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Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_316":396,"_318":397},{"_316":394,"_318":395},{"_316":392,"_318":393},{"_316":390,"_318":391},{"_316":388,"_318":389},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925","American",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":460,"_223":461,"_330":462,"_332":401,"_334":463,"_336":464,"_338":465,"_339":466,"_340":467,"_140":232},"1894","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[445,446,447,448,449],{"_222":441,"_223":442,"_42":443,"_309":444},"Courtesy of the Art Institute of Chicago","1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_297":438,"_299":439,"_301":440},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_293":294,"_295":296},{"_226":430,"_125":431,"_287":432},{"_278":426,"_280":427,"_282":428,"_283":429},40.22557726465364,49,16.22557726465364,25,{"_289":226,"_123":436,"_154":437,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":433,"_154":434,"_140":435},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_316":458,"_318":459},{"_316":456,"_318":457},{"_316":454,"_318":455},{"_316":452,"_318":453},{"_316":450,"_318":451},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","modern-masks-aic-49384","Modern Masks",{"_42":519,"_223":520,"_330":521,"_332":522,"_334":523,"_336":524,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,29,0.618788452437293,[504,505,506,507,508],{"_222":441,"_223":442,"_42":443,"_309":444},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_297":501,"_299":502,"_301":503},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_293":294,"_295":296},{"_226":493,"_125":494,"_287":495},{"_278":490,"_280":491,"_282":492,"_283":476},41.9448651206815,53,17.944865120681495,{"_289":226,"_123":499,"_154":500,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":496,"_154":497,"_140":498},"era/19","The 19th century",731,"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_316":517,"_318":518},{"_316":515,"_318":516},{"_316":513,"_318":514},{"_316":511,"_318":512},{"_316":509,"_318":510},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1833,1898,"apple-trees-along-the-side-of-a-ditch-nga-208413","Apple Trees along the Side of a Ditch",{"_42":580,"_223":581,"_330":582,"_332":583,"_334":584,"_336":585,"_338":-5,"_339":-5,"_340":-5,"_140":103},"netherlands","etching on wove paper","plate: 29.3 × 24.2 cm (11 9/16 × 9 1/2 in.) sheet: 40.7 × 31.6 cm (16 × 12 7/16 in.)",24.2,29.3,0.769287109375,[565,566,567,568,569],{"_222":561,"_223":562,"_42":563,"_309":564},"Courtesy National Gallery of Art, Washington","2016.157.3","Pieter Dupont made this in 1894, aged 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.",{"_297":558,"_299":559,"_301":560},"https://img.ochreeditions.com/m/1693.jpg?dl=1","/art/apple-trees-along-the-side-of-a-ditch-nga-208413","/galleries/style/etching-revival/apple-trees-along-the-side-of-a-ditch-nga-208413",{"_293":294,"_295":296},{"_226":550,"_125":551,"_287":552},{"_278":547,"_280":548,"_282":549,"_283":532},46.5401123046875,53.3,22.5401123046875,{"_289":226,"_123":556,"_154":557,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":553,"_154":554,"_140":555},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-pieter-dupont","Pieter Dupont's contemporaries","https://img.ochreeditions.com/a/1693/480.jpg","https://img.ochreeditions.com/a/1693/960.jpg","https://img.ochreeditions.com/a/1693/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington","Washington, DC",{"_316":578,"_318":579},{"_316":576,"_318":577},{"_316":574,"_318":575},{"_316":572,"_318":573},{"_316":570,"_318":571},"#695b50",0.08,"#a18974",0.1122,"#887464",0.162,"#c7aa8e",0.1888,"#e5c7a7",0.457,"Pieter Dupont","pieter-dupont","Dutch, 1870–1911","Dutch",1870,1911,"the-cliffs-of-the-trinity-nga-183095","The Cliffs of the Trinity",{"_42":633,"_223":634,"_330":635,"_332":401,"_334":636,"_336":637,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1913","lithograph in black on Van Gelder Zonen laid paper","image: 42.55 × 55.25 cm (16 3/4 × 21 3/4 in.) sheet: 46.36 × 58.1 cm (18 1/4 × 22 7/8 in.)",55.3,42.6,1.2622278321236984,[618,619,620,621,622],{"_222":561,"_223":562,"_42":563,"_309":564},"2015.19.1343","Joseph Pennell made this in 1913, aged 56. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with towering rock formations dominating the scene. The ground is rugged and textured, leading the eye towards the rock pillars in the center. A structure or building is perched atop one of these rocks. The background shows the horizon above the structure, with clouds and sky stretching out beyond. The artwork features detailed brushstrokes adding texture to the rocks. The color palette is monochromatic with varying shades of charcoal or ink, emphasizing the contrast between the rocks and the sky.",{"_297":615,"_299":616,"_301":617},"https://img.ochreeditions.com/m/1688.jpg?dl=1","/art/the-cliffs-of-the-trinity-nga-183095","/galleries/style/etching-revival/the-cliffs-of-the-trinity-nga-183095",{"_293":294,"_295":296},{"_226":610,"_125":611,"_287":612},{"_278":607,"_280":608,"_282":592,"_283":609},79.3,67.81142499999999,43.81142499999999,{"_289":226,"_123":613,"_154":614,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":372,"_154":373,"_140":374},"artist/contemporaries-of-joseph-pennell","Joseph Pennell's contemporaries","https://img.ochreeditions.com/a/1688/480.jpg","https://img.ochreeditions.com/a/1688/960.jpg","https://img.ochreeditions.com/a/1688/1920.jpg",{"_316":631,"_318":632},{"_316":629,"_318":630},{"_316":627,"_318":628},{"_316":625,"_318":626},{"_316":623,"_318":624},"#897d6b",0.1409,"#bfae90",0.1909,"#645c50",0.2065,"#e2cbaa",0.2138,"#4c473f",0.2479,"Joseph Pennell","joseph-pennell","American, 1857–1926",1857,1926,"cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":685,"_223":686,"_330":687,"_332":401,"_334":688,"_336":689,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1887","drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[670,671,672,673,674],{"_222":561,"_223":562,"_42":563,"_309":564},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_297":667,"_299":668,"_301":669},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_293":294,"_295":296},{"_226":662,"_125":663,"_287":664},{"_278":659,"_280":660,"_282":644,"_283":661},51.5,46.3773193359375,22.3773193359375,{"_289":226,"_123":665,"_154":666,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":433,"_154":434,"_140":435},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_316":683,"_318":684},{"_316":681,"_318":682},{"_316":679,"_318":680},{"_316":677,"_318":678},{"_316":675,"_318":676},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"head-of-an-old-man-si-saam-1977-66-38","Head of an Old Man",{"_42":743,"_223":744,"_330":745,"_332":-5,"_334":746,"_336":747,"_338":-5,"_339":-5,"_340":-5,"_140":101},"ca. 1918","Graphic Arts-Print","etching on paper","plate: 6 x 3 15/16 in. (15.2 x 10.0 cm.); sheet...",15.2,0.6636666666666666,[728,729,730,731,732],{"_222":725,"_223":726,"_42":727,"_309":564},"Courtesy of the Smithsonian American Art Museum","1977.66.38","Kerr Eby made this in about 1918, aged 29. It is now at the Smithsonian American Art Museum in Washington, DC.","Head of an Old Man, by Kerr Eby, ca. 1918",{"_297":722,"_299":723,"_301":724},"https://img.ochreeditions.com/m/1952.jpg?dl=1","/art/head-of-an-old-man-si-saam-1977-66-38","/galleries/style/etching-revival/head-of-an-old-man-si-saam-1977-66-38",{"_293":294,"_295":296},{"_226":714,"_125":715,"_287":716},{"_278":712,"_280":427,"_282":713,"_283":429},40.59166666666667,16.591666666666665,{"_289":226,"_123":720,"_154":721,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":717,"_154":718,"_140":719},"era/20","The 20th century",189,"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1952/480.jpg","https://img.ochreeditions.com/a/1952/960.jpg","https://img.ochreeditions.com/a/1952/1920.jpg","si","smithsonian","Smithsonian