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(25.5 x 35.5 cm)",35.5,25.5,1.4204545454545454,[491,492,493,494,495],{"_220":376,"_221":377,"_42":378,"_307":379},"1968.19.12","H. Lyman Saÿen painted this in about 1915, aged 40. It is now at the Smithsonian American Art Museum in Washington, DC.","Calligraphic Interior, by H. Lyman Saÿen, ca. 1915",{"_295":488,"_297":489,"_299":490},"https://img.ochreeditions.com/m/1937.jpg?dl=1","/art/calligraphic-interior-si-saam-1968-19-12","/galleries/style/early-modernism/calligraphic-interior-si-saam-1968-19-12",{"_291":292,"_293":294},{"_224":483,"_125":484,"_285":485},{"_276":480,"_278":481,"_280":465,"_282":482},50.5,39.992000000000004,24.992,{"_287":224,"_123":486,"_154":487,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/h-lyman-sayen","More by H. Lyman Saÿen","https://img.ochreeditions.com/a/1937/480.jpg","https://img.ochreeditions.com/a/1937/960.jpg","https://img.ochreeditions.com/a/1937/1920.jpg",{"_314":504,"_316":505},{"_314":502,"_316":503},{"_314":500,"_316":501},{"_314":498,"_316":499},{"_314":496,"_316":497},"#5272ba",0.0448,"#332a25",0.1167,"#e98b3f",0.1625,"#9a7c68",0.1993,"#dec6b0",0.4767,"H. Lyman Saÿen","h-lyman-sayen","born Philadelphia, PA 1875-died Philadelphia, PA 1918",1875,1918,"Saÿen trained at the Pennsylvania Academy of the Fine Arts while working as an electrical engineer, patenting improvements to X-ray tubes. In Paris from 1906 he joined Henri Matisse’s classes and absorbed the bold colour of Fauvism.","farm-near-duivendrecht-aic-144467","Farm near Duivendrecht",{"_42":561,"_221":562,"_328":563,"_330":564,"_332":565,"_334":566,"_336":-5,"_337":-5,"_338":-5,"_140":101},"c. 1916","netherlands","86.3 × 107.9 cm (34 × 42 1/2 in.)",107,86,1.2587074692973625,[546,547,548,549,550],{"_220":304,"_221":305,"_42":306,"_307":308},"2001.479","Piet Mondrian painted this in about 1916, aged about 39. It is now at the Art Institute of Chicago.",{"_118":545,"_302":303},"A work made of oil on canvas.",{"_295":542,"_297":543,"_299":544},"https://img.ochreeditions.com/m/324.jpg?dl=1","/art/farm-near-duivendrecht-aic-144467","/galleries/style/early-modernism/farm-near-duivendrecht-aic-144467",{"_291":292,"_293":294},{"_224":537,"_125":538,"_285":539},{"_276":534,"_278":535,"_280":518,"_282":536},122,100.00783749200257,85.00783749200257,{"_287":224,"_123":540,"_154":541,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-piet-mondrian","Piet Mondrian's contemporaries","https://img.ochreeditions.com/a/324/480.jpg","https://img.ochreeditions.com/a/324/960.jpg","https://img.ochreeditions.com/a/324/1920.jpg","Though Piet Mondrian is best known for his nonrepresentational paintings, his basic vision was rooted in landscape. He was particularly inspired by the flat topography of his native Holland, a subject he returned to even after he had begun working in an abstract style. Mondrian first sketched this farm around 1905.",{"_314":559,"_316":560},{"_314":557,"_316":558},{"_314":555,"_316":556},{"_314":553,"_316":554},{"_314":551,"_316":552},"#8f6b57",0.1489,"#817671",0.2007,"#625753",0.2016,"#c6ad9c",0.2047,"#b28e76",0.2441,"Piet Mondrian","piet-mondrian","Dutch, 1872–1944","Dutch",1872,1944,"the-hill-field-si-saam-1981-112","The Hill Field",{"_42":612,"_221":613,"_328":614,"_330":-5,"_332":203,"_334":615,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1908-1910","oil on canvas mounted on paperboard","14 x 19 7/8 in. (35.5 x 50.5 cm.)",1.4211274277593557,[597,598,599,600,601],{"_220":376,"_221":377,"_42":378,"_307":379},"1981.112","Arthur Wesley Dow painted this in 1908-1910, aged about 51. It is now at the Smithsonian American Art Museum in