[{"_1":2,"_3":4},"root",{"_5":1158},"gallery-style",{"_5":6},"data",{"_7":8,"_9":10,"_11":12,"_13":-5,"_14":15,"_16":17,"_18":19},"rateLimited",false,"room",{"_123":124,"_28":125,"_20":126,"_127":128,"_129":130,"_131":-5,"_132":133,"_134":135,"_44":136,"_137":138,"_139":103,"_140":141,"_142":143,"_144":145,"_146":147,"_148":149,"_150":151,"_152":-5},"view","walk","focus","via","continue","share",{"_44":25,"_20":43,"_118":119,"_26":108,"_109":110,"_120":112,"_121":122},"seo",{"_20":21,"_22":23,"_24":25,"_26":27,"_28":29,"_30":-7,"_31":32,"_33":8,"_34":35,"_36":-7},"title","The Etching Revival, in the galleries · Ochre Editions","description","Artists who took up the etching needle again, from Whistler to the Paris printmakers. The rooms are imagined; every work on their walls is real.","canonical","https://www.ochreeditions.com/galleries/style/etching-revival","image",{"_44":108,"_109":110,"_111":112,"_113":114,"_115":116,"_28":117},"type","website","product","jsonLd",[37],"noindex","markdown","https://www.ochreeditions.com/galleries/style/etching-revival.md","oembed",{"_38":39,"_40":41,"_42":43,"_22":23,"_44":25,"_45":46,"_47":48,"_49":50},"@context","https://schema.org","@type","CollectionPage","name","The Etching Revival, in the galleries","url","inLanguage","en-US","isPartOf",{"_40":105,"_42":106,"_44":107},"mainEntity",{"_40":51,"_52":53,"_54":55},"ItemList","numberOfItems",16,"itemListElement",[56,57,58,59,60,61,62,63,64,65,66,67,68,69,70,71],{"_40":72,"_73":103,"_44":104},{"_40":72,"_73":101,"_44":102},{"_40":72,"_73":99,"_44":100},{"_40":72,"_73":97,"_44":98},{"_40":72,"_73":95,"_44":96},{"_40":72,"_73":93,"_44":94},{"_40":72,"_73":91,"_44":92},{"_40":72,"_73":89,"_44":90},{"_40":72,"_73":87,"_44":88},{"_40":72,"_73":85,"_44":86},{"_40":72,"_73":83,"_44":84},{"_40":72,"_73":81,"_44":82},{"_40":72,"_73":79,"_44":80},{"_40":72,"_73":77,"_44":78},{"_40":72,"_73":75,"_44":76},{"_40":72,"_73":53,"_44":74},"ListItem","position","https://www.ochreeditions.com/art/bastille-day-cma-131761",15,"https://www.ochreeditions.com/art/the-cliffs-of-the-trinity-nga-183095",14,"https://www.ochreeditions.com/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",13,"https://www.ochreeditions.com/art/the-old-violin-aic-135454",12,"https://www.ochreeditions.com/art/the-cathedral-cma-163010",11,"https://www.ochreeditions.com/art/lady-with-the-lute-si-saam-1973-130-255",10,"https://www.ochreeditions.com/art/view-of-the-peaks-of-otter-nga-212712",9,"https://www.ochreeditions.com/art/une-lecture-interessante-et-rafraichissante-nga-170184",8,"https://www.ochreeditions.com/art/whistler-with-a-hat-aic-213620",7,"https://www.ochreeditions.com/art/modern-masks-aic-49384",6,"https://www.ochreeditions.com/art/mission-santa-barbara-looking-south-nga-182317",5,"https://www.ochreeditions.com/art/business-men-s-class-cma-115925",4,"https://www.ochreeditions.com/art/mevisto-from-le-cafe-concert-aic-125988",3,"https://www.ochreeditions.com/art/shrewsbury-river-nga-148431",2,"https://www.ochreeditions.com/art/landscape-nga-40059",1,"https://www.ochreeditions.com/art/sculptress-cma-153129","WebSite","Ochre Editions","https://www.ochreeditions.com/","https://img.ochreeditions.com/og/galleries/style~etching-revival.15b4b450f5.jpg","storyUrl","https://img.ochreeditions.com/og/story/galleries/style~etching-revival.15b4b450f5.jpg","alt","The Etching Revival, a room in the galleries: three of its 50 works, framed and hung side by side.","width",1200,"height",630,"image/jpeg","text","Walk The Etching Revival: 50 framed public-domain works from the world's museums, in an imagined room.","imageAlt","fileName","style~etching-revival.jpg","key","style/etching-revival","style","The Etching Revival","intro","Artists who took up the etching needle again, from Whistler to the Paris printmakers.","wing","Style