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It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":436,"_437":438},"Head of a Young Girl, by Lucia Fairchild Fuller, ca. 1900",{"_293":433,"_295":434,"_297":435},"https://img.ochreeditions.com/m/1880.jpg?dl=1","/art/head-of-a-young-girl-si-saam-1929-6-46","/galleries/style/early-modernism/head-of-a-young-girl-si-saam-1929-6-46",{"_289":431,"_291":432},{"_223":421,"_125":422,"_283":423},{"_274":417,"_276":418,"_278":419,"_280":420},45.186440677966104,49,21.1864406779661,25,{"_285":223,"_123":429,"_154":430,"_140":89},{"_285":125,"_123":427,"_154":428,"_140":89},{"_285":283,"_123":424,"_154":425,"_140":426},"era/19","The 19th century",731,"style/miniature-19","More miniatures of the 19th century","artist/contemporaries-of-lucia-fairchild-fuller","Lucia Fairchild Fuller's contemporaries","white","snow","https://img.ochreeditions.com/a/1880/480.jpg","https://img.ochreeditions.com/a/1880/960.jpg","https://img.ochreeditions.com/a/1880/1920.jpg","The artist chose to place this unknown young lady against an “Oriental” background of tall grass, birds, and a large setting sun. The sitter’s vast puffed sleeves were known as gigot or leg-of-mutton sleeves, which grew to fantastic proportions during the last decade of the nineteenth century.","source","Text from the Smithsonian American Art Museum.",{"_309":452,"_311":453},{"_309":450,"_311":451},{"_309":448,"_311":449},{"_309":446,"_311":447},{"_309":444,"_311":445},"#acac82",0.0524,"#0e0c08",0.0822,"#524c37",0.1047,"#86867e",0.2471,"#aeb3ae",0.5136,"Lucia Fairchild Fuller","lucia-fairchild-fuller","born Boston, MA 1870-died Madison, WI 1924",1870,1924,"october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","October (cover illustration for Harper's Magazine)",{"_42":506,"_220":507,"_323":508,"_325":-5,"_327":509,"_329":510,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1903","oil on canvas","21 1/8 x 19 1/8 in. (53.5 x 48.5 cm)",48.5,53.5,0.908,[491,492,493,494,495],{"_219":369,"_220":370,"_42":371,"_302":303},"1977.99.2","William Clarke Rice painted this in 1903, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903",{"_293":488,"_295":489,"_297":490},"https://img.ochreeditions.com/m/1954.jpg?dl=1","/art/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","/galleries/style/early-modernism/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2",{"_289":290,"_291":292},{"_223":483,"_125":484,"_283":485},{"_274":480,"_276":481,"_278":482,"_280":466},63.578,68.5,48.578,{"_285":223,"_123":486,"_154":487,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-william-clarke-rice","William Clarke Rice's contemporaries","https://img.ochreeditions.com/a/1954/480.jpg","https://img.ochreeditions.com/a/1954/960.jpg","https://img.ochreeditions.com/a/1954/1920.jpg",{"_309":504,"_311":505},{"_309":502,"_311":503},{"_309":500,"_311":501},{"_309":498,"_311":499},{"_309":496,"_311":497},"#e59749",0.0641,"#432d21",0.1533,"#ae2b0e",0.156,"#6d3d21",0.2446,"#8a643d",0.382,"William Clarke Rice","william-clarke-rice","born Brooklyn, NY 1875-died New York City 1928",1875,1928,"the-bride-si-saam-1929-6-75","The Bride",{"_42":557,"_220":558,"_323":559,"_325":-5,"_327":560,"_329":561,"_330":-5,"_331":-5,"_332":-5,"_140":101},"ca. 1907","27 1/2 x 16 3/8 in. (70.0 x 41.7 cm)",41.7,70,0.5956666666666667,[542,543,544,545,546],{"_219":369,"_220":370,"_42":371,"_302":303},"1929.6.75","Gari Melchers painted this in about 1907, aged 47. It is now at the Smithsonian American Art