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(12.7 x 17.6 cm)",17.6,12.7,1.341375770020534,[429,430,431,432,433],{"_226":425,"_227":426,"_42":427,"_310":428},"Courtesy of the Smithsonian American Art Museum","1984.155","Ernest Haskell made this in about 1915, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","The Fan Tree, by Ernest Haskell, ca. 1915",{"_301":422,"_303":423,"_305":424},"https://img.ochreeditions.com/m/1974.jpg?dl=1","/art/the-fan-tree-si-saam-1984-155","/galleries/style/etching-revival/the-fan-tree-si-saam-1984-155",{"_297":298,"_299":300},{"_230":412,"_125":413,"_291":414},{"_282":408,"_284":409,"_286":410,"_288":411},49,42.637581324148485,25,18.63758132414849,{"_293":230,"_123":420,"_154":421,"_140":89},{"_293":125,"_123":418,"_154":419,"_140":75},{"_293":291,"_123":415,"_154":416,"_140":417},"era/20","The 20th century",189,"style/print-20","More prints of the 20th century","artist/contemporaries-of-ernest-haskell","Ernest Haskell's contemporaries","https://img.ochreeditions.com/a/1974/480.jpg","https://img.ochreeditions.com/a/1974/960.jpg","https://img.ochreeditions.com/a/1974/1920.jpg","si","smithsonian","Smithsonian Institution","Washington, DC",{"_317":442,"_319":443},{"_317":440,"_319":441},{"_317":438,"_319":439},{"_317":436,"_319":437},{"_317":434,"_319":435},"#6f6054",0.1087,"#a19283",0.1117,"#3c2f26",0.1553,"#c9b9aa",0.2204,"#e1d4c7",0.4039,"Ernest Haskell","ernest-haskell","born Woodstock, CT 1876-died Bath, ME 1925",1876,1925,"la-belle-jardiniere-aic-73398","La Belle Jardinière",{"_42":498,"_227":499,"_331":500,"_333":501,"_335":502,"_337":503,"_339":504,"_341":505,"_342":506,"_140":236},"1894","united-states","Transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet","Image: 22.3 × 15.8 cm (8 13/16 × 6 1/4 in.); Sheet: 31.4 × 20 cm (12 3/8 × 7 7/8 in.)",22,0.6490230905861456,[483,484,485,486,487],{"_226":307,"_227":308,"_42":309,"_310":311},"1917.437","James McNeill Whistler made this in 1894, aged 60. It is now at the Art Institute of Chicago.","A work made of transfer lithograph in black, with stumping and scraping, on cream laid paper, laid down on a heavy backing sheet.",{"_301":480,"_303":481,"_305":482},"https://img.ochreeditions.com/m/188.jpg?dl=1","/art/la-belle-jardiniere-aic-73398","/galleries/style/etching-revival/la-belle-jardiniere-aic-73398",{"_297":298,"_299":300},{"_230":472,"_125":473,"_291":474},{"_282":470,"_284":408,"_286":471,"_288":410},40.22557726465364,16.22557726465364,{"_293":230,"_123":478,"_154":479,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"era/19-united-states","19th-century United States",198,"artist/james-mcneill-whistler","More by James McNeill Whistler","https://img.ochreeditions.com/a/188/480.jpg","https://img.ochreeditions.com/a/188/960.jpg","https://img.ochreeditions.com/a/188/1920.jpg",{"_317":496,"_319":497},{"_317":494,"_319":495},{"_317":492,"_319":493},{"_317":490,"_319":491},{"_317":488,"_319":489},"#9e8f7e",0.0193,"#baa996",0.0454,"#d2bda9",0.09,"#e1cab5",0.1637,"#ebd3bd",0.6816,"James McNeill Whistler","james-mcneill-whistler","American, 1834–1903","American",1834,1903,"Lowell, Massachusetts","London","Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859.","nocturne-palaces-met-359320","Nocturne: Palaces",{"_42":498,"_227":499,"_331":500,"_333":501,"_335":502,"_337":503,"_339":504,"_341":505,"_342":506,"_140":236},"1879–80","Prints","Etching and drypoint; printed in dark brown ink on drum mounted medium weight ivory laid paper.","Sheet: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm) Plate: 11 1/2 × 