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It is now at the Cleveland Museum of Art.",{"_118":444,"_304":305},"The Cathedral, by James Ensor, 1886",{"_297":441,"_299":442,"_301":443},"https://img.ochreeditions.com/m/764.jpg?dl=1","/art/the-cathedral-cma-163010","/galleries/style/etching-revival/the-cathedral-cma-163010",{"_293":294,"_295":296},{"_226":433,"_125":434,"_287":435},{"_278":430,"_280":431,"_282":432,"_284":415},47.93382352941177,55,23.933823529411764,{"_289":226,"_123":439,"_154":440,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":436,"_154":437,"_140":438},"era/19","The 19th century",731,"artist/contemporaries-of-james-ensor","James Ensor's contemporaries","https://img.ochreeditions.com/a/764/480.jpg","https://img.ochreeditions.com/a/764/960.jpg","https://img.ochreeditions.com/a/764/1920.jpg","James Ensor used tiny, repetitive marks possible with etching to develop a new, expressive style that contrasted with that of most of his contemporaries. The Gothic architecture, worn facade, and overwhelming scale of the cathedral seen here in exacting detail show that it has withstood the test of time.",{"_316":458,"_318":459},{"_316":456,"_318":457},{"_316":454,"_318":455},{"_316":452,"_318":453},{"_316":450,"_318":451},"#7b6c5f",0.0997,"#c2b2a3",0.1688,"#948476",0.1803,"#aa998b",0.2353,"#dfd0c1",0.3159,"James Ensor","james-ensor","Belgian, 1860–1949","Belgian",1860,1949,"untitled-si-saam-1982-80-4","Untitled",{"_42":524,"_223":525,"_330":526,"_332":-5,"_334":527,"_336":528,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1915","Graphic Arts-Print","woodcut on paper","image: 15 1/8 x 11 3/8 in. (38.3 x 28.9 cm)",28.9,38.3,0.7602739726027398,[509,510,511,512,513],{"_222":505,"_223":506,"_42":507,"_309":508},"Courtesy of the Smithsonian American Art Museum","1982.80.4","Mildred McMillen made this in 1915, aged 31. It is now at the Smithsonian American Art Museum in Washington, DC.","Untitled, by Mildred McMillen, 1915",{"_297":502,"_299":503,"_301":504},"https://img.ochreeditions.com/m/1963.jpg?dl=1","/art/untitled-si-saam-1982-80-4","/galleries/style/etching-revival/untitled-si-saam-1982-80-4",{"_293":294,"_295":296},{"_226":492,"_125":493,"_287":494},{"_278":489,"_280":490,"_282":491,"_284":474},53.11849315068493,62.3,29.11849315068493,{"_289":226,"_123":500,"_154":501,"_140":89},{"_289":125,"_123":498,"_154":499,"_140":75},{"_289":287,"_123":495,"_154":496,"_140":497},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-mildred-mcmillen","Mildred McMillen's contemporaries","https://img.ochreeditions.com/a/1963/480.jpg","https://img.ochreeditions.com/a/1963/960.jpg","https://img.ochreeditions.com/a/1963/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_316":522,"_318":523},{"_316":520,"_318":521},{"_316":518,"_318":519},{"_316":516,"_318":517},{"_316":514,"_318":515},"#242321",0.1024,"#65635d",0.1209,"#c2bfb6",0.2417,"#9d9a92",0.2459,"#f0ede4",0.2891,"Mildred McMillen","mildred-mcmillen","born Chicago, IL 1884-died ca. 1940",1884,1940,"cornwall-si-saam-1977-66-68","Cornwall",{"_42":577,"_223":578,"_330":579,"_332":-5,"_334":580,"_336":581,"_338":-5,"_339":-5,"_340":-5,"_140":101},"1927","etching on paper","plate: 5 3/8 x 9 1/4 in. (13.6 x 23.5 cm.); sheet...",23.5,13.6,1.6120365394948952,[562,563,564,565,566],{"_222":505,"_223":506,"_42":507,"_309":508},"1977.66.68","Kerr Eby made this in 1927, aged 38. It is now at the Smithsonian American Art Museum in Washington, DC.","Cornwall, by Kerr Eby, 