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It is now at the Cleveland Museum of Art.",{"_118":445,"_446":447},"Sculptress, by Eugène Grasset, 1897",{"_301":442,"_303":443,"_305":444},"https://img.ochreeditions.com/m/737.jpg?dl=1","/art/sculptress-cma-153129","/galleries/style/etching-revival/sculptress-cma-153129",{"_297":298,"_299":300},{"_231":434,"_125":435,"_291":436},{"_282":431,"_284":432,"_286":433,"_287":415},69.4535294117647,88.5,45.453529411764706,{"_293":231,"_123":440,"_154":441,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"era/19-france","19th-century France",237,"artist/contemporaries-of-eugene-grasset","Eugène Grasset's contemporaries","https://img.ochreeditions.com/a/737/480.jpg","https://img.ochreeditions.com/a/737/960.jpg","https://img.ochreeditions.com/a/737/1920.jpg","Grasset, greatly influenced by the art of Japan, Persia, and Egypt, created designs for stained glass windows, furniture, tapestries, and fabrics. This female allegory of Sculpture was meant for an 1898 exhibition poster. Only the black areas and lines were printed.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":465,"_319":466},{"_317":463,"_319":464},{"_317":461,"_319":462},{"_317":459,"_319":460},{"_317":457,"_319":458},"#e5b078",0.0913,"#c17752",0.1854,"#8c7c6c",0.1969,"#bfac97",0.2601,"#534a43",0.2663,"Eugène Grasset","eugene-grasset","French, 1841–1917","French",1841,1917,"the-petit-pont-cma-130336","The Petit Pont",{"_42":522,"_228":523,"_331":524,"_333":470,"_335":525,"_337":526,"_339":-5,"_341":-5,"_343":-5,"_140":101},"1850","etching with engraving","Sheet: 26.4 x 19.6 cm (10 3/8 x 7 11/16 in.); Image: 24.6 x 18.8 cm (9 11/16 x 7 3/8 in.)",19.6,26.4,0.7438235294117647,[507,508,509,510,511],{"_227":448,"_228":449,"_42":450,"_310":451},"1953.10","Charles Meryon made this in 1850, aged 29. It is now at the Cleveland Museum of Art.",{"_118":506,"_446":447},"The Petit Pont, by Charles Meryon, 1850",{"_301":503,"_303":504,"_305":505},"https://img.ochreeditions.com/m/599.jpg?dl=1","/art/the-petit-pont-cma-130336","/galleries/style/etching-revival/the-petit-pont-cma-130336",{"_297":298,"_299":300},{"_231":498,"_125":499,"_291":500},{"_282":495,"_284":496,"_286":497,"_287":480},43.636941176470586,50.4,19.636941176470586,{"_293":231,"_123":501,"_154":502,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-charles-meryon","Charles Meryon's contemporaries","https://img.ochreeditions.com/a/599/480.jpg","https://img.ochreeditions.com/a/599/960.jpg","https://img.ochreeditions.com/a/599/1920.jpg","Charles Meryon used etching—a technique that involves drawing on a printing plate with a needle’s point—to create minutely detailed images of Paris that imaginatively present recognizable sites.",{"_317":520,"_319":521},{"_317":518,"_319":519},{"_317":516,"_319":517},{"_317":514,"_319":515},{"_317":512,"_319":513},"#7e7263",0.1576,"#433d38",0.1799,"#5d544b",0.1842,"#a2937e",0.2201,"#bcaf9d",0.2582,"Charles Meryon","charles-meryon","French, 1821–1868",1821,1868,"modern-masks-aic-49384","Modern Masks",{"_42":576,"_228":577,"_331":578,"_333":579,"_335":580,"_337":581,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,0.618788452437293,[561,562,563,564,565],{"_227":307,"_228":308,"_42":309,"_310":311},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_301":558,"_303":559,"_305":560},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_297":298,"_299":300},{"_231":550,"_125":551,"_291":552},{"_282":548,"_284":283,"_286":549,"_287":249},41.9448651206815,17.944865120681495,{"_293":231,"_123":556,"_154":557,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":553,"_154":554,"_140":555},"era/19","The 19th