Museum in Washington, DC.","The Bride, by Gari Melchers, ca. 1907",{"_293":539,"_295":540,"_297":541},"https://img.ochreeditions.com/m/1882.jpg?dl=1","/art/the-bride-si-saam-1929-6-75","/galleries/style/early-modernism/the-bride-si-saam-1929-6-75",{"_289":290,"_291":292},{"_223":534,"_125":535,"_283":536},{"_274":531,"_276":532,"_278":533,"_280":517},56.696666666666665,85,41.696666666666665,{"_285":223,"_123":537,"_154":538,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-gari-melchers","Gari Melchers's contemporaries","https://img.ochreeditions.com/a/1882/480.jpg","https://img.ochreeditions.com/a/1882/960.jpg","https://img.ochreeditions.com/a/1882/1920.jpg",{"_309":555,"_311":556},{"_309":553,"_311":554},{"_309":551,"_311":552},{"_309":549,"_311":550},{"_309":547,"_311":548},"#916a56",0.0868,"#5e5e59",0.169,"#a8a89a",0.2192,"#9a472b",0.2299,"#868783",0.2951,"Gari Melchers","gari-melchers","born Detroit MI 1860-died Falmouth, VA 1932",1860,1932,"church-bells-ringing-rainy-winter-night-cma-127227","Church Bells Ringing, Rainy Winter Night",{"_42":626,"_220":627,"_323":628,"_325":629,"_327":630,"_329":631,"_330":-5,"_331":-5,"_332":-5,"_140":103},"December 1917","united-states","drawing","Drawing","watercolor and gouache over graphite on wove paper","Sheet: 77.2 x 50 cm (30 3/8 x 19 11/16 in.); Secondary Support: 77.5 x 50 cm (30 1/2 x 19 11/16 in.)",50,77.2,0.6517647058823529,[611,612,613,614,615],{"_219":607,"_220":608,"_42":609,"_302":610},"Courtesy of the Cleveland Museum of Art","1949.544","Charles Burchfield painted this (December 1917), aged 24. It is now at the Cleveland Museum of Art.",{"_118":605,"_437":606},"Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917",{"_293":602,"_295":603,"_297":604},"https://img.ochreeditions.com/m/586.jpg?dl=1","/art/church-bells-ringing-rainy-winter-night-cma-127227","/galleries/style/early-modernism/church-bells-ringing-rainy-winter-night-cma-127227",{"_289":431,"_291":432},{"_223":591,"_125":592,"_283":593},{"_274":588,"_276":589,"_278":590,"_280":572},74.31623529411765,101.2,50.31623529411765,{"_285":223,"_123":600,"_154":601,"_140":89},{"_285":125,"_123":597,"_154":598,"_140":599},{"_285":283,"_123":594,"_154":595,"_140":596},"era/20-united-states","20th-century United States",124,"style/drawing-20","More drawings of the 20th century",98,"artist/contemporaries-of-charles-burchfield","Charles Burchfield's contemporaries","https://img.ochreeditions.com/a/586/480.jpg","https://img.ochreeditions.com/a/586/960.jpg","https://img.ochreeditions.com/a/586/1920.jpg","Burchfield considered this drawing among the greatest accomplishments of his “golden year.”","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":624,"_311":625},{"_309":622,"_311":623},{"_309":620,"_311":621},{"_309":618,"_311":619},{"_309":616,"_311":617},"#c0b8a9",0.0971,"#928c7e",0.1726,"#6b6659",0.2366,"#292824",0.2459,"#4a473d",0.2478,"Charles Burchfield","charles-burchfield","American, 1893–1967","American",1893,1967,"the-hills-si-saam-1965-11-1","The Hills",{"_42":679,"_220":680,"_323":681,"_325":629,"_327":682,"_329":196,"_330":-5,"_331":-5,"_332":-5,"_140":101},"ca. 1919","24 x 27 in. (61.0 x 68.5 cm.)",61,1.1283817019183473,[664,665,666,667,668],{"_219":369,"_220":370,"_42":371,"_302":303},"1965.11.1","Preston Dickinson painted this in about 1919, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":663,"_437":438},"The Hills, by Preston Dickinson, ca. 