Washington, DC.","The Hill Field, by Arthur Wesley Dow, 1908-1910",{"_295":594,"_297":595,"_299":596},"https://img.ochreeditions.com/m/1959.jpg?dl=1","/art/the-hill-field-si-saam-1981-112","/galleries/style/early-modernism/the-hill-field-si-saam-1981-112",{"_291":292,"_293":294},{"_224":589,"_125":590,"_285":591},{"_276":586,"_278":587,"_280":480,"_282":588},65.5,50.53516666666667,35.53516666666667,{"_287":224,"_123":592,"_154":593,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-arthur-wesley-dow","Arthur Wesley Dow's contemporaries","https://img.ochreeditions.com/a/1959/480.jpg","https://img.ochreeditions.com/a/1959/960.jpg","https://img.ochreeditions.com/a/1959/1920.jpg",{"_314":610,"_316":611},{"_314":608,"_316":609},{"_314":606,"_316":607},{"_314":604,"_316":605},{"_314":602,"_316":603},"#946e1b",0.0802,"#2b3016",0.1115,"#545739",0.1306,"#afa58e",0.2816,"#625e27",0.3961,"Arthur Wesley Dow","arthur-wesley-dow","born Ipswich, MA 1857-died New York City 1922",1922,"footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","Footpaths and Pavilion in the Dresden Grosser Garten",{"_42":678,"_221":679,"_328":680,"_330":681,"_332":682,"_334":683,"_336":-5,"_337":-5,"_338":684,"_140":99},"c. 1909","germany","drawing","Drawing","black crayon on brown wove paper","overall: 33.1 x 43.6 cm (13 1/16 x 17 3/16 in.)",43.6,33.1,1.3086261980830671,[663,664,665,666,667],{"_220":660,"_221":661,"_42":662,"_307":379},"Courtesy National Gallery of Art, Washington","1982.71.1","Ernst Ludwig Kirchner drew this in about 1909, aged 29. It is now at the National Gallery of Art in Washington, DC.","Paths curve between trees towards a pavilion in Dresden’s Grosser Garten, the city’s great public park, set down in rapid strokes of black crayon on brown paper.","The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.",{"_295":657,"_297":658,"_299":659},"https://img.ochreeditions.com/m/1604.jpg?dl=1","/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","/galleries/style/early-modernism/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",{"_291":655,"_293":656},{"_224":645,"_125":646,"_285":647},{"_276":642,"_278":643,"_280":625,"_282":644},67.6,57.3173828125,33.3173828125,{"_287":224,"_123":653,"_154":654,"_140":99},{"_287":125,"_123":650,"_154":651,"_140":652},{"_287":285,"_123":648,"_154":649,"_140":93},"era/20-germany","20th-century Germany","style/drawing-20","More drawings of the 20th century",98,"artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","white","snow","https://img.ochreeditions.com/a/1604/480.jpg","https://img.ochreeditions.com/a/1604/960.jpg","https://img.ochreeditions.com/a/1604/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_314":676,"_316":677},{"_314":674,"_316":675},{"_314":672,"_316":673},{"_314":670,"_316":671},{"_314":668,"_316":669},"#695b4c",0.0195,"#d5c3a8",0.0402,"#988166",0.1142,"#ad9272",0.272,"#be9f7c",0.5541,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11","Study for mosaic in the Wisconsin State Capital \"Government and Liberty\"",{"_42":735,"_221":736,"_328":737,"_330":738,"_332":739,"_334":740,"_336":-5,"_337":-5,"_338":741,"_140":95},"ca. 1912","united-states","14 1/8 x 27 1/8 in. (35.9 x 68.9 cm.)",68.9,35.9,1.947403462050599,[720,721,722,723,724],{"_220":376,"_221":377,"_42":378,"_307":379},"1983.114.11","Kenyon Cox painted this in about 1912, aged 56. It is now at the Smithsonian American Art Museum in Washington, DC.","Study for mosaic in the Wisconsin State Capital \"Government and Liberty\", by Kenyon Cox, ca. 