galleries","floor","layout","corridor","hang",751,"/galleries/style/etching-revival","total",50,"page","works",[210,211,212,213,214,215,216,217,218,219,220,221,222,223,224,225],"walls",[172,173,174,175,176,177,178],"doors",[163,164],"next_cursor","eyJvIjoxNiwiaCI6NzUxLCJpIjpudWxsLCJnIjoiNkpIYUlCdUcifQ","next",{"_44":153,"_123":124,"_154":155,"_156":157,"_158":159},"same",[],"contemporaries_from","/galleries/style/etching-revival?hang=751&cursor=eyJvIjoxNiwiaCI6NzUxLCJpIjpudWxsLCJnIjoiNkpIYUlCdUcifQ&via=continue","label","The Etching Revival, room 2","move","doorway","first_wall_images",[160,161,162],"https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1693/480.jpg",{"_154":169,"_123":170,"_44":171,"_140":89},{"_154":165,"_123":166,"_44":167,"_140":168},"19th-century United States","era/19-united-states","/galleries/era/19-united-states?hang=751&via=continue",198,"Maurice Prendergast's contemporaries","artist/contemporaries-of-maurice-prendergast","/galleries/artist/contemporaries-of-maurice-prendergast?hang=751&via=continue",{"_42":206,"_180":207},{"_42":202,"_180":203},{"_42":198,"_180":199},{"_42":193,"_180":194},{"_42":188,"_180":189},{"_42":184,"_180":185},{"_42":179,"_180":181},"Section 4, south wall","work_ids",[182,183],1688,604,"Section 3, south wall",[186,187],318,279,"Section 3, north wall",[190,191,192],1695,1947,764,"Section 2, north wall",[195,196,197],158,360,1683,"Section 2, south wall",[200,201],532,1687,"Section 1, south wall",[204,205],1678,303,"Section 1, north wall",[208,209],737,1497,{"_226":208,"_227":1104,"_20":1105,"_230":1106,"_232":-5,"_233":1107,"_235":236,"_237":413,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":1108,"_246":1109,"_248":1110,"_250":1111,"_252":1112,"_254":1113,"_256":1114,"_258":259,"_260":1115,"_262":263,"_264":1116,"_154":1117,"_267":-5,"_111":1118,"_269":1119,"_271":1120,"_273":1121,"_275":1122,"_277":1123,"_144":1124,"_280":1125},{"_226":209,"_227":1060,"_20":1061,"_230":1062,"_232":-5,"_233":-5,"_235":236,"_237":645,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":528,"_246":-5,"_248":-5,"_250":-5,"_252":1063,"_254":1064,"_256":1065,"_258":358,"_260":1066,"_262":263,"_264":1067,"_154":-5,"_267":-5,"_111":1068,"_269":1069,"_271":1070,"_273":1071,"_275":1072,"_277":1073,"_144":1074,"_280":1075},{"_226":204,"_227":1014,"_20":1015,"_230":1016,"_232":-5,"_233":474,"_235":236,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":528,"_246":1017,"_248":-5,"_250":-5,"_252":1018,"_254":1019,"_256":1020,"_258":358,"_260":1021,"_262":263,"_264":1022,"_154":-5,"_267":-5,"_111":1023,"_269":1024,"_271":1025,"_273":1026,"_275":1027,"_277":1028,"_144":1029,"_280":1030},{"_226":205,"_227":962,"_20":963,"_230":964,"_232":-5,"_233":965,"_235":236,"_237":413,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":966,"_246":967,"_248":350,"_250":968,"_252":969,"_254":970,"_256":971,"_258":419,"_260":972,"_262":263,"_264":973,"_154":-5,"_267":-5,"_111":974,"_269":975,"_271":976,"_273":977,"_275":978,"_277":979,"_144":980,"_280":981},{"_226":200,"_227":908,"_20":909,"_230":910,"_232":-5,"_233":911,"_235":350,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":701,"_246":912,"_248":913,"_250":914,"_252":915,"_254":916,"_256":917,"_258":259,"_260":918,"_262":263,"_264":919,"_154":920,"_267":-5,"_111":921,"_269":922,"_271":923,"_273":924,"_275":925,"_277":926,"_144":927,"_280":928},{"_226":201,"_227":857,"_20":858,"_230":859,"_232":-5,"_233":860,"_235":236,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":861,"_246":862,"_248":590,"_250":863,"_252":864,"_254":865,"_256":866,"_258":358,"_260":867,"_262":263,"_264":868,"_154":-5,"_267":-5,"_111":869,"_269":870,"_271":871,"_273":872,"_275":873,"_277":874,"_144":875,"_280":876},{"_226":195,"_227":805,"_20":806,"_230":807,"_232":-5,"_233":808,"_235":236,"_237":527,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":809,"_246":810,"_248":811,"_250":812,"_252":813,"_254":814,"_256":815,"_258":419,"_260":816,"_262":263,"_264":817,"_154":-5,"_267":-5,"_111":818,"_269":819,"_271":820,"_273":821