1919",{"_293":660,"_295":661,"_297":662},"https://img.ochreeditions.com/m/1922.jpg?dl=1","/art/the-hills-si-saam-1965-11-1","/galleries/style/early-modernism/the-hills-si-saam-1965-11-1",{"_289":290,"_291":292},{"_223":655,"_125":656,"_283":657},{"_274":652,"_276":653,"_278":481,"_280":654},83.5,75.70640802092416,60.70640802092415,{"_285":223,"_123":658,"_154":659,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":594,"_154":595,"_140":596},"artist/contemporaries-of-preston-dickinson","Preston Dickinson's contemporaries","https://img.ochreeditions.com/a/1922/480.jpg","https://img.ochreeditions.com/a/1922/960.jpg","https://img.ochreeditions.com/a/1922/1920.jpg","Preston Dickinson painted The Hills a few years after he returned to New York from France. He admired the work of the French modernist painters, especially Paul Cézanne, who transformed his subjects into simple shapes and planes of color.",{"_309":677,"_311":678},{"_309":675,"_311":676},{"_309":673,"_311":674},{"_309":671,"_311":672},{"_309":669,"_311":670},"#886e3d",0.0965,"#786857",0.2006,"#837d91",0.2076,"#4a474b",0.2377,"#3f4665",0.2576,"Preston Dickinson","preston-dickinson","American, 1891–1930",1891,"monsieur-deleu-nga-46551","Monsieur Deleu",{"_42":733,"_220":734,"_323":735,"_325":736,"_327":737,"_329":738,"_330":-5,"_331":-5,"_332":739,"_140":97},"1916","italy","overall: 81.1 x 46.7 cm (31 15/16 x 18 3/8 in.) framed: 90.8 x 55.5 cm (35 3/4 x 21 7/8 in.)",46.7,81.1,0.56103515625,[718,719,720,721,722],{"_219":299,"_220":300,"_42":301,"_302":303},"1963.10.76","Amedeo Modigliani painted this in 1916, aged 32. It is now at the National Gallery of Art in Washington, DC.","A round-faced man in a rust-red jacket and white cravat sits with his knees crossed, eyes lowered to slate-blue slivers beneath one cocked eyebrow.","Shown from the lap up, a person with peach-colored skin sits facing us as he looks down and to our left in this vertical, stylized, portrait painting. The person’s clothing and features are outlined with thin black lines, and areas are filled in with mottled, streaked color painted with visible strokes. The person has a round face with a double chin and a small red mouth. The eyes are painted as slate-blue slivers under thin brows, one of which is cocked. The man’s short black hair is parted to one side and combed across the top of his head. He wears a white cravat tied at his neck under a rust-red jacket or shirt. Two rounded, muted blue forms below suggest crossed knees. The man’s right elbow rests next to his body, and that hand is near his lap. The background is painted with pecan brown on the left third and gray-blue on the right two-thirds.",{"_293":715,"_295":716,"_297":717},"https://img.ochreeditions.com/m/1520.jpg?dl=1","/art/monsieur-deleu-nga-46551","/galleries/style/early-modernism/monsieur-deleu-nga-46551",{"_289":290,"_291":292},{"_223":708,"_125":709,"_283":710},{"_274":705,"_276":706,"_278":707,"_280":690},60.499951171875,96.1,45.499951171875,{"_285":223,"_123":713,"_154":714,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":711,"_154":712,"_140":97},"era/20-italy","20th-century Italy","artist/amedeo-modigliani","More by Amedeo Modigliani","https://img.ochreeditions.com/a/1520/480.jpg","https://img.ochreeditions.com/a/1520/960.jpg","https://img.ochreeditions.com/a/1520/1920.jpg",{"_309":731,"_311":732},{"_309":729,"_311":730},{"_309":727,"_311":728},{"_309":725,"_311":726},{"_309":723,"_311":724},"#c4ae8d",0.0161,"#c07c5f",0.1024,"#5e635e",0.181,"#352d28",0.2582,"#722f1a",0.4423,"Amedeo Modigliani","amedeo-modigliani","Italian, 