made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","The Old Orchard, by Arthur A. Marschner, 1915",{"_298":378,"_300":379,"_302":380},"https://img.ochreeditions.com/m/1890.jpg?dl=1","/art/the-old-orchard-si-saam-1935-13-211","/galleries/style/etching-revival/the-old-orchard-si-saam-1935-13-211",{"_294":295,"_296":297},{"_227":368,"_125":369,"_288":370},{"_279":364,"_281":365,"_283":366,"_284":367},49,41.68807339449541,25,17.68807339449541,{"_290":227,"_123":376,"_154":377,"_140":89},{"_290":125,"_123":374,"_154":375,"_140":75},{"_290":288,"_123":371,"_154":372,"_140":373},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-arthur-a-marschner","Arthur A. Marschner's contemporaries","https://img.ochreeditions.com/a/1890/480.jpg","https://img.ochreeditions.com/a/1890/960.jpg","https://img.ochreeditions.com/a/1890/1920.jpg",{"_314":394,"_316":395},{"_314":392,"_316":393},{"_314":390,"_316":391},{"_314":388,"_316":389},{"_314":386,"_316":387},"#4d402c",0.0497,"#796952",0.1365,"#d3c3ae",0.183,"#9c8b72",0.2479,"#b8a790",0.3829,"Arthur A. Marschner","arthur-a-marschner","born Detroit, MI 1884-died Detroit, MI 1950",1884,1950,"in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":458,"_224":459,"_328":460,"_330":461,"_332":462,"_334":463,"_336":464,"_338":465,"_340":-5,"_140":103},"ca. 1890–96","latin-america","Prints","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[443,444,445,446,447],{"_223":439,"_224":440,"_42":441,"_307":442},"Courtesy of The Metropolitan Museum of Art","46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_298":436,"_300":437,"_302":438},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_294":295,"_296":297},{"_227":428,"_125":429,"_288":430},{"_279":425,"_281":426,"_283":427,"_284":410},54.41883383520394,64,30.41883383520394,{"_290":227,"_123":434,"_154":435,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":431,"_154":432,"_140":433},"era/19","The 19th century",731,"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":456,"_316":457},{"_314":454,"_316":455},{"_314":452,"_316":453},{"_314":450,"_316":451},{"_314":448,"_316":449},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","street-in-saverne-nga-133448","Street in Saverne",{"_42":518,"_224":519,"_328":520,"_330":331,"_332":521,"_334":522,"_336":523,"_338":524,"_340":525,"_140":233},"1858","Print","etching and open bite or sandpaper ground on laid paper","plate: 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.) sheet: 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.)",15.8,20.9,0.763916015625,[503,504,505,506,507],{"_223":500,"_224":501,"_42":502,"_307":308},"Courtesy National Gallery of Art, Washington","2005.99.38","James McNeill Whistler made this in 1858, aged 24. It is now at the National Gallery of Art in Washington, DC.","A narrow street in the Alsatian town of Saverne stretches away at night, its worn house fronts in deep shadow and a single figure in the distance.","The image shows a street scene from a close perspective down a narrow alleyway. The horizon is not visible, with buildings on both sides. The style features detailed etching with fine lines and shading for depth and texture. The color palette is monochromatic with black, gray, and off-white tones. The houses have worn facades, and there is a distant figure. The sky is dark and overcast, enhancing the shadow-filled scene.",{"_298":497,"_300":498,"_302":499},"https://img.ochreeditions.com/m/1657.jpg?dl=1","/art/street-in-saverne-nga-133448","/galleries/style/etching-revival/street-in-saverne-nga-133448",{"_294":295,"_296":297},{"_227":492,"_125":493,"_288":494},{"_279":490,"_281":364,"_283":491,"_284":366},43.097900390625,19.097900390625,{"_290":227,"_123":495,"_154":496,"_140":233},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1657/960.jpg","https://img.ochreeditions.com/a/1657/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":516,"_316":517},{"_314":514,"_316":515},{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},"#bda983",0.1119,"#9a8a6e",0.1607,"#726755",0.1964,"#403c3a",0.2194,"#585046",0.3116,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":586,"_224":587,"_328":588,"_330":589,"_332":590,"_334":591,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1888","france","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[571,572,573,574,575],{"_223":567,"_224":568,"_42":569,"_307":570},"Courtesy