century",731,"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_317":574,"_319":575},{"_317":572,"_319":573},{"_317":570,"_319":571},{"_317":568,"_319":569},{"_317":566,"_319":567},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1833,1898,"cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":629,"_228":630,"_331":631,"_333":334,"_335":632,"_337":633,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1887","drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[614,615,616,617,618],{"_227":382,"_228":383,"_42":384,"_310":385},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_301":611,"_303":612,"_305":613},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_297":298,"_299":300},{"_231":606,"_125":607,"_291":608},{"_282":603,"_284":604,"_286":588,"_287":605},51.5,46.3773193359375,22.3773193359375,{"_293":231,"_123":609,"_154":610,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_317":627,"_319":628},{"_317":625,"_319":626},{"_317":623,"_319":624},{"_317":621,"_319":622},{"_317":619,"_319":620},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"the-stranger-si-saam-1983-4","The Stranger",{"_42":691,"_228":692,"_331":693,"_333":-5,"_335":694,"_337":695,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1916","Graphic Arts-Print","lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[676,677,678,679,680],{"_227":673,"_228":674,"_42":675,"_310":385},"Courtesy of the Smithsonian American Art Museum","1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_301":670,"_303":671,"_305":672},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_297":298,"_299":300},{"_231":660,"_125":661,"_291":662},{"_282":657,"_284":658,"_286":659,"_287":642},47.74746666666667,58.4,23.747466666666668,{"_293":231,"_123":668,"_154":669,"_140":89},{"_293":125,"_123":666,"_154":667,"_140":75},{"_293":291,"_123":663,"_154":664,"_140":665},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg","si","smithsonian","Smithsonian Institution",{"_317":689,"_319":690},{"_317":687,"_319":688},{"_317":685,"_319":686},{"_317":683,"_319":684},{"_317":681,"_319":682},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946",1863,1946,"schwabelweiss-nga-184588","Schwabelweiss",{"_42":744,"_228":745,"_331":746,"_333":334,"_335":747,"_337":748,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1879","etching in black on wove paper","image: 7.78 × 20.8 cm (3 1/16 × 8 3/16 in.) plate: 8.73 × 21.59 cm (3 7/16 × 8 1/2 in.) sheet: 18.26 × 30.32 cm (7 3/16 × 11 15/16 in.)",20.8,7.8,2.4554941682013505,[729,730,731,732,733],{"_227":382,"_228":383,"_42":384,"_310":385},"2015.19.2473","Otto Henry Bacher made this in 1879, aged 23. It is now at the National Gallery of Art in Washington, DC.","The image shows a village scene viewed from a low vantage point near a water's edge. A row of small, closely packed buildings and a church with an onion-shaped dome are prominently featured. There are gentle slopes leading towards the structures. The image uses fine, detailed line work to depict texture and depth in the buildings and natural landscape. The lines are delicate and varied, creating a sense of detail and softness. The color palette is monochromatic, with dark ink on a pale background, resulting in a classic and timeless feel.",{"_301":726,"_303":727,"_305":728},"https://img.ochreeditions.com/m/1689.jpg?dl=1","/art/schwabelweiss-nga-184588","/galleries/style/etching-revival/schwabelweiss-nga-184588",{"_297":298,"_299":300},{"_231":721,"_125":722,"_291":723},{"_282":717,"_284":718,"_286":719,"_287":720},49,34.18125,25,10.18125,{"_293":231,"_123":724,"_154":725,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-otto-henry-bacher","Otto Henry Bacher's contemporaries","https://img.ochreeditions.com/a/1689/480.jpg","https://img.ochreeditions.com/a/1689/960.jpg","https://img.ochreeditions.com/a/1689/1920.jpg",{"_317":742,"_319":743},{"_317":740,"_319":741},{"_317":738,"_319":739},{"_317":736,"_319":737},{"_317":734,"_319":735},"#67594b",0.0619,"#82715c",0.0673,"#bca682",0.0691,"#9d896d",0.0811,"#dbc39b",0.7206,"Otto Henry Bacher","otto-henry-bacher","American, 1856–1909",1856,1909,"untitled-si-saam-1982-80-4","Untitled",{"_42":796,"_228":797,"_331":798,"_333":-5,"_335":799,"_337":800,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1915","woodcut