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The sky has wisps of clouds.",{"_300":430,"_302":431,"_304":432},"https://img.ochreeditions.com/m/1600.jpg?dl=1","/art/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","/galleries/style/etching-revival/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196",{"_296":297,"_298":299},{"_230":425,"_125":426,"_290":427},{"_281":421,"_283":422,"_285":423,"_287":424},84,74.36539895600299,60,50.365398956002984,{"_292":230,"_123":428,"_154":429,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"artist/contemporaries-of-charles-francois-daubigny","Charles-François Daubigny's contemporaries","https://img.ochreeditions.com/a/1600/480.jpg","https://img.ochreeditions.com/a/1600/960.jpg","https://img.ochreeditions.com/a/1600/1920.jpg",{"_316":446,"_318":447},{"_316":444,"_318":445},{"_316":442,"_318":443},{"_316":440,"_318":441},{"_316":438,"_318":439},"#806e5d",0.0246,"#a99073",0.1001,"#c8ae8a",0.2106,"#dfc7a1",0.2925,"#efdbb8",0.3722,"Charles-François Daubigny","charles-francois-daubigny","French, 1817–1878",1817,1878,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":505,"_227":506,"_330":507,"_332":508,"_334":509,"_336":510,"_338":511,"_339":512,"_340":513,"_140":236},"1879–80","united-states","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,20,1.5017801513128617,[490,491,492,493,494],{"_226":378,"_227":379,"_42":380,"_309":381},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_300":487,"_302":488,"_304":489},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_296":297,"_298":299},{"_230":479,"_125":480,"_290":481},{"_281":476,"_283":477,"_285":460,"_287":478},53,43.31041635797896,19.31041635797896,{"_292":230,"_123":485,"_154":486,"_140":236},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_316":503,"_318":504},{"_316":501,"_318":502},{"_316":499,"_318":500},{"_316":497,"_318":498},{"_316":495,"_318":496},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","the-old-violin-aic-135454","The Old Violin",{"_42":561,"_227":562,"_330":563,"_332":564,"_334":565,"_336":566,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[546,547,548,549,550],{"_226":378,"_227":379,"_42":380,"_309":381},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_300":543,"_302":544,"_304":545},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_296":297,"_298":299},{"_230":538,"_125":539,"_290":540},{"_281":535,"_283":536,"_285":537,"_287":521},87.83501457072404,112,63.83501457072405,{"_292":230,"_123":541,"_154":542,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_316":559,"_318":560},{"_316":557,"_318":558},{"_316":555,"_318":556},{"_316":553,"_318":554},{"_316":551,"_318":552},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"untitled-si-saam-1982-80-4","Untitled",{"_42":624,"_227":625,"_330":626,"_332":-5,"_334":627,"_336":628,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1915","Graphic Arts-Print","woodcut on paper","image: 15 1/8 x 11 3/8 in. (38.3 x 28.9 cm)",28.9,38.3,0.7602739726027398,[609,610,611,612,613],{"_226":606,"_227":607,"_42":608,"_309":310},"Courtesy of the Smithsonian American Art Museum","1982.80.4","Mildred McMillen made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled, by Mildred McMillen, 1915",{"_300":603,"_302":604,"_304":605},"https://img.ochreeditions.com/m/1963.jpg?dl=1","/art/untitled-si-saam-1982-80-4","/galleries/style/etching-revival/untitled-si-saam-1982-80-4",{"_296":297,"_298":299},{"_230":593,"_125":594,"_290":595},{"_281":590,"_283":591,"_285":592,"_287":575},53.11849315068493,62.3,29.11849315068493,{"_292":230,"_123":601,"_154":602,"_140":89},{"_292":125,"_123":599,"_154":600,"_140":75},{"_292":290,"_123":596,"_154":597,"_140":598},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-mildred-mcmillen","Mildred McMillen's contemporaries","https://img.ochreeditions.com/a/1963/480.jpg","https://img.ochreeditions.com/a/1963/960.jpg","https://img.ochreeditions.com/a/1963/1920.jpg","si","smithsonian","Smithsonian Institution",{"_316":622,"_318":623},{"_316":620,"_318":621},{"_316":618,"_318":619},{"_316":616,"_318":617},{"_316":614,"_318":615},"#242321",0.1024,"#65635d",0.1209,"#c2bfb6",0.2417,"#9d9a92",0.2459,"#f0ede4",0.2891,"Mildred