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The brushwork is smooth and delicate, and the color palette consists of muted earth tones, greens, and soft blues. In the foreground, there are cattle grazing in a field with a wooden fence, and a couple of houses among trees to the left. Further back, there are open fields with horses and agricultural activities, leading to a dense tree line at the base of the mountains.",{"_298":440,"_300":441,"_302":442},"https://img.ochreeditions.com/m/1695.jpg?dl=1","/art/view-of-the-peaks-of-otter-nga-212712","/galleries/style/etching-revival/view-of-the-peaks-of-otter-nga-212712",{"_294":295,"_296":297},{"_230":433,"_125":434,"_289":435},{"_280":430,"_282":431,"_284":414,"_286":432},68.6,56.60068359375,32.60068359375,{"_291":230,"_123":438,"_154":439,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":436,"_154":437,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-woldemar-rau","Woldemar Rau's contemporaries","https://img.ochreeditions.com/a/1695/480.jpg","https://img.ochreeditions.com/a/1695/960.jpg","https://img.ochreeditions.com/a/1695/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":459,"_316":460},{"_314":457,"_316":458},{"_314":455,"_316":456},{"_314":453,"_316":454},{"_314":451,"_316":452},"#5d574d",0.0422,"#d4b78a",0.0645,"#8d816f",0.0701,"#b0a088",0.0761,"#ebe0d2",0.7471,"Woldemar Rau","woldemar-rau","German, 1827–1889","German",1827,1889,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":514,"_227":515,"_328":516,"_330":402,"_331":517,"_333":518,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1893","Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[499,500,501,502,503],{"_226":380,"_227":381,"_42":382,"_307":383},"1938.1148","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph in dark green on cream wove paper.",{"_298":496,"_300":497,"_302":498},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_294":295,"_296":297},{"_230":491,"_125":492,"_289":493},{"_280":487,"_282":488,"_284":489,"_286":490},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_291":230,"_123":494,"_154":495,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":369,"_154":370,"_140":371},"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_314":512,"_316":513},{"_314":510,"_316":511},{"_314":508,"_316":509},{"_314":506,"_316":507},{"_314":504,"_316":505},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936",1867,1936,"in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":576,"_227":577,"_328":578,"_330":579,"_331":580,"_333":581,"_335":582,"_336":583,"_337":-5,"_140":103},"ca. 1890–96","latin-america","Prints","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[561,562,563,564,565],{"_226":557,"_227":558,"_42":559,"_307":560},"Courtesy of The Metropolitan Museum of Art","46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_298":554,"_300":555,"_302":556},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_294":295,"_296":297},{"_230":546,"_125":547,"_289":548},{"_280":543,"_282":544,"_284":545,"_286":528},54.41883383520394,64,30.41883383520394,{"_291":230,"_123":552,"_154":553,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":549,"_154":550,"_140":551},"era/19","The 19th century",731,"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":574,"_316":575},{"_314":572,"_316":573},{"_314":570,"_316":571},{"_314":568,"_316":569},{"_314":566,"_316":567},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","the-creation-cma-109009","The Creation",{"_42":644,"_227":645,"_328":646,"_330":647,"_331":648,"_333":649,"_335":-5,"_336":-5,"_337":-5,"_140":103},"before 1927","united-states","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[629,630,631,632,633],{"_226":625,"_227":626,"_42":627,"_307":628},"Courtesy of the Cleveland Museum of Art","1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":622,"_623":624},"The Creation, by Kálmán Kubinyi, before 1927",{"_298":619,"_300":620,"_302":621},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_294":295,"_296":297},{"_230":611,"_125":612,"_289":613},{"_280":608,"_282":609,"_284":610,"_286":592},43.26877040261154,52.5,19.268770402611533,{"_291":230,"_123":617,"_154":618,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":75},{"_291":289,"_123":614,"_154":615,"_140":616},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_314":642,"_316":643},{"_314":640,"_316":641},{"_314":638,"_316":639},{"_314":636,"_316":637},{"_314":634,"_316":635},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973","American",1906,1973,"the-fan-tree-si-saam-1984-155","The