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The horizon is high, showing rooftops and the sun above it.",{"_294":422,"_296":423,"_298":424},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_290":291,"_292":293},{"_226":415,"_125":416,"_285":417},{"_275":411,"_277":412,"_279":413,"_281":414},84,71.6513671875,60,47.6513671875,{"_287":226,"_123":420,"_154":421,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":418,"_154":419,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_310":441,"_312":442},{"_310":439,"_312":440},{"_310":437,"_312":438},{"_310":435,"_312":436},{"_310":433,"_312":434},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,"paulus-from-le-cafe-concert-aic-125990","Paulus, from Le Café-Concert",{"_42":503,"_223":504,"_324":505,"_326":506,"_327":507,"_329":508,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1893","france","Lithograph on ivory wove paper","Image: 22.8 × 14.3 cm (9 × 5 11/16 in.); Sheet: 43.7 × 31.9 cm (17 1/4 × 12 9/16 in.)",22,0.7285374336445176,[488,489,490,491,492],{"_222":484,"_223":485,"_42":486,"_303":487},"Courtesy of the Art Institute of Chicago","1938.1150","Henri-Gabriel Ibels made this in 1893, aged 26. It is now at the Art Institute of Chicago.","A work made of lithograph on ivory wove paper.",{"_294":481,"_296":482,"_298":483},"https://img.ochreeditions.com/m/304.jpg?dl=1","/art/paulus-from-le-cafe-concert-aic-125990","/galleries/style/etching-revival/paulus-from-le-cafe-concert-aic-125990",{"_290":291,"_292":293},{"_226":473,"_125":474,"_285":475},{"_275":471,"_277":278,"_279":472,"_281":282},42.21343584111294,18.21343584111294,{"_287":226,"_123":479,"_154":480,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":476,"_154":477,"_140":478},"era/19-france","19th-century France",237,"artist/contemporaries-of-henri-gabriel-ibels","Henri-Gabriel Ibels's contemporaries","https://img.ochreeditions.com/a/304/480.jpg","https://img.ochreeditions.com/a/304/960.jpg","https://img.ochreeditions.com/a/304/1920.jpg","aic","art-institute-of-chicago","Art Institute of Chicago","Chicago",{"_310":501,"_312":502},{"_310":499,"_312":500},{"_310":497,"_312":498},{"_310":495,"_312":496},{"_310":493,"_312":494},"#6b6860",0.0196,"#bbb5a4",0.0216,"#2c2c2c",0.0479,"#ede3cc",0.3178,"#efe7d2",0.5931,"Henri-Gabriel Ibels","henri-gabriel-ibels","French, 1867–1936","French",1867,1936,"at-the-cafe-cma-324444","At the Café",{"_42":565,"_223":566,"_324":567,"_326":506,"_327":568,"_329":569,"_330":570,"_331":570,"_332":571,"_140":53},"1874","gillotage","Image: 26.3 x 33.4 cm (10 3/8 x 13 1/8 in.); Sheet: 26.9 x 36 cm (10 9/16 x 14 3/16 in.)",33.4,26.3,1.3016845329249618,[550,551,552,553,554],{"_222":546,"_223":547,"_42":548,"_303":549},"Courtesy of the Cleveland Museum of Art","2019.57","Édouard Manet made this in 1874, aged 42. It is now at the Cleveland Museum of Art.",{"_118":543,"_544":545},"At the Café, by Édouard Manet, 1874",{"_294":540,"_296":541,"_298":542},"https://img.ochreeditions.com/m/788.jpg?dl=1","/art/at-the-cafe-cma-324444","/galleries/style/etching-revival/at-the-cafe-cma-324444",{"_290":291,"_292":293},{"_226":535,"_125":536,"_285":537},{"_275":532,"_277":533,"_279":515,"_281":534},57.4,49.659058823529406,25.65905882352941,{"_287":226,"_123":538,"_154":539,"_140":53},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":476,"_154":477,"_140":478},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/788/480.jpg","https://img.ochreeditions.com/a/788/960.jpg","https://img.ochreeditions.com/a/788/1920.jpg","This print by Édouard Manet depicts the Café Guerbois, a gathering place for Impressionist artists in 19th-century Paris. Although best known for his paintings, the artist was an avid printmaker throughout his entire career.