McMillen","mildred-mcmillen","born Chicago, IL 1884-died ca. 1940",1884,1940,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":676,"_227":677,"_330":678,"_332":508,"_334":679,"_336":680,"_338":681,"_339":682,"_340":683,"_140":53},"wood engraving on paper","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[661,662,663,664,665],{"_226":606,"_227":607,"_42":608,"_309":310},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_300":658,"_302":659,"_304":660},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_296":297,"_298":299},{"_230":653,"_125":654,"_290":655},{"_281":650,"_283":651,"_285":634,"_287":652},76.7,60.7319,36.7319,{"_292":230,"_123":656,"_154":657,"_140":53},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_316":674,"_318":675},{"_316":672,"_318":673},{"_316":670,"_318":671},{"_316":668,"_318":669},{"_316":666,"_318":667},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","landscape-nga-40059","Landscape",{"_42":729,"_227":730,"_330":731,"_332":732,"_334":733,"_336":734,"_338":-5,"_339":-5,"_340":-5,"_140":103},"germany","etching",1.2591454042422379,[714,715,716,717,718],{"_226":306,"_227":307,"_42":308,"_309":310},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_300":711,"_302":712,"_304":713},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_296":297,"_298":299},{"_230":704,"_125":705,"_290":706},{"_281":421,"_283":702,"_285":423,"_287":703},71.6513671875,47.6513671875,{"_292":230,"_123":709,"_154":710,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":707,"_154":708,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_316":727,"_318":728},{"_316":725,"_318":726},{"_316":723,"_318":724},{"_316":721,"_318":722},{"_316":719,"_318":720},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":397,"_227":398,"_330":399,"_332":400,"_334":401,"_336":402,"_338":-5,"_339":-5,"_340":-5,"_140":101},"Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[763,764,765,766,767],{"_226":378,"_227":379,"_42":380,"_309":381},"1938.1148","A work made of lithograph in dark green on cream wove paper.",{"_300":760,"_302":761,"_304":762},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_296":297,"_298":299},{"_230":757,"_125":758,"_290":759},{"_281":753,"_283":754,"_285":755,"_287":756},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_292":230,"_123":373,"_154":374,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":370,"_154":371,"_140":372},"https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_316":776,"_318":777},{"_316":774,"_318":775},{"_316":772,"_318":773},{"_316":770,"_318":771},{"_316":768,"_318":769},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"mission-santa-barbara-looking-south-nga-182317","Mission Santa Barbara, Looking South",{"_42":825,"_227":826,"_330":827,"_332":508,"_334":828,"_336":829,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1888","etching in black on wove paper","plate: 25.08 × 20.16 cm (9 7/8 × 7 15/16 in.) sheet: 36.2 × 27.46 cm (14 1/4 × 10 13/16 in.)",20.2,25.1,0.80225,[810,811,812,813,814],{"_226":306,"_227":307,"_42":308,"_309":310},"2015.19.937","Henry Chapman Ford made this in 1888, aged 60. It is now at the National Gallery of Art in Washington, DC.","The image features a large building with a domed tower on the right side. The horizon shows hills, trees, and the sky. The brushstrokes give detailed texture to the scene, with a focus on the landscape and architecture. The color palette is sepia-toned. A tree, fence, smaller buildings, and a figure on a path add depth and perspective to the scene.",{"_300":807,"_302":808,"_304":809},"https://img.ochreeditions.com/m/1687.jpg?dl=1","/art/mission-santa-barbara-looking-south-nga-182317","/galleries/style/etching-revival/mission-santa-barbara-looking-south-nga-182317",{"_296":297,"_298":299},{"_230":802,"_125":803,"_290":804},{"_281":799,"_283":800,"_285":801,"_287":785},44.136475000000004,49.1,20.136475,{"_292":230,"_123":805,"_154":806,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"artist/contemporaries-of-henry-chapman-ford","Henry Chapman Ford's