1927",{"_297":559,"_299":560,"_301":561},"https://img.ochreeditions.com/m/1953.jpg?dl=1","/art/cornwall-si-saam-1977-66-68","/galleries/style/etching-revival/cornwall-si-saam-1977-66-68",{"_293":294,"_295":296},{"_226":554,"_125":555,"_287":556},{"_278":550,"_280":551,"_282":552,"_284":553},49,39.50833333333333,25,15.508333333333333,{"_289":226,"_123":557,"_154":558,"_140":89},{"_289":125,"_123":498,"_154":499,"_140":75},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-kerr-eby","Kerr Eby's contemporaries","https://img.ochreeditions.com/a/1953/480.jpg","https://img.ochreeditions.com/a/1953/960.jpg","https://img.ochreeditions.com/a/1953/1920.jpg",{"_316":575,"_318":576},{"_316":573,"_318":574},{"_316":571,"_318":572},{"_316":569,"_318":570},{"_316":567,"_318":568},"#716351",0.0172,"#a4957f",0.0477,"#cbbca5",0.1355,"#e2d6bf",0.309,"#f2e9d4",0.4906,"Kerr Eby","kerr-eby","born Tokyo, Japan 1889-died Norwalk, CT 1946",1889,1946,"the-frugal-meal-cma-111385","The Frugal Meal",{"_42":631,"_223":632,"_330":633,"_332":634,"_334":635,"_336":636,"_338":-5,"_339":-5,"_340":-5,"_140":103},"September 1904, printed 1913","spain","Image: 45.5 x 37 cm (17 15/16 x 14 9/16 in.); Plate: 46.3 x 37.6 cm (18 1/4 x 14 13/16 in.); Sheet: 63 x 49.8 cm (24 13/16 x 19 5/8 in.)",37,45.5,0.8311764705882353,[616,617,618,619,620],{"_222":306,"_223":307,"_42":308,"_309":310},"1929.888","Pablo Picasso made this (September 1904, printed 1913), aged about 23. It is now at the Cleveland Museum of Art.",{"_118":615,"_304":305},"The Frugal Meal, by Pablo Picasso, September 1904, printed 1913",{"_297":612,"_299":613,"_301":614},"https://img.ochreeditions.com/m/525.jpg?dl=1","/art/the-frugal-meal-cma-111385","/galleries/style/etching-revival/the-frugal-meal-cma-111385",{"_293":294,"_295":296},{"_226":607,"_125":608,"_287":609},{"_278":604,"_280":605,"_282":606,"_284":589},61.81852941176471,69.5,37.81852941176471,{"_289":226,"_123":610,"_154":611,"_140":89},{"_289":125,"_123":498,"_154":499,"_140":75},{"_289":287,"_123":495,"_154":496,"_140":497},"artist/contemporaries-of-pablo-picasso","Pablo Picasso's contemporaries","https://img.ochreeditions.com/a/525/480.jpg","https://img.ochreeditions.com/a/525/960.jpg","https://img.ochreeditions.com/a/525/1920.jpg","In this early print, Pablo Picasso depicted a couple—possibly two performers—sitting before a meager meal. Although the woman gazes forward directly, her male companion's unfocused stare suggests his blindness.",{"_316":629,"_318":630},{"_316":627,"_318":628},{"_316":625,"_318":626},{"_316":623,"_318":624},{"_316":621,"_318":622},"#524a3f",0.0999,"#f3d8b5",0.1607,"#766959",0.1704,"#988871",0.2305,"#c2ab8e",0.3385,"Pablo Picasso","pablo-picasso","Spanish, 1881–1973","Spanish",1881,1973,"evening-melancholy-i-cma-136154","Evening, Melancholy I",{"_42":689,"_223":690,"_330":691,"_332":692,"_334":693,"_336":694,"_338":-5,"_339":-5,"_340":695,"_140":99},"1896","scandinavia","Hand-colored woodcut","Image: 37.7 x 45 cm (14 13/16 x 17 11/16 in.)",45,37.7,1.153324287652646,[674,675,676,677,678],{"_222":306,"_223":307,"_42":308,"_309":310},"1959.82","Edvard Munch made this in 1896, aged 33. It is now at the Cleveland Museum of Art.",{"_118":673,"_304":305},"Evening, Melancholy I, by Edvard Munch, 1896",{"_297":670,"_299":671,"_301":672},"https://img.ochreeditions.com/m/636.jpg?dl=1","/art/evening-melancholy-i-cma-136154","/galleries/style/etching-revival/evening-melancholy-i-cma-136154",{"_293":294,"_295":296},{"_226":663,"_125":664,"_287":665},{"_278":660,"_280":661,"_282":644,"_284":662},69,63.01764705882353,39.01764705882353,{"_289":226,"_123":668,"_154":669,"_140":99},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":666,"_154":667,"_140":95},"era/19-scandinavia","19th-century