7 13/16 in. (29.2 × 19.8 cm)",19.8,29.2,0.6874830301384741,[544,545,546,547,548],{"_226":540,"_227":541,"_42":542,"_310":543},"Courtesy of The Metropolitan Museum of Art","40.63.8","James McNeill Whistler made this in 1879–80, aged about 45. It is now at The Met in New York.","Dark palaces rise above a narrow Venetian canal at night, their doorways and windows emerging from veils of brown ink. Whistler, who spent fourteen months in Venice in 1879–80, avoided the famous sights and sought out back canals, doorways and courtyards.","Nocturne: Palaces, by James McNeill Whistler, 1879–80",{"_301":537,"_303":538,"_305":539},"https://img.ochreeditions.com/m/1046.jpg?dl=1","/art/nocturne-palaces-met-359320","/galleries/style/etching-revival/nocturne-palaces-met-359320",{"_297":298,"_299":300},{"_230":534,"_125":535,"_291":536},{"_282":531,"_284":532,"_286":533,"_288":515},44.074504480043444,53.2,20.074504480043444,{"_293":230,"_123":478,"_154":479,"_140":236},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/1046/480.jpg","https://img.ochreeditions.com/a/1046/960.jpg","https://img.ochreeditions.com/a/1046/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_317":557,"_319":558},{"_317":555,"_319":556},{"_317":553,"_319":554},{"_317":551,"_319":552},{"_317":549,"_319":550},"#e6d7c4",0.0894,"#6b5843",0.1817,"#a98b68",0.2031,"#c7a87f",0.222,"#866d53",0.3038,"the-old-violin-aic-135454","The Old Violin",{"_42":606,"_227":607,"_331":608,"_333":609,"_335":610,"_337":611,"_339":-5,"_341":-5,"_342":-5,"_140":101},"1887","Color lithograph on paper","88 × 58.5 cm (34 11/16 × 23 1/16 in.)",58,88,0.7253978928491369,[591,592,593,594,595],{"_226":307,"_227":308,"_42":309,"_310":311},"1994.724","William Michael Harnett made this in 1887, aged 39. It is now at the Art Institute of Chicago.","A work made of color lithograph on paper.",{"_301":588,"_303":589,"_305":590},"https://img.ochreeditions.com/m/318.jpg?dl=1","/art/the-old-violin-aic-135454","/galleries/style/etching-revival/the-old-violin-aic-135454",{"_297":298,"_299":300},{"_230":583,"_125":584,"_291":585},{"_282":580,"_284":581,"_286":582,"_288":566},87.83501457072404,112,63.83501457072405,{"_293":230,"_123":586,"_154":587,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"artist/contemporaries-of-william-michael-harnett","William Michael Harnett's contemporaries","https://img.ochreeditions.com/a/318/480.jpg","https://img.ochreeditions.com/a/318/960.jpg","https://img.ochreeditions.com/a/318/1920.jpg",{"_317":604,"_319":605},{"_317":602,"_319":603},{"_317":600,"_319":601},{"_317":598,"_319":599},{"_317":596,"_319":597},"#847b60",0.0672,"#775928",0.0824,"#532f16",0.0954,"#d2c0ac",0.1423,"#332f17",0.6127,"William Michael Harnett","william-michael-harnett","after William M. Harnett (American, 1848–1892)","after William M. Harnett (American",1848,1892,"apple-trees-along-the-side-of-a-ditch-nga-208413","Apple Trees along the Side of a Ditch",{"_42":666,"_227":667,"_331":668,"_333":669,"_335":670,"_337":671,"_339":-5,"_341":-5,"_342":-5,"_140":103},"netherlands","etching on wove paper","plate: 29.3 × 24.2 cm (11 9/16 × 9 1/2 in.) sheet: 40.7 × 31.6 cm (16 × 12 7/16 in.)",24.2,29.3,0.769287109375,[651,652,653,654,655],{"_226":648,"_227":649,"_42":650,"_310":428},"Courtesy National Gallery of Art, Washington","2016.157.3","Pieter Dupont made this in 1894, aged 24. It is now at the National Gallery of Art in Washington, DC.","The image shows a small body of water with grass-covered banks on either side. The viewpoint is slightly elevated, looking down at the scene. The horizon is