1912",{"_295":717,"_297":718,"_299":719},"https://img.ochreeditions.com/m/1964.jpg?dl=1","/art/study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11","/galleries/style/early-modernism/study-for-mosaic-in-the-wisconsin-state-capital-government-a-si-saam-1983-114-11",{"_291":292,"_293":294},{"_224":709,"_125":710,"_285":711},{"_276":706,"_278":707,"_280":691,"_282":708},83.9,50.38044444444445,35.38044444444445,{"_287":224,"_123":715,"_154":716,"_140":95},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":712,"_154":713,"_140":714},"era/20-united-states","20th-century United States",124,"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1964/480.jpg","https://img.ochreeditions.com/a/1964/960.jpg","https://img.ochreeditions.com/a/1964/1920.jpg",{"_314":733,"_316":734},{"_314":731,"_316":732},{"_314":729,"_316":730},{"_314":727,"_316":728},{"_314":725,"_316":726},"#524136",0.0829,"#6a3631",0.0975,"#aa824b",0.1203,"#89623f",0.1714,"#bc9c79",0.5279,"Kenyon Cox","kenyon-cox","American, 1856–1919","American",1856,1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","golden-star-chrysogonum-virginianum-si-saam-1970-355-483","Golden Star (Chrysogonum virginianum)",{"_42":789,"_221":790,"_328":791,"_330":-5,"_332":792,"_334":793,"_336":-5,"_337":-5,"_338":794,"_140":99},"1922","watercolor on paper","sheet: 10 x 7 in. (25.5 x 17.9 cm)",17.9,0.7003333333333334,[774,775,776,777,778],{"_220":376,"_221":377,"_42":378,"_307":379},"1970.355.483","Mary Vaux Walcott painted this in 1922, aged 62. It is now at the Smithsonian American Art Museum in Washington, DC.","Golden star, a low woodland plant of the eastern United States with bright yellow, star-shaped flowers, is recorded here in watercolour by Mary Vaux Walcott.","Golden Star (Chrysogonum virginianum), by Mary Vaux Walcott, 1922",{"_295":771,"_297":772,"_299":773},"https://img.ochreeditions.com/m/1942.jpg?dl=1","/art/golden-star-chrysogonum-virginianum-si-saam-1970-355-483","/galleries/style/early-modernism/golden-star-chrysogonum-virginianum-si-saam-1970-355-483",{"_291":292,"_293":294},{"_224":766,"_125":767,"_285":768},{"_276":763,"_278":764,"_280":765,"_282":466},32.8585,40.5,17.8585,{"_287":224,"_123":769,"_154":770,"_140":99},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/mary-vaux-walcott","More by Mary Vaux Walcott","https://img.ochreeditions.com/a/1942/480.jpg","https://img.ochreeditions.com/a/1942/960.jpg","https://img.ochreeditions.com/a/1942/1920.jpg",{"_314":787,"_316":788},{"_314":785,"_316":786},{"_314":783,"_316":784},{"_314":781,"_316":782},{"_314":779,"_316":780},"#e6a725",0.0191,"#99a66c",0.0663,"#cbc5a1",0.0701,"#768c4a",0.0847,"#f2e1cc",0.7598,"Mary Vaux Walcott","mary-vaux-walcott","born Philadelphia, PA 1860-died St. Andrews, New Brunswick, Canada 1940",1860,1940,"Mary Vaux Walcott came from a Philadelphia Quaker family and spent summers in the Canadian Rockies, where she photographed glaciers and began painting wildflowers in watercolour.","nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":841,"_221":842,"_328":843,"_330":738,"_332":844,"_334":845,"_336":-5,"_337":-5,"_338":846,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[826,827,828,829,830],{"_220":660,"_221":661,"_42":662,"_307":379},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_295":823,"_297":824,"_299":825},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_291":292,"_293":294},{"_224":818,"_125":819,"_285":820},{"_276":815,"_278":816,"_280":817,"_282":800},100.0431884765625,125.9,85.0431884765625,{"_287":224,"_123":821,"_154":822,"_140":93},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":712,"_154":713,"_140":714},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_314":839,"_316":840},{"_314":837,"_316":838},{"_314":835,"_316":836},{"_314":833,"_316":834},{"_314":831,"_316":832},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"George