on paper","image: 15 1/8 x 11 3/8 in. (38.3 x 28.9 cm)",28.9,38.3,0.7602739726027398,[781,782,783,784,785],{"_227":673,"_228":674,"_42":675,"_310":385},"1982.80.4","Mildred McMillen made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled, by Mildred McMillen, 1915",{"_301":778,"_303":779,"_305":780},"https://img.ochreeditions.com/m/1963.jpg?dl=1","/art/untitled-si-saam-1982-80-4","/galleries/style/etching-revival/untitled-si-saam-1982-80-4",{"_297":298,"_299":300},{"_231":773,"_125":774,"_291":775},{"_282":770,"_284":771,"_286":772,"_287":756},53.11849315068493,62.3,29.11849315068493,{"_293":231,"_123":776,"_154":777,"_140":89},{"_293":125,"_123":666,"_154":667,"_140":75},{"_293":291,"_123":663,"_154":664,"_140":665},"artist/contemporaries-of-mildred-mcmillen","Mildred McMillen's contemporaries","https://img.ochreeditions.com/a/1963/480.jpg","https://img.ochreeditions.com/a/1963/960.jpg","https://img.ochreeditions.com/a/1963/1920.jpg",{"_317":794,"_319":795},{"_317":792,"_319":793},{"_317":790,"_319":791},{"_317":788,"_319":789},{"_317":786,"_319":787},"#242321",0.1024,"#65635d",0.1209,"#c2bfb6",0.2417,"#9d9a92",0.2459,"#f0ede4",0.2891,"Mildred McMillen","mildred-mcmillen","born Chicago, IL 1884-died ca. 1940",1884,1940,"under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":849,"_228":850,"_331":851,"_333":470,"_335":852,"_337":853,"_339":854,"_341":854,"_343":855,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[834,835,836,837,838],{"_227":307,"_228":308,"_42":309,"_310":311},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_301":831,"_303":832,"_305":833},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_297":298,"_299":300},{"_231":826,"_125":827,"_291":828},{"_282":823,"_284":824,"_286":807,"_287":825},62,51.193133047210296,27.1931330472103,{"_293":231,"_123":829,"_154":830,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_317":847,"_319":848},{"_317":845,"_319":846},{"_317":843,"_319":844},{"_317":841,"_319":842},{"_317":839,"_319":840},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","the-old-violin-aic-135454","The Old Violin",{"_42":902,"_228":903,"_331":904,"_333":905,"_335":906,"_337":907,"_339":-5,"_341":-5,"_343":-5,"_140":101},"Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[887,888,889,890,891],{"_227":307,"_228":308,"_42":309,"_310":311},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_301":884,"_303":885,"_305":886},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_297":298,"_299":300},{"_231":879,"_125":880,"_291":881},{"_282":876,"_284":877,"_286":878,"_287":862},87.83501457072404,112,63.83501457072405,{"_293":231,"_123":882,"_154":883,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_317":900,"_319":901},{"_317":898,"_319":899},{"_317":896,"_319":897},{"_317":894,"_319":895},{"_317":892,"_319":893},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886","L'ancien Louvre d'après une peinture de Zeeman, 1651 (The Old Louvre, from a Painting by Zeeman, l651)",{"_42":522,"_228":523,"_331":524,"_333":470,"_335":525,"_337":526,"_339":-5,"_341":-5,"_343":-5,"_140":101},"1866","etching with graphite additions on laid Hudelist paper","plate: 19.6 × 27.2 cm (7 11/16 × 10 11/16 in.) sheet (irreg.): 25.7 × 33.5 cm (10 1/8 × 13 3/16 in.)",27.2,1.3598937583001327,[937,938,939,940,941],{"_227":382,"_228":383,"_42":384,"_310":385},"1968.15.1","Charles Meryon drew this in 1866, aged 45. It is now at the National Gallery of Art in Washington, DC.","The image features a riverside scene with a large building in the center and smaller structures in the background. The sky is filled with clouds, and there are boats on the water. The artwork is done in an etching style, with detailed lines showing architectural elements, boats, and water ripples. The color scheme is monochromatic in shades of brown and