Institution",{"_316":741,"_318":742},{"_316":739,"_318":740},{"_316":737,"_318":738},{"_316":735,"_318":736},{"_316":733,"_318":734},"#251f19",0.0313,"#5e5241",0.0331,"#a19177",0.0491,"#e6d5b6",0.4022,"#efe4cd",0.4843,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"lady-with-the-lute-si-saam-1973-130-255","Lady with the Lute",{"_42":794,"_223":795,"_330":796,"_332":-5,"_334":797,"_336":798,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1909","wood engraving on paper","image: 8 x 6 7/8 in. (20.2 x 17.6 cm)",17.6,20.2,0.8392982456140351,[779,780,781,782,783],{"_222":725,"_223":726,"_42":727,"_309":564},"1973.130.255","Henry Wolf made this in 1909, aged 57. It is now at the Smithsonian American Art Museum in Washington, DC.","Lady with the Lute, by Henry Wolf, 1909",{"_297":776,"_299":777,"_301":778},"https://img.ochreeditions.com/m/1947.jpg?dl=1","/art/lady-with-the-lute-si-saam-1973-130-255","/galleries/style/etching-revival/lady-with-the-lute-si-saam-1973-130-255",{"_293":294,"_295":296},{"_226":771,"_125":772,"_287":773},{"_278":769,"_280":427,"_282":770,"_283":429},44.98245614035088,20.982456140350877,{"_289":226,"_123":774,"_154":775,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":717,"_154":718,"_140":719},"artist/contemporaries-of-henry-wolf","Henry Wolf's contemporaries","https://img.ochreeditions.com/a/1947/480.jpg","https://img.ochreeditions.com/a/1947/960.jpg","https://img.ochreeditions.com/a/1947/1920.jpg",{"_316":792,"_318":793},{"_316":790,"_318":791},{"_316":788,"_318":789},{"_316":786,"_318":787},{"_316":784,"_318":785},"#594938",0.0966,"#8c7e6b",0.1591,"#fbf1dd",0.2373,"#baae9c",0.2506,"#2d1f15",0.2564,"Henry Wolf","henry-wolf","born Eckwersheim, Alsace 1852-died New York City 1916",1852,1916,"the-old-orchard-si-saam-1935-13-211","The Old Orchard",{"_42":844,"_223":845,"_330":846,"_332":-5,"_334":847,"_336":848,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1915","etching","4 1/2 x 7 in. (11.4 x 17.8 cm)",17.8,11.4,1.4133817427385893,[830,831,832,833,834],{"_222":725,"_223":726,"_42":727,"_309":564},"1935.13.211","Arthur A. Marschner made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","The Old Orchard, by Arthur A. Marschner, 1915",{"_297":827,"_299":828,"_301":829},"https://img.ochreeditions.com/m/1890.jpg?dl=1","/art/the-old-orchard-si-saam-1935-13-211","/galleries/style/etching-revival/the-old-orchard-si-saam-1935-13-211",{"_293":294,"_295":296},{"_226":822,"_125":823,"_287":824},{"_278":427,"_280":820,"_282":429,"_283":821},41.68807339449541,17.68807339449541,{"_289":226,"_123":825,"_154":826,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":717,"_154":718,"_140":719},"artist/contemporaries-of-arthur-a-marschner","Arthur A. Marschner's contemporaries","https://img.ochreeditions.com/a/1890/480.jpg","https://img.ochreeditions.com/a/1890/960.jpg","https://img.ochreeditions.com/a/1890/1920.jpg",{"_316":842,"_318":843},{"_316":841,"_318":632},{"_316":839,"_318":840},{"_316":837,"_318":838},{"_316":835,"_318":836},"#4d402c",0.0497,"#796952",0.1365,"#d3c3ae",0.183,"#9c8b72","#b8a790",0.3829,"Arthur A. Marschner","arthur-a-marschner","born Detroit, MI 1884-died Detroit, MI 1950",1884,1950,"the-stranger-si-saam-1983-4","The Stranger",{"_42":895,"_223":896,"_330":897,"_332":-5,"_334":335,"_336":747,"_338":-5,"_339":-5,"_340":-5,"_140":103},"lithograph on paper","image: 13 1/2 x 9 5/8 in. (34.4 x 24.6 cm)",24.6,34.4,0.6903333333333334,[880,881,882,883,884],{"_222":725,"_223":726,"_42":727,"_309":564},"1983.4","Albert Sterner made this in 1916, aged 53. It is now at the Smithsonian American Art Museum in Washington, DC.","The Stranger, by Albert Sterner, 1916",{"_297":877,"_299":878,"_301":879},"https://img.ochreeditions.com/m/1967.jpg?dl=1","/art/the-stranger-si-saam-1983-4","/galleries/style/etching-revival/the-stranger-si-saam-1983-4",{"_293":294,"_295":296},{"_226":872,"_125":873,"_287":874},{"_278":869,"_280":870,"_282":871,"_283":855},47.74746666666667,58.4,23.747466666666668,{"_289":226,"_123":875,"_154":876,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":717,"_154":718,"_140":719},"artist/contemporaries-of-albert-sterner","Albert Sterner's