Bellows","george-bellows","American, 1882–1925",1882,1925,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","landscape-with-two-poplars-aic-8980","Landscape with Two Poplars",{"_42":893,"_221":894,"_328":895,"_330":896,"_332":-5,"_334":-5,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1912","78.8 × 100.4 cm (31 × 39 1/2 in.)",100,78,1.2691962951897222,[878,879,880,881,882],{"_220":304,"_221":305,"_42":306,"_307":308},"1931.508","Vasily Kandinsky painted this in 1912. It is now at the Art Institute of Chicago.","Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.",{"_295":875,"_297":876,"_299":877},"https://img.ochreeditions.com/m/17.jpg?dl=1","/art/landscape-with-two-poplars-aic-8980","/galleries/style/early-modernism/landscape-with-two-poplars-aic-8980",{"_291":292,"_293":294},{"_224":870,"_125":871,"_285":872},{"_276":867,"_278":868,"_280":852,"_282":869},115,93.79001883239171,78.79001883239171,{"_287":224,"_123":873,"_154":874,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":648,"_154":649,"_140":93},"artist/contemporaries-of-vasily-kandinsky","Vasily Kandinsky's contemporaries","https://img.ochreeditions.com/a/17/480.jpg","https://img.ochreeditions.com/a/17/960.jpg","https://img.ochreeditions.com/a/17/1920.jpg",{"_314":891,"_316":892},{"_314":889,"_316":890},{"_314":887,"_316":888},{"_314":885,"_316":886},{"_314":883,"_316":884},"#c69c58",0.1081,"#928c6c",0.1572,"#8d4743",0.2022,"#3e3e42",0.2166,"#4c6e60",0.3159,"Vasily Kandinsky","vasily-kandinsky","Born Moscow (formerly Russian Empire, now Russia), 1866; died Neuilly-sur-Seine, France, 1944","Born Moscow (formerly Russian Empire","marigolds-and-tangerines-nga-46553","Marigolds and Tangerines",{"_42":944,"_221":945,"_328":946,"_330":947,"_332":948,"_334":845,"_336":-5,"_337":-5,"_338":-5,"_140":101},"1924","switzerland","overall: 65.3 x 54.2 cm (25 11/16 x 21 5/16 in.) framed: 88.9 x 77.8 x 8.8 cm (35 x 30 5/8 x 3 7/16 in.)",54.2,65.3,0.823974609375,[929,930,931,932,933],{"_220":660,"_221":661,"_42":662,"_307":379},"1963.10.78","Félix Vallotton painted this in 1924, aged 59. It is now at the National Gallery of Art in Washington, DC.","This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.",{"_295":926,"_297":927,"_299":928},"https://img.ochreeditions.com/m/1522.jpg?dl=1","/art/marigolds-and-tangerines-nga-46553","/galleries/style/early-modernism/marigolds-and-tangerines-nga-46553",{"_291":292,"_293":294},{"_224":921,"_125":922,"_285":923},{"_276":918,"_278":919,"_280":920,"_282":904},68.8055419921875,80.3,53.8055419921875,{"_287":224,"_123":924,"_154":925,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-felix-vallotton","Félix Vallotton's contemporaries","https://img.ochreeditions.com/a/1522/480.jpg","https://img.ochreeditions.com/a/1522/960.jpg","https://img.ochreeditions.com/a/1522/1920.jpg",{"_314":942,"_316":943},{"_314":940,"_316":941},{"_314":938,"_316":939},{"_314":936,"_316":937},{"_314":934,"_316":935},"#a45739",0.0643,"#878274",0.0995,"#7b6244",0.1671,"#a6a392",0.2951,"#5a4b42",0.374,"Félix Vallotton","felix-vallotton","Swiss, 1865–1925","Swiss",1865,"mada-primavesi-1903-2000-met-436819","Mäda Primavesi (1903–2000)",{"_42":1002,"_221":1003,"_328":1004,"_330":1005,"_332":1006,"_334":510,"_336":1007,"_337":1008,"_338":-5,"_140":103},"1912–13","central-europe","Paintings","59 x 43 1/2 in. (149.9 x 110.5 cm)",110.5,149.9,0.7418106783595564,[987,988,989,990,991],{"_220":983,"_221":984,"_42":985,"_307":986},"Courtesy of The Metropolitan Museum of Art","64.148","Gustav Klimt painted this in 1912–13, aged about 50. It is now at The Met in New York.","Mäda Primavesi (1903–2000), by Gustav Klimt, 1912–13",{"_295":980,"_297":981,"_299":982},"https://img.ochreeditions.com/m/1110.jpg?dl=1","/art/mada-primavesi-1903-2000-met-436819","/galleries/style/early-modernism/mada-primavesi-1903-2000-met-436819",{"_291":292,"_293":294},{"_224":975,"_125":976,"_285":977},{"_276":972,"_278":973,"_280":974,"_282":957},126.1974206860975,164.9,111.1974206860975,{"_287":224,"_123":978,"_154":979,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-gustav-klimt","Gustav Klimt's contemporaries","https://img.ochreeditions.com/a/1110/480.jpg","https://img.ochreeditions.com/a/1110/960.jpg","https://img.ochreeditions.com/a/1110/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_314":1000,"_316":1001},{"_314":998,"_316":999},{"_314":996,"_316":997},{"_314":994,"_316":995},{"_314":992,"_316":993},"#907e76",0.0908,"#98a29b",0.121,"#a47ea8",0.1509,"#a1899f",0.2221,"#c2bbb2",0.4152,"Gustav Klimt","gustav-klimt","Austrian, 1862–1918","Austrian",1862,"Baumgarten","Vienna","frank-brett-noyes-si-npg-s-npg-66-67","Frank Brett Noyes",{"_42":1056,"_221":1057,"_328":1058,"_330":-5,"_332":1059,"_334":1060,"_336":-5,"_337":-5,"_338":-5,"_140":103},"1917","Accurate: 167.7 x 122.6 cm (66 x 48 1/4\")",122.6,167.7,0.7288332472896232,[1041,1042,1043,1044,1045],{"_220":376,"_221":377,"_42":378,"_307":379},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.66.67","Ossip Perelma painted this in 1917, aged 41. It is now at the National Portrait Gallery in Washington, DC.","Artist: Ossip Perelma, Sitter: Frank Brett Noyes, Current owner: National Portrait Gallery, Smithsonian Institution",{"_295":1038,"_297":1039,"_299":1040},"https://img.ochreeditions.com/m/1857.jpg?dl=1","/art/frank-brett-noyes-si-npg-s-npg-66-67","/galleries/style/early-modernism/frank-brett-noyes-si-npg-s-npg-66-67",{"_291":292,"_293":294},{"_224":1033,"_125":1034,"_285":1035},{"_276":1030,"_278":1031,"_280":1032,"_282":1015},137.22533557046978,182.7,122.2253355704698,{"_287":224,"_123":1036,"_154":1037,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-ossip-perelma","Ossip Perelma's contemporaries","https://img.ochreeditions.com/a/1857/480.jpg","https://img.ochreeditions.com/a/1857/960.jpg","https://img.ochreeditions.com/a/1857/1920.jpg",{"_314":1054,"_316":1055},{"_314":1052,"_316":1053},{"_314":1050,"_316":1051},{"_314":1048,"_316":1049},{"_314":1046,"_316":1047},"#998d5d",0.1267,"#70795b",0.1476,"#6e633e",0.1938,"#465743",0.2301,"#2c3e34",0.3018,"Ossip Perelma","ossip-perelma","1876 - 23 May 1949",1876,1949,"the-bathers-nga-108617","The Bathers",{"_42":1109,"_221":1110,"_328":1111,"_330":1112,"_332":1113,"_334":845,"_336":-5,"_337":-5,"_338":-5,"_140":101},"france","overall: 162 x 130 cm (63 3/4 x 51 3/16 in.)",130,162,0.79931640625,[1094,1095,1096,1097,1098],{"_220":660,"_221":661,"_42":662,"_307":379},"2000.51.1","Roger de La Fresnaye painted this in 1912, aged 27. It is now at the National Gallery of Art in Washington, DC.","This painting depicts a group of men and women created by a collection of angular, geometric shapes with flat planes and blocks of color. One person is standing, and they appear to be a bare-chested man with tan skin and short, dark hair, who is wearing red shorts. He has his hand on his hip and looks off to the right. At his feet appear to be several seated people, although they are only partially visible. Three women with pale skin seem to be facing away from us; we can see their legs, arms, and torsos, although these don't all fit together. The woman on the left has blonde hair, the woman on the right has brown hair, and the woman between them has short black hair. None of their faces are visible. In the