of the Cleveland Museum of Art","2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":564,"_565":566},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_298":561,"_300":562,"_302":563},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_294":295,"_296":297},{"_227":553,"_125":554,"_288":555},{"_279":550,"_281":551,"_283":552,"_284":534},67.31202941176471,81.1,43.312029411764705,{"_290":227,"_123":559,"_154":560,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":556,"_154":557,"_140":558},"era/19-france","19th-century France",237,"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":584,"_316":585},{"_314":582,"_316":583},{"_314":580,"_316":581},{"_314":578,"_316":579},{"_314":576,"_316":577},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916","French",1863,1916,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":637,"_224":638,"_328":639,"_330":331,"_332":640,"_334":641,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1887","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[622,623,624,625,626],{"_223":500,"_224":501,"_42":502,"_307":308},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_298":619,"_300":620,"_302":621},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_294":295,"_296":297},{"_227":614,"_125":615,"_288":616},{"_279":610,"_281":611,"_283":612,"_284":613},84,67.36633663366337,60,43.366336633663366,{"_290":227,"_123":617,"_154":618,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_314":635,"_316":636},{"_314":633,"_316":634},{"_314":631,"_316":632},{"_314":629,"_316":630},{"_314":627,"_316":628},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":695,"_224":696,"_328":697,"_330":589,"_332":698,"_334":699,"_336":700,"_338":700,"_340":701,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[680,681,682,683,684],{"_223":676,"_224":677,"_42":678,"_307":679},"Courtesy of the Art Institute of Chicago","1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_298":673,"_300":674,"_302":675},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_294":295,"_296":297},{"_227":668,"_125":669,"_288":670},{"_279":665,"_281":666,"_283":648,"_284":667},62,51.193133047210296,27.1931330472103,{"_290":227,"_123":671,"_154":672,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":556,"_154":557,"_140":558},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_314":693,"_316":694},{"_314":691,"_316":692},{"_314":689,"_316":690},{"_314":687,"_316":688},{"_314":685,"_316":686},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","tingletangle-aic-17236","Tingletangle",{"_42":752,"_224":753,"_328":754,"_330":755,"_332":590,"_334":756,"_336":-5,"_338":-5,"_340":757,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[737,738,739,740,741],{"_223":676,"_224":677,"_42":678,"_307":679},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_298":734,"_300":735,"_302":736},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_294":295,"_296":297},{"_227":727,"_125":728,"_288":729},{"_279":724,"_281":725,"_283":709,"_284":726},87,68.45550732501357,44.45550732501357,{"_290":227,"_123":732,"_154":733,"_140":99},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":730,"_154":731,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_314":750,"_316":751},{"_314":748,"_316":749},{"_314":746,"_316":747},{"_314":744,"_316":745},{"_314":742,"_316":743},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","whistler-with-a-hat-aic-213620","Whistler with a Hat",{"_42":518,"_224":519,"_328":520,"_330":331,"_332":521,"_334":522,"_336":523,"_338":524,"_340":525,"_140":233},"1859","Drypoint with light plate tone on thin ivory Japanese paper","Image/plate: 22.6 × 15.1 cm (8 15/16 × 6 in.); Sheet: 24.6 × 17 cm (9 11/16 × 6 3/4 in.)",22,0.7541095890410959,[787,788,789,790,791],{"_223":676,"_224":677,"_42":678,"_307":679},"2011.1098","James McNeill Whistler made this in 1859, aged 25. It is now at the Art Institute of Chicago.","Whistler portrays himself at about twenty-five in a broad-brimmed hat, scratching the image directly into the copper with a drypoint needle.","A work made of drypoint with light plate tone on thin ivory japanese