,"_275":822,"_277":823,"_144":824,"_280":825},{"_226":196,"_227":751,"_20":752,"_230":753,"_232":-5,"_233":754,"_235":236,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":755,"_246":756,"_248":75,"_250":757,"_252":758,"_254":759,"_256":760,"_258":419,"_260":761,"_262":263,"_264":762,"_154":-5,"_267":763,"_111":764,"_269":765,"_271":766,"_273":767,"_275":768,"_277":769,"_144":770,"_280":771},{"_226":197,"_227":697,"_20":698,"_230":699,"_232":-5,"_233":700,"_235":236,"_237":413,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":701,"_246":-5,"_248":-5,"_250":-5,"_252":702,"_254":703,"_256":704,"_258":358,"_260":705,"_262":263,"_264":706,"_154":-5,"_267":707,"_111":708,"_269":709,"_271":710,"_273":711,"_275":712,"_277":713,"_144":714,"_280":715},{"_226":190,"_227":641,"_20":642,"_230":643,"_232":-5,"_233":644,"_235":236,"_237":645,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":646,"_246":647,"_248":648,"_250":649,"_252":650,"_254":651,"_256":652,"_258":358,"_260":653,"_262":263,"_264":654,"_154":-5,"_267":-5,"_111":655,"_269":656,"_271":657,"_273":658,"_275":659,"_277":660,"_144":661,"_280":662},{"_226":191,"_227":582,"_20":583,"_230":584,"_232":-5,"_233":585,"_235":350,"_237":-5,"_239":-5,"_125":240,"_28":241,"_242":586,"_244":587,"_246":588,"_248":589,"_250":590,"_252":591,"_254":592,"_256":593,"_258":594,"_260":595,"_262":263,"_264":596,"_154":-5,"_267":-5,"_111":597,"_269":598,"_271":599,"_273":600,"_275":601,"_277":602,"_144":603,"_280":604},{"_226":192,"_227":523,"_20":524,"_230":525,"_232":-5,"_233":526,"_235":236,"_237":527,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":528,"_246":529,"_248":530,"_250":531,"_252":532,"_254":533,"_256":534,"_258":259,"_260":535,"_262":263,"_264":536,"_154":537,"_267":-5,"_111":538,"_269":539,"_271":540,"_273":541,"_275":542,"_277":543,"_144":544,"_280":545},{"_226":186,"_227":471,"_20":472,"_230":473,"_232":-5,"_233":474,"_235":236,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":475,"_246":476,"_248":477,"_250":478,"_252":479,"_254":480,"_256":481,"_258":419,"_260":482,"_262":263,"_264":483,"_154":-5,"_267":-5,"_111":484,"_269":485,"_271":486,"_273":487,"_275":488,"_277":489,"_144":490,"_280":491},{"_226":187,"_227":409,"_20":410,"_230":411,"_232":-5,"_233":412,"_235":236,"_237":413,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":414,"_246":415,"_248":75,"_250":53,"_252":416,"_254":417,"_256":418,"_258":419,"_260":420,"_262":263,"_264":421,"_154":-5,"_267":422,"_111":423,"_269":424,"_271":425,"_273":426,"_275":427,"_277":428,"_144":429,"_280":430},{"_226":182,"_227":346,"_20":347,"_230":348,"_232":-5,"_233":349,"_235":350,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":351,"_246":352,"_248":353,"_250":354,"_252":355,"_254":356,"_256":357,"_258":358,"_260":359,"_262":263,"_264":360,"_154":-5,"_267":-5,"_111":361,"_269":362,"_271":363,"_273":364,"_275":365,"_277":366,"_144":367,"_280":368},{"_226":183,"_227":228,"_20":229,"_230":231,"_232":-5,"_233":234,"_235":236,"_237":238,"_239":-5,"_125":240,"_28":241,"_242":243,"_244":245,"_246":247,"_248":249,"_250":251,"_252":253,"_254":255,"_256":257,"_258":259,"_260":261,"_262":263,"_264":265,"_154":266,"_267":-5,"_111":268,"_269":270,"_271":272,"_273":274,"_275":276,"_277":278,"_144":279,"_280":281},"id","slug","bastille-day-cma-131761","Bastille Day","artist",{"_42":333,"_227":334,"_335":336,"_337":338,"_339":340,"_341":342,"_343":-5,"_344":-5,"_345":-5,"_140":101},"unrecorded","date","1892","century",19,"place","united-states","movement","etching-revival","print","classification","Print","medium","color monotype","dimensions","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)","width_cm",13.1,"height_cm",17.4,"aspect",0.7644117647058823,"palette",[316,317,318,319,320],"museum",{"_226":311,"_227":312,"_42":313,"_314":315},"credit","Courtesy of the Cleveland Museum of Art","accession","1954.337","licence","CC0","story","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":308,"_309":310},"note","Bastille