middle of this group, at the center of the painting, we see the face and hand of another person who is looking to the left. This person has light brown skin, and we can't see the rest of their body. Surrounding elements include a blue sky with abstract cloud forms, an angular tree on the left, and patches of brown, white, and green on the ground, with one red flower. A tan rectangle under a red triangle on the right edge suggests a building.",{"_295":1091,"_297":1092,"_299":1093},"https://img.ochreeditions.com/m/1641.jpg?dl=1","/art/the-bathers-nga-108617","/galleries/style/early-modernism/the-bathers-nga-108617",{"_291":292,"_293":294},{"_224":1084,"_125":1085,"_285":1086},{"_276":1081,"_278":1082,"_280":1083,"_282":1067},144.4892578125,177,129.4892578125,{"_287":224,"_123":1089,"_154":1090,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":1087,"_154":1088,"_140":81},"era/20-france","20th-century France","artist/contemporaries-of-roger-de-la-fresnaye","Roger de La Fresnaye's contemporaries","https://img.ochreeditions.com/a/1641/480.jpg","https://img.ochreeditions.com/a/1641/960.jpg","https://img.ochreeditions.com/a/1641/1920.jpg",{"_314":1107,"_316":1108},{"_314":1105,"_316":1106},{"_314":1103,"_316":1104},{"_314":1101,"_316":1102},{"_314":1099,"_316":1100},"#386242",0.1161,"#7d9098",0.2126,"#c2a795",0.2215,"#534945",0.224,"#956c5e",0.2258,"Roger de La Fresnaye","roger-de-la-fresnaye","French, 1885–1925","French",1885,"study-in-rhythm-red-and-gold-si-saam-1966-39-1","Study in Rhythm: Red and Gold",{"_42":1161,"_221":1162,"_328":1163,"_330":-5,"_332":1164,"_334":399,"_336":-5,"_337":-5,"_338":-5,"_140":103},"ca. 1934","gouache on paperboard","sheet: 14 1/2 x 19 1/4 in. (36.8 x 48.9 cm)",48.9,36.8,1.3531799729364005,[1146,1147,1148,1149,1150],{"_220":376,"_221":377,"_42":378,"_307":379},"1966.39.1","Joseph Schillinger painted this in about 1934, aged 39. It is now at the Smithsonian American Art Museum in Washington, DC.","Study in Rhythm: Red and Gold, by Joseph Schillinger, ca. 1934",{"_295":1143,"_297":1144,"_299":1145},"https://img.ochreeditions.com/m/1926.jpg?dl=1","/art/study-in-rhythm-red-and-gold-si-saam-1966-39-1","/galleries/style/early-modernism/study-in-rhythm-red-and-gold-si-saam-1966-39-1",{"_291":292,"_293":294},{"_224":1138,"_125":1139,"_285":1140},{"_276":1135,"_278":1136,"_280":1120,"_282":1137},63.9,51.137100000000004,36.137100000000004,{"_287":224,"_123":1141,"_154":1142,"_140":89},{"_287":125,"_123":288,"_154":289,"_140":290},{"_287":285,"_123":368,"_154":369,"_140":370},"artist/contemporaries-of-joseph-schillinger","Joseph Schillinger's contemporaries","https://img.ochreeditions.com/a/1926/480.jpg","https://img.ochreeditions.com/a/1926/960.jpg","https://img.ochreeditions.com/a/1926/1920.jpg",{"_314":1159,"_316":1160},{"_314":1157,"_316":1158},{"_314":1155,"_316":1156},{"_314":1153,"_316":1154},{"_314":1151,"_316":1152},"#8b7e75",0.0608,"#51474c",0.0775,"#ba4e36",0.118,"#cebeb2",0.1449,"#f2e0a0",0.5988,"Joseph Schillinger","joseph-schillinger","born Kharkov, Russia 1895-died New York City 1943",1895,{"_1166":-5,"_1167":1168,"_1169":1170,"_1171":8,"_1172":1173,"_1174":8},"user","csrf","870bc2a5fcfbf651776406092ea0b98a0cd04ba2","cartCount",0,"dropLive","legal",[1175,1176,1177,1178,1179,1180,1181,1182,1183,1184,1185,1186],"uploadsEnabled",{"_221":1209,"_20":1210},{"_221":1207,"_20":1208},{"_221":1205,"_20":1206},{"_221":1203,"_20":1204},{"_221":1201,"_20":1202},{"_221":1199,"_20":1200},{"_221":1197,"_20":1198},{"_221":1195,"_20":1196},{"_221":1193,"_20":1194},{"_221":1191,"_20":1192},{"_221":1189,"_20":1190},{"_221":1187,"_20":1188},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]