1884–1920","Italian",1884,1920,"Modigliani trained in Italy before moving to Paris in 1906, where he lived the precarious life of Montmartre and Montparnasse.","church-rancho-de-taos-si-saam-2016-38-32","Church, Rancho de Taos",{"_42":787,"_220":788,"_323":789,"_325":-5,"_327":790,"_329":791,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1931","watercolor on paper","sight: 17 5/8 × 14 1/8 in. (44.8 × 35.9 cm)",35.9,44.8,0.811,[772,773,774,775,776],{"_219":369,"_220":370,"_42":371,"_302":303},"2016.38.32","Selden Connor Gile painted this in 1931, aged 54. It is now at the Smithsonian American Art Museum in Washington, DC.","Church, Rancho de Taos, by Selden Connor Gile, 1931",{"_293":769,"_295":770,"_297":771},"https://img.ochreeditions.com/m/1996.jpg?dl=1","/art/church-rancho-de-taos-si-saam-2016-38-32","/galleries/style/early-modernism/church-rancho-de-taos-si-saam-2016-38-32",{"_289":290,"_291":292},{"_223":764,"_125":765,"_283":766},{"_274":761,"_276":762,"_278":763,"_280":747},51.3328,59.8,36.3328,{"_285":223,"_123":767,"_154":768,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"artist/contemporaries-of-selden-connor-gile","Selden Connor Gile's contemporaries","https://img.ochreeditions.com/a/1996/480.jpg","https://img.ochreeditions.com/a/1996/960.jpg","https://img.ochreeditions.com/a/1996/1920.jpg",{"_309":785,"_311":786},{"_309":783,"_311":784},{"_309":781,"_311":782},{"_309":779,"_311":780},{"_309":777,"_311":778},"#929c93",0.113,"#584b48",0.143,"#ca9c7b",0.1815,"#d3c9b4",0.2812,"#a96d5e",0.2813,"Selden Connor Gile","selden-connor-gile","born Stow, ME 1877-died San Rafael, CA 1947",1877,1947,"mr-and-mrs-phillip-wase-si-saam-1967-39-1","Mr. and Mrs. Phillip Wase",{"_42":840,"_220":841,"_323":842,"_325":629,"_327":183,"_329":179,"_330":-5,"_331":-5,"_332":843,"_140":93},"1924","51 1/4 x 63 in. (130.2 x 159.9 cm.)",159.9,130.2,1.2254901960784315,[825,826,827,828,829],{"_219":369,"_220":370,"_42":371,"_302":303},"1967.39.1","George Bellows painted this in 1924, aged 42. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":824,"_437":438},"Mr. and Mrs. Phillip Wase, by George Bellows, 1924",{"_293":821,"_295":822,"_297":823},"https://img.ochreeditions.com/m/1930.jpg?dl=1","/art/mr-and-mrs-phillip-wase-si-saam-1967-39-1","/galleries/style/early-modernism/mr-and-mrs-phillip-wase-si-saam-1967-39-1",{"_289":290,"_291":292},{"_223":816,"_125":817,"_283":818},{"_274":813,"_276":814,"_278":797,"_280":815},174.9,145.4784,130.4784,{"_285":223,"_123":819,"_154":820,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":594,"_154":595,"_140":596},"artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1930/480.jpg","https://img.ochreeditions.com/a/1930/960.jpg","https://img.ochreeditions.com/a/1930/1920.jpg","George Bellows spent summers in Woodstock, New York, where Mrs. Wase worked as a cleaning woman and her husband was a gardener. Bellows chose to show the couple stiffly posed and strangely detached from one another. Mrs. Wase’s face shows the worries of a lifetime, and Mr.",{"_309":838,"_311":839},{"_309":836,"_311":837},{"_309":834,"_311":835},{"_309":832,"_311":833},{"_309":830,"_311":831},"#896f41",0.0451,"#aea881",0.1082,"#737a66",0.1523,"#1a2824",0.3275,"#4b5243",0.3669,"George Bellows","george-bellows","American, 1882–1925","Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","apollo-and-daphne-nga-194944","Apollo and Daphne",{"_42":891,"_220":892,"_323":893,"_325":629,"_327":894,"_329":179,"_330":895,"_331":896,"_332":897,"_140":97},"c. 