Day, by Maurice Prendergast, 1892","images",{"_302":303,"_304":305,"_306":307},"download_url","https://img.ochreeditions.com/m/604.jpg?dl=1","page_url","/art/bastille-day-cma-131761","walk_url","/galleries/style/etching-revival/bastille-day-cma-131761","frame",{"_298":299,"_300":301},{"_230":290,"_125":291,"_292":293},"size",{"_282":283,"_284":285,"_286":287,"_288":289},"w",43.11029411764706,"h",49,"image_w",19.110294117647058,"image_h",25,{"_294":230,"_123":170,"_154":169,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},"era",{"_294":292,"_123":166,"_154":165,"_140":168},"facet","style/print-19","More prints of the 19th century",159,"moulding","white","mount","snow","480","https://img.ochreeditions.com/a/604/480.jpg","960","https://img.ochreeditions.com/a/604/960.jpg","1920","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","city","Cleveland",{"_321":331,"_323":332},{"_321":329,"_323":330},{"_321":327,"_323":328},{"_321":325,"_323":326},{"_321":322,"_323":324},"hex","#f5e3cd","weight",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","bio","American, born Newfoundland [now Canada], 1858–1924","nationality","American","birth_year",1858,"death_year",1924,"birth_place","death_place","about_excerpt","the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":404,"_227":405,"_335":406,"_337":338,"_339":407,"_341":408,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1913",20,"lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[389,390,391,392,393],{"_226":385,"_227":386,"_42":387,"_314":388},"Courtesy National Gallery of Art, Washington","2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_302":382,"_304":383,"_306":384},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_298":299,"_300":301},{"_230":372,"_125":373,"_292":374},{"_282":369,"_284":370,"_286":353,"_288":371},79.3,67.81142499999999,43.81142499999999,{"_294":230,"_123":380,"_154":381,"_140":89},{"_294":125,"_123":378,"_154":379,"_140":75},{"_294":292,"_123":375,"_154":376,"_140":377},"era/20-united-states","20th-century United States",124,"style/print-20","More prints of the 20th century","artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_321":402,"_323":403},{"_321":400,"_323":401},{"_321":398,"_323":399},{"_321":396,"_323":397},{"_321":394,"_323":395},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":463,"_227":464,"_335":465,"_337":466,"_339":467,"_341":468,"_343":469,"_344":469,"_345":470,"_140":53},"1875","france","Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[448,449,450,451,452],{"_226":444,"_227":445,"_42":446,"_314":447},"Courtesy of the Art Institute of Chicago","1945.52.1","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_302":441,"_304":442,"_306":443},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_298":299,"_300":301},{"_230":433,"_125":434,"_292":435},{"_282":431,"_284":285,"_286":432,"_288":289},42.93403332572472,18.93403332572472,{"_294":230,"_123":439,"_154":440,"_140":53},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":436,"_154":437,"_140":438},"era/19-france","19th-century France",237,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_321":461,"_323":462},{"_321":459,"_323":460},{"_321":457,"_323":458},{"_321":455,"_323":456},{"_321":453,"_323":454},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9",0.0824,"#d0bda2",0.2246,"#e2d2b8",0.6426,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-old-violin-aic-135454","The Old Violin",{"_42":517,"_227":518,"_335":519,"_337":520,"_339":521,"_341":522,"_343":-5,"_344":-5,"_345":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[503,504,505,506,507],{"_226":444,"_227":445,"_42":446,"_314":447},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_302":500,"_304":501,"_306":502},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_298":299,"_300":301},{"_230":495,"_125":496,"_292":497},{"_282":492,"_284":493,"_286":494,"_288":478},87.83501457072404,112,63.83501457072405,{"_294":230,"_123":498,"_154":499,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_321":515,"_323":516},{"_321":513,"_323":514},{"_321":511,"_323":512},{"_321":510,"_323":458},{"_321":508,"_323":509},"#847b60",0.0672,"#775928","#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"the-cathedral-cma-163010","The