in the upper third of the composition, separating the sky from the land. The artwork features intricate linework and stippling to create texture and detail, particularly in the tree branches. The color palette is monochrome, with shades of sepia and brown. A tree dominates the right side of the scene, leaning over the water. In the distance, more trees and fields are visible with minimal detail in the far background.",{"_301":645,"_303":646,"_305":647},"https://img.ochreeditions.com/m/1693.jpg?dl=1","/art/apple-trees-along-the-side-of-a-ditch-nga-208413","/galleries/style/etching-revival/apple-trees-along-the-side-of-a-ditch-nga-208413",{"_297":298,"_299":300},{"_230":637,"_125":638,"_291":639},{"_282":634,"_284":635,"_286":636,"_288":619},46.5401123046875,53.3,22.5401123046875,{"_293":230,"_123":643,"_154":644,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":640,"_154":641,"_140":642},"era/19-netherlands","19th-century Netherlands",21,"artist/contemporaries-of-pieter-dupont","Pieter Dupont's contemporaries","https://img.ochreeditions.com/a/1693/480.jpg","https://img.ochreeditions.com/a/1693/960.jpg","https://img.ochreeditions.com/a/1693/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_317":664,"_319":665},{"_317":662,"_319":663},{"_317":660,"_319":661},{"_317":658,"_319":659},{"_317":656,"_319":657},"#695b50",0.08,"#a18974",0.1122,"#887464",0.162,"#c7aa8e",0.1888,"#e5c7a7",0.457,"Pieter Dupont","pieter-dupont","Dutch, 1870–1911","Dutch",1870,1911,"our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862",{"_42":720,"_227":721,"_331":722,"_333":501,"_335":723,"_337":724,"_339":725,"_341":726,"_342":727,"_140":53},"1862","wood engraving on paper","image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular",52.7,34.9,1.4347202295552368,[705,706,707,708,709],{"_226":425,"_227":426,"_42":427,"_310":428},"1996.63.116","Winslow Homer made this in 1862, aged 26. It is now at the Smithsonian American Art Museum in Washington, DC.","This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign.","Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, by Winslow Homer, 1862",{"_301":702,"_303":703,"_305":704},"https://img.ochreeditions.com/m/1991.jpg?dl=1","/art/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116","/galleries/style/etching-revival/our-army-before-yorktown-virginia-from-harper-s-weekly-may-3-si-saam-1996-63-116",{"_297":298,"_299":300},{"_230":697,"_125":698,"_291":699},{"_282":694,"_284":695,"_286":678,"_288":696},76.7,60.7319,36.7319,{"_293":230,"_123":700,"_154":701,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"artist/winslow-homer","More by Winslow Homer","https://img.ochreeditions.com/a/1991/480.jpg","https://img.ochreeditions.com/a/1991/960.jpg","https://img.ochreeditions.com/a/1991/1920.jpg",{"_317":718,"_319":719},{"_317":716,"_319":717},{"_317":714,"_319":715},{"_317":712,"_319":713},{"_317":710,"_319":711},"#51453a",0.0753,"#7f715f",0.1786,"#c3b396",0.2379,"#a5967e",0.2393,"#e4d3b4",0.2689,"Winslow Homer","winslow-homer","American, 1836–1910",1836,1910,"Boston, Massachusetts","Prouts Neck, Maine","Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life.","lowlands-nga-5973","Lowlands",{"_42":776,"_227":777,"_331":778,"_333":501,"_335":779,"_337":780,"_339":-5,"_341":-5,"_342":-5,"_140":103},"1918","wood engraving",1.2816065723413965,[761,762,763,764,765],{"_226":648,"_227":649,"_42":650,"_310":428},"1943.3.2798","Timothy Cole made this in 1918, aged 66. It is now at the National Gallery of Art in Washington, DC.","This print displays a landscape with a wide view of