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In 1914, the year his mother died, the outbreak of World War I forced his family to flee France for England.","Text from the Smithsonian American Art Museum.",{"_309":444,"_311":445},{"_309":442,"_311":443},{"_309":440,"_311":441},{"_309":438,"_311":439},{"_309":436,"_311":437},"#746347",0.0238,"#474e4f",0.082,"#2f3943",0.1419,"#20252d",0.304,"#16181f",0.4483,"Henry Ossawa Tanner","henry-ossawa-tanner","born Pittsburgh, PA 1859-died Paris, France 1937",1859,1937,"october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","October (cover illustration for Harper's Magazine)",{"_42":497,"_221":498,"_323":499,"_325":-5,"_326":500,"_328":501,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1903","21 1/8 x 19 1/8 in. (53.5 x 48.5 cm)",48.5,53.5,0.908,[482,483,484,485,486],{"_220":299,"_221":300,"_42":301,"_302":303},"1977.99.2","William Clarke Rice painted this in 1903, aged 28. It is now at the Smithsonian American Art Museum in Washington, DC.","October (cover illustration for Harper's Magazine), by William Clarke Rice, 1903",{"_293":479,"_295":480,"_297":481},"https://img.ochreeditions.com/m/1954.jpg?dl=1","/art/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2","/galleries/style/early-modernism/october-cover-illustration-for-harper-s-magazine-si-saam-1977-99-2",{"_289":290,"_291":292},{"_224":474,"_125":475,"_283":476},{"_274":471,"_276":472,"_278":473,"_280":457},63.578,68.5,48.578,{"_285":224,"_123":477,"_154":478,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-clarke-rice","William Clarke Rice's contemporaries","https://img.ochreeditions.com/a/1954/480.jpg","https://img.ochreeditions.com/a/1954/960.jpg","https://img.ochreeditions.com/a/1954/1920.jpg",{"_309":495,"_311":496},{"_309":493,"_311":494},{"_309":491,"_311":492},{"_309":489,"_311":490},{"_309":487,"_311":488},"#e59749",0.0641,"#432d21",0.1533,"#ae2b0e",0.156,"#6d3d21",0.2446,"#8a643d",0.382,"William Clarke Rice","william-clarke-rice","born Brooklyn, NY 1875-died New York City 1928",1875,1928,"landscape-with-two-poplars-aic-8980","Landscape with Two Poplars",{"_42":551,"_221":552,"_323":553,"_325":554,"_326":-5,"_328":-5,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1912","germany","78.8 × 100.4 cm (31 × 39 1/2 in.)",100,78,1.2691962951897222,[536,537,538,539,540],{"_220":371,"_221":372,"_42":373,"_302":374},"1931.508","Vasily Kandinsky painted this in 1912. It is now at the Art Institute of Chicago.","Vibrant yellow, red, blue, and green painting of landscape with trees and mountains.",{"_293":533,"_295":534,"_297":535},"https://img.ochreeditions.com/m/17.jpg?dl=1","/art/landscape-with-two-poplars-aic-8980","/galleries/style/early-modernism/landscape-with-two-poplars-aic-8980",{"_289":290,"_291":292},{"_224":526,"_125":527,"_283":528},{"_274":523,"_276":524,"_278":508,"_280":525},115,93.79001883239171,78.79001883239171,{"_285":224,"_123":531,"_154":532,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":529,"_154":530,"_140":93},"era/20-germany","20th-century Germany","artist/contemporaries-of-vasily-kandinsky","Vasily Kandinsky's contemporaries","https://img.ochreeditions.com/a/17/480.jpg","https://img.ochreeditions.com/a/17/960.jpg","https://img.ochreeditions.com/a/17/1920.jpg",{"_309":549,"_311":550},{"_309":547,"_311":548},{"_309":545,"_311":546},{"_309":543,"_311":544},{"_309":541,"_311":542},"#c69c58",0.1081,"#928c6c",0.1572,"#8d4743",0.2022,"#3e3e42",0.2166,"#4c6e60",0.3159,"Vasily Kandinsky","vasily-kandinsky","Born Moscow (formerly Russian Empire, now Russia), 