Cathedral",{"_42":576,"_227":577,"_335":578,"_337":579,"_339":580,"_341":581,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1886","flanders","etching","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[561,562,563,564,565],{"_226":311,"_227":312,"_42":313,"_314":315},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":560,"_309":310},"The Cathedral, by James Ensor, 1886",{"_302":557,"_304":558,"_306":559},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_298":299,"_300":301},{"_230":549,"_125":550,"_292":551},{"_282":546,"_284":547,"_286":548,"_288":531},47.93382352941177,55,23.933823529411764,{"_294":230,"_123":555,"_154":556,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":552,"_154":553,"_140":554},"era/19","The 19th century",731,"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_321":574,"_323":575},{"_321":572,"_323":573},{"_321":570,"_323":571},{"_321":568,"_323":569},{"_321":566,"_323":567},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,"lady-with-the-lute-si-saam-1973-130-255","Lady with the Lute",{"_42":636,"_227":637,"_335":638,"_337":-5,"_339":639,"_341":640,"_343":-5,"_344":-5,"_345":-5,"_140":101},"1909","Graphic Arts-Print","wood engraving on paper","image: 8 x 6 7/8 in. (20.2 x 17.6 cm)",17.6,20.2,0.8392982456140351,[621,622,623,624,625],{"_226":618,"_227":619,"_42":620,"_314":388},"Courtesy of the Smithsonian American Art Museum","1973.130.255","Henry Wolf made this in 1909, aged 57. It is now at the Smithsonian American Art Museum in Washington, DC.","Lady with the Lute, by Henry Wolf, 1909",{"_302":615,"_304":616,"_306":617},"https://img.ochreeditions.com/m/1947.jpg?dl=1","/art/lady-with-the-lute-si-saam-1973-130-255","/galleries/style/etching-revival/lady-with-the-lute-si-saam-1973-130-255",{"_298":299,"_300":301},{"_230":607,"_125":608,"_292":609},{"_282":605,"_284":285,"_286":606,"_288":289},44.98245614035088,20.982456140350877,{"_294":230,"_123":613,"_154":614,"_140":89},{"_294":125,"_123":378,"_154":379,"_140":75},{"_294":292,"_123":610,"_154":611,"_140":612},"era/20","The 20th century",189,"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1947/480.jpg","https://img.ochreeditions.com/a/1947/960.jpg","https://img.ochreeditions.com/a/1947/1920.jpg","si","smithsonian","Smithsonian Institution",{"_321":634,"_323":635},{"_321":632,"_323":633},{"_321":630,"_323":631},{"_321":628,"_323":629},{"_321":626,"_323":627},"#594938",0.0966,"#8c7e6b",0.1591,"#fbf1dd",0.2373,"#baae9c",0.2506,"#2d1f15",0.2564,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1852,1916,"view-of-the-peaks-of-otter-nga-212712","View of the Peaks of Otter",{"_42":691,"_227":692,"_335":693,"_337":694,"_339":695,"_341":696,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1858","germany","color lithograph on wove paper","image: 28.26 × 44.61 cm (11 1/8 × 17 9/16 in.) sheet: 45.09 × 63.34 cm (17 3/4 × 24 15/16 in.)",44.6,28.3,1.3680694722778892,[676,677,678,679,680],{"_226":385,"_227":386,"_42":387,"_314":388},"2015.19.3615.6","Woldemar Rau made this in 1858, aged 31. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a valley leading towards two mountain peaks known as the Peaks of Otter. The horizon is low, with the mountains dominating the scene. The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.",{"_302":673,"_304":674,"_306":675},"https://img.ochreeditions.com/m/1695.jpg?dl=1","/art/view-of-the-peaks-of-otter-nga-212712","/galleries/style/etching-revival/view-of-the-peaks-of-otter-nga-212712",{"_298":299,"_300":301},{"_230":666,"_125":667,"_292":668},{"_282":663,"_284":664,"_286":648,"_288":665},68.6,56.60068359375,32.60068359375,{"_294":230,"_123":671,"_154":672,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":669,"_154":670,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-woldemar-rau","Woldemar Rau's contemporaries","https://img.ochreeditions.com/a/1695/480.jpg","https://img.ochreeditions.com/a/1695/960.jpg","https://img.ochreeditions.com/a/1695/1920.jpg",{"_321":689,"_323":690},{"_321":687,"_323":688},{"_321":685,"_323":686},{"_321":683,"_323":684},{"_321":681,"_323":682},"#5d574d",0.0422,"#d4b78a",0.0645,"#8d816f",0.0701,"#b0a088",0.0761,"#ebe0d2",0.7471,"Woldemar Rau","woldemar-rau","German, 1827–1889","German",1827,1889,"une-lecture-interessante-et-rafraichissante-nga-170184","Une lecture intéressante et rafraichissante",{"_42":743,"_227":744,"_335":745,"_337":466,"_339":746,"_341":747,"_343":748,"_344":749,"_345":750,"_140":95},"1854","lithograph",1.1524056467876693,[728,729,730,731,732],{"_226":385,"_227":386,"_42":387,"_314":388},"2015.143.1157","Honoré Daumier made this in 1854, aged 46. It is now at the National Gallery of Art in Washington, DC.","A balding man in spectacles sits by the water with his feet submerged, absorbed in his reading, while his companion beside him, feet likewise in the water, sits upright with her hands in her lap. His top hat waits on the ground. The caption calls it “an interesting and refreshing read”.","The image shows two individuals seated outdoors near a body of water with their feet submerged. Both individuals are seen from head to toe. The person on the left is seated with a slightly hunched posture, reading a document or a book. They have a balding head, wear glasses, a dark suit with the coat draped over their knees, and a top hat placed on the ground. The individual on the right is sitting upright with a scarf over their hair. They wear a long dress with a shawl, and their hands rest on their lap. The background features a bare tree and a rough, sketched environment. The sky and landscape are depicted in shades of light and dark.",{"_302":725,"_304":726,"_306":727},"https://img.ochreeditions.com/m/1683.jpg?dl=1","/art/une-lecture-interessante-et-rafraichissante-nga-170184","/galleries/style/etching-revival/une-lecture-interessante-et-rafraichissante-nga-170184",{"_298":299,"_300":301},{"_230":720,"_125":721,"_292":722},{"_282":716,"_284":717,"_286":718,"_288":719},84,76.065,60,52.065,{"_294":230,"_123":723,"_154":724,"_140":95},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":436,"_154":437,"_140":438},"artist/honore-daumier","More by Honoré Daumier","https://img.ochreeditions.com/a/1683/480.jpg","https://img.ochreeditions.com/a/1683/960.jpg","https://img.ochreeditions.com/a/1683/1920.jpg",{"_321":741,"_323":742},{"_321":739,"_323":740},{"_321":737,"_323":738},{"_321":735,"_323":736},{"_321":733,"_323":734},"#535049",0.0776,"#787266",0.1625,"#9b907f",0.181,"#c1b198",0.2099,"#dfc9ad",0.369,"Honoré Daumier","honore-daumier","French, 1808–1879",1808,1879,"Marseilles","Valmondois","Daumier grew up in Paris after his family left Marseilles, and learned lithography as a young man.","whistler-with-a-hat-aic-213620","Whistler with a Hat",{"_42":797,"_227":798,"_335":799,"_337":338,"_339":800,"_341":801,"_343":802,"_344":803,"_345":804,"_140":236},"1859","Drypoint with light plate tone on thin ivory Japanese paper","Image/plate: 22.6 × 15.1 cm (8 15/16 × 6 in.); Sheet: 24.6 × 17 cm (9 11/16 × 6 3/4 in.)",22,0.7541095890410959,[782,783,784,785,786],{"_226":444,"_227":445,"_42":446,"_314":447},"2011.1098","James McNeill Whistler made this in 1859, aged 25. It is now at the Art Institute of Chicago.","Whistler portrays himself at about twenty-five in a broad-brimmed hat, scratching the image directly into the copper with a drypoint needle.","A work made of drypoint with light plate tone on thin ivory japanese