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_310":563,"_312":564},{"_310":561,"_312":562},{"_310":559,"_312":560},{"_310":557,"_312":558},{"_310":555,"_312":556},"#807772",0.1658,"#5c5551",0.1687,"#393531",0.1735,"#a39892",0.1811,"#c4bbb5",0.3109,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","washerwomen-descending-a-quai-staircase-cma-441006","Washerwomen Descending a Quai Staircase",{"_42":621,"_223":622,"_324":623,"_326":506,"_327":624,"_329":390,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1888","transfer lithograph","Image: 57.1 x 41.8 cm (22 1/2 x 16 7/16 in.); Sheet: 64.7 x 49 cm (25 1/2 x 19 5/16 in.)",41.8,57.1,0.7585294117647059,[606,607,608,609,610],{"_222":546,"_223":547,"_42":548,"_303":549},"2021.141","Alexandre Lunois made this in 1888, aged 25. It is now at the Cleveland Museum of Art.",{"_118":605,"_544":545},"Washerwomen Descending a Quai Staircase, by Alexandre Lunois, 1888",{"_294":602,"_296":603,"_298":604},"https://img.ochreeditions.com/m/794.jpg?dl=1","/art/washerwomen-descending-a-quai-staircase-cma-441006","/galleries/style/etching-revival/washerwomen-descending-a-quai-staircase-cma-441006",{"_290":291,"_292":293},{"_226":597,"_125":598,"_285":599},{"_275":594,"_277":595,"_279":596,"_281":579},67.31202941176471,81.1,43.312029411764705,{"_287":226,"_123":600,"_154":601,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":476,"_154":477,"_140":478},"artist/contemporaries-of-alexandre-lunois","Alexandre Lunois's contemporaries","https://img.ochreeditions.com/a/794/480.jpg","https://img.ochreeditions.com/a/794/960.jpg","https://img.ochreeditions.com/a/794/1920.jpg","Alexandre Lunois worked extensively in lithography, a relatively recent invention during his time that was rarely used by artists, making both reproductive and original works.",{"_310":619,"_312":620},{"_310":617,"_312":618},{"_310":615,"_312":616},{"_310":613,"_312":614},{"_310":611,"_312":612},"#3e3a37",0.1151,"#7f7a75",0.1429,"#c0b9af",0.2105,"#5e5a56",0.2274,"#ebe2d3",0.3041,"Alexandre Lunois","alexandre-lunois","French, 1863–1916",1863,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":672,"_223":673,"_324":674,"_326":675,"_327":676,"_329":677,"_330":678,"_331":679,"_332":680,"_140":337},"united-states","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",0.6490230905861456,[657,658,659,660,661],{"_222":484,"_223":485,"_42":486,"_303":487},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_294":654,"_296":655,"_298":656},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_290":291,"_292":293},{"_226":646,"_125":647,"_285":648},{"_275":644,"_277":278,"_279":645,"_281":282},40.22557726465364,16.22557726465364,{"_287":226,"_123":652,"_154":653,"_140":337},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":649,"_154":650,"_140":651},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_310":670,"_312":671},{"_310":668,"_312":669},{"_310":666,"_312":667},{"_310":664,"_312":665},{"_310":662,"_312":663},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":728,"_223":729,"_324":730,"_326":675,"_327":731,"_329":732,"_330":733,"_331":734,"_332":735,"_140":53},"1862","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[713,714,715,716,717],{"_222":300,"_223":301,"_42":302,"_303":304},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_294":710,"_296":711,"_298":712},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_290":291,"_292":293},{"_226":705,"_125":706,"_285":707},{"_275":702,"_277":703,"_279":686,"_281":704},76.7,60.7319,36.7319,{"_287":226,"_123":708,"_154":709,"_140":53},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":649,"_154":650,"_140":651},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_310":726,"_312":727},{"_310":724,"_312":725},{"_310":722,"_312":723},{"_310":720,"_312":721},{"_310":718,"_312":719},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","cape-ann-willows-nga-149212","Cape Ann Willows",{"_42":783,"_223":784,"_324":785,"_326":675,"_327":786,"_329":787,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1887","drypoint in black","plate: 21.8 × 27.5 cm (8 9/16 × 10 13/16 in.) sheet: 28.4 × 37.4 cm (11 3/16 × 14 3/4 in.)",27.5,21.8,1.228922892289229,[768,769,770,771,772],{"_222":425,"_223":426,"_42":427,"_303":304},"2008.115.3956","Charles A. Platt made this in 1887, aged 26. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape seen from a slightly elevated perspective, with a tranquil scene. The horizon is high in the composition, showing a vast view. There are a few distant trees and silhouettes blending into the sky. The brushstrokes are expressive and fluid, with a sketch-like quality depicting texture and movement in the trees and ground. The color palette is primarily monochrome, using shades of black and grey. Near the viewer, there are low plants and shrubs on sandy ground, leading to a small body of water reflecting dense trees. In the distance, the landscape becomes more open and sparse towards the horizon.",{"_294":765,"_296":766,"_298":767},"https://img.ochreeditions.com/m/1679.jpg?dl=1","/art/cape-ann-willows-nga-149212","/galleries/style/etching-revival/cape-ann-willows-nga-149212",{"_290":291,"_292":293},{"_226":760,"_125":761,"_285":762},{"_275":757,"_277":758,"_279":742,"_281":759},51.5,46.3773193359375,22.3773193359375,{"_287":226,"_123":763,"_154":764,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":649,"_154":650,"_140":651},"artist/contemporaries-of-charles-a-platt","Charles A. Platt's contemporaries","https://img.ochreeditions.com/a/1679/480.jpg","https://img.ochreeditions.com/a/1679/960.jpg","https://img.ochreeditions.com/a/1679/1920.jpg",{"_310":781,"_312":782},{"_310":779,"_312":780},{"_310":777,"_312":778},{"_310":775,"_312":776},{"_310":773,"_312":774},"#3a2f2c",0.0415,"#705f53",0.0421,"#9a8672",0.0883,"#bea68b",0.2437,"#cfbba1",0.5844,"Charles A. Platt","charles-a-platt","American, 1861–1933",1861,1933,"business-men-s-class-cma-115925","Business Men's Class",{"_42":840,"_223":841,"_324":842,"_326":675,"_327":447,"_329":843,"_330":-5,"_331":-5,"_332":844,"_140":93},"1916","lithograph","Sheet: 54.1 x 70 cm (21 5/16 x 27 9/16 in.)",70,54.1,1.4370245139475908,[825,826,827,828,829],{"_222":546,"_223":547,"_42":548,"_303":549},"1936.630","George Bellows made this in 1916, aged 34. It is now at the Cleveland Museum of Art.",{"_118":824,"_544":545},"Business Men's Class, by George Bellows, 1916",{"_294":821,"_296":822,"_298":823},"https://img.ochreeditions.com/m/532.jpg?dl=1","/art/business-men-s-class-cma-115925","/galleries/style/etching-revival/business-men-s-class-cma-115925",{"_290":291,"_292":293},{"_226":813,"_125":814,"_285":815},{"_275":810,"_277":811,"_279":794,"_281":812},94,72.71176470588236,48.71176470588236,{"_287":226,"_123":819,"_154":820,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":75},{"_287":285,"_123":816,"_154":817,"_140":818},"era/20-united-states","20th-century United States",124,"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/532/480.jpg","https://img.ochreeditions.com/a/532/960.jpg","https://img.ochreeditions.com/a/532/1920.jpg","This scene takes place at the West Side YMCA, where George Bellows lived when he arrived in New York City from Columbus, Ohio, in 1904. Worry about the potentially debilitating impact of sedentary office jobs inspired new forms of exercise, such as calisthenics.",{"_310":838,"_312":839},{"_310":836,"_312":837},{"_310":834,"_312":835},{"_310":832,"_312":833},{"_310":830,"_312":831},"#e1dfda",0.0842,"#b5b2ac",0.1825,"#8b8882",0.2049,"#65625e",0.2567,"#413d3b",0.2717,"George Bellows","george-bellows","American, 1882–1925",1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","street-in-saverne-nga-133448","Street in Saverne",{"_42":672,"_223":673,"_324":674,"_326":675,"_327":676,"_329":677,"_330":678,"_331":679,"_332":680,"_140":337},"1858","etching and open bite or sandpaper ground on laid paper","plate: 20.9 x 15.8 cm (8 1/4 x 6 1/4 in.) sheet: 26.2 x 18.1 cm (10 5/16 x 7 1/8 in.)",15.8,20.9,0.763916015625,[875,876,877,878,879],{"_222":425,"_223":426,"_42":427,"_303":304},"2005.99.38","James McNeill Whistler made this in 1858, aged 24. It is