1866; died Neuilly-sur-Seine, France, 1944","Born Moscow (formerly Russian Empire","fisherman-s-cottage-aic-152437","Fisherman's Cottage",{"_42":602,"_221":603,"_323":604,"_325":605,"_326":327,"_328":606,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1906","scandinavia","109 × 94 cm (43 × 37 in.)",94,109,0.8690340260333409,[587,588,589,590,591],{"_220":371,"_221":372,"_42":373,"_302":374},"2000.1","Harald Oscar Sohlberg painted this in 1906, aged 37. It is now at the Art Institute of Chicago.","Dark twilight scene of a a brightly illuminated white cottage along the shore of an expansive body of water, seen through a thick of silhouetted trees.",{"_293":584,"_295":585,"_297":586},"https://img.ochreeditions.com/m/333.jpg?dl=1","/art/fisherman-s-cottage-aic-152437","/galleries/style/early-modernism/fisherman-s-cottage-aic-152437",{"_289":290,"_291":292},{"_224":579,"_125":580,"_283":581},{"_274":576,"_276":577,"_278":578,"_280":562},109.72470883763415,124,94.72470883763415,{"_285":224,"_123":582,"_154":583,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-harald-oscar-sohlberg","Harald Oscar Sohlberg's contemporaries","https://img.ochreeditions.com/a/333/480.jpg","https://img.ochreeditions.com/a/333/960.jpg","https://img.ochreeditions.com/a/333/1920.jpg",{"_309":600,"_311":601},{"_309":598,"_311":599},{"_309":596,"_311":597},{"_309":594,"_311":595},{"_309":592,"_311":593},"#395460",0.034,"#22353e",0.0628,"#162226",0.1336,"#121718",0.1761,"#0e0d0d",0.5935,"Harald Oscar Sohlberg","harald-oscar-sohlberg","Norwegian, 1869–1935","Norwegian",1935,"footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","Footpaths and Pavilion in the Dresden Grosser Garten",{"_42":666,"_221":667,"_323":668,"_325":669,"_326":670,"_328":671,"_330":-5,"_331":-5,"_332":672,"_140":99},"c. 1909","drawing","Drawing","black crayon on brown wove paper","overall: 33.1 x 43.6 cm (13 1/16 x 17 3/16 in.)",43.6,33.1,1.3086261980830671,[651,652,653,654,655],{"_220":648,"_221":649,"_42":650,"_302":303},"Courtesy National Gallery of Art, Washington","1982.71.1","Ernst Ludwig Kirchner drew this in about 1909, aged 29. It is now at the National Gallery of Art in Washington, DC.","Paths curve between trees towards a pavilion in Dresden’s Grosser Garten, the city’s great public park, set down in rapid strokes of black crayon on brown paper.","The image shows a landscape drawing with buildings, trees, and a winding path or water feature. The drawing is done in black charcoal on brownish background paper, creating a monochromatic color palette.",{"_293":645,"_295":646,"_297":647},"https://img.ochreeditions.com/m/1604.jpg?dl=1","/art/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242","/galleries/style/early-modernism/footpaths-and-pavilion-in-the-dresden-grosser-garten-nga-61242",{"_289":643,"_291":644},{"_224":635,"_125":636,"_283":637},{"_274":632,"_276":633,"_278":615,"_280":634},67.6,57.3173828125,33.3173828125,{"_285":224,"_123":641,"_154":642,"_140":99},{"_285":125,"_123":638,"_154":639,"_140":640},{"_285":283,"_123":529,"_154":530,"_140":93},"style/drawing-20","More drawings of the 20th century",98,"artist/ernst-ludwig-kirchner","More by Ernst Ludwig Kirchner","white","snow","https://img.ochreeditions.com/a/1604/480.jpg","https://img.ochreeditions.com/a/1604/960.jpg","https://img.ochreeditions.com/a/1604/1920.jpg","nga","national-gallery-of-art","National Gallery of Art, Washington",{"_309":664,"_311":665},{"_309":662,"_311":663},{"_309":660,"_311":661},{"_309":658,"_311":659},{"_309":656,"_311":657},"#695b4c",0.0195,"#d5c3a8",0.0402,"#988166",0.1142,"#ad9272",0.272,"#be9f7c",0.5541,"Ernst