paper.",{"_302":779,"_304":780,"_306":781},"https://img.ochreeditions.com/m/360.jpg?dl=1","/art/whistler-with-a-hat-aic-213620","/galleries/style/etching-revival/whistler-with-a-hat-aic-213620",{"_298":299,"_300":301},{"_230":774,"_125":775,"_292":776},{"_282":772,"_284":285,"_286":773,"_288":289},42.852739726027394,18.852739726027398,{"_294":230,"_123":777,"_154":778,"_140":236},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":166,"_154":165,"_140":168},"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/360/480.jpg","https://img.ochreeditions.com/a/360/960.jpg","https://img.ochreeditions.com/a/360/1920.jpg",{"_321":795,"_323":796},{"_321":793,"_323":794},{"_321":791,"_323":792},{"_321":789,"_323":790},{"_321":787,"_323":788},"#675f57",0.0218,"#91857a",0.0303,"#baab9e",0.0495,"#e6d4c3",0.2142,"#f4e2d1",0.6842,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","modern-masks-aic-49384","Modern Masks",{"_42":852,"_227":853,"_335":854,"_337":579,"_339":855,"_341":856,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1889","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,29,0.618788452437293,[837,838,839,840,841],{"_226":444,"_227":445,"_42":446,"_314":447},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_302":834,"_304":835,"_306":836},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_298":299,"_300":301},{"_230":829,"_125":830,"_292":831},{"_282":826,"_284":827,"_286":828,"_288":812},41.9448651206815,53,17.944865120681495,{"_294":230,"_123":832,"_154":833,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":552,"_154":553,"_140":554},"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_321":850,"_323":851},{"_321":848,"_323":849},{"_321":846,"_323":847},{"_321":844,"_323":845},{"_321":842,"_323":843},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898",1833,1898,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":903,"_227":904,"_335":905,"_337":338,"_339":906,"_341":907,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",25.1,0.80225,[888,889,890,891,892],{"_226":385,"_227":386,"_42":387,"_314":388},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_302":885,"_304":886,"_306":887},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_298":299,"_300":301},{"_230":880,"_125":881,"_292":882},{"_282":877,"_284":878,"_286":879,"_288":863},44.136475000000004,49.1,20.136475,{"_294":230,"_123":883,"_154":884,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_321":901,"_323":902},{"_321":899,"_323":900},{"_321":897,"_323":898},{"_321":895,"_323":896},{"_321":893,"_323":894},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,1894,"business-men-s-class-cma-115925","Business Men's Class",{"_42":956,"_227":957,"_335":958,"_337":338,"_339":959,"_341":960,"_343":-5,"_344":-5,"_345":961,"_140":93},"1916","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[941,942,943,944,945],{"_226":311,"_227":312,"_42":313,"_314":315},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":940,"_309":310},"Business Men's Class, by George Bellows, 1916",{"_302":937,"_304":938,"_306":939},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_298":299,"_300":301},{"_230":932,"_125":933,"_292":934},{"_282":929,"_284":930,"_286":913,"_288":931},94,72.71176470588236,48.71176470588236,{"_294":230,"_123":935,"_154":936,"_140":93},{"_294":125,"_123":378,"_154":379,"_140":75},{"_294":292,"_123":375,"_154":376,"_140":377},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_321":954,"_323":955},{"_321":952,"_323":953},{"_321":950,"_323":951},{"_321":948,"_323":949},{"_321":946,"_323":947},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":1009,"_227":1010,"_335":1011,"_337":466,"_339":1012,"_341":1013,"_343":-5,"_344":-5,"_345":-5,"_140":101},"1893","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[994,995,996,997,998],{"_226":444,"_227":445,"_42":446,"_314":447},"1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_302":991,"_304":992,"_306":993},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_298":299,"_300":301},