paper.",{"_298":784,"_300":785,"_302":786},"https://img.ochreeditions.com/m/360.jpg?dl=1","/art/whistler-with-a-hat-aic-213620","/galleries/style/etching-revival/whistler-with-a-hat-aic-213620",{"_294":295,"_296":297},{"_227":781,"_125":782,"_288":783},{"_279":779,"_281":364,"_283":780,"_284":366},42.852739726027394,18.852739726027398,{"_290":227,"_123":495,"_154":496,"_140":233},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/360/480.jpg","https://img.ochreeditions.com/a/360/960.jpg","https://img.ochreeditions.com/a/360/1920.jpg",{"_314":800,"_316":801},{"_314":798,"_316":799},{"_314":796,"_316":797},{"_314":794,"_316":795},{"_314":792,"_316":793},"#675f57",0.0218,"#91857a",0.0303,"#baab9e",0.0495,"#e6d4c3",0.2142,"#f4e2d1",0.6842,"the-stranger-si-saam-1983-4","The Stranger",{"_42":849,"_224":850,"_328":851,"_330":-5,"_332":590,"_334":200,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1916","lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[834,835,836,837,838],{"_223":304,"_224":305,"_42":306,"_307":308},"1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_298":831,"_300":832,"_302":833},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_294":295,"_296":297},{"_227":826,"_125":827,"_288":828},{"_279":823,"_281":824,"_283":825,"_284":809},47.74746666666667,58.4,23.747466666666668,{"_290":227,"_123":829,"_154":830,"_140":89},{"_290":125,"_123":374,"_154":375,"_140":75},{"_290":288,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg",{"_314":847,"_316":848},{"_314":845,"_316":846},{"_314":843,"_316":844},{"_314":841,"_316":842},{"_314":839,"_316":840},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946","head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":897,"_224":898,"_328":899,"_330":-5,"_332":900,"_334":200,"_336":-5,"_338":-5,"_340":-5,"_140":101},"ca. 1918","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[882,883,884,885,886],{"_223":304,"_224":305,"_42":306,"_307":308},"1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_298":879,"_300":880,"_302":881},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_294":295,"_296":297},{"_227":874,"_125":875,"_288":876},{"_279":872,"_281":364,"_283":873,"_284":366},40.59166666666667,16.591666666666665,{"_290":227,"_123":877,"_154":878,"_140":89},{"_290":125,"_123":374,"_154":375,"_140":75},{"_290":288,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg",{"_314":895,"_316":896},{"_314":893,"_316":894},{"_314":891,"_316":892},{"_314":889,"_316":890},{"_314":887,"_316":888},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,"portrait-of-mrs-c-si-saam-1973-130-104","Portrait of Mrs. C--",{"_42":946,"_224":947,"_328":948,"_330":-5,"_332":462,"_334":591,"_336":-5,"_338":-5,"_340":-5,"_140":101},"1894","image: 6 1/2 x 4 7/8 in. (16.6 x 12.5 cm)",12.5,16.6,0.7476666666666667,[931,932,933,934,935],{"_223":304,"_224":305,"_42":306,"_307":308},"1973.130.104","Henry Wolf made this in 1894, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of Mrs. C--, by Henry Wolf, 1894",{"_298":928,"_300":929,"_302":930},"https://img.ochreeditions.com/m/1946.jpg?dl=1","/art/portrait-of-mrs-c-si-saam-1973-130-104","/galleries/style/etching-revival/portrait-of-mrs-c-si-saam-1973-130-104",{"_294":295,"_296":297},{"_227":923,"_125":924,"_288":925},{"_279":921,"_281":364,"_283":922,"_284":366},42.69166666666666,18.691666666666666,{"_290":227,"_123":926,"_154":927,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1946/480.jpg","https://img.ochreeditions.com/a/1946/960.jpg","https://img.ochreeditions.com/a/1946/1920.jpg",{"_314":944,"_316":945},{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":936,"_316":937},"#c3c1b3",0.0698,"#858274",0.0711,"#433e35",0.2144,"#fbfaeb",0.2191,"#302b24",0.4256,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916","the-fan-tree-si-saam-1984-155","The Fan Tree",{"_42":995,"_224":996,"_328":997,"_330":-5,"_332":998,"_334":999,"_336":-5,"_338":-5,"_340":-5,"_140":103},"ca. 1915","etching, drypoint and engraving on paper","plate: 5 x 6 7/8 in. (12.7 x 17.6 cm)",17.6,12.7,1.341375770020534,[980,981,982,983,984],{"_223":304,"_224":305,"_42":306,"_307":308},"1984.155","Ernest Haskell made this in about 1915, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Fan Tree, by Ernest Haskell, ca. 