Scandinavia","artist/edvard-munch","More by Edvard Munch","https://img.ochreeditions.com/a/636/480.jpg","https://img.ochreeditions.com/a/636/960.jpg","https://img.ochreeditions.com/a/636/1920.jpg","Evening, Melancholy I depicts the jilted, tormented art critic Jappe Nilssen, Munch's friend, on the shore of Åsgårdstrand, a fishing village south of Oslo.",{"_316":687,"_318":688},{"_316":685,"_318":686},{"_316":683,"_318":684},{"_316":681,"_318":682},{"_316":679,"_318":680},"#ede3d0",0.0552,"#b8a78e",0.1378,"#7a6f5f",0.1616,"#5d4f4a",0.2478,"#3b3944",0.3976,"Edvard Munch","edvard-munch","Norwegian, 1863–1944","Norwegian",1863,1944,"Munch trained in Kristiania, now Oslo, and spent long periods in Paris and Berlin in the 1890s, where he developed The Frieze of Life, a cycle on love, anxiety and death that includes The Scream.","under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","Under the Lamp (\"Once upon a midnight dreary...\"), from The Raven (Le Corbeau)",{"_42":744,"_223":745,"_330":746,"_332":333,"_334":747,"_336":748,"_338":749,"_339":749,"_340":750,"_140":53},"1875","Transfer lithograph in black on gray China paper","Image: 27.3 × 38 cm (10 3/4 × 15 in.); Sheet: 39.5 × 55.6 cm (15 9/16 × 21 15/16 in.)",38,27,1.3974116161616161,[729,730,731,732,733],{"_222":379,"_223":380,"_42":381,"_309":382},"1945.52.3","Édouard Manet made this in 1875, aged 43. It is now at the Art Institute of Chicago.","“Once upon a midnight dreary”: the narrator of Edgar Allan Poe’s The Raven sits under the lamp among his books in the first of Manet’s illustrations to the poem. In 1875 the poet Stéphane Mallarmé published his French translation, Le Corbeau, in a large-format edition with Manet’s images.","A work made of transfer lithograph in black on gray china paper.",{"_297":726,"_299":727,"_301":728},"https://img.ochreeditions.com/m/280.jpg?dl=1","/art/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364","/galleries/style/etching-revival/under-the-lamp-once-upon-a-midnight-dreary-from-the-raven-le-aic-111364",{"_293":294,"_295":296},{"_226":721,"_125":722,"_287":723},{"_278":718,"_280":719,"_282":702,"_284":720},62,51.193133047210296,27.1931330472103,{"_289":226,"_123":724,"_154":725,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":165,"_154":164,"_140":167},"artist/edouard-manet","More by Édouard Manet","https://img.ochreeditions.com/a/280/480.jpg","https://img.ochreeditions.com/a/280/960.jpg","https://img.ochreeditions.com/a/280/1920.jpg",{"_316":742,"_318":743},{"_316":740,"_318":741},{"_316":738,"_318":739},{"_316":736,"_318":737},{"_316":734,"_318":735},"#5c5b57",0.0694,"#878680",0.0726,"#b9b8b1",0.0826,"#383835",0.1056,"#eae9e1",0.6698,"Édouard Manet","edouard-manet","French, 1832–1883",1832,1883,"Paris","Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling.","san-giorgio-nga-11030","San Giorgio",{"_42":398,"_223":399,"_330":400,"_332":401,"_334":402,"_336":403,"_338":404,"_339":405,"_340":406,"_140":232},"1880","etching and drypoint on Asian laid paper",1.4246956521739131,[784,785,786,787,788],{"_222":781,"_223":782,"_42":783,"_309":508},"Courtesy National Gallery of Art, Washington","1943.3.8533","James McNeill Whistler made this in 1880, aged 46. It is now at the National Gallery of Art in Washington, DC.","Masted ships ride at anchor in the foreground, their reflections trembling in the water, while across the