{"_230":986,"_125":987,"_292":988},{"_282":982,"_284":983,"_286":984,"_288":985},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_294":230,"_123":989,"_154":990,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_321":1007,"_323":1008},{"_321":1005,"_323":1006},{"_321":1003,"_323":1004},{"_321":1001,"_323":1002},{"_321":999,"_323":1000},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":1056,"_227":1057,"_335":1058,"_337":338,"_339":1059,"_341":907,"_343":-5,"_344":-5,"_345":-5,"_140":103},"image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[1041,1042,1043,1044,1045],{"_226":385,"_227":386,"_42":387,"_314":388},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_302":1038,"_304":1039,"_306":1040},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_298":299,"_300":301},{"_230":1033,"_125":1034,"_292":1035},{"_282":716,"_284":1031,"_286":718,"_288":1032},67.36633663366337,43.366336633663366,{"_294":230,"_123":1036,"_154":1037,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_321":1054,"_323":1055},{"_321":1052,"_323":1053},{"_321":1050,"_323":1051},{"_321":1048,"_323":1049},{"_321":1046,"_323":1047},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,"landscape-nga-40059","Landscape",{"_42":1100,"_227":1101,"_335":1102,"_337":694,"_339":959,"_341":1103,"_343":-5,"_344":-5,"_345":-5,"_140":103},1.2591454042422379,[1086,1087,1088,1089,1090],{"_226":385,"_227":386,"_42":387,"_314":388},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_302":1083,"_304":1084,"_306":1085},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_298":299,"_300":301},{"_230":1078,"_125":1079,"_292":1080},{"_282":716,"_284":1076,"_286":718,"_288":1077},71.6513671875,47.6513671875,{"_294":230,"_123":1081,"_154":1082,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":669,"_154":670,"_140":77},"artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_321":1098,"_323":1099},{"_321":1097,"_323":633},{"_321":1095,"_323":1096},{"_321":1093,"_323":1094},{"_321":1091,"_323":1092},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2","#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919",1919,"sculptress-cma-153129","Sculptress",{"_42":1153,"_227":1154,"_335":1155,"_337":466,"_339":1156,"_341":1157,"_343":-5,"_344":-5,"_345":-5,"_140":103},"1897","lithograph with watercolor added by hand","Sheet: 64.5 x 49.5 cm (25 3/8 x 19 1/2 in.); Image: 53.1 x 37 cm (20 7/8 x 14 9/16 in.)",49.5,64.5,0.7047058823529412,[1138,1139,1140,1141,1142],{"_226":311,"_227":312,"_42":313,"_314":315},"1986.136","Eugène Grasset painted this in 1897, aged 56. It is now at the Cleveland Museum of Art.",{"_118":1137,"_309":310},"Sculptress, by Eugène Grasset, 1897",{"_302":1134,"_304":1135,"_306":1136},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/etching-revival/sculptress-cma-153129",{"_298":299,"_300":301},{"_230":1129,"_125":1130,"_292":1131},{"_282":1126,"_284":1127,"_286":1128,"_288":1111},69.4535294117647,88.5,45.453529411764706,{"_294":230,"_123":1132,"_154":1133,"_140":89},{"_294":125,"_123":295,"_154":296,"_140":297},{"_294":292,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.",{"_321":1151,"_323":1152},{"_321":1149,"_323":1150},{"_321":1147,"_323":1148},{"_321":1145,"_323":1146},{"_321":1143,"_323":1144},"#e5b078",0.0913,"#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917",1841,1917,{"_1159":-5,"_1160":1161,"_1162":1163,"_1164":8,"_1165":1166,"_1167":8},"user","csrf","946e2f6e202ceddcf8be90bbc3f7342fbd0d4097","cartCount",0,"dropLive","legal",[1168,1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179],"uploadsEnabled",{"_227":1202,"_20":1203},{"_227":1200,"_20":1201},{"_227":1198,"_20":1199},{"_227":1196,"_20":1197},{"_227":1194,"_20":1195},{"_227":1192,"_20":1193},{"_227":1190,"_20":1191},{"_227":1188,"_20":1189},{"_227":1186,"_20":1187},{"_227":1184,"_20":1185},{"_227":1182,"_20":1183},{"_227":1180,"_20":1181},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]