now at the National Gallery of Art in Washington, DC.","A narrow street in the Alsatian town of Saverne stretches away at night, its worn house fronts in deep shadow and a single figure in the distance.","The image shows a street scene from a close perspective down a narrow alleyway. The horizon is not visible, with buildings on both sides. The style features detailed etching with fine lines and shading for depth and texture. The color palette is monochromatic with black, gray, and off-white tones. The houses have worn facades, and there is a distant figure. The sky is dark and overcast, enhancing the shadow-filled scene.",{"_294":872,"_296":873,"_298":874},"https://img.ochreeditions.com/m/1657.jpg?dl=1","/art/street-in-saverne-nga-133448","/galleries/style/etching-revival/street-in-saverne-nga-133448",{"_290":291,"_292":293},{"_226":869,"_125":870,"_285":871},{"_275":867,"_277":278,"_279":868,"_281":282},43.097900390625,19.097900390625,{"_287":226,"_123":652,"_154":653,"_140":337},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":649,"_154":650,"_140":651},"https://img.ochreeditions.com/a/1657/480.jpg","https://img.ochreeditions.com/a/1657/960.jpg","https://img.ochreeditions.com/a/1657/1920.jpg",{"_310":888,"_312":889},{"_310":886,"_312":887},{"_310":884,"_312":885},{"_310":882,"_312":883},{"_310":880,"_312":881},"#bda983",0.1119,"#9a8a6e",0.1607,"#726755",0.1964,"#403c3a",0.2194,"#585046",0.3116,"lowlands-nga-5973","Lowlands",{"_42":933,"_223":934,"_324":935,"_326":675,"_327":389,"_329":936,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1918","wood engraving",1.2816065723413965,[918,919,920,921,922],{"_222":425,"_223":426,"_42":427,"_303":304},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_294":915,"_296":916,"_298":917},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_290":291,"_292":293},{"_226":910,"_125":911,"_285":912},{"_275":411,"_277":908,"_279":413,"_281":909},70.81623931623932,46.81623931623932,{"_287":226,"_123":913,"_154":914,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":75},{"_287":285,"_123":816,"_154":817,"_140":818},"artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_310":931,"_312":932},{"_310":929,"_312":930},{"_310":927,"_312":928},{"_310":925,"_312":926},{"_310":923,"_312":924},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1931,"modern-masks-aic-49384","Modern Masks",{"_42":985,"_223":986,"_324":987,"_326":988,"_327":989,"_329":990,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1889","flanders","Photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper","Image: 29 × 17.3 cm (11 7/16 × 6 13/16 in.); Plate: 34.9 × 24 cm (13 3/4 × 9 1/2 in.); Sheet, folded: 45.8 × 34.6 cm (18 1/16 × 13 5/8 in.)",17,29,0.618788452437293,[970,971,972,973,974],{"_222":484,"_223":485,"_42":486,"_303":487},"1927.5282","Félicien Rops made this in 1889, aged 56. It is now at the Art Institute of Chicago.","A work made of photogravure in dark brown retouched with soft varnish (vernis mou), roulette and blue handcoloring on thick cream wove paper.",{"_294":967,"_296":968,"_298":969},"https://img.ochreeditions.com/m/158.jpg?dl=1","/art/modern-masks-aic-49384","/galleries/style/etching-revival/modern-masks-aic-49384",{"_290":291,"_292":293},{"_226":962,"_125":963,"_285":964},{"_275":959,"_277":960,"_279":961,"_281":945},41.9448651206815,53,17.944865120681495,{"_287":226,"_123":965,"_154":966,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-felicien-rops","Félicien Rops's contemporaries","https://img.ochreeditions.com/a/158/480.jpg","https://img.ochreeditions.com/a/158/960.jpg","https://img.ochreeditions.com/a/158/1920.jpg",{"_310":983,"_312":984},{"_310":981,"_312":982},{"_310":979,"_312":980},{"_310":977,"_312":978},{"_310":975,"_312":976},"#aa9c88",0.1215,"#eae2d1",0.1723,"#40362d",0.223,"#81715e",0.2414,"#625445",0.2418,"Félicien Rops","felicien-rops","Belgian, 1833–1898","Belgian",1833,1898,"mevisto-from-le-cafe-concert-aic-125988","Mévisto, from