contemporaries","https://img.ochreeditions.com/a/1687/480.jpg","https://img.ochreeditions.com/a/1687/960.jpg","https://img.ochreeditions.com/a/1687/1920.jpg",{"_316":823,"_318":824},{"_316":821,"_318":822},{"_316":819,"_318":820},{"_316":817,"_318":818},{"_316":815,"_318":816},"#a8967a",0.1302,"#685c4e",0.1366,"#897864",0.1918,"#ead3b6",0.2325,"#cbb894",0.3089,"Henry Chapman Ford","henry-chapman-ford","American, 1828–1894",1828,1894,"the-creation-cma-109009","The Creation",{"_42":889,"_227":890,"_330":891,"_332":508,"_334":892,"_336":893,"_338":-5,"_339":-5,"_340":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[874,875,876,877,878],{"_226":870,"_227":871,"_42":872,"_309":873},"Courtesy of the Cleveland Museum of Art","1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":867,"_868":869},"The Creation, by Kálmán Kubinyi, before 1927",{"_300":864,"_302":865,"_304":866},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_296":297,"_298":299},{"_230":856,"_125":857,"_290":858},{"_281":853,"_283":854,"_285":855,"_287":837},43.26877040261154,52.5,19.268770402611533,{"_292":230,"_123":862,"_154":863,"_140":89},{"_292":125,"_123":599,"_154":600,"_140":75},{"_292":290,"_123":859,"_154":860,"_140":861},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_316":887,"_318":888},{"_316":885,"_318":886},{"_316":883,"_318":884},{"_316":881,"_318":882},{"_316":879,"_318":880},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,"the-frugal-meal-cma-111385","The Frugal Meal",{"_42":943,"_227":944,"_330":945,"_332":946,"_334":947,"_336":893,"_338":-5,"_339":-5,"_340":-5,"_140":103},"September 1904, printed 1913","spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[928,929,930,931,932],{"_226":870,"_227":871,"_42":872,"_309":873},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":927,"_868":869},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_300":924,"_302":925,"_304":926},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_296":297,"_298":299},{"_230":919,"_125":920,"_290":921},{"_281":916,"_283":917,"_285":918,"_287":901},61.81852941176471,69.5,37.81852941176471,{"_292":230,"_123":922,"_154":923,"_140":89},{"_292":125,"_123":599,"_154":600,"_140":75},{"_292":290,"_123":596,"_154":597,"_140":598},"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_316":941,"_318":942},{"_316":939,"_318":940},{"_316":937,"_318":938},{"_316":935,"_318":936},{"_316":933,"_318":934},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":990,"_227":991,"_330":992,"_332":508,"_334":993,"_336":829,"_338":-5,"_339":-5,"_340":-5,"_140":103},"image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[975,976,977,978,979],{"_226":306,"_227":307,"_42":308,"_309":310},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_300":972,"_302":973,"_304":974},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_296":297,"_298":299},{"_230":967,"_125":968,"_290":969},{"_281":421,"_283":965,"_285":423,"_287":966},67.36633663366337,43.366336633663366,{"_292":230,"_123":970,"_154":971,"_140":89},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_316":988,"_318":989},{"_316":986,"_318":987},{"_316":984,"_318":985},{"_316":982,"_318":983},{"_316":980,"_318":981},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,"san-giorgio-nga-11030","San Giorgio",{"_42":505,"_227":506,"_330":507,"_332":508,"_334":509,"_336":510,"_338":511,"_339":512,"_340":513,"_140":236},"1880","etching and drypoint on Asian laid paper",1.4246956521739131,[1021,1022,1023,1024,1025],{"_226":306,"_227":307,"_42":308,"_309":310},"1943.3.8533","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","Masted ships ride at anchor in the foreground, their reflections trembling in the water, while across the lagoon the church of San Giorgio Maggiore and its neighbours lie in a faint line along the horizon.","The image displays a harbor filled with boats and ships. The perspective is slightly elevated, likely from a dock, with a partially visible boat and dock at the forefront. The horizon is in the upper third of the image, showing a distant cityscape with spires and structures. The brushwork is delicate, with fine, linear strokes typical of etching. The color