Ludwig Kirchner","ernst-ludwig-kirchner","German, 1880–1938","German",1880,1938,"Kirchner studied architecture in Dresden, where in 1905 he co-founded Die Brücke with fellow students, seeking a raw, direct art of bright, unmixed colour and angular forms. After moving to Berlin in 1911 he painted the city’s streets and nightlife with nervous intensity.","my-day-at-home-si-saam-1909-7-30","My Day at Home",{"_42":720,"_221":721,"_323":722,"_325":-5,"_326":723,"_328":724,"_330":-5,"_331":-5,"_332":-5,"_140":103},"24 1/8 x 30 1/8 in. (61.3 x 76.6 cm)",76.6,61.3,1.246684350132626,[705,706,707,708,709],{"_220":299,"_221":300,"_42":301,"_302":303},"1909.7.30","William H. Howe painted this in 1906, aged 60. It is now at the Smithsonian American Art Museum in Washington, DC.",{"_118":704,"_369":430},"My Day at Home, by William H. Howe, 1906",{"_293":701,"_295":702,"_297":703},"https://img.ochreeditions.com/m/1863.jpg?dl=1","/art/my-day-at-home-si-saam-1909-7-30","/galleries/style/early-modernism/my-day-at-home-si-saam-1909-7-30",{"_289":290,"_291":292},{"_224":696,"_125":697,"_283":698},{"_274":693,"_276":694,"_278":677,"_280":695},91.6,76.44297872340425,61.44297872340425,{"_285":224,"_123":699,"_154":700,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-h-howe","William H. Howe's contemporaries","https://img.ochreeditions.com/a/1863/480.jpg","https://img.ochreeditions.com/a/1863/960.jpg","https://img.ochreeditions.com/a/1863/1920.jpg","William Henry Howe made a name for himself in France and the United States as a painter of animals. His farm scenes provided patrons with an antidote to the unnerving changes in American society brought about by industrialization.",{"_309":718,"_311":719},{"_309":716,"_311":717},{"_309":714,"_311":715},{"_309":712,"_311":713},{"_309":710,"_311":711},"#d6ac6a",0.0913,"#a47235",0.1768,"#764c20",0.1998,"#4a3318",0.2592,"#2a2213",0.2729,"William H. Howe","william-h-howe","born Ravenna, OH 1846-died Bronxville, NY 1929",1846,1929,"nude-with-red-hair-nga-46559","Nude with Red Hair",{"_42":774,"_221":775,"_323":776,"_325":777,"_326":778,"_328":201,"_330":-5,"_331":-5,"_332":779,"_140":93},"united-states","overall: 110.9 x 86.5 cm (43 11/16 x 34 1/16 in.) framed: 138.4 x 113 x 7.6 cm (54 1/2 x 44 1/2 x 3 in.)",86.5,110.9,0.766845703125,[759,760,761,762,763],{"_220":648,"_221":649,"_42":650,"_302":303},"1963.10.84","George Bellows painted this in 1920, aged 38. It is now at the National Gallery of Art in Washington, DC.","A woman with copper-red hair sits partly wrapped in a black cloth, one arm across her chest and a strand of amber beads at her neck, her head turned to look away to the right.","Shown from the knees up, a woman sits partially covered by a black cloth as she holds one forearm across her bare breasts in this vertical painting. The woman has pale, yellow-tinged skin and long, copper-red hair and bangs. Her body faces us, but she turns her head to look off to our right with large blue, wide-set eyes. Her cheeks are flushed, and her full, dark pink lips are closed. A strand of gradually larger amber-yellow beads hangs around her neck, and she wears a gold-colored bracelet on the arm braced across her chest, her left arm, to our right. Glimpses of pale pink nipples are visible. The voluminous black cloth drapes down over one shoulder and across her hips. She wears a ring on the other hand, which emerges from the cloth to rest on that knee. Piles of garnet red, peridot green, and forest green are piled up to chest height behind