flat land stretching towards the horizon. The ground is covered in small black dots, with some bare patches in the bottom center. A few silhouetted trees and a hint of smoke coming up from behind some rocks are visible in the distance. The gray sky dominates the scene with soft, swirling clouds.",{"_301":758,"_303":759,"_305":760},"https://img.ochreeditions.com/m/1341.jpg?dl=1","/art/lowlands-nga-5973","/galleries/style/etching-revival/lowlands-nga-5973",{"_297":298,"_299":300},{"_230":750,"_125":751,"_291":752},{"_282":746,"_284":747,"_286":748,"_288":749},84,70.81623931623932,60,46.81623931623932,{"_293":230,"_123":756,"_154":757,"_140":89},{"_293":125,"_123":418,"_154":419,"_140":75},{"_293":291,"_123":753,"_154":754,"_140":755},"era/20-united-states","20th-century United States",124,"artist/contemporaries-of-timothy-cole","Timothy Cole's contemporaries","https://img.ochreeditions.com/a/1341/480.jpg","https://img.ochreeditions.com/a/1341/960.jpg","https://img.ochreeditions.com/a/1341/1920.jpg",{"_317":774,"_319":775},{"_317":772,"_319":773},{"_317":770,"_319":771},{"_317":768,"_319":769},{"_317":766,"_319":767},"#736e69",0.1203,"#5b5653",0.1619,"#d4d0c5",0.1719,"#959089",0.2581,"#b3aca3",0.2878,"Timothy Cole","timothy-cole","American, 1852–1931",1852,1931,"shrewsbury-river-nga-148431","Shrewsbury River",{"_42":824,"_227":825,"_331":826,"_333":501,"_335":827,"_337":828,"_339":-5,"_341":-5,"_342":-5,"_140":103},"etching","image: 290 x 432 mm sheet: 439 x 582 mm",1.3835616438356164,[809,810,811,812,813],{"_226":648,"_227":649,"_42":650,"_310":428},"2008.115.3542","John Hill Millspaugh made this in 1887, aged 65. It is now at the National Gallery of Art in Washington, DC.","The image depicts a landscape with a river flowing through it. In the foreground, there is a small boat on the water, and in the background, sailboats are docked near a strip of land. Tall trees with sparse foliage are on the right side, with a structure nestled among them near the water. The horizon is slightly above the center of the image, with a calm sky above it. The brushstrokes vary in texture, with fine strokes for the sky and water and more detailed strokes for the trees. The color palette is muted, with sepia and gray tones creating a peaceful atmosphere. Birds are scattered in the sky.",{"_301":806,"_303":807,"_305":808},"https://img.ochreeditions.com/m/1678.jpg?dl=1","/art/shrewsbury-river-nga-148431","/galleries/style/etching-revival/shrewsbury-river-nga-148431",{"_297":298,"_299":300},{"_230":801,"_125":802,"_291":803},{"_282":746,"_284":799,"_286":748,"_288":800},67.36633663366337,43.366336633663366,{"_293":230,"_123":804,"_154":805,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"artist/contemporaries-of-john-hill-millspaugh","John Hill Millspaugh's contemporaries","https://img.ochreeditions.com/a/1678/480.jpg","https://img.ochreeditions.com/a/1678/960.jpg","https://img.ochreeditions.com/a/1678/1920.jpg",{"_317":822,"_319":823},{"_317":820,"_319":821},{"_317":818,"_319":819},{"_317":816,"_319":817},{"_317":814,"_319":815},"#887e73",0.0768,"#5e5650",0.0965,"#c8c0b1",0.198,"#e1ded4",0.285,"#b4aa9b",0.3437,"John Hill Millspaugh","john-hill-millspaugh","American, 1822–1894",1822,1894,"head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","Head of a Raven in Profile, from The Raven (Le Corbeau)",{"_42":329,"_227":330,"_331":332,"_333":334,"_335":336,"_337":338,"_339":340,"_341":340,"_342":343,"_140":53},"Transfer lithograph in black on tan simili-parchment paper","Image: 16.3 × 15.9 cm (6 7/16 × 6 5/16 in.); Sheet folded: 