palette is monochromatic, sepia tones creating a vintage and serene mood. The ships with tall masts populate the water, with reflections giving a sense of stillness. In the distance, faint impressions of buildings line the harbor, blending into the horizon.",{"_300":1018,"_302":1019,"_304":1020},"https://img.ochreeditions.com/m/1356.jpg?dl=1","/art/san-giorgio-nga-11030","/galleries/style/etching-revival/san-giorgio-nga-11030",{"_296":297,"_298":299},{"_230":1015,"_125":1016,"_290":1017},{"_281":421,"_283":1013,"_285":423,"_287":1014},66.1142578125,42.1142578125,{"_292":230,"_123":485,"_154":486,"_140":236},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"https://img.ochreeditions.com/a/1356/480.jpg","https://img.ochreeditions.com/a/1356/960.jpg","https://img.ochreeditions.com/a/1356/1920.jpg",{"_316":1034,"_318":1035},{"_316":1032,"_318":1033},{"_316":1030,"_318":1031},{"_316":1028,"_318":1029},{"_316":1026,"_318":1027},"#a68a6d",0.0462,"#c3a583",0.1167,"#d7b893",0.201,"#e4c8a5",0.2458,"#edd5b6",0.3903,"tingletangle-aic-17236","Tingletangle",{"_42":1086,"_227":1087,"_330":1088,"_332":1089,"_334":1090,"_336":1091,"_338":-5,"_339":-5,"_340":1092,"_140":99},"1895","scandinavia","Lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper","Image: 41.5 × 63.9 cm (16 3/8 × 25 3/16 in.); Sheet: 48.7 × 69.8 cm (19 3/16 × 27 1/2 in.)",63,41,1.4171472510572856,[1071,1072,1073,1074,1075],{"_226":378,"_227":379,"_42":380,"_309":381},"1963.285","Edvard Munch painted this in 1895, aged 32. It is now at the Art Institute of Chicago.","A work made of lithograph in black ink, with additions in brush and red, blue, yellow, green, orange-brown and gray watercolor on ivory wove paper.",{"_300":1068,"_302":1069,"_304":1070},"https://img.ochreeditions.com/m/67.jpg?dl=1","/art/tingletangle-aic-17236","/galleries/style/etching-revival/tingletangle-aic-17236",{"_296":297,"_298":299},{"_230":1061,"_125":1062,"_290":1063},{"_281":1058,"_283":1059,"_285":1043,"_287":1060},87,68.45550732501357,44.45550732501357,{"_292":230,"_123":1066,"_154":1067,"_140":99},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":1064,"_154":1065,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/67/480.jpg","https://img.ochreeditions.com/a/67/960.jpg","https://img.ochreeditions.com/a/67/1920.jpg",{"_316":1084,"_318":1085},{"_316":1082,"_318":1083},{"_316":1080,"_318":1081},{"_316":1078,"_318":1079},{"_316":1076,"_318":1077},"#c0564c",0.0288,"#59514e",0.1587,"#928478",0.1618,"#e3d6cb",0.2972,"#bcb19f",0.3535,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","long-lagoon-nga-11033","Long Lagoon",{"_42":505,"_227":506,"_330":507,"_332":508,"_334":509,"_336":510,"_338":511,"_339":512,"_340":513,"_140":236},"plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[1120,1121,1122,1123,1124],{"_226":306,"_227":307,"_42":308,"_309":310},"1943.3.8536","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_300":1117,"_302":1118,"_304":1119},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/etching-revival/long-lagoon-nga-11033",{"_296":297,"_298":299},{"_230":1114,"_125":1115,"_290":1116},{"_281":364,"_283":1112,"_285":366,"_287":1113},41.132568359375,17.132568359375,{"_292":230,"_123":485,"_154":486,"_140":236},{"_292":125,"_123":293,"_154":294,"_140":295},{"_292":290,"_123":482,"_154":483,"_140":484},"https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_316":1133,"_318":1134},{"_316":1131,"_318":1132},{"_316":1129,"_318":1130},{"_316":1127,"_318":1128},{"_316":1125,"_318":1126},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,{"_1136":-5,"_1137":1138,"_1139":1140,"_1141":8,"_1142":1143,"_1144":8},"user","csrf","de17d94c61d976ba88ef6abaea00a01bf99429bb","cartCount",0,"dropLive","legal",[1145,1146,1147,1148,1149,1150,1151,1152,1153,1154,1155,1156],"uploadsEnabled",{"_227":1179,"_20":1180},{"_227":1177,"_20":1178},{"_227":1175,"_20":1176},{"_227":1173,"_20":1174},{"_227":1171,"_20":1172},{"_227":1169,"_20":1170},{"_227":1167,"_20":1168},{"_227":1165,"_20":1166},{"_227":1163,"_20":1164},{"_227":1161,"_20":1162},{"_227":1159,"_20":1160},{"_227":1157,"_20":1158},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]