Fan Tree",{"_42":696,"_227":697,"_328":698,"_330":-5,"_331":699,"_333":700,"_335":-5,"_336":-5,"_337":-5,"_140":103},"ca. 1915","etching, drypoint and engraving on paper","plate: 5 x 6 7/8 in. (12.7 x 17.6 cm)",17.6,12.7,1.341375770020534,[681,682,683,684,685],{"_226":304,"_227":305,"_42":306,"_307":308},"1984.155","Ernest Haskell made this in about 1915, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Fan Tree, by Ernest Haskell, ca. 1915",{"_298":678,"_300":679,"_302":680},"https://img.ochreeditions.com/m/1974.jpg?dl=1","/art/the-fan-tree-si-saam-1984-155","/galleries/style/etching-revival/the-fan-tree-si-saam-1984-155",{"_294":295,"_296":297},{"_230":673,"_125":674,"_289":675},{"_280":363,"_282":671,"_284":365,"_286":672},42.637581324148485,18.63758132414849,{"_291":230,"_123":676,"_154":677,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":75},{"_291":289,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-ernest-haskell","Ernest Haskell's contemporaries","https://img.ochreeditions.com/a/1974/480.jpg","https://img.ochreeditions.com/a/1974/960.jpg","https://img.ochreeditions.com/a/1974/1920.jpg",{"_314":694,"_316":695},{"_314":692,"_316":693},{"_314":690,"_316":691},{"_314":688,"_316":689},{"_314":686,"_316":687},"#6f6054",0.1087,"#a19283",0.1117,"#3c2f26",0.1553,"#c9b9aa",0.2204,"#e1d4c7",0.4039,"Ernest Haskell","ernest-haskell","born Woodstock, CT 1876-died Bath, ME 1925",1876,1925,"nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","Nocturne, from Venice, a Series of Twelve Etchings (the \"First Venice Set\")",{"_42":751,"_227":752,"_328":753,"_330":647,"_331":754,"_333":755,"_335":756,"_336":757,"_337":758,"_140":342},"1879–80","Etching and drypoint in brown on cream laid paper","Image, trimmed within platemark: 20.1 × 29.7 cm (7 15/16 × 11 3/4 in.); Sheet: 20.4 × 29.7 cm (8 1/16 × 11 3/4 in.)",29,1.5017801513128617,[736,737,738,739,740],{"_226":380,"_227":381,"_42":382,"_307":383},"1934.562","James McNeill Whistler made this in 1879–80, aged about 45. It is now at the Art Institute of Chicago.","Night settles over the Venetian lagoon, the far shore reduced to a thin line of buildings between dark water and sky. Whistler went to Venice in 1879 with a commission for twelve etchings and stayed fourteen months, returning with dozens of plates.","A work made of etching and drypoint in brown on cream laid paper.",{"_298":733,"_300":734,"_302":735},"https://img.ochreeditions.com/m/269.jpg?dl=1","/art/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193","/galleries/style/etching-revival/nocturne-from-venice-a-series-of-twelve-etchings-the-first-v-aic-109193",{"_294":295,"_296":297},{"_230":725,"_125":726,"_289":727},{"_280":722,"_282":723,"_284":707,"_286":724},53,43.31041635797896,19.31041635797896,{"_291":230,"_123":731,"_154":732,"_140":342},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":728,"_154":729,"_140":730},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/269/480.jpg","https://img.ochreeditions.com/a/269/960.jpg","https://img.ochreeditions.com/a/269/1920.jpg",{"_314":749,"_316":750},{"_314":747,"_316":748},{"_314":745,"_316":746},{"_314":743,"_316":744},{"_314":741,"_316":742},"#a58970",0.1246,"#77604c",0.1365,"#9b8068",0.2318,"#856b56",0.2374,"#917760",0.2697,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","At the window (\"Open here I flung the shutter...\"), from The Raven (Le Corbeau)",{"_42":399,"_227":400,"_328":401,"_330":402,"_331":403,"_333":404,"_335":405,"_336":405,"_337":406,"_140":53},"Transfer lithograph in black on gray China paper","Image: 38.7 × 31.5 cm (15 1/4 × 12 7/16 in.); Sheet: 55.1 × 39 cm (21 3/4 × 15 3/8 in.)",31,38,0.7145762711864406,[788,789,790,791,792],{"_226":380,"_227":381,"_42":382,"_307":383},"1945.52.5","“Open here I flung the shutter”: in Poe’s poem the sleepless narrator throws open his window, and in steps the raven, which will perch above his door and answer every question with “Nevermore”.","A work made of transfer lithograph in black on gray china