1915",{"_298":977,"_300":978,"_302":979},"https://img.ochreeditions.com/m/1974.jpg?dl=1","/art/the-fan-tree-si-saam-1984-155","/galleries/style/etching-revival/the-fan-tree-si-saam-1984-155",{"_294":295,"_296":297},{"_227":972,"_125":973,"_288":974},{"_279":364,"_281":970,"_283":366,"_284":971},42.637581324148485,18.63758132414849,{"_290":227,"_123":975,"_154":976,"_140":89},{"_290":125,"_123":374,"_154":375,"_140":75},{"_290":288,"_123":371,"_154":372,"_140":373},"artist/contemporaries-of-ernest-haskell","Ernest Haskell's contemporaries","https://img.ochreeditions.com/a/1974/480.jpg","https://img.ochreeditions.com/a/1974/960.jpg","https://img.ochreeditions.com/a/1974/1920.jpg",{"_314":993,"_316":994},{"_314":991,"_316":992},{"_314":989,"_316":990},{"_314":987,"_316":988},{"_314":985,"_316":986},"#6f6054",0.1087,"#a19283",0.1117,"#3c2f26",0.1553,"#c9b9aa",0.2204,"#e1d4c7",0.4039,"Ernest Haskell","ernest-haskell","born Woodstock, CT 1876-died Bath, ME 1925",1876,1925,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":518,"_224":519,"_328":520,"_330":331,"_332":521,"_334":522,"_336":523,"_338":524,"_340":525,"_140":233},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[1030,1031,1032,1033,1034],{"_223":676,"_224":677,"_42":678,"_307":679},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_298":1027,"_300":1028,"_302":1029},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_294":295,"_296":297},{"_227":1024,"_125":1025,"_288":1026},{"_279":1021,"_281":1022,"_283":1006,"_284":1023},53,43.31041635797896,19.31041635797896,{"_290":227,"_123":495,"_154":496,"_140":233},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_314":1042,"_316":1043},{"_314":1040,"_316":1041},{"_314":1038,"_316":1039},{"_314":1037,"_316":389},{"_314":1035,"_316":1036},"#a58970",0.1246,"#77604c","#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"at-the-cafe-cma-324444","At the Café",{"_42":695,"_224":696,"_328":697,"_330":589,"_332":698,"_334":699,"_336":700,"_338":700,"_340":701,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[1076,1077,1078,1079,1080],{"_223":567,"_224":568,"_42":569,"_307":570},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":1075,"_565":566},"At the Café, by Édouard Manet, 1874",{"_298":1072,"_300":1073,"_302":1074},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_294":295,"_296":297},{"_227":1069,"_125":1070,"_288":1071},{"_279":1066,"_281":1067,"_283":1050,"_284":1068},57.4,49.659058823529406,25.65905882352941,{"_290":227,"_123":671,"_154":672,"_140":53},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":556,"_154":557,"_140":558},"https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_314":1089,"_316":1090},{"_314":1087,"_316":1088},{"_314":1085,"_316":1086},{"_314":1083,"_316":1084},{"_314":1081,"_316":1082},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"the-cathedral-cma-163010","The Cathedral",{"_42":1140,"_224":1141,"_328":1142,"_330":1143,"_332":1144,"_334":1145,"_336":-5,"_338":-5,"_340":-5,"_140":103},"1886","flanders","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[1125,1126,1127,1128,1129],{"_223":567,"_224":568,"_42":569,"_307":570},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":1124,"_565":566},"The Cathedral, by James Ensor, 1886",{"_298":1121,"_300":1122,"_302":1123},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_294":295,"_296":297},{"_227":1116,"_125":1117,"_288":1118},{"_279":1113,"_281":1114,"_283":1115,"_284":1098},47.93382352941177,55,23.933823529411764,{"_290":227,"_123":1119,"_154":1120,"_140":89},{"_290":125,"_123":291,"_154":292,"_140":293},{"_290":288,"_123":431,"_154":432,"_140":433},"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_314":1138,"_316":1139},{"_314":1136,"_316":1137},{"_314":1134,"_316":1135},{"_314":1132,"_316":1133},{"_314":1130,"_316":1131},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,{"_1147":-5,"_1148":1149,"_1150":1151,"_1152":8,"_1153":1154,"_1155":8},"user","csrf","e7ffaa4f6bb1151855387178aa6fd1a5781caafc","cartCount",0,"dropLive","legal",[1156,1157,1158,1159,1160,1161,1162,1163,1164,1165,1166,1167],"uploadsEnabled",{"_224":1190,"_20":1191},{"_224":1188,"_20":1189},{"_224":1186,"_20":1187},{"_224":1184,"_20":1185},{"_224":1182,"_20":1183},{"_224":1180,"_20":1181},{"_224":1178,"_20":1179},{"_224":1176,"_20":1177},{"_224":1174,"_20":1175},{"_224":1172,"_20":1173},{"_224":1170,"_20":1171},{"_224":1168,"_20":1169},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]