contemporaries","https://img.ochreeditions.com/a/1967/480.jpg","https://img.ochreeditions.com/a/1967/960.jpg","https://img.ochreeditions.com/a/1967/1920.jpg",{"_316":893,"_318":894},{"_316":891,"_318":892},{"_316":889,"_318":890},{"_316":887,"_318":888},{"_316":885,"_318":886},"#959387",0.1115,"#595954",0.1328,"#e9e1cc",0.1467,"#303134",0.2621,"#1b1b20",0.3469,"Albert Sterner","albert-sterner","born London, England 1863-died New York City 1946","in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":952,"_223":953,"_330":954,"_332":955,"_334":797,"_336":956,"_338":957,"_339":958,"_340":-5,"_140":103},"ca. 1890–96","latin-america","Prints","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[937,938,939,940,941],{"_222":933,"_223":934,"_42":935,"_309":936},"Courtesy of The Metropolitan Museum of Art","46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_297":930,"_299":931,"_301":932},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_293":294,"_295":296},{"_226":925,"_125":926,"_287":927},{"_278":922,"_280":923,"_282":924,"_283":907},54.41883383520394,64,30.41883383520394,{"_289":226,"_123":928,"_154":929,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":496,"_154":497,"_140":498},"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":950,"_318":951},{"_316":948,"_318":949},{"_316":946,"_318":947},{"_316":944,"_318":945},{"_316":942,"_318":943},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1913,"Aguascalientes","Mexico City","at-the-cafe-cma-324444","At the Café",{"_42":1012,"_223":1013,"_330":1014,"_332":1015,"_334":1016,"_336":1017,"_338":1018,"_339":1018,"_340":1019,"_140":53},"1874","france","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[997,998,999,1000,1001],{"_222":306,"_223":307,"_42":308,"_309":310},"2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":996,"_304":305},"At the Café, by Édouard Manet, 1874",{"_297":993,"_299":994,"_301":995},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_293":294,"_295":296},{"_226":985,"_125":986,"_287":987},{"_278":982,"_280":983,"_282":966,"_283":984},57.4,49.659058823529406,25.65905882352941,{"_289":226,"_123":991,"_154":992,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":988,"_154":989,"_140":990},"era/19-france","19th-century France",237,"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.",{"_316":1010,"_318":1011},{"_316":1008,"_318":1009},{"_316":1006,"_318":1007},{"_316":1004,"_318":1005},{"_316":1002,"_318":1003},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883","French",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","untitled-si-saam-1982-80-4","Untitled",{"_42":1066,"_223":1067,"_330":1068,"_332":-5,"_334":847,"_336":1069,"_338":-5,"_339":-5,"_340":-5,"_140":103},"woodcut on paper","image: 15 1/8 x 11 3/8 in. (38.3 x 28.9 cm)",28.9,38.3,0.7602739726027398,[1051,1052,1053,1054,1055],{"_222":725,"_223":726,"_42":727,"_309":564},"1982.80.4","Mildred McMillen made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled, by Mildred McMillen, 1915",{"_297":1048,"_299":1049,"_301":1050},"https://img.ochreeditions.com/m/1963.jpg?dl=1","/art/untitled-si-saam-1982-80-4","/galleries/style/etching-revival/untitled-si-saam-1982-80-4",{"_293":294,"_295":296},{"_226":1043,"_125":1044,"_287":1045},{"_278":1040,"_280":1041,"_282":1042,"_283":1026},53.11849315068493,62.3,29.11849315068493,{"_289":226,"_123":1046,"_154":1047,"_140":89},{"_289":125,"_123":375,"_154":376,"_140":75},{"_289":287,"_123":717,"_154":718,"_140":719},"artist/contemporaries-of-mildred-mcmillen","Mildred McMillen's contemporaries","https://img.ochreeditions.com/a/1963/480.jpg","https://img.ochreeditions.com/a/1963/960.jpg","https://img.ochreeditions.com/a/1963/1920.jpg",{"_316":1064,"_318":1065},{"_316":1062,"_318":1063},{"_316":1060,"_318":1061},{"_316":1058,"_318":1059},{"_316":1056,"_318":1057},"#242321",0.1024,"#65635d",0.1209,"#c2bfb6",0.2417,"#9d9a92",0.2459,"#f0ede4",0.2891,"Mildred McMillen","mildred-mcmillen","born Chicago, IL 1884-died ca. 1940",1940,"nocturne-nocturne-the-thames-at-battersea-met-337702","Nocturne (Nocturne: The Thames at