55 × 41.2 cm (21 11/16 × 16 1/4 in.)",0.7573613330289888,[855,856,857,858,859],{"_226":307,"_227":308,"_42":309,"_310":311},"1945.52.1","A raven’s head in profile, set down in a few bold brushstrokes, belongs to the edition of Edgar Allan Poe’s The Raven that Stéphane Mallarmé translated and Manet illustrated in 1875.","A work made of transfer lithograph in black on tan simili-parchment paper.",{"_301":852,"_303":853,"_305":854},"https://img.ochreeditions.com/m/279.jpg?dl=1","/art/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362","/galleries/style/etching-revival/head-of-a-raven-in-profile-from-the-raven-le-corbeau-aic-111362",{"_297":298,"_299":300},{"_230":849,"_125":850,"_291":851},{"_282":847,"_284":408,"_286":848,"_288":410},42.93403332572472,18.93403332572472,{"_293":230,"_123":170,"_154":169,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"https://img.ochreeditions.com/a/279/480.jpg","https://img.ochreeditions.com/a/279/960.jpg","https://img.ochreeditions.com/a/279/1920.jpg",{"_317":867,"_319":868},{"_317":865,"_319":866},{"_317":864,"_319":599},{"_317":862,"_319":863},{"_317":860,"_319":861},"#8a8171",0.013,"#403d37",0.0374,"#e8ddc9","#d0bda2",0.2246,"#e2d2b8",0.6426,"bastille-day-cma-131761","Bastille Day",{"_42":924,"_227":925,"_331":926,"_333":501,"_335":927,"_337":928,"_339":-5,"_341":-5,"_342":-5,"_140":101},"1892","color monotype","Image: 17.4 x 13.1 cm (6 7/8 x 5 3/16 in.); Platemark: 25.5 x 20 cm (10 1/16 x 7 7/8 in.); Sheet: 30.5 x 24.8 cm (12 x 9 3/4 in.)",13.1,17.4,0.7644117647058823,[909,910,911,912,913],{"_226":905,"_227":906,"_42":907,"_310":908},"Courtesy of the Cleveland Museum of Art","1954.337","Maurice Prendergast made this in 1892, aged 34. It is now at the Cleveland Museum of Art.",{"_118":902,"_903":904},"Bastille Day, by Maurice Prendergast, 1892",{"_301":899,"_303":900,"_305":901},"https://img.ochreeditions.com/m/604.jpg?dl=1","/art/bastille-day-cma-131761","/galleries/style/etching-revival/bastille-day-cma-131761",{"_297":298,"_299":300},{"_230":894,"_125":895,"_291":896},{"_282":892,"_284":408,"_286":893,"_288":410},43.11029411764706,19.110294117647058,{"_293":230,"_123":897,"_154":898,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"artist/contemporaries-of-maurice-prendergast","Maurice Prendergast's contemporaries","https://img.ochreeditions.com/a/604/480.jpg","https://img.ochreeditions.com/a/604/960.jpg","https://img.ochreeditions.com/a/604/1920.jpg","Maurice Prendergast began to make monotypes in the early 1890s while living in Paris, where he was influenced by Edgar Degas's use of the technique. Prendergast focused on scenes from daily life, such as this depiction of crowds filling the streets of the French capital on the country's national holiday.","source","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_317":922,"_319":923},{"_317":920,"_319":921},{"_317":918,"_319":919},{"_317":916,"_319":917},{"_317":914,"_319":915},"#f5e3cd",0.0778,"#a69e86",0.1253,"#41514f",0.2417,"#7a7a66",0.2679,"#5a5a4a",0.2873,"Maurice Prendergast","maurice-prendergast","American, born Newfoundland [now Canada], 1858–1924",1858,1924,"the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870",{"_42":720,"_227":721,"_331":722,"_333":501,"_335":723,"_337":724,"_339":725,"_341":726,"_342":727,"_140":53},"1870","image: 13 3/4 x 9 1/8 in. (35.0 x 23.2 cm) sheet: 16 1/2 x 11 5/8 in. (41.9 x 29.5 cm)",23.2,35,0.6723333333333333,[959,960,961,962,963],{"_226":425,"_227":426,"_42":427,"_310":428},"1996.63.166","Winslow Homer made this in 1870, aged 34. It is now at the Smithsonian