her, and the background is nickel gray around her body and darkens to black around the top and side edges. The scene is loosely painted, especially in the fabric and background. The artist signed the canvas in the lower left corner, “Geo. Bellows E.S.B.”",{"_293":756,"_295":757,"_297":758},"https://img.ochreeditions.com/m/1526.jpg?dl=1","/art/nude-with-red-hair-nga-46559","/galleries/style/early-modernism/nude-with-red-hair-nga-46559",{"_289":290,"_291":292},{"_224":749,"_125":750,"_283":751},{"_274":746,"_276":747,"_278":748,"_280":731},100.0431884765625,125.9,85.0431884765625,{"_285":224,"_123":754,"_154":755,"_140":93},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":752,"_154":753,"_140":577},"era/20-united-states","20th-century United States","artist/george-bellows","More by George Bellows","https://img.ochreeditions.com/a/1526/480.jpg","https://img.ochreeditions.com/a/1526/960.jpg","https://img.ochreeditions.com/a/1526/1920.jpg",{"_309":772,"_311":773},{"_309":770,"_311":771},{"_309":768,"_311":769},{"_309":766,"_311":767},{"_309":764,"_311":765},"#592620",0.0497,"#755d33",0.0603,"#c6a75e",0.0708,"#353227",0.1999,"#1b1a18",0.6193,"George Bellows","george-bellows","American, 1882–1925","American",1882,"Bellows left Ohio State University to study in New York with Robert Henri and became the most celebrated of the younger realists around him.","portrait-of-william-e-norton-si-saam-1982-1-31","Portrait of William E. Norton",{"_42":826,"_221":827,"_323":828,"_325":-5,"_326":829,"_328":830,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1901","25 1/2 x 21 in. (64.8 x 53.3 cm)",53.3,64.8,0.8121468926553672,[811,812,813,814,815],{"_220":299,"_221":300,"_42":301,"_302":303},"1982.1.31","William Penhallow Henderson painted this in 1901, aged 24. It is now at the Smithsonian American Art Museum in Washington, DC.","Portrait of William E. Norton, by William Penhallow Henderson, 1901",{"_293":808,"_295":809,"_297":810},"https://img.ochreeditions.com/m/1961.jpg?dl=1","/art/portrait-of-william-e-norton-si-saam-1982-1-31","/galleries/style/early-modernism/portrait-of-william-e-norton-si-saam-1982-1-31",{"_289":290,"_291":292},{"_224":803,"_125":804,"_283":805},{"_274":800,"_276":801,"_278":802,"_280":786},67.62711864406779,79.8,52.62711864406779,{"_285":224,"_123":806,"_154":807,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-william-penhallow-henderson","William Penhallow Henderson's contemporaries","https://img.ochreeditions.com/a/1961/480.jpg","https://img.ochreeditions.com/a/1961/960.jpg","https://img.ochreeditions.com/a/1961/1920.jpg",{"_309":824,"_311":825},{"_309":822,"_311":823},{"_309":820,"_311":821},{"_309":818,"_311":819},{"_309":816,"_311":817},"#71623c",0.0373,"#c7a572",0.0427,"#393d32",0.2809,"#191b17",0.3011,"#242720",0.338,"William Penhallow Henderson","william-penhallow-henderson","born Medford, MA 1877-died Tesuque, NM 1943",1877,1943,"marigolds-and-tangerines-nga-46553","Marigolds and Tangerines",{"_42":878,"_221":879,"_323":880,"_325":881,"_326":882,"_328":201,"_330":-5,"_331":-5,"_332":-5,"_140":101},"1924","switzerland","overall: 65.3 x 54.2 cm (25 11/16 x 21 5/16 in.) framed: 88.9 x 77.8 x 8.8 cm (35 x 30 5/8 x 3 7/16 in.)",54.2,65.3,0.823974609375,[863,864,865,866,867],{"_220":648,"_221":649,"_42":650,"_302":303},"1963.10.78","Félix Vallotton painted this in 1924, aged 59. It is now at the National Gallery of Art in Washington, DC.","This painting shows a large jug filled with orange flowers on a woven brown surface, with three small oranges placed in front of it. The bottom half