Battersea)",{"_42":460,"_223":461,"_330":462,"_332":401,"_334":463,"_336":464,"_338":465,"_339":466,"_340":467,"_140":232},"1878","Lithotint with scraping on a prepared half-tint ground, printed in soft gray-black ink on pale blue laid chine mounted on ivory wove plate paper; second state of two (Chicago)","Image: 6 3/4 × 10 3/16 in. (17.1 × 25.9 cm) Sheet: 13 1/2 × 19 5/16 in. (34.3 × 49 cm)",34.3,1.4978354978354977,[1100,1101,1102,1103,1104],{"_222":933,"_223":934,"_42":935,"_309":936},"17.3.159","James McNeill Whistler made this in 1878, aged 44. It is now at The Met in New York.","The Thames at Battersea dissolves into soft, misty greys, boats and the far bank suggested by a few darker tones.","Nocturne (Nocturne: The Thames at Battersea), by James McNeill Whistler, 1878",{"_297":1097,"_299":1098,"_301":1099},"https://img.ochreeditions.com/m/1029.jpg?dl=1","/art/nocturne-nocturne-the-thames-at-battersea-met-337702","/galleries/style/etching-revival/nocturne-nocturne-the-thames-at-battersea-met-337702",{"_293":294,"_295":296},{"_226":1094,"_125":1095,"_287":1096},{"_278":1091,"_280":1092,"_282":427,"_283":1093},73,56.713872832369944,32.713872832369944,{"_289":226,"_123":436,"_154":437,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":433,"_154":434,"_140":435},"https://img.ochreeditions.com/a/1029/480.jpg","https://img.ochreeditions.com/a/1029/960.jpg","https://img.ochreeditions.com/a/1029/1920.jpg",{"_316":1113,"_318":1114},{"_316":1111,"_318":1112},{"_316":1109,"_318":1110},{"_316":1107,"_318":1108},{"_316":1105,"_318":1106},"#dedcd4",0.068,"#6e6d64",0.1708,"#848478",0.2453,"#9a9c8e",0.2562,"#adb0a1",0.2597,"path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","Path through a Wheat Field (Sentier dans les bles)",{"_42":1160,"_223":1161,"_330":1162,"_332":1015,"_334":1163,"_336":1164,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1862","cliché-verre",1.1912940479715723,[1145,1146,1147,1148,1149],{"_222":561,"_223":562,"_42":563,"_309":564},"1982.43.1","Charles-François Daubigny made this in 1862, aged 45. It is now at the National Gallery of Art in Washington, DC.","This image shows an elevated view of a grassy landscape with sparse trees and vegetation at the horizon. The linear brushstrokes create texture and movement in the grass and sky. The color palette is monochromatic with sepia tones. In the foreground, a figure is on a horse amidst tall grasses, while in the distance, another figure stands on the left and a cluster of trees is on the right. The sky has wisps of clouds.",{"_297":1142,"_299":1143,"_301":1144},"https://img.ochreeditions.com/m/1600.jpg?dl=1","/art/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","/galleries/style/etching-revival/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196",{"_293":294,"_295":296},{"_226":1137,"_125":1138,"_287":1139},{"_278":1133,"_280":1134,"_282":1135,"_283":1136},84,74.36539895600299,60,50.365398956002984,{"_289":226,"_123":1140,"_154":1141,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":988,"_154":989,"_140":990},"artist/contemporaries-of-charles-francois-daubigny","Charles-François Daubigny's contemporaries","https://img.ochreeditions.com/a/1600/480.jpg","https://img.ochreeditions.com/a/1600/960.jpg","https://img.ochreeditions.com/a/1600/1920.jpg",{"_316":1158,"_318":1159},{"_316":1156,"_318":1157},{"_316":1154,"_318":1155},{"_316":1152,"_318":1153},{"_316":1150,"_318":1151},"#806e5d",0.0246,"#a99073",0.1001,"#c8ae8a",0.2106,"#dfc7a1",0.2925,"#efdbb8",0.3722,"Charles-François Daubigny","charles-francois-daubigny","French, 1817–1878",1817,1878,{"_1166":-5,"_1167":1168,"_1169":1170,"_1171":8,"_1172":1173,"_1174":8},"user","csrf","f83d66c224d6d7004297871f6abd1ea528320dac","cartCount",0,"dropLive","legal",[1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186],"uploadsEnabled",{"_223":1209,"_20":1210},{"_223":1207,"_20":1208},{"_223":1205,"_20":1206},{"_223":1203,"_20":1204},{"_223":1201,"_20":1202},{"_223":1199,"_20":1200},{"_223":1197,"_20":1198},{"_223":1195,"_20":1196},{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]