lagoon the church of San Giorgio Maggiore and its neighbours lie in a faint line along the horizon.","The image displays a harbor filled with boats and ships. The perspective is slightly elevated, likely from a dock, with a partially visible boat and dock at the forefront. The horizon is in the upper third of the image, showing a distant cityscape with spires and structures. The brushwork is delicate, with fine, linear strokes typical of etching. The color palette is monochromatic, sepia tones creating a vintage and serene mood. The ships with tall masts populate the water, with reflections giving a sense of stillness. In the distance, faint impressions of buildings line the harbor, blending into the horizon.",{"_297":778,"_299":779,"_301":780},"https://img.ochreeditions.com/m/1356.jpg?dl=1","/art/san-giorgio-nga-11030","/galleries/style/etching-revival/san-giorgio-nga-11030",{"_293":294,"_295":296},{"_226":775,"_125":776,"_287":777},{"_278":771,"_280":772,"_282":773,"_284":774},84,66.1142578125,60,42.1142578125,{"_289":226,"_123":374,"_154":375,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1356/480.jpg","https://img.ochreeditions.com/a/1356/960.jpg","https://img.ochreeditions.com/a/1356/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_316":797,"_318":798},{"_316":795,"_318":796},{"_316":793,"_318":794},{"_316":791,"_318":792},{"_316":789,"_318":790},"#a68a6d",0.0462,"#c3a583",0.1167,"#d7b893",0.201,"#e4c8a5",0.2458,"#edd5b6",0.3903,"long-lagoon-nga-11033","Long Lagoon",{"_42":398,"_223":399,"_330":400,"_332":401,"_334":402,"_336":403,"_338":404,"_339":405,"_340":406,"_140":232},"plate: 15.24 x 22.54 cm (6 x 8 7/8 in.) sheet (includes tab with signature): 15.88 x 22.54 cm (6 1/4 x 8 7/8 in.)",22.5,15.2,1.4592091200570003,[826,827,828,829,830],{"_222":781,"_223":782,"_42":783,"_309":508},"1943.3.8536","A long, low line of buildings and the masts of distant ships stretch across the horizon, mirrored in a broad expanse of still water that fills most of the sheet.","The image shows a landscape with a waterscape. The horizon separates the water and the sky. In the distance, there are buildings, structures, and ships with tall masts. Close to us, there are reflections of the ships and structures in the water with fine brushstrokes. The style is impressionistic with thin lines conveying details. The color palette is monochromatic with sepia tones.",{"_297":823,"_299":824,"_301":825},"https://img.ochreeditions.com/m/1357.jpg?dl=1","/art/long-lagoon-nga-11033","/galleries/style/etching-revival/long-lagoon-nga-11033",{"_293":294,"_295":296},{"_226":820,"_125":821,"_287":822},{"_278":550,"_280":818,"_282":552,"_284":819},41.132568359375,17.132568359375,{"_289":226,"_123":374,"_154":375,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1357/480.jpg","https://img.ochreeditions.com/a/1357/960.jpg","https://img.ochreeditions.com/a/1357/1920.jpg",{"_316":839,"_318":840},{"_316":837,"_318":838},{"_316":835,"_318":836},{"_316":833,"_318":834},{"_316":831,"_318":832},"#fcefdc",0.0213,"#dfbb8f",0.1048,"#e8c69a",0.2095,"#eed0a6",0.2852,"#f2d6af",0.3792,"nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":398,"_223":399,"_330":400,"_332":401,"_334":402,"_336":403,"_338":404,"_339":405,"_340":406,"_140":232},"Prints","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[877,878,879,880,881],{"_222":873,"_223":874,"_42":875,"_309":876},"Courtesy of The Metropolitan Museum of