paper.",{"_298":785,"_300":786,"_302":787},"https://img.ochreeditions.com/m/281.jpg?dl=1","/art/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366","/galleries/style/etching-revival/at-the-window-open-here-i-flung-the-shutter-from-the-raven-l-aic-111366",{"_294":295,"_296":297},{"_230":782,"_125":783,"_289":784},{"_280":779,"_282":780,"_284":781,"_286":765},51.153898305084745,62,27.153898305084745,{"_291":230,"_123":375,"_154":376,"_140":53},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/281/480.jpg","https://img.ochreeditions.com/a/281/960.jpg","https://img.ochreeditions.com/a/281/1920.jpg",{"_314":801,"_316":802},{"_314":799,"_316":800},{"_314":797,"_316":798},{"_314":795,"_316":796},{"_314":793,"_316":794},"#66655f",0.0581,"#363531",0.0591,"#918f88",0.091,"#c2c0b9",0.1196,"#eae8e1",0.6722,"at-the-cafe-cma-324444","At the Café",{"_42":399,"_227":400,"_328":401,"_330":402,"_331":403,"_333":404,"_335":405,"_336":405,"_337":406,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[835,836,837,838,839],{"_226":625,"_227":626,"_42":627,"_307":628},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":834,"_623":624},"At the Café, by Édouard Manet, 1874",{"_298":831,"_300":832,"_302":833},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_294":295,"_296":297},{"_230":828,"_125":829,"_289":830},{"_280":825,"_282":826,"_284":809,"_286":827},57.4,49.659058823529406,25.65905882352941,{"_291":230,"_123":375,"_154":376,"_140":53},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":369,"_154":370,"_140":371},"https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_314":848,"_316":849},{"_314":846,"_316":847},{"_314":844,"_316":845},{"_314":842,"_316":843},{"_314":840,"_316":841},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"lowlands-nga-5973","Lowlands",{"_42":895,"_227":896,"_328":897,"_330":647,"_331":580,"_333":898,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1918","wood engraving",1.2816065723413965,[880,881,882,883,884],{"_226":443,"_227":444,"_42":445,"_307":308},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_298":877,"_300":878,"_302":879},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_294":295,"_296":297},{"_230":872,"_125":873,"_289":874},{"_280":868,"_282":869,"_284":870,"_286":871},84,70.81623931623932,60,46.81623931623932,{"_291":230,"_123":875,"_154":876,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":75},{"_291":289,"_123":614,"_154":615,"_140":616},"artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_314":893,"_316":894},{"_314":891,"_316":892},{"_314":889,"_316":890},{"_314":887,"_316":888},{"_314":885,"_316":886},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1931,"san-giorgio-nga-11030","San Giorgio",{"_42":751,"_227":752,"_328":753,"_330":647,"_331":754,"_333":755,"_335":756,"_336":757,"_337":758,"_140":342},"1880","etching and drypoint on Asian laid paper",1.4246956521739131,[926,927,928,929,930],{"_226":443,"_227":444,"_42":445,"_307":308},"1943.3.8533","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","Masted ships ride at anchor in the foreground, their reflections trembling in the water, while across the lagoon the church of San Giorgio Maggiore and its neighbours lie in a faint line along the horizon.","The image displays a harbor filled with boats and ships. The perspective is slightly elevated, likely from a dock, with a partially visible boat and dock at the forefront. The horizon is in the upper third of the image, showing a distant cityscape with spires and structures. The brushwork is delicate, with fine, linear strokes typical of etching. The color palette is monochromatic, sepia tones creating a vintage and serene mood. The ships with tall masts populate the water, with reflections giving a sense of stillness. In the distance, faint impressions of buildings line the harbor, blending into the horizon.",{"_298":923,"_300":924,"_302":925},"https://img.ochreeditions.com/m/1356.jpg?dl=1","/art/san-giorgio-nga-11030","/galleries/style/etching-revival/san-giorgio-nga-11030",{"_294":295,"_296":297},{"_230":920,"_125":921,"_289":922},{"_280":868,"_282":918,"_284":870,"_286":919},66.1142578125,42.1142578125,{"_291":230,"_123":731,"_154":732,"_140":342},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":728,"_154":729,"_140":730},"https://img.ochreeditions.com/a/1356/480.jpg","https://img.ochreeditions.com/a/1356/960.jpg","https://img.ochreeditions.com/a/1356/1920.jpg",{"_314":939,"_316":940},{"_314":937,"_316":938},{"_314":935,"_316":936},{"_314":933,"_316":934},{"_314":931,"_316":932},"#a68a6d",0.0462,"#c3a583",0.1167,"#d7b893",0.201,"#e4c8a5",0.2458,"#edd5b6",0.3903,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":989,"_227":990,"_328":991,"_330":647,"_331":992,"_333":993,"_335":994,"_336":995,"_337":996,"_140":53},"1862","wood