black.",{"_301":934,"_303":935,"_305":936},"https://img.ochreeditions.com/m/1540.jpg?dl=1","/art/l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886","/galleries/style/etching-revival/l-ancien-louvre-d-apres-une-peinture-de-zeeman-1651-the-old-nga-50886",{"_297":298,"_299":300},{"_231":931,"_125":932,"_291":933},{"_282":928,"_284":929,"_286":914,"_287":930},51.2,44.001562500000006,20.001562500000002,{"_293":231,"_123":501,"_154":502,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/1540/480.jpg","https://img.ochreeditions.com/a/1540/960.jpg","https://img.ochreeditions.com/a/1540/1920.jpg",{"_317":950,"_319":951},{"_317":948,"_319":949},{"_317":946,"_319":947},{"_317":944,"_319":945},{"_317":942,"_319":943},"#a89479",0.0918,"#594d43",0.0967,"#7c6c5a",0.1386,"#efdcbc",0.3132,"#d4bd9b",0.3597,"view-of-the-peaks-of-otter-nga-212712","View of the Peaks of Otter",{"_42":1002,"_228":1003,"_331":1004,"_333":1005,"_335":1006,"_337":1007,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1858","germany","color lithograph on wove paper","image: 28.26 × 44.61 cm (11 1/8 × 17 9/16 in.) sheet: 45.09 × 63.34 cm (17 3/4 × 24 15/16 in.)",44.6,28.3,1.3680694722778892,[987,988,989,990,991],{"_227":382,"_228":383,"_42":384,"_310":385},"2015.19.3615.6","Woldemar Rau made this in 1858, aged 31. It is now at the National Gallery of Art in Washington, DC.","The image shows a landscape with a valley leading towards two mountain peaks known as the Peaks of Otter. The horizon is low, with the mountains dominating the scene. The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.",{"_301":984,"_303":985,"_305":986},"https://img.ochreeditions.com/m/1695.jpg?dl=1","/art/view-of-the-peaks-of-otter-nga-212712","/galleries/style/etching-revival/view-of-the-peaks-of-otter-nga-212712",{"_297":298,"_299":300},{"_231":977,"_125":978,"_291":979},{"_282":974,"_284":975,"_286":959,"_287":976},68.6,56.60068359375,32.60068359375,{"_293":231,"_123":982,"_154":983,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":980,"_154":981,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-woldemar-rau","Woldemar Rau's contemporaries","https://img.ochreeditions.com/a/1695/480.jpg","https://img.ochreeditions.com/a/1695/960.jpg","https://img.ochreeditions.com/a/1695/1920.jpg",{"_317":1000,"_319":1001},{"_317":998,"_319":999},{"_317":996,"_319":997},{"_317":994,"_319":995},{"_317":992,"_319":993},"#5d574d",0.0422,"#d4b78a",0.0645,"#8d816f",0.0701,"#b0a088",0.0761,"#ebe0d2",0.7471,"Woldemar Rau","woldemar-rau","German, 1827–1889","German",1827,1889,"path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","Path through a Wheat Field (Sentier dans les bles)",{"_42":1053,"_228":1054,"_331":1055,"_333":470,"_335":1056,"_337":1057,"_339":-5,"_341":-5,"_343":-5,"_140":103},"1862","cliché-verre",1.1912940479715723,[1038,1039,1040,1041,1042],{"_227":382,"_228":383,"_42":384,"_310":385},"1982.43.1","Charles-François Daubigny made this in 1862, aged 45. It is now at the National Gallery of Art in Washington, DC.","This image shows an elevated view of a grassy landscape with sparse trees and vegetation at the horizon. The linear brushstrokes create texture and movement in the grass and sky. The color palette is monochromatic with sepia tones. In the foreground, a figure is on a horse amidst tall grasses, while in the distance, another figure stands on the left and a cluster of trees is on the right. The sky has wisps of clouds.",{"_301":1035,"_303":1036,"_305":1037},"https://img.ochreeditions.com/m/1600.jpg?dl=1","/art/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","/galleries/style/etching-revival/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196",{"_297":298,"_299":300},{"_231":1030,"_125":1031,"_291":1032},{"_282":1026,"_284":1027,"_286":1028,"_287":1029},84,74.36539895600299,60,50.365398956002984,{"_293":231,"_123":1033,"_154":1034,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"artist/contemporaries-of-charles-francois-daubigny","Charles-François