Art","40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_297":870,"_299":871,"_301":872},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_293":294,"_295":296},{"_226":867,"_125":868,"_287":869},{"_278":864,"_280":865,"_282":866,"_284":848},44.074504480043444,53.2,20.074504480043444,{"_289":226,"_123":374,"_154":375,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_316":890,"_318":891},{"_316":888,"_318":889},{"_316":886,"_318":887},{"_316":884,"_318":885},{"_316":882,"_318":883},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,"apple-trees-along-the-side-of-a-ditch-nga-208413","Apple Trees along the Side of a Ditch",{"_42":943,"_223":944,"_330":945,"_332":946,"_334":947,"_336":948,"_338":-5,"_339":-5,"_340":-5,"_140":103},"1894","netherlands","etching on wove paper","plate: 29.3 × 24.2 cm (11 9/16 × 9 1/2 in.) sheet: 40.7 × 31.6 cm (16 × 12 7/16 in.)",24.2,29.3,0.769287109375,[928,929,930,931,932],{"_222":781,"_223":782,"_42":783,"_309":508},"2016.157.3","Pieter Dupont made this in 1894, aged 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.",{"_297":925,"_299":926,"_301":927},"https://img.ochreeditions.com/m/1693.jpg?dl=1","/art/apple-trees-along-the-side-of-a-ditch-nga-208413","/galleries/style/etching-revival/apple-trees-along-the-side-of-a-ditch-nga-208413",{"_293":294,"_295":296},{"_226":917,"_125":918,"_287":919},{"_278":914,"_280":915,"_282":916,"_284":900},46.5401123046875,53.3,22.5401123046875,{"_289":226,"_123":923,"_154":924,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":920,"_154":921,"_140":922},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-pieter-dupont","Pieter Dupont's contemporaries","https://img.ochreeditions.com/a/1693/480.jpg","https://img.ochreeditions.com/a/1693/960.jpg","https://img.ochreeditions.com/a/1693/1920.jpg",{"_316":941,"_318":942},{"_316":939,"_318":940},{"_316":937,"_318":938},{"_316":935,"_318":936},{"_316":933,"_318":934},"#695b50",0.08,"#a18974",0.1122,"#887464",0.162,"#c7aa8e",0.1888,"#e5c7a7",0.457,"Pieter Dupont","pieter-dupont","Dutch, 1870–1911","Dutch",1870,1911,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":997,"_223":998,"_330":999,"_332":401,"_334":1000,"_336":1001,"_338":1002,"_339":1003,"_340":1004,"_140":53},"1870","wood engraving on paper","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,35,0.6723333333333333,[982,983,984,985,986],{"_222":505,"_223":506,"_42":507,"_309":508},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_297":979,"_299":980,"_301":981},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_293":294,"_295":296},{"_226":974,"_125":975,"_287":976},{"_278":971,"_280":972,"_282":973,"_284":956},47.531666666666666,59,23.531666666666666,{"_289":226,"_123":977,"_154":978,"_140":53},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":371,"_154":372,"_140":373},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_316":995,"_318":996},{"_316":993,"_318":994},{"_316":991,"_318":992},{"_316":989,"_318":990},{"_316":987,"_318":988},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":398,"_223":399,"_330":400,"_332":401,"_334":402,"_336":403,"_338":404,"_339":405,"_340":406,"_140":232},"Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[1032,1033,1034,1035,1036],{"_222":379,"_223":380,"_42":381,"_309":382},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_297":1029,"_299":1030,"_301":1031},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_293":294,"_295":296},{"_226":1026,"_125":1027,"_287":1028},{"_278":1024,"_280":550,"_282":1025,"_284":552},40.22557726465364,16.22557726465364,{"_289":226,"_123":374,"_154":375,"_140":232},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":371,"_154":372,"_140":373},"https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_316":1045,"_318":1046},{"_316":1043,"_318":1044},{"_316":1041,"_318":1042},{"_316":1039,"_318":1040},{"_316":1037,"_318":1038},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)",{"_42":1095,"_223":1096,"_330":1097,"_332":1098,"_334":1099,"_336":1100,"_338":1101,"_339":1102,"_340":-5,"_140":103},"ca. 