1916/1919","overall: 82.55 × 73.34 cm (32 1/2 × 28 7/8 in.) framed: 88.27 × 78.11 × 7.62 cm (34 3/4 × 30 3/4 × 3 in.)",73.3,82.6,0.866455078125,[876,877,878,879,880],{"_219":299,"_220":300,"_42":301,"_302":303},"2014.136.69","John Singer Sargent painted this in about 1916/1919, aged about 60. It is now at the National Gallery of Art in Washington, DC.","Apollo, golden-skinned and wrapped in billowing drapery, races towards the nymph Daphne just as she is transformed into a laurel tree, her feet rooting into the trunk and her head and hands sprouting leaves.","This is a painting showing two people in nature. The person on the left appears to be running towards the right, with one leg in the air and their arms outstretched. They have tan, golden-toned skin, blond hair, and golden fabric draped loosely around them, billowing backward as they run. On the right is a pale person standing upright in a tree, their arms outstretched. They appear intertwined with the tree, with their feet nestled in the light brown trunk and their head and hands covered in olive-green leaves. The background features indistinct brown shapes against a clear blue sky.",{"_293":873,"_295":874,"_297":875},"https://img.ochreeditions.com/m/1690.jpg?dl=1","/art/apollo-and-daphne-nga-194944","/galleries/style/early-modernism/apollo-and-daphne-nga-194944",{"_289":290,"_291":292},{"_223":868,"_125":869,"_283":870},{"_274":865,"_276":866,"_278":867,"_280":850},86.56918945312499,97.6,71.56918945312499,{"_285":223,"_123":871,"_154":872,"_140":97},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":594,"_154":595,"_140":596},"artist/john-singer-sargent","More by John Singer Sargent","https://img.ochreeditions.com/a/1690/480.jpg","https://img.ochreeditions.com/a/1690/960.jpg","https://img.ochreeditions.com/a/1690/1920.jpg",{"_309":889,"_311":890},{"_309":887,"_311":888},{"_309":885,"_311":886},{"_309":883,"_311":884},{"_309":881,"_311":882},"#646d74",0.0869,"#9b7856",0.1636,"#8e7c69",0.2099,"#5f5748",0.248,"#735d3e",0.2916,"John Singer Sargent","john-singer-sargent","American, 1856–1925",1856,"Florence","London","Sargent was born in Florence to American parents and grew up travelling across Europe.","new-moon-and-evening-star-nga-146847","New Moon and Evening Star",{"_42":948,"_220":949,"_323":950,"_325":629,"_327":951,"_329":391,"_330":-5,"_331":-5,"_332":952,"_140":99},"c. 1932","print","Print","etching, drypoint, and aquatint in black","plate: 24.9 × 19.9 cm (9 13/16 × 7 13/16 in.) sheet: 33.8 × 27.8 cm (13 5/16 × 10 15/16 in.)",19.9,24.9,0.7928994082840237,[934,935,936,937,938],{"_219":299,"_220":300,"_42":301,"_302":303},"2008.115.1124","George Elbert Burr made this in about 1932, aged 73. It is now at the National Gallery of Art in Washington, DC.","A saguaro cactus stands silhouetted at the left of a darkening desert, while a crescent moon and a bright evening star shine through a break in soft grey clouds above rocky mountains.","This print depicts a grayscale desert landscape with a prominent saguaro cactus to the left. In the background, rocky mountains are visible in the darkness. The sky shows a crescent moon and a bright star through an opening in the soft gray clouds. Sparse desert vegetation is faintly visible on the ground, and more cacti can be seen in the