American Art Museum in Washington, DC.","Tourists with walking staffs gather on the windy summit of Mount Washington in New Hampshire, the highest peak in the northeastern United States and by then a fashionable summer destination.","The Coolest Spot in New England--Summit of Mount Washington, from Harper's Bazar, July 23, 1870, by Winslow Homer, 1870",{"_301":956,"_303":957,"_305":958},"https://img.ochreeditions.com/m/1992.jpg?dl=1","/art/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166","/galleries/style/etching-revival/the-coolest-spot-in-new-england-summit-of-mount-washington-f-si-saam-1996-63-166",{"_297":298,"_299":300},{"_230":953,"_125":954,"_291":955},{"_282":950,"_284":951,"_286":952,"_288":935},47.531666666666666,59,23.531666666666666,{"_293":230,"_123":700,"_154":701,"_140":53},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":475,"_154":476,"_140":477},"https://img.ochreeditions.com/a/1992/480.jpg","https://img.ochreeditions.com/a/1992/960.jpg","https://img.ochreeditions.com/a/1992/1920.jpg",{"_317":972,"_319":973},{"_317":970,"_319":971},{"_317":968,"_319":969},{"_317":966,"_319":967},{"_317":964,"_319":965},"#4e493e",0.1134,"#726b5d",0.1682,"#948a79",0.1962,"#b2a792",0.2046,"#dbccb2",0.3176,"path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","Path through a Wheat Field (Sentier dans les bles)",{"_42":1016,"_227":1017,"_331":1018,"_333":334,"_335":1019,"_337":1020,"_339":-5,"_341":-5,"_342":-5,"_140":103},"cliché-verre",1.1912940479715723,[1001,1002,1003,1004,1005],{"_226":648,"_227":649,"_42":650,"_310":428},"1982.43.1","Charles-François Daubigny made this in 1862, aged 45. It is now at the National Gallery of Art in Washington, DC.","This image shows an elevated view of a grassy landscape with sparse trees and vegetation at the horizon. The linear brushstrokes create texture and movement in the grass and sky. The color palette is monochromatic with sepia tones. In the foreground, a figure is on a horse amidst tall grasses, while in the distance, another figure stands on the left and a cluster of trees is on the right. The sky has wisps of clouds.",{"_301":998,"_303":999,"_305":1000},"https://img.ochreeditions.com/m/1600.jpg?dl=1","/art/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196","/galleries/style/etching-revival/path-through-a-wheat-field-sentier-dans-les-bles-nga-61196",{"_297":298,"_299":300},{"_230":993,"_125":994,"_291":995},{"_282":746,"_284":991,"_286":748,"_288":992},74.36539895600299,50.365398956002984,{"_293":230,"_123":996,"_154":997,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-charles-francois-daubigny","Charles-François Daubigny's contemporaries","https://img.ochreeditions.com/a/1600/480.jpg","https://img.ochreeditions.com/a/1600/960.jpg","https://img.ochreeditions.com/a/1600/1920.jpg",{"_317":1014,"_319":1015},{"_317":1012,"_319":1013},{"_317":1010,"_319":1011},{"_317":1008,"_319":1009},{"_317":1006,"_319":1007},"#806e5d",0.0246,"#a99073",0.1001,"#c8ae8a",0.2106,"#dfc7a1",0.2925,"#efdbb8",0.3722,"Charles-François Daubigny","charles-francois-daubigny","French, 1817–1878",1817,1878,"the-creation-cma-109009","The Creation",{"_42":1070,"_227":1071,"_331":1072,"_333":501,"_335":1073,"_337":1074,"_339":-5,"_341":-5,"_342":-5,"_140":103},"before 1927","woodcut","Image: 28.5 x 19.1 cm (11 1/4 x 7 1/2 in.)",19.1,28.5,0.6760972071091766,[1055,1056,1057,1058,1059],{"_226":905,"_227":906,"_42":907,"_310":908},"1927.180","Kálmán Kubinyi made this (before 1927), aged about 11. It is now at the Cleveland Museum of Art.",{"_118":1054,"_903":904},"The