1890–96","latin-america","Type-metal engraving and letterpress","Sheet: 15 3/4 × 11 13/16 in. (40 × 30 cm)",30,40,0.7604708458800985,[1080,1081,1082,1083,1084],{"_222":873,"_223":874,"_42":875,"_309":876},"46.46.311","José Guadalupe Posada made this in about 1890–96, aged about 33. It is now at The Met in New York.","In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla), by José Guadalupe Posada, ca. 1890–96",{"_297":1077,"_299":1078,"_301":1079},"https://img.ochreeditions.com/m/1283.jpg?dl=1","/art/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644","/galleries/style/etching-revival/in-proof-of-true-love-a-watercarrier-skeleton-arguing-with-a-met-729644",{"_293":294,"_295":296},{"_226":1072,"_125":1073,"_287":1074},{"_278":1069,"_280":1070,"_282":1071,"_284":1055},54.41883383520394,64,30.41883383520394,{"_289":226,"_123":1075,"_154":1076,"_140":89},{"_289":125,"_123":290,"_154":291,"_140":292},{"_289":287,"_123":436,"_154":437,"_140":438},"artist/contemporaries-of-jose-guadalupe-posada","José Guadalupe Posada's contemporaries","https://img.ochreeditions.com/a/1283/480.jpg","https://img.ochreeditions.com/a/1283/960.jpg","https://img.ochreeditions.com/a/1283/1920.jpg",{"_316":1093,"_318":1094},{"_316":1091,"_318":1092},{"_316":1089,"_318":1090},{"_316":1087,"_318":1088},{"_316":1085,"_318":1086},"#889598",0.0576,"#dbd1c7",0.0723,"#4d5a62",0.1289,"#5d737e",0.3607,"#67818d",0.3805,"José Guadalupe Posada","jose-guadalupe-posada","Mexican, 1852–1913","Mexican",1852,1913,"Aguascalientes","Mexico City","the-creation-cma-109009","The Creation",{"_42":1155,"_223":1156,"_330":1157,"_332":401,"_334":1158,"_336":636,"_338":-5,"_339":-5,"_340":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[1140,1141,1142,1143,1144],{"_222":306,"_223":307,"_42":308,"_309":310},"1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":1139,"_304":305},"The Creation, by Kálmán Kubinyi, before 1927",{"_297":1136,"_299":1137,"_301":1138},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_293":294,"_295":296},{"_226":1128,"_125":1129,"_287":1130},{"_278":1125,"_280":1126,"_282":1127,"_284":1110},43.26877040261154,52.5,19.268770402611533,{"_289":226,"_123":1134,"_154":1135,"_140":89},{"_289":125,"_123":498,"_154":499,"_140":75},{"_289":287,"_123":1131,"_154":1132,"_140":1133},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.",{"_316":1153,"_318":1154},{"_316":1151,"_318":1152},{"_316":1149,"_318":1150},{"_316":1147,"_318":1148},{"_316":1145,"_318":1146},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,{"_1160":-5,"_1161":1162,"_1163":1164,"_1165":8,"_1166":1167,"_1168":8},"user","csrf","14f9ff037475d440320ab5e660e5b4183c5e954f","cartCount",0,"dropLive","legal",[1169,1170,1171,1172,1173,1174,1175,1176,1177,1178,1179,1180],"uploadsEnabled",{"_223":1203,"_20":1204},{"_223":1201,"_20":1202},{"_223":1199,"_20":1200},{"_223":1197,"_20":1198},{"_223":1195,"_20":1196},{"_223":1193,"_20":1194},{"_223":1191,"_20":1192},{"_223":1189,"_20":1190},{"_223":1187,"_20":1188},{"_223":1185,"_20":1186},{"_223":1183,"_20":1184},{"_223":1181,"_20":1182},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]