of the jug is a brownish-red color, while the top part and handles are a light tan. The jug is centered, with flowers extending slightly to the sides. The flowers in the vase are surrounded by dark green leaves and buds. The wall behind the vase is a light gray color, and the vase casts a light shadow on it.",{"_293":860,"_295":861,"_297":862},"https://img.ochreeditions.com/m/1522.jpg?dl=1","/art/marigolds-and-tangerines-nga-46553","/galleries/style/early-modernism/marigolds-and-tangerines-nga-46553",{"_289":290,"_291":292},{"_224":855,"_125":856,"_283":857},{"_274":852,"_276":853,"_278":854,"_280":838},68.8055419921875,80.3,53.8055419921875,{"_285":224,"_123":858,"_154":859,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-felix-vallotton","Félix Vallotton's contemporaries","https://img.ochreeditions.com/a/1522/480.jpg","https://img.ochreeditions.com/a/1522/960.jpg","https://img.ochreeditions.com/a/1522/1920.jpg",{"_309":876,"_311":877},{"_309":874,"_311":875},{"_309":872,"_311":873},{"_309":870,"_311":871},{"_309":868,"_311":869},"#a45739",0.0643,"#878274",0.0995,"#7b6244",0.1671,"#a6a392",0.2951,"#5a4b42",0.374,"Félix Vallotton","felix-vallotton","Swiss, 1865–1925","Swiss",1865,"old-woman-cma-154286","Old Woman",{"_42":938,"_221":939,"_323":940,"_325":941,"_326":942,"_328":830,"_330":-5,"_331":-5,"_332":-5,"_140":103},"c. 1923–24","russia","Framed: 88.9 x 78.7 x 8.6 cm (35 x 31 x 3 3/8 in.); Unframed: 65 x 54 cm (25 9/16 x 21 1/4 in.)",54,65,0.8297058823529412,[923,924,925,926,927],{"_220":919,"_221":920,"_42":921,"_302":922},"Courtesy of the Cleveland Museum of Art","1988.94","Chaïm Soutine painted this in about 1923–24, aged about 30. It is now at the Cleveland Museum of Art.",{"_118":917,"_369":918},"Old Woman, by Chaïm Soutine, c. 1923–24",{"_293":914,"_295":915,"_297":916},"https://img.ochreeditions.com/m/746.jpg?dl=1","/art/old-woman-cma-154286","/galleries/style/early-modernism/old-woman-cma-154286",{"_289":290,"_291":292},{"_224":909,"_125":910,"_283":911},{"_274":906,"_276":907,"_278":908,"_280":890},68.93088235294118,80,53.930882352941175,{"_285":224,"_123":912,"_154":913,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-chaim-soutine","Chaïm Soutine's contemporaries","https://img.ochreeditions.com/a/746/480.jpg","https://img.ochreeditions.com/a/746/960.jpg","https://img.ochreeditions.com/a/746/1920.jpg","In the nearly 200 portraits Chaïm Soutine painted, he was remarkably consistent in his approach:he almost always painted solitary, unidentified models, seated in half- or three-quarter-length poses facing frontally with hands placed on the hips or folded in the lap, as seen here.","Text from the Cleveland Museum of Art.","cma","cleveland-museum-of-art","Cleveland Museum of Art","Cleveland",{"_309":936,"_311":937},{"_309":934,"_311":935},{"_309":932,"_311":933},{"_309":930,"_311":931},{"_309":928,"_311":929},"#834d2e",0.1383,"#58533f",0.1798,"#6c4c37",0.2046,"#956e46",0.2246,"#373630",0.2527,"Chaïm Soutine","chaim-soutine","Russian, 1893–1943","Russian",1893,"church-bells-ringing-rainy-winter-night-cma-127227","Church Bells Ringing, Rainy Winter Night",{"_42":992,"_221":993,"_323":994,"_325":777,"_326":942,"_328":995,"_330":-5,"_331":-5,"_332":-5,"_140":103},"December 1917","watercolor and gouache over graphite on wove paper","Sheet: 77.2 x 50 cm (30 3/8 x 19 11/16 in.); Secondary Support: 77.5 x 50 cm (30 1/2 x 19 11/16 in.)",50,77.2,0.6517647058823529,[977,978,979,980,981],{"_220":919,"_221":920,"_42":921,"_302":922},"1949.544","Charles Burchfield painted this (December 1917), aged 24. It