Le Café-Concert",{"_42":503,"_223":504,"_324":505,"_326":506,"_327":507,"_329":508,"_330":-5,"_331":-5,"_332":-5,"_140":101},"Lithograph in dark green on cream wove paper","Image: 35 × 20.3 cm (13 13/16 × 8 in.); Sheet: 44.3 × 31.7 cm (17 1/2 × 12 1/2 in.)",35,0.7197901591895803,[1019,1020,1021,1022,1023],{"_222":484,"_223":485,"_42":486,"_303":487},"1938.1148","A work made of lithograph in dark green on cream wove paper.",{"_294":1016,"_296":1017,"_298":1018},"https://img.ochreeditions.com/m/303.jpg?dl=1","/art/mevisto-from-le-cafe-concert-aic-125988","/galleries/style/etching-revival/mevisto-from-le-cafe-concert-aic-125988",{"_290":291,"_292":293},{"_226":1013,"_125":1014,"_285":1015},{"_275":1009,"_277":1010,"_279":1011,"_281":1012},46.44667261383536,55.18502292266445,22.446672613835357,31.18502292266445,{"_287":226,"_123":479,"_154":480,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":476,"_154":477,"_140":478},"https://img.ochreeditions.com/a/303/480.jpg","https://img.ochreeditions.com/a/303/960.jpg","https://img.ochreeditions.com/a/303/1920.jpg",{"_310":1032,"_312":1033},{"_310":1030,"_312":1031},{"_310":1028,"_312":1029},{"_310":1026,"_312":1027},{"_310":1024,"_312":1025},"#727b7b",0.0401,"#adada3",0.0513,"#8a8f8b",0.0802,"#cac5b7",0.0839,"#e1d5c4",0.7445,"the-cathedral-cma-163010","The Cathedral",{"_42":1082,"_223":1083,"_324":1084,"_326":988,"_327":1085,"_329":1086,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1886","Sheet: 31 x 22.4 cm (12 3/16 x 8 13/16 in.); Platemark: 24.2 x 18.8 cm (9 1/2 x 7 3/8 in.)",22.4,31,0.7720588235294118,[1067,1068,1069,1070,1071],{"_222":546,"_223":547,"_42":548,"_303":549},"2003.46","James Ensor made this in 1886, aged 26. It is now at the Cleveland Museum of Art.",{"_118":1066,"_544":545},"The Cathedral, by James Ensor, 1886",{"_294":1063,"_296":1064,"_298":1065},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_290":291,"_292":293},{"_226":1058,"_125":1059,"_285":1060},{"_275":1055,"_277":1056,"_279":1057,"_281":1040},47.93382352941177,55,23.933823529411764,{"_287":226,"_123":1061,"_154":1062,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":360,"_154":361,"_140":362},"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_310":1080,"_312":1081},{"_310":1078,"_312":1079},{"_310":1076,"_312":1077},{"_310":1074,"_312":1075},{"_310":1072,"_312":1073},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949",1860,1949,"the-old-violin-aic-135454","The Old Violin",{"_42":1133,"_223":1134,"_324":1135,"_326":1136,"_327":1137,"_329":1138,"_330":-5,"_331":-5,"_332":-5,"_140":101},"Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[1118,1119,1120,1121,1122],{"_222":484,"_223":485,"_42":486,"_303":487},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_294":1115,"_296":1116,"_298":1117},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_290":291,"_292":293},{"_226":1110,"_125":1111,"_285":1112},{"_275":1107,"_277":1108,"_279":1109,"_281":1093},87.83501457072404,112,63.83501457072405,{"_287":226,"_123":1113,"_154":1114,"_140":89},{"_287":125,"_123":363,"_154":364,"_140":365},{"_287":285,"_123":649,"_154":650,"_140":651},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_310":1131,"_312":1132},{"_310":1129,"_312":1130},{"_310":1127,"_312":1128},{"_310":1125,"_312":1126},{"_310":1123,"_312":1124},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,{"_1140":-5,"_1141":1142,"_1143":1144,"_1145":8,"_1146":1147,"_1148":8},"user","csrf","d6d6e1eeeac16fa6c1d3cd379e13cb1de3f9651e","cartCount",0,"dropLive","legal",[1149,1150,1151,1152,1153,1154,1155,1156,1157,1158,1159,1160],"uploadsEnabled",{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},{"_223":1179,"_20":1180},{"_223":1177,"_20":1178},{"_223":1175,"_20":1176},{"_223":1173,"_20":1174},{"_223":1171,"_20":1172},{"_223":1169,"_20":1170},{"_223":1167,"_20":1168},{"_223":1165,"_20":1166},{"_223":1163,"_20":1164},{"_223":1161,"_20":1162},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]