distance.",{"_293":931,"_295":932,"_297":933},"https://img.ochreeditions.com/m/1677.jpg?dl=1","/art/new-moon-and-evening-star-nga-146847","/galleries/style/early-modernism/new-moon-and-evening-star-nga-146847",{"_289":431,"_291":432},{"_223":924,"_125":925,"_283":926},{"_274":922,"_276":418,"_278":923,"_280":420},43.82248520710059,19.82248520710059,{"_285":223,"_123":929,"_154":930,"_140":99},{"_285":125,"_123":927,"_154":928,"_140":75},{"_285":283,"_123":594,"_154":595,"_140":596},"style/print-20","More prints of the 20th century","artist/george-elbert-burr","More by George Elbert Burr","https://img.ochreeditions.com/a/1677/480.jpg","https://img.ochreeditions.com/a/1677/960.jpg","https://img.ochreeditions.com/a/1677/1920.jpg",{"_309":946,"_311":947},{"_309":944,"_311":945},{"_309":942,"_311":943},{"_309":940,"_311":941},{"_309":939,"_311":617},"#a5a196","#e1e1d5",0.1036,"#605c57",0.1403,"#46423f",0.1691,"#7f7b71",0.4899,"George Elbert Burr","george-elbert-burr","American, 1859–1939",1859,"Burr worked as an illustrator in New York before spending several years travelling and sketching in Europe around 1900.","nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":840,"_220":841,"_323":842,"_325":629,"_327":183,"_329":179,"_330":-5,"_331":-5,"_332":843,"_140":93},"overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[982,983,984,985,986],{"_219":299,"_220":300,"_42":301,"_302":303},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_293":979,"_295":980,"_297":981},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_289":290,"_291":292},{"_223":976,"_125":977,"_283":978},{"_274":973,"_276":974,"_278":975,"_280":958},100.0431884765625,125.9,85.0431884765625,{"_285":223,"_123":819,"_154":820,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":594,"_154":595,"_140":596},"https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_309":995,"_311":996},{"_309":993,"_311":994},{"_309":991,"_311":992},{"_309":989,"_311":990},{"_309":987,"_311":988},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"in-the-generalife-met-12116","In the Generalife",{"_42":891,"_220":892,"_323":893,"_325":629,"_327":894,"_329":179,"_330":895,"_331":896,"_332":897,"_140":97},"1912","watercolour","Watercolor","Watercolor, wax crayon, and graphite on white wove paper","14 3/4 x 17 7/8 in. (37.5 x 45.4 cm) Mat: 22 × 28 in. (55.9 × 71.1 cm) Framed (standard exhibition frame): 24 1/2 × 30 1/2 × 1 1/8 in. (62.2 × 77.5 × 2.9 cm)",45.4,37.5,1.200061462814997,[1037,1038,1039,1040,1041],{"_219":1033,"_220":1034,"_42":1035,"_302":1036},"Courtesy of The Metropolitan Museum of Art","15.142.8","John Singer Sargent painted this in 1912, aged 56. It is now at The Met in New York.","A woman sits sketching in the gardens of the Generalife, the summer palace above the Alhambra in Granada, with companions nearby. Sargent painted the scene in 1912 on one of the working holidays he took with family and friends, during which he turned increasingly from formal portraiture to watercolour.","In the Generalife, by John Singer Sargent, 1912",{"_293":1030,"_295":1031,"_297":1032},"https://img.ochreeditions.com/m/852.jpg?dl=1","/art/in-the-generalife-met-12116","/galleries/style/early-modernism/in-the-generalife-met-12116",{"_289":431,"_291":432},{"_223":1025,"_125":1026,"_283":1027},{"_274":1022,"_276":1023,"_278":1005,"_280":1024},69.4,61.83139564660691,37.83139564660691,{"_285":223,"_123":871,"_154":872,"_140":97},{"_285":125,"_123":1028,"_154":1029,"_140":532},{"_285":283,"_123":594,"_154":595,"_140":596},"style/watercolour","More watercolours","https://img.ochreeditions.com/a/852/480.jpg","https://img.ochreeditions.com/a/852/960.jpg","https://img.ochreeditions.com/a/852/1920.jpg","met","the-met","The Metropolitan Museum of