Creation, by Kálmán Kubinyi, before 1927",{"_301":1051,"_303":1052,"_305":1053},"https://img.ochreeditions.com/m/518.jpg?dl=1","/art/the-creation-cma-109009","/galleries/style/etching-revival/the-creation-cma-109009",{"_297":298,"_299":300},{"_230":1046,"_125":1047,"_291":1048},{"_282":1043,"_284":1044,"_286":1045,"_288":1028},43.26877040261154,52.5,19.268770402611533,{"_293":230,"_123":1049,"_154":1050,"_140":89},{"_293":125,"_123":418,"_154":419,"_140":75},{"_293":291,"_123":753,"_154":754,"_140":755},"artist/contemporaries-of-kalman-kubinyi","Kálmán Kubinyi's contemporaries","https://img.ochreeditions.com/a/518/480.jpg","https://img.ochreeditions.com/a/518/960.jpg","https://img.ochreeditions.com/a/518/1920.jpg","In this woodcut, Kubinyi’s title and the image itself seem intended to evoke religious themes. Rays of light cascade from a dark sky onto a peaceful nude man, transforming the clouds beyond into a representation of the heavens.",{"_317":1068,"_319":1069},{"_317":1066,"_319":1067},{"_317":1064,"_319":1065},{"_317":1062,"_319":1063},{"_317":1060,"_319":1061},"#9e7055",0.1417,"#dfd4c5",0.1457,"#413c34",0.1842,"#9e958a",0.2133,"#6e675f",0.3151,"Kálmán Kubinyi","kalman-kubinyi","American, 1906–1973",1906,1973,"landscape-nga-40059","Landscape",{"_42":1119,"_227":1120,"_331":1121,"_333":1122,"_335":1123,"_337":1124,"_339":-5,"_341":-5,"_342":-5,"_140":103},"germany",1.2591454042422379,[1104,1105,1106,1107,1108],{"_226":648,"_227":649,"_42":650,"_310":428},"1951.10.262","Theo von Brockhusen made this. It is now at the National Gallery of Art in Washington, DC.","The image shows a residential area with barren trees, rooftops of houses, and people walking along fences. The trees sway in the wind, their branches extending in various directions. The scene is depicted in a monochromatic black and white style, with expressive lines creating a sense of movement and a sketch-like quality. The horizon is high, showing rooftops and the sun above it.",{"_301":1101,"_303":1102,"_305":1103},"https://img.ochreeditions.com/m/1497.jpg?dl=1","/art/landscape-nga-40059","/galleries/style/etching-revival/landscape-nga-40059",{"_297":298,"_299":300},{"_230":1094,"_125":1095,"_291":1096},{"_282":746,"_284":1092,"_286":748,"_288":1093},71.6513671875,47.6513671875,{"_293":230,"_123":1099,"_154":1100,"_140":89},{"_293":125,"_123":294,"_154":295,"_140":296},{"_293":291,"_123":1097,"_154":1098,"_140":77},"era/19-germany","19th-century Germany","artist/contemporaries-of-theo-von-brockhusen","Theo von Brockhusen's contemporaries","https://img.ochreeditions.com/a/1497/480.jpg","https://img.ochreeditions.com/a/1497/960.jpg","https://img.ochreeditions.com/a/1497/1920.jpg",{"_317":1117,"_319":1118},{"_317":1115,"_319":1116},{"_317":1113,"_319":1114},{"_317":1111,"_319":1112},{"_317":1109,"_319":1110},"#706862",0.046,"#92877b",0.1759,"#dbcdba",0.2396,"#c2b4a2",0.2506,"#ab9f8f",0.2879,"Theo von Brockhusen","theo-von-brockhusen","German, 1882–1919","German",1882,1919,{"_1126":-5,"_1127":1128,"_1129":1130,"_1131":8,"_1132":1133,"_1134":8},"user","csrf","3e1b6225169179bbb49eb286cf090f1b7432963f","cartCount",0,"dropLive","legal",[1135,1136,1137,1138,1139,1140,1141,1142,1143,1144,1145,1146],"uploadsEnabled",{"_227":1169,"_20":1170},{"_227":1167,"_20":1168},{"_227":1165,"_20":1166},{"_227":1163,"_20":1164},{"_227":1161,"_20":1162},{"_227":1159,"_20":1160},{"_227":1157,"_20":1158},{"_227":1155,"_20":1156},{"_227":1153,"_20":1154},{"_227":1151,"_20":1152},{"_227":1149,"_20":1150},{"_227":1147,"_20":1148},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]