Daubigny's contemporaries","https://img.ochreeditions.com/a/1600/480.jpg","https://img.ochreeditions.com/a/1600/960.jpg","https://img.ochreeditions.com/a/1600/1920.jpg",{"_317":1051,"_319":1052},{"_317":1049,"_319":1050},{"_317":1047,"_319":1048},{"_317":1045,"_319":1046},{"_317":1043,"_319":1044},"#806e5d",0.0246,"#a99073",0.1001,"#c8ae8a",0.2106,"#dfc7a1",0.2925,"#efdbb8",0.3722,"Charles-François Daubigny","charles-francois-daubigny","French, 1817–1878",1817,1878,"at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","At the window (\"Open here I flung the shutter...\"), from The Raven (Le Corbeau)",{"_42":849,"_228":850,"_331":851,"_333":470,"_335":852,"_337":853,"_339":854,"_341":854,"_343":855,"_140":53},"Image: 38.7 × 31.5 cm (15 1/4 × 12 7/16 in.); Sheet: 55.1 × 39 cm (21 3/4 × 15 3/8 in.)",31,0.7145762711864406,[1083,1084,1085,1086,1087],{"_227":307,"_228":308,"_42":309,"_310":311},"1945.52.5","“Open here I flung the shutter”: in Poe’s poem the sleepless narrator throws open his window, and in steps the raven, which will perch above his door and answer every question with “Nevermore”.",{"_301":1080,"_303":1081,"_305":1082},"https://img.ochreeditions.com/m/281.jpg?dl=1","/art/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","/galleries/style/etching-revival/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366",{"_297":298,"_299":300},{"_231":1077,"_125":1078,"_291":1079},{"_282":1075,"_284":823,"_286":1076,"_287":807},51.153898305084745,27.153898305084745,{"_293":231,"_123":829,"_154":830,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":437,"_154":438,"_140":439},"https://img.ochreeditions.com/a/281/480.jpg","https://img.ochreeditions.com/a/281/960.jpg","https://img.ochreeditions.com/a/281/1920.jpg",{"_317":1096,"_319":1097},{"_317":1094,"_319":1095},{"_317":1092,"_319":1093},{"_317":1090,"_319":1091},{"_317":1088,"_319":1089},"#66655f",0.0581,"#363531",0.0591,"#918f88",0.091,"#c2c0b9",0.1196,"#eae8e1",0.6722,"lady-with-the-lute-si-saam-1973-130-255","Lady with the Lute",{"_42":1144,"_228":1145,"_331":1146,"_333":-5,"_335":1147,"_337":1148,"_339":-5,"_341":-5,"_343":-5,"_140":101},"1909","wood engraving on paper","image: 8 x 6 7/8 in. (20.2 x 17.6 cm)",17.6,20.2,0.8392982456140351,[1129,1130,1131,1132,1133],{"_227":673,"_228":674,"_42":675,"_310":385},"1973.130.255","Henry Wolf made this in 1909, aged 57. It is now at the Smithsonian American Art Museum in Washington, DC.","Lady with the Lute, by Henry Wolf, 1909",{"_301":1126,"_303":1127,"_305":1128},"https://img.ochreeditions.com/m/1947.jpg?dl=1","/art/lady-with-the-lute-si-saam-1973-130-255","/galleries/style/etching-revival/lady-with-the-lute-si-saam-1973-130-255",{"_297":298,"_299":300},{"_231":1121,"_125":1122,"_291":1123},{"_282":1119,"_284":717,"_286":1120,"_287":719},44.98245614035088,20.982456140350877,{"_293":231,"_123":1124,"_154":1125,"_140":89},{"_293":125,"_123":666,"_154":667,"_140":75},{"_293":291,"_123":663,"_154":664,"_140":665},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1947/480.jpg","https://img.ochreeditions.com/a/1947/960.jpg","https://img.ochreeditions.com/a/1947/1920.jpg",{"_317":1142,"_319":1143},{"_317":1140,"_319":1141},{"_317":1138,"_319":1139},{"_317":1136,"_319":1137},{"_317":1134,"_319":1135},"#594938",0.0966,"#8c7e6b",0.1591,"#fbf1dd",0.2373,"#baae9c",0.2506,"#2d1f15",0.2564,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1852,1916,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","ea98a8e9a2187158ae654bcd419aec9418a5f74e","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_228":1193,"_20":1194},{"_228":1191,"_20":1192},{"_228":1189,"_20":1190},{"_228":1187,"_20":1188},{"_228":1185,"_20":1186},{"_228":1183,"_20":1184},{"_228":1181,"_20":1182},{"_228":1179,"_20":1180},{"_228":1177,"_20":1178},{"_228":1175,"_20":1176},{"_228":1173,"_20":1174},{"_228":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]