Art","New York",{"_309":1050,"_311":1051},{"_309":1048,"_311":1049},{"_309":1046,"_311":1047},{"_309":1044,"_311":1045},{"_309":1042,"_311":1043},"#d7cabb",0.1181,"#2b3f42",0.1675,"#9b9485",0.1863,"#6d6966",0.2242,"#3c393b",0.3039,"mother-and-child-si-saam-1929-6-74","Mother and Child",{"_42":557,"_220":558,"_323":559,"_325":-5,"_327":560,"_329":561,"_330":-5,"_331":-5,"_332":-5,"_140":101},"ca. 1920","oil on paperboard","23 1/4 x 19 3/4 in. (58.9 x 50.3 cm)",50.3,58.9,0.8413333333333334,[1082,1083,1084,1085,1086],{"_219":369,"_220":370,"_42":371,"_302":303},"1929.6.74","Gari Melchers painted this in about 1920, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.","Mother and Child, by Gari Melchers, ca. 1920",{"_293":1079,"_295":1080,"_297":1081},"https://img.ochreeditions.com/m/1881.jpg?dl=1","/art/mother-and-child-si-saam-1929-6-74","/galleries/style/early-modernism/mother-and-child-si-saam-1929-6-74",{"_289":290,"_291":292},{"_223":1076,"_125":1077,"_283":1078},{"_274":1073,"_276":1074,"_278":1075,"_280":1059},64.55453333333332,73.9,49.55453333333333,{"_285":223,"_123":537,"_154":538,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":361,"_154":362,"_140":363},"https://img.ochreeditions.com/a/1881/480.jpg","https://img.ochreeditions.com/a/1881/960.jpg","https://img.ochreeditions.com/a/1881/1920.jpg",{"_309":1095,"_311":1096},{"_309":1093,"_311":1094},{"_309":1091,"_311":1092},{"_309":1089,"_311":1090},{"_309":1087,"_311":1088},"#171413",0.0637,"#6379a1",0.1536,"#99989b",0.1832,"#cec9bd",0.2977,"#646343",0.3018,"the-river-cma-150508","The River",{"_42":1144,"_220":1145,"_323":1146,"_325":326,"_327":1147,"_329":1148,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1902","oil on fabric","Unframed: 54.5 x 65.7 cm (21 7/16 x 25 7/8 in.)",65.7,54.5,1.2069577564785232,[1129,1130,1131,1132,1133],{"_219":607,"_220":608,"_42":609,"_302":610},"1981.64","Maxime Maufra painted this in 1902, aged 41. It is now at the Cleveland Museum of Art.","The River, by Maxime Maufra, 1902",{"_293":1126,"_295":1127,"_297":1128},"https://img.ochreeditions.com/m/717.jpg?dl=1","/art/the-river-cma-150508","/galleries/style/early-modernism/the-river-cma-150508",{"_289":290,"_291":292},{"_223":1121,"_125":1122,"_283":1123},{"_274":1118,"_276":1119,"_278":1103,"_280":1120},80.7,69.43438235294118,54.43438235294118,{"_285":223,"_123":1124,"_154":1125,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":81},"artist/contemporaries-of-maxime-maufra","Maxime Maufra's contemporaries","https://img.ochreeditions.com/a/717/480.jpg","https://img.ochreeditions.com/a/717/960.jpg","https://img.ochreeditions.com/a/717/1920.jpg",{"_309":1142,"_311":1143},{"_309":1140,"_311":1141},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},{"_309":1134,"_311":1135},"#606d5a",0.1545,"#6f7845",0.1565,"#b4b298",0.1627,"#8c9c94",0.2524,"#364730",0.2739,"Maxime Maufra","maxime-maufra","French, 1861–1918",1861,1918,{"_1150":-5,"_1151":1152,"_1153":1154,"_1155":8,"_1156":1157,"_1158":8},"user","csrf","f1e47df4746038a53c3bb11ddc5a0d6106bba3a5","cartCount",0,"dropLive","legal",[1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169,1170],"uploadsEnabled",{"_220":1193,"_20":1194},{"_220":1191,"_20":1192},{"_220":1189,"_20":1190},{"_220":1187,"_20":1188},{"_220":1185,"_20":1186},{"_220":1183,"_20":1184},{"_220":1181,"_20":1182},{"_220":1179,"_20":1180},{"_220":1177,"_20":1178},{"_220":1175,"_20":1176},{"_220":1173,"_20":1174},{"_220":1171,"_20":1172},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]