is now at the Cleveland Museum of Art.",{"_118":976,"_369":918},"Church Bells Ringing, Rainy Winter Night, by Charles Burchfield, December 1917",{"_293":973,"_295":974,"_297":975},"https://img.ochreeditions.com/m/586.jpg?dl=1","/art/church-bells-ringing-rainy-winter-night-cma-127227","/galleries/style/early-modernism/church-bells-ringing-rainy-winter-night-cma-127227",{"_289":643,"_291":644},{"_224":968,"_125":969,"_283":970},{"_274":965,"_276":966,"_278":967,"_280":950},74.31623529411765,101.2,50.31623529411765,{"_285":224,"_123":971,"_154":972,"_140":89},{"_285":125,"_123":638,"_154":639,"_140":640},{"_285":283,"_123":752,"_154":753,"_140":577},"artist/contemporaries-of-charles-burchfield","Charles Burchfield's contemporaries","https://img.ochreeditions.com/a/586/480.jpg","https://img.ochreeditions.com/a/586/960.jpg","https://img.ochreeditions.com/a/586/1920.jpg","Burchfield considered this drawing among the greatest accomplishments of his “golden year.”",{"_309":990,"_311":991},{"_309":988,"_311":989},{"_309":986,"_311":987},{"_309":984,"_311":985},{"_309":982,"_311":983},"#c0b8a9",0.0971,"#928c7e",0.1726,"#6b6659",0.2366,"#292824",0.2459,"#4a473d",0.2478,"Charles Burchfield","charles-burchfield","American, 1893–1967",1967,"sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","Sketch for Mosaic, Wisconsin State Capital, \"Justice\"",{"_42":1042,"_221":1043,"_323":1044,"_325":777,"_326":200,"_328":1045,"_330":-5,"_331":-5,"_332":1046,"_140":95},"ca. 1912","14 1/8 x 27 1/4 in. (35.9 x 69.3 cm.)",69.3,35.9,1.9788918205804749,[1027,1028,1029,1030,1031],{"_220":299,"_221":300,"_42":301,"_302":303},"1983.114.2","Kenyon Cox painted this in about 1912, aged 56. It is now at the Smithsonian American Art Museum in Washington, DC.","Sketch for Mosaic, Wisconsin State Capital, \"Justice\", by Kenyon Cox, ca. 1912",{"_293":1024,"_295":1025,"_297":1026},"https://img.ochreeditions.com/m/1965.jpg?dl=1","/art/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2","/galleries/style/early-modernism/sketch-for-mosaic-wisconsin-state-capital-justice-si-saam-1983-114-2",{"_289":290,"_291":292},{"_224":1019,"_125":1020,"_283":1021},{"_274":1016,"_276":1017,"_278":1001,"_280":1018},84.3,50.0196,35.0196,{"_285":224,"_123":1022,"_154":1023,"_140":95},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":752,"_154":753,"_140":577},"artist/kenyon-cox","More by Kenyon Cox","https://img.ochreeditions.com/a/1965/480.jpg","https://img.ochreeditions.com/a/1965/960.jpg","https://img.ochreeditions.com/a/1965/1920.jpg",{"_309":1040,"_311":1041},{"_309":1038,"_311":1039},{"_309":1036,"_311":1037},{"_309":1034,"_311":1035},{"_309":1032,"_311":1033},"#9a2c10",0.0371,"#395859",0.0996,"#6c5d3b",0.2041,"#5b3b28",0.3218,"#a17949",0.3374,"Kenyon Cox","kenyon-cox","American, 1856–1919",1919,"Cox trained in Cincinnati, Philadelphia and Paris, where he studied with Carolus-Duran and Jean-Léon Gérôme, before settling in New York in 1883.","watercolor-no-31-landscape-with-clouds-si-saam-1966-34-4","Watercolor no. 31, Landscape with Clouds",{"_42":1094,"_221":1095,"_323":1096,"_325":-5,"_326":1097,"_328":1098,"_330":-5,"_331":-5,"_332":-5,"_140":103},"ca. 1930","watercolor","20 x 14 in. (50.8 x 35.6 cm)",35.6,50.8,0.6876666666666666,[1079,1080,1081,1082,1083],{"_220":299,"_221":300,"_42":301,"_302":303},"1966.34.4","Allen Tucker painted this in about 1930, aged 64. It is now at the Smithsonian American Art Museum in Washington, DC.","Watercolor no. 31, Landscape with Clouds, by Allen Tucker, ca. 