engraving on paper","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[974,975,976,977,978],{"_226":304,"_227":305,"_42":306,"_307":308},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_298":971,"_300":972,"_302":973},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_294":295,"_296":297},{"_230":966,"_125":967,"_289":968},{"_280":963,"_282":964,"_284":947,"_286":965},76.7,60.7319,36.7319,{"_291":230,"_123":969,"_154":970,"_140":53},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":728,"_154":729,"_140":730},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_314":987,"_316":988},{"_314":985,"_316":986},{"_314":983,"_316":984},{"_314":981,"_316":982},{"_314":979,"_316":980},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","the-old-violin-aic-135454","The Old Violin",{"_42":1043,"_227":1044,"_328":1045,"_330":1046,"_331":1047,"_333":1048,"_335":-5,"_336":-5,"_337":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[1029,1030,1031,1032,1033],{"_226":380,"_227":381,"_42":382,"_307":383},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_298":1026,"_300":1027,"_302":1028},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_294":295,"_296":297},{"_230":1021,"_125":1022,"_289":1023},{"_280":1018,"_282":1019,"_284":1020,"_286":1004},87.83501457072404,112,63.83501457072405,{"_291":230,"_123":1024,"_154":1025,"_140":89},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":728,"_154":729,"_140":730},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_314":1041,"_316":1042},{"_314":1039,"_316":1040},{"_314":1037,"_316":1038},{"_314":1036,"_316":394},{"_314":1034,"_316":1035},"#847b60",0.0672,"#775928","#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":751,"_227":752,"_328":753,"_330":647,"_331":754,"_333":755,"_335":756,"_336":757,"_337":758,"_140":342},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[1077,1078,1079,1080,1081],{"_226":380,"_227":381,"_42":382,"_307":383},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_298":1074,"_300":1075,"_302":1076},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_294":295,"_296":297},{"_230":1071,"_125":1072,"_289":1073},{"_280":1069,"_282":363,"_284":1070,"_286":365},40.22557726465364,16.22557726465364,{"_291":230,"_123":731,"_154":732,"_140":342},{"_291":125,"_123":372,"_154":373,"_140":374},{"_291":289,"_123":728,"_154":729,"_140":730},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_314":1090,"_316":1091},{"_314":1088,"_316":1089},{"_314":1086,"_316":1087},{"_314":1084,"_316":1085},{"_314":1082,"_316":1083},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":1139,"_227":1140,"_328":1141,"_330":647,"_331":1142,"_333":1143,"_335":-5,"_336":-5,"_337":-5,"_140":103},"1913","lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[1124,1125,1126,1127,1128],{"_226":443,"_227":444,"_42":445,"_307":308},"2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_298":1121,"_300":1122,"_302":1123},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_294":295,"_296":297},{"_230":1116,"_125":1117,"_289":1118},{"_280":1113,"_282":1114,"_284":1098,"_286":1115},79.3,67.81142499999999,43.81142499999999,{"_291":230,"_123":1119,"_154":1120,"_140":89},{"_291":125,"_123":292,"_154":293,"_140":75},{"_291":289,"_123":614,"_154":615,"_140":616},"artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg",{"_314":1137,"_316":1138},{"_314":1135,"_316":1136},{"_314":1133,"_316":1134},{"_314":1131,"_316":1132},{"_314":1129,"_316":1130},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,{"_1145":-5,"_1146":1147,"_1148":1149,"_1150":8,"_1151":1152,"_1153":8},"user","csrf","9bade0761978d8e91122b5accbf2b61ea521196e","cartCount",0,"dropLive","legal",[1154,1155,1156,1157,1158,1159,1160,1161,1162,1163,1164,1165],"uploadsEnabled",{"_227":1188,"_20":1189},{"_227":1186,"_20":1187},{"_227":1184,"_20":1185},{"_227":1182,"_20":1183},{"_227":1180,"_20":1181},{"_227":1178,"_20":1179},{"_227":1176,"_20":1177},{"_227":1174,"_20":1175},{"_227":1172,"_20":1173},{"_227":1170,"_20":1171},{"_227":1168,"_20":1169},{"_227":1166,"_20":1167},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]