1930",{"_293":1076,"_295":1077,"_297":1078},"https://img.ochreeditions.com/m/1925.jpg?dl=1","/art/watercolor-no-31-landscape-with-clouds-si-saam-1966-34-4","/galleries/style/early-modernism/watercolor-no-31-landscape-with-clouds-si-saam-1966-34-4",{"_289":290,"_291":292},{"_224":1071,"_125":1072,"_283":1073},{"_274":1068,"_276":1069,"_278":1070,"_280":1054},49.93346666666666,65.8,34.93346666666666,{"_285":224,"_123":1074,"_154":1075,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-allen-tucker","Allen Tucker's contemporaries","https://img.ochreeditions.com/a/1925/480.jpg","https://img.ochreeditions.com/a/1925/960.jpg","https://img.ochreeditions.com/a/1925/1920.jpg",{"_309":1092,"_311":1093},{"_309":1090,"_311":1091},{"_309":1088,"_311":1089},{"_309":1086,"_311":1087},{"_309":1084,"_311":1085},"#8a766a",0.0746,"#b9b691",0.1136,"#8394d1",0.1353,"#d8d4e1",0.2958,"#ada4be",0.3807,"Allen Tucker","allen-tucker","born Brooklyn, NY 1866-died New York City 1939",1866,1939,"clara-cook-kellogg-si-npg-s-npg-2006-114","Clara Cook Kellogg",{"_42":1145,"_221":1146,"_323":1147,"_325":-5,"_326":327,"_328":450,"_330":-5,"_331":-5,"_332":-5,"_140":103},"1929","Stretcher: 92.2 × 72.2 × 2.2 cm (36 5/16 × 28 7/16 × 7/8\")",72.2,92.2,0.77825,[1131,1132,1133,1134,1135],{"_220":299,"_221":300,"_42":301,"_302":303},"Courtesy of the National Portrait Gallery, Smithsonian Institution","S/NPG.2006.114","Philip Alexius de László painted this in 1929, aged 60. It is now at the National Portrait Gallery in Washington, DC.","Artist: Philip Alexius de László, Sitter: Clara Margaret Cook Kellogg, Current owner: National Portrait Gallery, Smithsonian Institution",{"_293":1128,"_295":1129,"_297":1130},"https://img.ochreeditions.com/m/1856.jpg?dl=1","/art/clara-cook-kellogg-si-npg-s-npg-2006-114","/galleries/style/early-modernism/clara-cook-kellogg-si-npg-s-npg-2006-114",{"_289":290,"_291":292},{"_224":1123,"_125":1124,"_283":1125},{"_274":1120,"_276":1121,"_278":1122,"_280":1105},86.75465,107.2,71.75465,{"_285":224,"_123":1126,"_154":1127,"_140":89},{"_285":125,"_123":286,"_154":287,"_140":288},{"_285":283,"_123":166,"_154":165,"_140":168},"artist/contemporaries-of-philip-alexius-de-laszlo","Philip Alexius de László's contemporaries","https://img.ochreeditions.com/a/1856/480.jpg","https://img.ochreeditions.com/a/1856/960.jpg","https://img.ochreeditions.com/a/1856/1920.jpg",{"_309":1143,"_311":1144},{"_309":1141,"_311":1142},{"_309":1140,"_311":387},{"_309":1138,"_311":1139},{"_309":1136,"_311":1137},"#bcad97",0.0622,"#857b6c",0.1025,"#534b3c","#2c261a",0.2975,"#19191e",0.3331,"Philip Alexius de László","philip-alexius-de-laszlo","1869–1937",{"_1149":-5,"_1150":1151,"_1152":1153,"_1154":8,"_1155":1156,"_1157":8},"user","csrf","922004afa7b42c8424bb052717053a11b644a622","cartCount",0,"dropLive","legal",[1158,1159,1160,1161,1162,1163,1164,1165,1166,1167,1168,1169],"uploadsEnabled",{"_221":1192,"_20":1193},{"_221":1190,"_20":1191},{"_221":1188,"_20":1189},{"_221":1186,"_20":1187},{"_221":1184,"_20":1185},{"_221":1182,"_20":1183},{"_221":1180,"_20":1181},{"_221":1178,"_20":1179},{"_221":1176,"_20":1177},{"_221":1174,"_20":1175},{"_221":1172,"_20":1173},{"_221":1170,"_20":1171},"credits","Open-Access Credits","accessibility","Accessibility Statement","vulnerability-disclosure","Vulnerability Disclosure Policy","own-photo","Printing Your Own Photo","copyright","Copyright and DMCA Policy","agents","Agent & API Terms","acceptable-use","Acceptable Use Policy","cookies","Cookie Policy","privacy","Privacy Policy","limited-editions","Limited Editions and Certificates","sale","Terms of Sale","terms","Terms of Use"]